[
    {
        "id": 204316,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 84,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n80\n\nthat a Taoist priest entered her chamber. She was indignant and shouted, \"This is my inner room; how dare you, a stranger, come in!\" The Taoist priest said, \"Hurry up, madam, receive your marvellous child!\" Before she had had time to reply, the priest pushed something into her arms and she awoke, and her body was wet with cold sweat. She was frightened and before she could tell her husband all about the dream, she was again seized with a birth spasm. Li Ching went to the sitting room which was adjoining and thought over the matter. Suddenly two maids came out exclaiming “Madam has given birth to a monster!” Li Ching held his sword and rushed into the chamber. The room was filled with red mist which emitted a strong fragrance. A lump of flesh was rolling round the room like a wheel. Li Ching cut it with his sword and a baby jumped out, bathed in red light. The boy was very handsome; his face was as white as powder; on his right wrist was a golden bracelet; and his belly was covered with a piece of red silk gauze, which shone with a golden glow. He was a god, a re-incarnation (avatar) of the Ling-chu-tzu (Master of the Intelligent Pearl) and was destined to be the vanguard under Marshal Chiang Tzu-ya.\n\nTo give birth to a lump of flesh is something unusual in Chinese legends. But similar cases can be cited from the Buddhist sutras translated into Chinese as early as the third century. In the tale of Putrah (7) in chüan 7 of the Avadanasataka (# E), it is said that \"when the Buddha was in the country of Kapilavastu (E6) under the nyagrodha tree (ficus Indica), there was an elder who was very rich and his treasures were abundant and beyond measure. He married a wife from a notable family whom he loved very much, and with music and dances he used to entertain her. Now she conceived and when ten months elapsed she gave birth to a freak—a lump of flesh. The elder was vexed about it and thought it inauspicious. In the Fu-kuo Chi (DE \"A Record of Buddhistic Kingdoms\") under the \"stupa in the Vaisali” (œÊME) it is recorded,\n\n+\n\n·\n\n•\n\n•\n\nOn the upstream of the Ganges River there was a king whose concubine gave birth to a lump of flesh. The formal wife was jealous and said it was inauspicious, so she ordered this lump to be put in a wooden box and thrown into the river. Another king went out for an excursion on the river and opened the box in which he found a thousand babies who were extraordinarily handsome and dignified. The king took care of them until they grew up, when they were brave\n\n23 No. 20, The Tripitaka in Chinese.",
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    {
        "id": 204326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 94,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n90\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n\"build for me a temple on the Ts'ui-p'ing Hill that I may be worshipped for a certain period and thereafter I can be reincarnated.\" When she awoke, she cried bitterly, and told the request to Li Ching. Li Ching was exasperated, and blamed his son once more for the disaster he had brought on them. No-cha repeated his request in vain on several successive nights and at last he warned the mother, \"You know that my temper is bad. If I lose my control over it, you know who will suffer.\" The mother was scared and sent some servants to go secretly to the Hill and build the temple with an image of No-cha set up in it. The temple of No-cha attracted many pilgrims and the incense burnt to him was ever increasing.\n\nOne day, after inspecting his troops at drill Li Ching, with a troop of soldiers, was passing the place. He saw many pilgrims flocking to the place and asked his aid-de-camp, \"Why is this hill thronged with people?\" \"For the last six months the god of this temple has performed miraculous deeds and answered the prayers of his worshippers. Therefore pilgrims from every quarter come to worship him,\" the officer answered. \"What is the name then of this god?\" Li Ching asked. \"The temple is called the Spiritual Palace of No-cha.\" \"No-cha! What!\" Li Ching was enraged, and ordered, \"Stop! I want to go to the temple myself.\" He dismounted at the entrance to the temple and entered the hall in which a lifelike image of his son was erected with some idols as his retinue. Li Ching pointed to the image and rebuked it, \"While you were living you were a source of trouble to your parents. And now, look, you even deceive the people after your death!\" He wielded his whip and smashed the image to pieces, and kicked away the other images. He ordered his troops to set fire and burn down the temple, and the multitude dispersed.\n\nWhen his father visited the temple No-cha had just entered into meditation in such a way that his spirit disappeared from the throne. On his return he found the temple had been burnt to ashes, and his retinue came to him with tears in their eyes. After he was told what had happened, No-cha grumbled, \"I have returned what I got from you and broken off all our relations. Why should you come here to molest me, burn down my place and leave me with no fixed abode?” No-cha's souls after half-a-year had acquired some nourishment through the food offered to him and was somewhat visible, so he went instantly to Mt. Ch'ien-yüan and appealed to his master. The Immortal T'ai-I said, \"Since you returned the flesh and bones to your parents, Li Ching had no right to interfere with the offerings. But Chiang Tzu-ya is soon to descend from the K'un-lun Mountain to help King Wu and",
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    {
        "id": 204331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 99,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.",
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    },
    {
        "id": 204332,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 100,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch \n\nRASHKB and author \n\n96 \n\nVol. 1 (1961) \n\nISSN 1991-7295 \n\n(h) The name of Chin-cha does not appear in the prompt-book Hsi-yu-chi of the \"Four Travels\", but it appears in Ch.83 of Wu's Hsi-yu-chi, in a paragraph which is now open to question. \n\n(i) In Ch.38 of the Fêng-shen, the monster Lung-hsü Hu (A) when stirred up by Shên-kung Pao (A), was prepared to devour Chiang Tzu-ya, and exclaimed when seeing him approach, \"If one could eat a slice of the flesh of Chiang Shang, he would prolong his life for a thousand years more!\" This idea does not appear in the \"Four Travels\", but is repeated twice in Chs. 32 and 40 of Wu's Hsi-yu-chi to the effect that if anyone could eat a slice of the flesh of Hsüan-tsang he would prolong his life. \n\n(j) In Ch.45 of the Fêng-shen Yen-i, in order to break through the ranks of the Boisterous Wind Array (RAM), a “wind-stopping pearl\" (L) was to be borrowed from the Immortal Tu-O (EXA). Now in Ch.59 of Wu's Hsi-yu-chi, Sun Wu-k'ung was fanned away by the wind and he had to borrow a \"wind-stopping pill\" (A) from the Bodhisattva Ling-chi (M). This story does not appear in Ch.37 of the Hsi-yu-chi in the \"Four Travels\". \n\n(k) In Ch.34 of the Hsi-yu-chi in the \"Four Travels” when the black ox of Lao-tzu stole its master's diamond ring and descended from heaven with it, though it fought fiercely with many gods it never encountered the gods of the Department of Fire. But in Ch.51 of Wu's Hsi-yu-chi, it fought against many genii of the Department of Fire whose weapons were fire-dragons, fire-horses, fire-crows, fire-rats, fire-swords, fire bows and fire arrows. The fire-crows first appeared in Ch.9 of the Nan-yu-chi and both the fire-crows, fire arrows and fire-dragons appear in Ch.64 of the Fêng-shên Yen-i and were a part of the arms of Lo Hsüan (). The \"fire-horse\" may be derived from the \"horse of red smoke\" (ch'ih-yen chù *), a mount of Lo Hsüan, \n\nThe above points when considered separately may be regarded as accidental and some of them may even be refutable, but as some of them seem to be invulnerable and when they are found together in the same book, it would be ridiculous to overlook their significance. And besides, it is easy to sum up a long story and to write a synopsis of it as is done in Ch.83 of Wu's Hsi-yu-chi, but it would be a very difficult and thankless task to develop a short paragraph into a thrilling story of some twenty thousand words. Therefore, it is reasonable to believe that these",
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    {
        "id": 204452,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 84,
        "title": "RAS-1962",
        "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\nTABLE 1\n\n73\n\nCHINA'S MINORITY POPULATIONS IN ORDER OF SIZE,\n\n1. Chuang\n\n2. Wei-wu-erh (Uighur)\n\n3. Hui (Dungan)\n\n4. Yi (Lolo, etc.)\n\n1953\n\n5. Tsang (Tibetan)\n\n6. Miao\n\n7. Man (Manchu)\n\n8. Meng-ku (Mongol)\n\n9. Pu-yi\n\n10. Ch'ao-hsien (Korean)\n\n11. Tung\n\n12. Yao\n\n13. Pai (Pai-man)\n\n14. Ha-sa-k'e (Kazakh)\n\n15. Ha-ni\n\n16. T'ai\n\n17. Li\n\n18. Li-su\n\n19. Tu-chia\n\n20. She\n\n21. K'a-wa (Wa)\n\n22. Kao-shan (Malay-Polynesian)\n\n23. Tung-hsiang\n\n24. Na-hsi (Na-khi)\n\n25. La-hu\n\n26. Shui\n\n27. Ching-p'o (Singpho, Kachin)\n\n28. Ko-erh-k'e-tzu (Kirghiz)\n\n29. T'u (Mongor)\n\n30. Ta-kuan-erh (Daghor)\n\n31. Mo-lao\n\n32. Ch'iang\n\n33. Pu-lang (Palaung)\n\n34. Sa-la (Salar)\n\n35. Ngo-lo-ssu (Russian)\n\n36. K'e-lao\n\n37. Hsi-po (Sipo)\n\n38. Mao-nan\n\n39. A-chang\n\n40. T'a-chi-k'e (Tadjik)\n\n41. Wu-tzu-pieh-k'e (Uzbek)\n\n42. Nu\n\n43. T'a-t'a-erh (Tatar)\n\n44. O-wen-k'e (Evenki)\n\n45. Pao-an\n\n46. Yü-ku (Sara Uighur)\n\n47. Peng-lung\n\n48. Tu-lung\n\n...\n\n7,000,000\n\n3,640,000\n\n3,559,000\n\n3,250,000\n\n2,775,000\n\n2,511,000\n\n2,418,000\n\n1,463,000\n\n1,247,000\n\n1,120,000\n\n712,000\n\n665,000\n\n567,000\n\n509,000\n\n481,000\n\n478,000\n\n360,000\n\n317,000\n\n300,000 *\n\n286,000\n\n210,000\n\n200,000\n\n155,000\n\n143,000\n\n139,000\n\n133,000\n\n101,000\n\n70,000\n\n53,200\n\n44,100\n\n43,100\n\n35,600\n\n35,000\n\n30,600\n\n22,600\n\n20,800\n\n19,000\n\n18,400\n\n17,700\n\n14,400\n\n13,600\n\n12,700\n\n6,900\n\n6,200\n\n4,900\n\n3,800\n\n2,900\n\n2,400\n\n2,200\n\n450\n\nO-lun-ch'un (Orochun)\n\n50. Ho-che (Nanai)\n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).\n\nHere is the revised response in HTML format using Markdown table syntax for the table:\n\n  \n    Order\n    Minority Population\n    Population (1953)\n  \n  \n    1\n    Chuang\n    7,000,000\n  \n  \n    2\n    Wei-wu-erh (Uighur)\n    3,640,000\n  \n  \n    3\n    Hui (Dungan)\n    3,559,000\n  \n  \n    4\n    Yi (Lolo, etc.)\n    3,250,000\n  \n  \n    5\n    Tsang (Tibetan)\n    2,775,000\n  \n  \n    6\n    Miao\n    2,511,000\n  \n  \n    7\n    Man (Manchu)\n    2,418,000\n  \n  \n    8\n    Meng-ku (Mongol)\n    1,463,000\n  \n  \n    9\n    Pu-yi\n    1,247,000\n  \n  \n    10\n    Ch'ao-hsien (Korean)\n    1,120,000\n  \n  \n    11\n    Tung\n    712,000\n  \n  \n    12\n    Yao\n    665,000\n  \n  \n    13\n    Pai (Pai-man)\n    567,000\n  \n  \n    14\n    Ha-sa-k'e (Kazakh)\n    509,000\n  \n  \n    15\n    Ha-ni\n    481,000\n  \n  \n    16\n    T'ai\n    478,000\n  \n  \n    17\n    Li\n    360,000\n  \n  \n    18\n    Li-su\n    317,000\n  \n  \n    19\n    Tu-chia\n    300,000 *\n  \n  \n    20\n    She\n    286,000\n  \n  \n    21\n    K'a-wa (Wa)\n    210,000\n  \n  \n    22\n    Kao-shan (Malay-Polynesian)\n    200,000\n  \n  \n    23\n    Tung-hsiang\n    155,000\n  \n  \n    24\n    Na-hsi (Na-khi)\n    143,000\n  \n  \n    25\n    La-hu\n    139,000\n  \n  \n    26\n    Shui\n    133,000\n  \n  \n    27\n    Ching-p'o (Singpho, Kachin)\n    101,000\n  \n  \n    28\n    Ko-erh-k'e-tzu (Kirghiz)\n    70,000\n  \n  \n    29\n    T'u (Mongor)\n    53,200\n  \n  \n    30\n    Ta-kuan-erh (Daghor)\n    44,100\n  \n  \n    31\n    Mo-lao\n    43,100\n  \n  \n    32\n    Ch'iang\n    35,600\n  \n  \n    33\n    Pu-lang (Palaung)\n    35,000\n  \n  \n    34\n    Sa-la (Salar)\n    30,600\n  \n  \n    35\n    Ngo-lo-ssu (Russian)\n    22,600\n  \n  \n    36\n    K'e-lao\n    20,800\n  \n  \n    37\n    Hsi-po (Sipo)\n    19,000\n  \n  \n    38\n    Mao-nan\n    18,400\n  \n  \n    39\n    A-chang\n    17,700\n  \n  \n    40\n    T'a-chi-k'e (Tadjik)\n    14,400\n  \n  \n    41\n    Wu-tzu-pieh-k'e (Uzbek)\n    13,600\n  \n  \n    42\n    Nu\n    12,700\n  \n  \n    43\n    T'a-t'a-erh (Tatar)\n    6,900\n  \n  \n    44\n    O-wen-k'e (Evenki)\n    6,200\n  \n  \n    45\n    Pao-an\n    4,900\n  \n  \n    46\n    Yü-ku (Sara Uighur)\n    3,800\n  \n  \n    47\n    Peng-lung\n    2,900\n  \n  \n    48\n    Tu-lung\n    2,400\n  \n  \n    49\n    O-lun-ch'un (Orochun)\n    2,200\n  \n  \n    50\n    Ho-che (Nanai)\n    450\n  \n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).",
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 161,
        "title": "RAS-1963",
        "content_text": "NOTES AND QUERIES\n\n145\n\nSeptember 1834 stated: \"The English barbarians have always been very cunning. Hitherto they have squatted in Macao and have coveted Ta Yu Shan.1 Towards the end of this memorandum he wrote: \"Moreover your minister has dispatched three hundred picked troops from [his] Regiment and appointed the tu-ssu2 (? 'Captain') Hung Fa-k'e to go to Macao to reinforce the garrison. As to the fort[s] on Ta Yü Shan we have sent an officer there to take measures for defence and secretly to make dispositions at every place, without arousing suspicion. As soon as it is ascertained that the barbarians are peaceful we will withdraw them.\"\n\nThese precautions were confirmed by an edict issued to the members of the Grand Council dated the 28th day of the 8th month of the 14th year of Tao-kuang's reign (30 September 1834) which contained the following words: \"Junior officers and men must be dispatched to the places both inside and outside the provincial capital and to the neighbourhood of Macao and to the forts of Ta Yü Shan, and patrolling must be increased without arousing suspicion, and precautions taken unostentatiously.\n\nInside the walls of the old fort there is now a flourishing Government-subsidised school and it all looks very neat and peaceful; very different from the time when active preparations were made there to repel a possible attack from the British.\n\nIt would be interesting to know more about this fort and also the one at Fan Lau. Can anyone add any further information?\n\nJ. L. CRANMER-BYNG.\n\n1 The Chinese name of the island called by foreigners Lantao. Text in Shih-liao hsün-k'an, #21, 765b, column 6.\n\n2 Ibid., 766, columns 11-12.\n\n3 There was another fort on Lantao at Fan Lau on the Southwest corner of the island,\n\n4 Tung-hua hsü-lu. Reprinted in Chiang T'ing-fu, Chin-tai Chung-kuo wai-chiao shih tzu-liao chi-yao, Vol. I, p. 10, columns 12-13.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    {
        "id": 205152,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 108,
        "title": "RAS-1966",
        "content_text": "The Hanlin Academy\n\n103\n\nFrom 1647 onwards, probationers were required to study either the Manchu language or the Chinese Classics. The number of probationers taking the Manchu course, however, declined as time went on. In the reign of Yung-cheng, only about fifteen scholars were ordered to read the Manchu course, the rest, about forty, took the Chinese course.9 In the next reign (Ch'ien-lung), the aggregate number of probationers studying the Manchu course was about ten each year, and even this small number would sometimes be reduced, as those who took long sick leaves would change to study the Chinese course after their return.10\n\nThe qualification for taking up the Manchu course was physical rather than literary. Only the young and the good-looking with a pleasant voice were selected. Presumably, the reason for such a choice is that probationers studying the Manchu course would have more contacts with the Emperor and senior officials than the others. They were the persons likely to be selected as masters of ceremony in official ceremonies. In the pursuit of the course, the probationers would be called upon to study the \"History of the Liao dynasty, the Chin dynasty, and the Yüan dynasty\" (Liao Chin Yüan shih), \"the Sacred Edicts of the Emperor Hung-wu, the first Emperor of the Ming dynasty\" (Hung-wu pao-hsün), the \"Daily Exposition of the Meaning of the Book of Great Learning\" (Ta-hsüeh yen-i jih-chiang) and the \"Commentaries of the Four Books\" (Szu-shu chieh-i).11\n\n12\n\nProbationers doing research work on the Chinese texts took lessons in Chinese Classics, history and poetry. Together with those reading the Manchu language, they had to sit for a final examination after three years of study. Probationers studying the Manchu course were tested on their ability to translate from Chinese to Manchu and vice versa, whereas those reading the Chinese Classics were each ordered to compose a poem of set form or a piece of irregular verse and to write an argumentative discussion or an eight-legged essay.13\n\nNotice that the final examination of the probationers laid emphasis on the literary skill of writing essays and poems rather than on administrative knowledge. This was because of the need to distinguish \"real\" from \"false\" talent among the candidates. Themes on administrative problems, useful though they might be in testing the practical knowledge of candidates when they were original,",
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        "id": 205168,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 124,
        "title": "RAS-1966",
        "content_text": "The Hanlin Academy\n\n119\n\nAppendix II\n\nGlossary\n\nChang-yüan hsüeh-shih #4±\n\nChang-ch'un yüan ††E\n\nChi-chu kuan $\n\nChiang-yen E\n\nChien-t'ao at\n\nHsiu-chuan 174\n\nHsüeh-shih #+\n\nHu-tsung\n\nHung-Wu pao-hsün RAHM\n\nJih-chiang 14\n\nJu-chih shih-pan kuan 1fHT\n\nK'ang-hai R\n\nKuo-shih hsiu-shu ch'u XOTË\n\nLi-fan yüan JEAM\n\nLiao Chin Yüan-shih žƒ\n\nLiu-Li\n\nNan-shu fang 4*\n\nPan-shih kuan T\n\nPien-hsiu I\n\nSheng yü\n\nShih-chiang M\n\nShih-chiang hsüeh-shih 1444±\n\nShih-lu k\n\nShih-tu it\n\nShih-tu hsüeh-shih ***±\n\nShu-ch'ang kuan &*❀\n\nShu-chi-shih t\n\nSzu-k'u ch'üan-shu\n\nSzu-shu chi-chu #*#\n\nTa-hsüeh yen-i jih-chiang ★HA¤#\n\nYu-tieh #\n\nYung-cheng E",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 205279,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 41,
        "title": "RAS-1967",
        "content_text": "34 \n\nJEN YU-WEN \n\nregular) palace, tien, was for the Queen Mother Young and was called by the name of Ts'u-yuan Tien (18. \n\nIt is reasonable to imagine that when they arrived in Kowloon their manner of life was practically the same as later in Ya-shan. The royal party with their attendants and the generals and ministers with their families went ashore followed by a number of royal guards, while the rest of the one hundred thousand soldiers had to stay on the boats. I believe that the royal party, including the mother Queen, Tuan Tsung, his younger brother and their closest attendants, were welcomed by the Salt-field Administrator, who was the chief official of the area, and accommodated in the better and more permanent houses in Kuan-fu Tsai. It is said that at the foot of the Kuan-fu Tsai Hill there was a large, flat stone which the Queen Mother used as her dressing table and hence it was called the Queen Mother's Dressing Stone, wang-mu shu-chuang shih (14†). The others had to live in the several villages and houses and huts which were hurriedly built with whatever materials were available in the area, such as bamboo, wood, mud, straw, stones, etc. No magnificent and beautiful palaces or mansions could have been built, owing to lack of time they stayed for only two months and want of the better class of building material. Such temporary houses must have spread all over the area. \n\nA close scrutiny of the earlier government maps show that the terrain in this area was very suitable for habitation. There was a brook which ran south from the northern mountainous area. There was another one running east from the valley between the two pincers on the northern end of the Kuan-fu Mountain. The two brooks converged on the western side of the Sacred Hill to form the Ma-tau-ch'ung, (i.e. stream), which then flows into Kowloon Bay. Thus there was enough fresh water for drinking, cooking and other purposes for thousands of people. It was in this large plain that the Kuan-fu Travelling Palace of Southern Sung was located (see map). \n\nIX. THE REST OF THE ITINERARY \n\nHaving encamped at Kuan-fu for two months from the 4th to the 6th, being the summer of 1277, the royal party, now threatened by the advent of the Mongols, moved on by boat with all",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
        "rank": 0
    },
    {
        "id": 206138,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 218,
        "title": "RAS-1970",
        "content_text": "BOOK REVIEWS\n\n211\n\nto a local princess. Fifteen years later he hears that his mother and several members of his family are guarding the Chinese border very close to where he is. When the play starts, he is longing to see his own people again, and his wife, the princess, makes him admit the reason for his sadness to her and also his identity. She agrees to help him to get out of the barbarian camp on condition that he comes back the next day. The most dramatic moment of the play is the brief encounter between Ssu Lang and his mother and his first Chinese wife. However, he keeps his word and returns.\n\nThe second play is a farce. The philosopher Chuang Tzu tests his wife. He pretends to be dead and reappears under the form of a young handsome scholar. He seduces his wife and even persuades her to break open the coffin in which her husband lies to remove his heart to make a medicine for him. However, when the wife opens the coffin, the philosopher reappears and confounds her. She commits suicide from shame.\n\nBesides the translations, the book also includes a general introduction to Chinese opera, some photographs of scenes from the two plays, detailed explanations of extracts from Ssu Lang visits his mother (the latter have been recorded on tape and are available from the publisher), a glossary of Chinese theatre terms and an index.\n\nBy choosing these two plays, the author has presented nearly all the different kinds of Chinese opera characters (only the painted faces are not represented). Both plays are very well known and often played; for example here in Hong Kong, by the Chun Chau Peking Opera School in Lai Chi Kok Amusement Park. Ssu Lang visits his mother was, moreover, played two months ago in the City Hall by a group of amateurs; and famous airs from this opera are as well known to the Chinese as are the famous airs of Verdi to Italians. The background explanation is an excellent summing-up of what must be known in order to enjoy a Chinese opera; and if one wants to know more, one can read the Chinese Classical Theatre by the same author. This earlier book speaks in generalities, but here A. C. Scott gives two precise examples and shows how the principles of Chinese operas work in a given play.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206240,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 57,
        "title": "RAS-1971",
        "content_text": "THE DEBATE ON NATIONAL SALVATION \n\n51 \n\n12 In June, 1885, Li Hung-chang signed an agreement with the French minister to China, Jules Patenotre, in Peking. The outline of the agreement was as follows: \n\n1. Annam was to become a French protectorate; \n\n2. The ports Lao-kay and Lang-son were to be opened for international trade; \n\n3. The French were to withdraw from Kee-lung and Peng-hu ; \n\n4. The French were to be the sole builders of all railways in Annam. An additional agreement was also signed in 1887. By this agreement Long-Chou and Mong-tzu were to be opened as trading ports, the prohibition of opium-smoking was to be revoked and the French were to have all privileges in South-east China. Cf. Liu Pei-hua, op. cit. \n\n13 Cf. Kung Kuang-te (Compl), P'u-tien chung-fen chi Foochow Machiang chan-shih ta-luch ching-hsing, Vol. 2, 22a; T'sai-chiao Shan-jen, \"Chung-Fa Ma-chiang chan-i chih hui-yi” also Chung-Fa Chan-cheng, Vol. 3, pp. 115-140. \n\n14 Liu Pei-hua, op. cit., pp. 121-122.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206800,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 77,
        "title": "RAS-1973",
        "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n71\n\n23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, \"The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958).\n\n24 CTS, chüan 89; HTS, chüan 116.\n\n25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation.\n\n26 CTS, chüan 89; HTS, chüan 116.\n\n27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291.\n\n28 Hsiang Ta, pp. 38-39.\n\n29 Ibid., Schafer, p. 21.\n\n30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows:\n\n嬰獒龍門之綠桐，玉壺美酒清若空口\n\n催舷梯往與君飲，看朱成碧顏始缸口\n\n胡姬貌如花，當爐笑春風，笑春風，\n\n笑春風，舞羅衣，君今不醉將安歸。\n\nThe translation here follows Schafer's.\n\n31 Hsiang Ta, pp. 41-47.\n\n32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28.\n\n33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175.\n\n34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960).\n\n35 Schafer, p.\n\n36 Chuang Shen, pp. 408-416.\n\n37 Ibid., pp. 440-443.\n\n38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240.\n\n39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 206814,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 91,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES BY 19TH CENTURY KWANGTUNG ART COLLECTORS\n\nCHUANG SHEN*\n\nIntroduction: Chinese Paintings and the Compilation of Art Catalogues\n\nAlthough wall painting is the most historic form of Chinese painting, few of them survive today. With regard to other types of painting, Ku K'ai-chih's \"Admonition of Court Ladies\" (Nu-shih-chen t'u), a work executed in the fourth century Chin dynasty, is the earliest in date and exists in the form of a small handscroll. In the sixth century Sui dynasty, there appeared Chan Tzu-chien's \"Spring Outing\" (Yu-ch'un t'u), which is a large horizontal hanging scroll. During the seventh to ninth centuries T'ang dynasty, screens (both p'ing, unmovable; and chang, movable) were widely used.\n\nViewing these in terms of practicality, no matter whether the format is a horizontal handscroll, or a vertical hanging scroll, or even a folding screen, they are all paintings with a portable form. Due to this portability and their much smaller size in comparison with wall painting, there has appeared ever since the fourth century a large number of art collectors in China.\n\nAfter the T'ang and the Sung dynasties, collecting ancient paintings became very popular; and when their collections grew to be quite sizable, art collectors began to feel a need to compile catalogues. According to documentary materials that are now known to us, the earliest painting catalogue is Pei Hsiao-yuan's \"History of Imperial and Private Painting Collections in the Chen Kuan Era\" (Chên-kuan kung-ssu hua-shih). This title, apparently dating from early T'ang, indicates that there was no clear-cut distinction between imperial and private collections, both being considered together for cataloguing purposes. However, by the Sung dynasty, we find this is no longer the case.\n\n* Mr. Chuang Shen (S. C. Chuang) is BA (Taiwan) and MA (Princeton) and Lecturer in the Chinese Department of the University of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 101,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 102,
        "title": "RAS-1973",
        "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
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    },
    {
        "id": 206826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 103,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.",
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    },
    {
        "id": 206833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 110,
        "title": "RAS-1973",
        "content_text": "104\n\nCHUANG SHEN\n\nlogue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors.\n\nB. Carelessness in Proof-reading\n\nThe deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min?\n+ in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added,\n\nWang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1\n\n12\n+\n\nIn chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century?",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 115,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207582,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 350,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n341\n\n16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien \"Dictionary of Ancient and Present Place Names in China\", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province.\n\n17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u.\n\n18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616.\n\n19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366.\n\n20 Ibid., p. 1359.\n\n21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: \"Chu-lin ch'i-hsien yen-chiu\" \"A study of the Seven Talents of the Bamboo Grove\", 1966, Taiwan.\n\n22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province.\n\n23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: \"The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China\", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168.\n\n24 Tsang Li-ho and others, op. cit., p. 923.\n\n25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850.\n\n26 The Chinese title reads: \"44415447\".\n焦山看月分得辇字\n\n27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition).\n\n28 The Chinese title reads: \"9493A7”.\n同作分得月字“\n\n29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360.\n\n30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b.\n\n31 The Chinese title reads: \"宿佛日淨慈\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n倪龍瘢痕\n\n32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n\n33 The Chinese title of this poem reads: \"...\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207918,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 306,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n291\n\n* This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads:\n\n\"The rain song in youth I heard from song bedroom 樓上\n\nred candle setting behind a satin screen *****\n\nolder and travelling I heard rain in a boat #\n\nhuge river, low clouds, ***›\n\na goose crying in the west wind parted from the flock. $$$\n\nK\n\nNow when I hear the rain, in a hermit's cell MET\n\nmy hair has long turned grey 11\n\nsorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N ·\n\nFor the English translation, see John Scott: Love and Protest (1972, London), p. 118.\n\n9 see Wang Chao-yung, op.cit. p.7.\n\n10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10.\n\n11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces.\n\n12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists.\n\n13 See Chu-tsing Li: \"Landscape painting in Kwangtung during Ming and Ch'ing\", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4.\n\n14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self.\n\n15 See Lin Po-ting *** \"Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539,\n\n16 See Lin Po-ting: ibid, p. 535.\n\n**MFIL\n\n17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144.\n\nAs to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido\", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544.\n\n18 See Chuang Shen: op.cit. p. 21.\n\nUniversity of Hong Kong,\n\nMarch 1977.\n\nCHUANG SHEN",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 208031,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 70,
        "title": "RAS-1977",
        "content_text": "54\n\nTien-Shui\n\nHui-Hsien\n\nW. A. REYNOLDS\n\nNINGSIA\n\nKANSU\n\nYung-Ping\n\nYEN-AN\n\nKan-Cho\n\n-Chu\n\nSlo-Pa\n\nKien Rateni (?)\n\n \n-Cheng\n\nCheng-Ku\n\nHan-Chang\n\nDigi-Hsiang (?)\n\n?\n\nSHENSI\n\nNan-Hsing\n\nturng (?)\n\nWEI HO\n\nHsing-Ping\n\nPAO-CIT\n\nHung-Hua-Pu\n\nHSIA Fang\n\nKuang-Shih-Pu\n\nHONAN\n\nLo-Chuan\n\nHiao-Ho-Kou\n\nHuang-Ling\n\nI-Chun\n\nSHANSI\n\nRiver\n\nKuang-Tiao\n\nChien-La (?)\n\nTru-Tung (?)\n\nHien-Yang\n\nTe-Yang\n\nSun-Tai\n\nWan-Yuan\n\nLo-Heh-Pa\n\nShuang-Po-Chang\n\nSZECHWAN\n\nTa-Haien\n\nRs In-Tu (?)\n\nCHENG-TU\n\nSui Ning\n\n \nden-Yang (?)\n\nLa-\n\nTung-an\n\nIzu-Yang (?)\n\nPeng-Ch\n\nChu-Hsien\n\nCHANG\n\n CETAM (?)\n\n-Nan-Char (?)\n\nTa-Chu\n\n-Ch:\n\neng/An\n\n1in-Shui (?)\n\nChung\n\n ́ung-\n\nLo\n\nJung-Shi\n\nHei-Chiark\n\nP1-Shi (?)\n\nhg-Chuan (?)\n\n\"Lung-Chiang\n\nKWEI CHOW\n\nHUPEH\n\nHIUNAN (?)\n\nSzechuan & Shensi Main Road System 1946. Scale: 1:3,000,000. Figure Map of Szechuan & Shensi showing routes.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208335,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 59,
        "title": "RAS-1978",
        "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI\n\n43\n\nhad had made another image of Ti Chu ( ), (the tutelary deity of the home) which he presented for consecration so that it could be efficacious and able to expel all demons and evils, protect his family and bestow the three abundances (blessing, long life and off-spring) on him, his family and all his future generations. The slip also referred in passing to the \"secrets of Lao Tzu”, “the magic of Erh Lang\" \"the five Thunder Magic\" and the \"Lei Kung\"4, as charms, witnesses or aides. The image of Ti Chu was carved and decorated as a bearded and seated elderly man, in robes and wearing a tall, decorated hat. His right hand is holding his robe edge. The original colours have faded, but faintly discernible are the red of the robe and a flash of gilt on the hat.\n\nThe second image (Plate 3), also from Wu Kang county but from a different area, is of an unidentified female, surnamed Jen (£). It was presented at the City God Temple for dedication in 1903 prior to being placed on the family altar. Her decoration, red, blue and white paint, is chipped but still quite bright. She is wearing red robes with a blue and white decorated shoulder cape, and open-winged bird headdress. The slip of paper in the back of this image says that \"worshipper Yin Chang-kung, together with his son, daughter-in-law, sister-in-law, younger brother and four nephews, all of Shuang Chiang Chiao, Shan Men (about sixty kilometers north of Wu Kang), on the 16th day of the 9th moon of the 29th day of Kuang Hsü (4th November 1903) offered sacrifices to the Gods at the City God temple, reporting to them that he had had an image made of a lady surnamed Jen, and presented it to undergo consecration prior to its installation in the family shrine for the perpetual worshipping by and protection of the whole family\". Six other images in the shipment were identical or almost so, to this image, but the cavities in their backs had been emptied before they arrived in Hong Kong.\n\nThe third image (Plate 4) from Wu Kang county, again from Shan Men, was dedicated in 1871 at the City God temple. This one is identified as Duke Wei, (±), protector of the family of the person who commissioned the carving, Yin Tso-fan, and of their domestic animals and poultry. The slip of paper calling itself a \"Viscera and Stomach Document\" () relates that devotee Yin (#) together with his wife, five sons, grandson and others, on the 25th day of the 4th moon, of the 10th year of Tung Ch'ih (June",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208976,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 138,
        "title": "RAS-1980",
        "content_text": "106\n\nJULIAN F. PAS\n\nTherefore we next light a lamp in front of the Primordial Old One (Lao Tzu Heavenly Worthy) to clarify (signify) the proceeding and descent of the Third Ch'i from the Original August One,34\n\nThe parallelism between the Taoist and the Christian Triad or Trinity should be left out of the discussion here; what is significant in this context, however, is how the trinitarian formula in each case is used in the new-light ceremony. Another, minor, detail is the raising of the chanting tone in the two cases: the deacon chants “Lumen Christi” three times in successively higher intonations; the Taoist “deacon” or tu-chiang, repeats three times the phrase chanted by the high-priest, elevating his tone of voice.\n\n(iv) The liturgical procession. After the new light has been struck and carried into the temple, a procession takes place in which Taoist high-priest and all his assistants participate. The Christian version is a little different: the new light, struck outside the sanctuary, is carried into the darkened church during a procession in which all those present participate. Although the details differ, the main ritual event of a light-procession is strikingly similar.\n\n(v) The context of both rituals leaves considerable room for speculation. Although in the case of the Taoist fen-teng, the ritual context has become rather obscure, still, a careful analysis of this context may open up new avenues of interpretation. The context in question are two rituals which in the present chiao celebration, as witnessed in Taiwan, as well as in the older ritual texts derived from China, seem always to follow the fen-teng. These two rituals, already mentioned above (p.95) are: the \"rolling up of the screen\" and the “sounding of bell and chime”.35 It appears that the connection between these two and the fen-teng is rather uncertain and is probably not older than the Sung dynasty. As M. Saso mentions, not all Taoist priests perform the ritual at the same time or in the same ritual context.36 In other words, the phenomenological significance of these two rituals is not obvious and new speculations are possible. If again the Christian Easter rituals are called upon, it is possible to come up with a plausible interpretation of the three ritual acts as a whole: the Christian Easter celebrations contain indeed three similar rituals of which the relationship is clearly understandable. Although the historical links are still left out of the discussion here, the very structure of the Christian ritual may throw light on its Taoist counterpart and help us to understand the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209055,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 217,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n185\n\n(A), object of worship by the Taoist priesthood. The common people consider Yü-huang Ta-ti, or the Jade Emperor as the supreme head of the divine hierarchy, whereas the Taoist priests worship as their highest creative powers the Three Pure Ones, the Celestial Worthy of the Original Beginning, the Celestial Worthy Ling-Pao and the Celestial Worthy Tao-Te.\n\nAs a religious organization, Taoism is divided into several sects, each of which has its own emphasis or specialty, roughly corresponding with five major areas of Taoist concern: good conduct, study of classic literature, alchemy (in modern times rather \"inner\" alchemy, or the search for longevity by \"nourishing one's vital energy\"), magical and religious rites, and finally divinatory practices.\n\nThe philosophical ideas of Lao-tzu and Chuang-tzu slowly permeated Chinese society. \"In office a Confucian, in retirement a Taoist\" became the tag of the scholar-official and even his Confucianism, after the thirteenth century, was to a large extent philosophical Taoism in disguise (H. Welch, The Parting of the Way. Boston, Beacon Press, 1957, p. 158). The Neo-Confucians borrowed the Taoist concept of an underlying unity, which \"does\" nothing (i.e., does not make any purposive effort) but accomplishes everything. They took the old Confucian concept of the Rites, li, and extended it to include the laws of nature as well as of man. They also adopted the Taoist goals of minimizing desires, returning to the purity of one's original nature, and identification of the individual with the universe.\n\nThrough the centuries, the Taoist influence on Chan Buddhism, which appealed particularly to intellectuals, flourished in China from the T'ang through the Sung dynasties and in Japan from the time of the Sung until today. The Japanese call it Zen, which \"rejects verbal teaching, disregards logic, discards morality, and regards Heaven and Earth as unkind. It sees no value in good deeds. The only way to be saved is to do nothing about it. Zen believes that salvation, in fact, is a return to our original nature, that no one else can do it for us, and that doing it makes us into the most ordinary and wonderful people\" (H. Welch, The Parting of the Way, p. 159).\n\nBecause the Chinese and Japanese cultures were considered in Japan to be essentially the same, due to the pan-Asian concept dobun doshu (same script, same race), Taoism spread from China...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209058,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 220,
        "title": "RAS-1980",
        "content_text": "188\n\nWILLIAM Y. CHEN\n\nHan-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974.\n\n憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC\n\nHsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970.\n\n洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p.\n\nLC\n\nHsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963\n\n蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p.\n\nLC\n\nHu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935.\n\n胡哲敷,老莊哲學,上海,中華書局,1935.1 v.\n\nCA\n\nKaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815.\n\n益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v.\n\nKan ying lei ch'ao, Taipei, 1967.\n\nBC\n\n感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p.\n\nLC. SA\n\nKimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959.\n\n木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p.\n\nLC\n\nKo, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968.\n\n葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p.\n\nLC, SA\n\nLao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968.\n\n老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p.\n\nLC\n\nLi, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975.\n\n李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p.\n\nBC, LC\n\nLi, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972.\n\n李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p.\n\nBC\n\nLi, Tao-shun. Chung-hochi. Taipei, 1957.\n\n李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p.\n\nLC, SA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209060,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 222,
        "title": "RAS-1980",
        "content_text": "190\n\nWILLIAM Y. CHEN\n\nOyanagi, Shigeta, 1870–1940. Rō-Sō no shiso to Dōkyō.\n\nTokyo, 1943.\n\n小柳司氣太,老莊の思想匕道教,東京,關書院,1943.\n\n13, 392 p.\n\nCA, LC\n\nPao sung pao ho chi. Hongkong, 1962.\n\n寶松抱鶴記.覺慈編輯,香港,雲鶴山房,1962.\n\n14, 492 p.\n\nLC\n\nShan-yin-chu-shih. Tao ling fa man t'an. Kowloon, 1977.\n\n山隱居士,導靈法漫談,九龍,青山出版社,1977.\n\n186 p.\n\nLC\n\nShimode, Sekiyo, 1918– Dōkyō. Tokyo, 1971.\n\n下出積與,道教.東京,評論社,1971.254 p.\n\nCA, LC\n\nT'ai-wan tao shih ming chien. Hu-wei-chen, Yün-lin hsien.\n\n1977.\n\n台灣道士名鑑.主編廖和桐,雲林縣虎尾鎮,道德文化出版*\n\n*, 1977. 49, 6 leaves.\n\nLC\n\nTakeuchi, Yoshio, 1886– Rō-shi to Sō-shi. Tokyo, 1935.\n\n武内義雄,老子莊子.東京,岩波書店,1935.\n\n1 v.\n\nCA\n\nT'an, Ch'iao. T'an-tzu hua shu Chuang-Lieh shih lun ho k'an.\n\n Taipei, 1961.\n\n譚峭,譚子化書,莊列十論合刊,台北,自由出版社.1961.\n\n85 p.\n\nLC, SA\n\nT'ao, Hung-ching, 456–536. Chen kao. Taipei, 1965.\n\n陶弘景撰,真誥.台北,台灣商務,1965.\n\n2 v. (255 p.)\n\nCA, SA\n\nT'ao, Shih-yü, fl. 1690–1694. Chou-i ts'an-t'ung-ch'i mo wang.\n\n Taipei, 1962.\n\n陶式玉,周易參同契脉望,台北,自由出版社,1962.\n\n1 v.\n\nLC, SA\n\nTao-chiao yen chiu tzu liao. Pan-ch'iao, 1974–\n\n道教研究資料,嚴一萍編,台北縣板橋,藝文印書館,\n\n1974- v.\n\nLC, SA\n\nTao shu ch'üan chi chen pen. n.p., 16-\n\n道書全集真本. n.p.,嵩秀堂藏版.16-32v.\n\nCA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209062,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 224,
        "title": "RAS-1980",
        "content_text": "192\n\nWILLIAM Y. CHEN\n\nYüan, Chou-tsung. Lao-tzu shen shih chi ch'i ping hsieh ssu hsiang t'an tse. Taipei, 1977.\n\n袁宙宗,老子身世及其兵學思想探賾,台北,台灣商務,1977. 280. [20] p.\n\n2. BIBLIOGRAPHIES AND INDEXES 目錄與索引\n\nCheng-t'ung Tao-tsang mu lu so yin. Pan-ch'iao, 1977, LC\n\n正統道藏目錄索引,原編者施博爾,改編者李殿魁,台北縣板橋,藝文印書館,1977 490. 64 p. LC\n\nChuang-lin hsü Tao-tsang. Taipei, 1975.\n\n莊林續道藏,莊陳登雲守傳,台北,成文出版社,1975. 25 v. (33,7496 p.)\n\nChung wai Lao-tzu chu shu mu lu. Taipei, 1975. SA\n\n中外老子著述目錄,嚴靈峯編纂,台北,中華叢書編審委員,1957. 12, 380, 6 p. LC\n\nKyoto Joshi Daigaku. Toshokan. Min seitohon Dōzo shomei jikaku sakuin. Kyoto, 1965.\n\n京都女子大學圖書館,明正統道藏書名宇畫索引,京都,該館,1965. 11, 64, 2, 5 p. CA\n\nLieh chen yi lu chi yao. Taipei, 1958.\n\n列真語錄輯要,孫誠德.李誡志編輯.台北,自由出版社,1958. 2. 122 p.\n\nMi tien chu lin. n.p., 19–\n\n秘殿珠林,n.p., 19- 8v. LC, SA, CA\n\nTao-tsang mu lu hsiang chu. Taipei, 1975.\n\n道藏目錄詳註,李杰註.台北,廣文書局,1975. 10, 4, 4, 326 p.\n\nTao-tsang tzu mu yin te. Peking, 1935. CA, LC\n\n道藏子目引得,翁獨健編,北平,哈佛燕京學社,1935. xxxvi. 216 p.\n\nTonkō bunken bunrui mokuroku. Tokyo, 1969. SA\n\n敦煌文獻分類目錄:道教之部,吉岡義豐編,東京,東洋文庫,1969. 83 p. LC",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 225,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n193\n\nTonkō dokei mokuroku. Kyoto, 1960.\n\n敦煌道經目錄,大淵忍爾編,京都,法藏館,1960.\n\nxv, 123, 5 p.\n\nCA\n\nYen, Ling-feng, 1916– Lao-Lieh-Chuang san tzu chih chien shu rru. Taipei, 1965.\n\n嚴靈峯,老、列、莊三子知見書目,台北,中華叢書編審委員會,1965. 3 v. in 2.\n\nLC\n\n3. SACRED BOOKS 經典\n\nCh'ing-ching-ching Hsüan-men-pi-tu ho k'an. Taipei, 1966. 清靜經玄門必讀合刊.無名子,李二曲合著,台北,自由出版社,1966. 8, 79, 2, 1, 12, 7 p.\n\nChuang-tzu. Taipei, 1969.\n\n莊子,沈洪選註,台1版,台北,台灣商務,1969.\n\n[20], 10 p.\n\nChuang-tzu chi shih. Taipei, 1974.\n\nLC, SA\n\nLC\n\n莊子集釋,郭慶藩輯,台景印3版,台北,河洛圖書出版社,1974. 8, 1118 p.\n\nLC\n\nHuang-ti yin-fu-ching Huang-t'ing-nei-wai-ching-ching ho kan. Taipei, 1965.\n\n黃帝陰符經,黃庭内外景經合刊,歷代古真輯註,台北,自由出版社,1965. 2, 152, 18 p.\n\nLC, SA\n\nHuang-t'ing-ching mi. Taipei, 1965.\n\n黃庭經秘義,冷謙註,台北,自由出版社,1965.\n\n2, 124 p.\n\nLC, SA\n\nHuang-t'ing wai-ching yin-fu-ching ho chu. Taipei, 1959. 黃庭外景陰符經合註.石和陽註,台北,自由出版社,1959. 1 v.\n\nLC, SA\n\nHuang-chün-lao-tsu. T'ai shang wu chi hun yüan chen ching. Taichung, 1972.\n\n鴻鈞老祖,太上無極混元真經,台中,鸞友雜誌社,1972. 34 p.\n\nLC\n\nKeng-sang, Ch'u. Sung pen Tung-ling-chen-ching. Shanghai,1928.\n\n庚桑楚.宋本洞靈真經,上海,涵芬樓,1928.\n\n38 double leaves.\n\nCA\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209065,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 227,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\n195\n\nT'ai-shang wu chi ta tao san-shih-liu pu chen ching. Taipei, 1971. 太上無極大道三十六部真經,蕭天石編刊,台北,自由出版,1971. 1 v.\n\nLC, SA\n\nTao-te-ching chiang i. Taipei, 1970. 道德經講義,宋常星註解,台北,三民書局,1970. 3, 69, 68 leaves.\n\nLC\n\nTao-te-ching chieh. Taipei, 1975. 道德經解,呂峦注,台北,廣文書局,1975. 4, 76 p.\n\nLC\n\nWang, Fu-chih, 1619–1692. Chuang-tzu chieh. Taipei, 1974. 王夫之,莊子解,台北,河洛圖書出版社,1974. 4, 4, 2, 286 p.\n\nLC\n\nWen-tzu. Sung pen T'ung-hsüan-chen-ching. Shanghai, 1928. 文子. 宋本通玄真經,徐靈府注,上海,涵芬楼,1928. 2 v.\n\nCA\n\nWu, Chen-chien. Chuang-tzu p'ang chu. Taipei, 1975. 吳承漸,莊子旁注,台北,廣文書局,1975. 2 v. (692 p.)\n\nLC\n\n4. HISTORY OF TAOISM\n\nAkizuki, Kan'ei, 1922– Chugoku kinsei Dōkyō no keiser. Tokyo, 1978. 秋月觀英,中國近世道教の形成,東京,創文社,1978. 264, 20, 17 p.\n\nLC\n\nCh'en, Yüan, 1879– Nan-Sung ch'u Ho-pei hsin Tao-chiao k'ao. Peking, 1941. 陳垣,南宋初河北新道教考,北平,輔仁大學,1941. 112 p.\n\nCA, LC\n\nFu, Chin-chia. Chung-kuo Tao-chiao shih. Shanghai, 1937. 傅勤家,中國道教史.上海,商務,1937. 5, 242 p.\n\nLC\n\nKubo, Noritada. Chugoku no shukyo kaikaku. Kyoto, 1967. 窪德忠.中國の宗教改革,京都,法藏館,1967. 205, 6 p.\n\nCA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209068,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 230,
        "title": "RAS-1980",
        "content_text": "198\n\nWILLIAM Y. CHEN\n\nChang, Yung-ch’eng. Wu-chen-pien chi chu. Taipei, 1962. 張用成,悟真篇集注,台北,自由出版社,1962.\n\n1 v.\n\nLC, SA\n\nChao, Liang-p'i. Hsüan wei hsin yin. Taipei, 1968. 趙兩弼,玄微心印,台北,自由出版社,1968.\n\n2, 25, 15, 19 p.\n\nLC, SA\n\nChao, Pi-chen, b. 1860. Hsing-ming fa chüeh ming chih. Taipei, 1963.\n\n趙避塵,性命法訣明指,台北,真善美出版社,1963.\n\n34, 514 p.\n\nLC\n\nCh'en, Hsien-wei. Wen-shih-chen-ching yen wai ching chih. Taipei, 1965.\n\n陳顯微,文始真經言外經旨,台北,自由出版社,1965.\n\n114, 2 p.\n\nLC, SA\n\nCh'en, Hsü-pai. Hsuan-tsung cheng chih. Taipei, 1966. 陳虛白,玄宗正旨,再版,台北,自由出版社,1966.\n\n2, 6, 152 p.\n\nLC, SA\n\nChiang, K’o-chih. Hsiu tao chuan chih. Taipei, 1964. 蔣克志,修道全指,台北,自由出版社,1964.\n\n100, 22, 50 p.\n\nLC, SA\n\nFang-nei-san-jen. Nan pei ho ts'an fa yao. Taipei, 1958. 方内散人,南北合法要,台北,自由出版社,1958.\n\n4, 198 p.\n\nLC, SA\n\nFu, Chin-ch’üan. Cheng tao i k'uan chen chi. Taipei, 1959, 傅金銓,證道一貫真機,台北,自由出版社,1959.\n\n2 v.\n\nLC, SA\n\nFu, Chin-ch'uan. Hsing t'ien cheng ku Wu-hsing ch'iung yüan ho k'an. Taipei, 1960.\n\n傅金銓.性天正鵲、悟性窮源合刊、台北,自由出版社,1960. 25, 64 p.\n\nLC, SA\n\nHan-ku-tzu. Wu-hsing ch'iung yüan. n.p., 1852.\n\n涵谷子,悟性窮原.n.p.,山陽縣大白洞存版,1852.\n\n2, 2, 38 double leaves.\n\nCA\n\nHsiao, T'ien-shih. Tao hai hsüan wei. Taipei, 1974. 蕭天石,道海玄徽、台北,自由出版社,1974.\n\n15, 691 p.\n\nLC, SA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209071,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 233,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\nYün-chi ch'i ch'ien. Taipei, 1975.\n\n雲笈七籤,張君房輯,台北,台灣商務,1975.\n\n852 p.\n\n201\n\nCA, LC, SA\n\n# 6. BIOGRAPHY OF TAOISM\n\nChang, Ch'i-chün. Chih hui ti Lao-tzu. Taipei, 1976. 張起鈞,智慧的老子.台北,新天地書局,1976.\n\n6, 2, 208 p.\n\n6.2,\n\nLC\n\nChang, Chih-ho. Hsüan-chen-tzu. Taipei, 1966. 張志和,玄真子,台北,台灣商務,1966.\n\n55 p.\n\nSA\n\nCheng, Ch'ang-shih. Hsien hsüeh cheng-chuan. Taipei, 1960. 鄭昌時,仙學正傳,台北,自由出版社,1960.\n\n42, 33 p.\n\nLC, SA\n\nChih-yu-tzu. Taipei, 1966\n\n至游子,撰人不詳,台北,台灣商務,1966.\n\n68 p.\n\nSA\n\nChung-li, Ch'üan. Chung-Lü ch'uan tạo ch’üan chi. Taipei, 1965.\n\n鍾離權,鍾呂傳道全集,台北,自由出版社,1965.\n\n244 p.\n\nLC, SA\n\nHai-ling san-hsien chuan. Shanghai, 1937.\n\n海陵三仙傳,撰人不詳,上海,商務,1937.\n\n9 p.\n\nSA\n\nHsiang an tu. Shanghai, 1933.\n\n香案牘,陳繼儒纂,上海,商務,1933.\n\n1, 2, 13 p.\n\nCA\n\nHsiao yao ti tzu yu jen: Chuang-tzu. Chung-ho hsiang, T'ai-pei hsien, 1967.\n\n逍遙的自由人:莊子,林耀川編譯,台北縣中和鄉,常春樹,1976.\n\n194 p.\n\nLC\n\nHsien li chuan. Shanghai, 1937.\n\n仙史傳,太上隱者輯,上海,商務,1937.\n\n5 p.\n\nCA\n\nHuang, Lu-tseng, 1487-1561. Chung-Lü ĕrh hsien chuan. Shanghai, 1937.\n\n黄魯曾,鍾呂二仙傳,上海,商務,1937.\n\n2, 2 p.\n\nHuang, Yung-liang. Pei-p'ai ch'i chen hsiu tao shih chuan. Taipei, 1965,\n\n黃永亮,北派七真修道史傳,台北,自由出版社,1965.\n\n88 p.\n\nLC, SA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209075,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 237,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\nTu, Wang-chih. Ju Fo Tao chih hsin yang yen chiu. Taipei, 1968.\n\n205\n\n杜望之,儒佛道之信仰研究,台北,明書局,1968. vi, 4, 2, 178 p.\n\nBC, CA, LC\n\nWei, Shou, 506–572. Gisho shakuroshi no kenkyū. Kyoto, 1961.\n\n魏收,魏書釋老志の研究,京都,佛教文化研究所出版部,1961. 5, 7, 544 p.\n\nCA, LC\n\nWu, I, 1939- Ch'an yü Lao-Chuang. Taipei, 1970.\n\n吳怡,禪與老莊.台北,三民書局,1970. 4, 2, 185 p.\n\nLC\n\nWu, Yao-yü. San-chiao li ts'e. Taipei, 1976.\n\n吳耀玉,三教蠡測,台北,新文學出版公司,1976. 804, [34] p.\n\nLC\n\nYamemuro, Saburo, 1905– Jukyō to Rō-Sō. Tokyo, 1966.\n\n文室三良,儒教老莊,東京,明德出版社,1966. 210 p.\n\nBC, LC\n\nYang-chen-tzu. Kuan t'ung san-chiao yang chen chi. Taipei, 1966.\n\n養真子,贯通三教養真集,台北,自由出版社,1960. 1 v.\n\nLC, SA\n\nYang, Fu. Ch'an hsüan hsien chiao pien. Shanghai, 1936.\n\n楊溥. 禪玄顯教編.上海,商務,1936. 1 v.\n\nCA\n\nYoshioka, Yoshitoyo, 1916– Dōkyō to Bukkyō. Tokyo, 1959.\n\n吉岡義豐、道教佛教,東京,日本學術振興會,1959. v.\n\nCA, LC\n\n8. ALCHEMY AND HYGIENE\n\nChang, Sung-ku. Tan-ching chih nan. Taipei, 1959.\n\n張松谷,丹經指南,台北,自由出版社,1959. 1 v.\n\nLC, SA\n\nChang, T'ung. Chang San-feng t'ai chi lien tan mi chüeh. Taipei, 1976.\n\n張通,張三丰太極鍊丹秘訣,台北,自由出版社,1976. 2, 268 p.\n\nLC, SA",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 210094,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 65,
        "title": "RAS-1984",
        "content_text": "44\n\nJULIAN PAS\n\n6. Hou-wang ling-ch'ien 14, published by Tsui-ching tang f**, Canton, n.d. (block print edition; 64 oracles).\n\n7. Pei-ti ling-chien w, published by Wu-kui t'ang in Canton, n.d. (block print; 50 oracles, identical with above Shang-ti ling-ch'ien).\n\n(iv) Oracles reproduced in the Tao-tsang\n\n1.\n\n2.\n\n3.\n\n4.\n\n5.\n\n6.\n\n✯ (−TT), 1977 Taipei reprint. Szu-sheng chen-chin ling-ch'ien 145, vol. 54, pp. 44056-44080, TT. 1298 (1 scroll; 49 oracles).\n\nHsian-chen ling-ying pao-ch'ien KERAK, vol. 54, pp. 44081-44137, TT. 1299 (3 scrolls; 365 oracles, divided over 12 daily hours each of which has 30 slips, i.e. 360 plus one slip for each of the five agents).\n\nTa-tz'u hao sheng chiu-t'ien wei-fang Sheng-mu yilan-chun ling-ying pao-ch'ien KkP;AMP@!#MEW, vol. 54, pp. 44138-44150, TT. 1300 (1 scroll; 99 oracles).\n\nHung-en ling-chi chen-chân ling chien light hi. Vol. 54, pp. 44150-44154, TT. 1301 (1 scroll; 53 oracles).\n\nLing-chi chen-chün chu-sheng ling ch’ien OBZIRAR, vol. 54, pp. 44155-44159, TT. 1302 (1 scroll; 64 oracles).\n\nFu-t'ien kuang-sheng ru-i ling-ch'ien KQE✯, vol. 54, pp. 44160-44190, TT. 1303 (1 scroll; 120 oracles).\n\n7. B-2 Hu-kuo chia-chi chiang-tung-wang ling-ch'ien ARMORIA, vol. 54, pp. 44193-44213, TT. 1305 (1 scroll; 100 oracles).\n\n8. Hsuan-t'ien Shang-ti kan-ying ling-ch'ien K, vol. 60, pp. 48479-48506 (49 oracles).\n\n(v) 1. Sham Francis, Trans., Kwun Yum Fortune Slip Predictions. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1983. (This set corresponds with the Kuan Yin set found in Lukang; B-11 and -12).\n\n2. Sham Francis, Trans., Predictions of Wong Tai Sin. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1984. Chai, Tung-yeh # !f, \"Ling-chien malo-chii” NUE.\n\n3. Heaven-Earth-man Journal Ke (published in Taichung, Taiwan), no. 1 (1968), 117-147.\n\nB. Studies\n\n1. BAUER, Wolfgang, China and the Search for Happiness. Recurring Themes in Four Thousand Years of Chinese Cultural History. (Translated from the German by Michael Shaw.) New York: The Seabury Press, 1976 (German Ed.: 1971)\n\n2. EBERHARD, Wolfram, \"Oracle and Theater in China\", pp. 191-199, Studies in Chinese Folklore and Related Essays, The Hague: Mouton, 1970.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 307,
        "title": "RAS-1984",
        "content_text": "286\n\nCHOI CHI CHEUNG\n\nThe Cheung lineage was not prosperous until the Tao Kuang (*) period. Ancestor Yao-chih (2) of the 2nd sub-lineage became a successful merchant, and through his generous donation, an Ancestral Hall for the whole lineage was built. The Ancestral Hall of the Ya-kang segment was built in the middle of the Chia Ching period by the effort of ancestor I-pi ( ), brother of Ah-lum's grandfather (see clan record, Tz'u yu pu (3) section, Tz'u T'ang Chi (2) sub-section pp. 1-4). Though the lineage had several National School students (B), no one succeeded in the official examinations until the end of the Ch'ing dynasty when they had three chüren (A). Two of them were Ah-lum's sons. Ah-lum's father was also a National School Student who earned his living by teaching in the villages nearby (see the biography of Ah-lum's father in the Clan record, Chi-ching pu (it) section, Hang Chuang ((HA) sub-section p. 5).\n\nThis man is not otherwise mentioned in the Clan record.\n\nAccording to Ah-lum's statement as given in court, \"he first came to the colony at only 18 years of age. He was first employed by Mr. Bigham, who went to California; after that by Mr. Franklyn; then by Murrow, Stephenson & Co.; then by Mr. De Silver, for whom he made biscuits, as well as did other business see: British Parliamentary Papers, China, no. 24: Hong Kong, P. 183. (= BPP 24:183).\n\nThe Russell was owned by Russell & Co., and the Shamrock by Mr. Xavier, c.f. BPP 24:170 and 173.\n\nSee BPP 24:164–184. The bakery had three machines making bread to supply most of the foreigners in Hong Kong.\n\nSee BPP 24:155-184, and Eitel op.cit. p. 311-313.\n\n10 The Arrow War. The anti-foreigner movement was supported by Yeh Ming-shen (), the Imperial Commissioner for Kwangtung, in Canton. See Wakeman, F. Jr. Strangers at the Gate. 1966, pp. 109ff. Also Eitel op.cit. p. 305.\n\n11 Eitel: op.cit. p. 312-313.\n\n12 According to Chen Kuan-ying (###), Ah-lum was chief of the China Merchants Steam Navigation Co. (TERA) in Vietnam. He owned a shop Hung Tai Ch'ang() in Saigon, and his son Ti-fu (#) was chief manager (*) of the Cambodia Opium Co. (12). Chen Kuan-ying (E), Nan-yu Jih-chi (12), (Diary of a Journey to the South), reprinted 1967, Taiwan, p. 19ff, 81-89. According to the Clan Record Tsa Chi-pu() section, Pa-yu (if) sub-section, p. 1, Ah-lum had businesses in Saigon, Haiphong, Comuponton, and in Nha Trang in Kwangnam (ÂM NHIỀU).\n\n13 According to the clan record, we know that one of Ah-lum's sons was buried in the free cemetery of Haiphong (), and another was buried in the free cemetery of the Canton City Association in Vung Tau, Vietnam (#).\n\n14 In 1884, when Chen passed through Vietnam, Ah-lum was chief manager (*) of the China Merchants Steam Navigation Co. in Vietnam. See Chen: p. 19.\n\n15 Chen: ibid.\n\n16 Clan record, Chi-ching pu (###) section, Ch'i-shou (##) sub-section, pp. 1-4; has two essays presented on this occasion by the gentry of Heung Shan, and by the merchants of the Canton City Association in Vung Tau, Saigon (F#城會館).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210425,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 32,
        "title": "RAS-1985",
        "content_text": "13\n\nMaster Sect of Chang Tao-lin. All these sects claim to have received a special revelation. They all teach that disease is caused by sin and/or demons. Healing must go hand-in-hand with repentance. They all decline the use of medicine but resort to prayer and exorcism. They are all organized into religious sects. Do these similarities among healing sects speak for a type of religious expression? Perhaps, underneath the conscious mind, all men have something in common which, when manifested externally, is constituted along similar lines.\n\nThe second reflection to which I would like to draw attention concerns the association of Tan Tse Tao with Taoism. As can be seen from the history of the Supreme Deity's revelation and the teaching as recorded in Lo's important writings, there is little hint that Tan Tse Tao is a form of Taoism. Yet in its later development, Tan Tse Tao was considered as such by the Patriarch and his disciples. It is in fact at present a member of the Hong Kong Taoist Association. It is not too clear how this could have occurred. Perhaps Patriarch Lo felt that the ineffable quality of the Supreme Deity is the same as the \"Tao\" discussed by Lao Tzu, and that the quiet-sitting is similar to Chuang Tzu's \"sitting in forgetfulness.” Or perhaps he found an identity in the terminology used in his own religion and that of Taoism. Or perhaps the association with Taoism is simply revealed.42 Whatever the reason for the association, it must have provided a strong support by reason of Taoism's reputation as the most ancient native Chinese religion. This association is a parallel to the association of the Heavenly Master's sect with Lao Tzu. Scholars with Confucian sympathies have invariably ridiculed the association of the Han Dynasty faith-healing sect with Lao Tzu. In their minds the faith-healers have simply twisted the meaning of Lao Tzu to fit their own purpose. The association of Tan Tse Tao with Lao Tzu should make us think again. Perhaps the association is not as arbitrary as Confucian scholars make it out to be. Perhaps Maspero's conjecture of a religious base to Lao Tzu is still a live issue.43\n\nThe last notable character about Tan Tse Tao is its exclusive veneration of the Supreme Deity. This practice is unprecedented in Chinese cults. Writers have often drawn attention to the fact",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 211636,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 51,
        "title": "RAS-1989",
        "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212346,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 288,
        "title": "RAS-1990",
        "content_text": "265\n\nKok and Ta Kwu Ling people had established a trust to collect cash and construct this bridge: Chan Sheung-yan (of Luk Keng in the Sha Tau Kok area), and Lei Tsok-san (of Lei Uk in the Ta Kwu Ling area) were the two Chief Managers of this trust, representing the totality of the people of the two areas.\n\nP.H. HASE\n\nI\n\nNOTES\n\n\"Cheang Shan Kwa Tsz. An Old Buddhist Nunnery in the New Territories, and its Place in Local Society”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29, 1989, pp 121-158.\n\nThe documents are contained in a recently recovered genealogy of the Chan clan of Luk Keng. I understand that a copy of this genealogy will be placed on record in the collection of Hong Kong historical documents held at the Chinese University of Hong Kong in due course. I am indebted to Mr. Chan Wing-hoi for drawing my attention to these documents.\n\nII\n\nI am indebted to Mr. P.L. Lau for assistance in the translation of this document.\n\nThe Sha Wan River, unlike the main branch of the Sham Chun River, which flows in a deep and well-defined channel, was a shallow and ill-defined stream, which meandered through a broad valley which it often flooded. This river has now been dammed off to form the Shen Zhen Reservoir.\n\nSee the paper at n. 1 for details of the loss of life in this War.\n\nA VILLAGE WAR IN SHAM CHUN\n\nThe Rev. Carl Smith has drawn attention to the great wealth of material available in the Basel Mission Archive on the history of the Hakka people of Kwangtung Province. When looking through his notes and summaries of important documents I saw a summary of an important document on an inter-village war in Sham Chun (深圳). Through the courtesy of the Mission Archive, a photostat of the document was received, translated, and is published below.\n\nSham Chun lies at the centre of a broad and fertile valley, drained by the Sham Chun River. This river has four main tributaries: the stream which drains the Ta Kwu Ling valley (this stream is considered as the headstream of the main river), the Sha Wan River, which joins the first stream at Kim Hau (or) at the entrance to Ta Kwu Ling, the Sheung Yue (or Beas) River which drains the Sheung Shui/Lung Yeuk Tau area and which enters the main river",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212570,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 124,
        "title": "RAS-1991",
        "content_text": "104\n\nCHINESE FUNERALS: A CASE STUDY\n\nDAN WATERS\n\nThe boast of heraldry, the pomp of power,\n\nAnd all that beauty, all that wealth ever gave\n\nAwaits alike the inevitable hour;\n\nThe paths of glory lead but to the grave.\n\nThomas Gray, Elegy Written in Country Churchyard.\n\nIntroduction\n\nThis paper examines an actual, fairly typical, present-day Chinese death in urban Hong Kong and the funeral services and mourning that follow. Comparisons are made with past customs in Hong Kong, with traditional Hong Kong New Territories funerals and European funerals. Because this paper is largely about Hong Kong, Cantonese terms and Romanisations are mainly used rather than pinyin. Currency quoted is in Hong Kong dollars.\n\nThe author is grateful to Mr Gerald C.S. Siu, manager of the Hong Kong Funeral Home, Doctor James Hayes, the Reverend Carl T. Smith, Mrs Judy Kant Young and other persons and organisations named in this paper. Help varied from recommending source material to providing information.\n\nThe Case Study\n\nOne November night in 1988, a couple received a call saying the wife's mother had been taken to hospital. Shortly after midnight the couple, together with the wife's two younger sisters and two granddaughters, gathered around the corpse.\n\nTraditionally, Chinese hope for a peaceful death in old age with family mustered around the deathbed. In this case the end came suddenly. As Chuang Tzu, sometimes named as the first important Taoist writer, phrased it:\n\nWe are born as from a quiet sleep,\n\nWe die to a calm awakening.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212774,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 83,
        "title": "RAS-1992",
        "content_text": "68\n\nrendered as brevet rank, which Mesny did. 'Ts'an-chiang is an assistant regional commander [tsung-ping kuan], rank 3a in the Chinese forces called the Green Banner. However, according to Brunnert and Hagelstrom, [Present Day Political Organisation of China [1911], translated from the Russian], it equated to Lieutenant Colonel. Mesny lists it as 'Colonel, the lowest grade of general.\n\nBy the latter days of the second Kueichou campaign he appears to have been promoted to the rank of Major-General, and some twelve years later was awarded the rank of Brevet Lieutenant-General, bearing the title for the remainder of his life. As he is portrayed in foreign-style uniform in a photograph in the Miscellany and yet occasionally refers to himself wearing Chinese attire with his Chinese buttons of rank, it is far from clear whether these were genuine ranks or honorary ones awarded to an attached civilian. It is noteworthy that he never refers to himself wearing a mandarin square [the chest badge], though he does mention his cap button. His uniform as an instructor in the army of Tso Tsung-tang consisted of a cap of the French kepi pattern, ornamented with the Chinese coat of arms [two dragons struggling for a burning globe], with a coat and trousers of dark blue navy cloth, ‘nicely braided front, back and sleeves.\n\nMesny explained that between 1868-1871 for two or more years he was in one corps of fifteen2 battalions styled the Ko-i Ch'üan-chün [brigade], part of the Shu-chün, the Szechuan Army Corps; and another for four years with a corps styled Wu-tzu Ch'üan-chün741, also in Kueichou, i.e. from 1871-1874. The latter corps was also in the original Hsiang-chün, [the Hunan Army]. Regrettably this confuses his story rather than clarifying it, as we do not know when he served with the Hsiang-chün unless he means the Wu-tzu corps which in another part of his Miscellany he noted to have been part of the Hunan Force.\n\nAs far as can be ascertained from the jigsaw pieces he has supplied us with, Mesny, when he was with the Szechuan Army Corps in the first campaign in Kueichou province from 1868-1871, and again during the second campaign from 1871-1876 with the Wu-tzu Hunan Army Corps, almost certainly served with one of the new provincial armies which he refers to in his Miscellany as Disciplined Army Battalions.3 At no point does he actually say so in so many words, but bearing in mind the grades he gave for the ranks and styles of the senior officers in his Force and as he was particularly scathing about the proficiency of the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
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    },
    {
        "id": 212801,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 110,
        "title": "RAS-1992",
        "content_text": "Terminology\n\n95\n\nButton : The knobs used by the Manchu dynasty to indicate rank, worn on top of caps. They were either transparent or opaque and, depending on rank, red, blue, white or plain gold.\n\nCash: the only coin cast in Imperial China prior to modernisation in the early twentieth century; a crude copper disk each with a square hole in the centre for convenience in carrying a large quantity, hence the expression ‘strings of cash'. Cash, like taels [see below] lacked uniformity in value, and strings, normally a thousand cash, often were composed of 700 pieces or even 1100 according to the regulations prevailing in the locality at the time. Giles claimed that the name was derived from Caixa, the Moorish name for the coin found at Malacca by the Portuguese in AD 1511.\n\nCh'al-kuan : Orderly Officers. These were men of all ranks, risen from the lowest grades, and were the operative staff of any commander.\n\nChai-tzu #7: a common term for a stockade or more commonly in southern Chinese rural areas, the village outer stockade.\n\nChen-t'ai #✩ : General of Division and an Area Commander\n\nChiang-chün #: General, a rank in the Chinese Imperial army used for commanders of reasonably substantial bodies of men be they regular forces or forces recruited for a specific campaign. Mesny explained that any commander lieutenant-colonel and above was referred to as general, and provided a good example with General Hsieh, the adopted son of General Liu, a major commander in the Szechuan force in which Mesny served. Hsieh was only 22 at the time of the campaign, some four years younger than Mesny. He had been the orderly to General Liu and had been adopted by him as his son after Hsieh had carried Liu off the battlefield, saving his life. General Hsieh's command in the Kueichou campaign consisted of the Left-wing Regiment and its second battalion; he could therefore be a regimental commander equating to a full colonel or brigadier at the most in western parlance. Another example is the \"solitary battalion' under command of General Ho Te-wu, the Chung-tzu Ying, with Ying being a 'force of a number of battalions' or ‘a lone battalion'.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 213064,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 132,
        "title": "RAS-1993",
        "content_text": "113\n\nThe mage in bus cult centre in the village of Pai-chiao ft, between Amoy and Changchou, is swathed in silken robes making it impossible to note any iconographical detail. Images of his parents and his elder brother, but none of his only sister, stand on a secondary altar in the cult centre together with a large metal bowl in which it is claimed that Wu Pen had concocted his herbal remedies. Caretakers in the cult centre point out the site in the village of the house in which Wu Pen had been born and lived out much of his life, and also the place at the end of the village where the sea once lapped the shore long before a series of land reclamations left Pai-chiao ft from the open sea.\n\nIn legend Pao-sheng Ta-ti has thirty-six warriors who carry out his orders under two senior soldiers, General Tieh [or Chao] # [#]19¤ and Marshal Kang. Such retinues have been observed in a number of temples dedicated to Pao-sheng Ta-ti in Fukien, Taiwan and in SE Asia, either with him or on side altars, or in a great number of temples painted individually across one of the temple's side walls as a large mural.\n\nA large tablet dedicated to his parents stands on the rear hall altar of a large temple dedicated to him in Tainan city. One smaller image portrays him with a bowl in his hand and a dragon with a pearl in its mouth before his feet?. Two major statues, at floor level, flanking the altar on which Pao-sheng Ta-ti is the main deity, were identified as Chang Sheng-che ' * P K and Chiang Hsien-kuan Il about whom none of the temple staff could offer any information. They would appear to be Pao-sheng Ta-ti's assistants or guardians. However, in Taiwan other pairs of guardian generals have been identified. These have included Generals Chien and Chao MA and Marshals Kao and Yin á KIM.\n\nAlso in the Tainan temple two assistants on the main altar table are Ts'ai-yeh T'ung-tzu X RM and Tsuo Chih T’ung-tzu, 1⁄2 Youths who Collect the Herbs and Compound the Medicines.\n\nLegends about Pao-sheng Ta-ti's origins, powers of magic and his ability to cure the sick abound. He was regarded not only as a powerful mediumistic protective deity who provided effective prescriptions, he was also believed able to stave off floods or bring much needed rain. He is said to have saved the city of Changchou from plague, and again later from starvation during a prolonged drought. He was also summoned to Court where, either in about AD 1030 he cured the Empress Wen or in AD 1408 when the wife of the Ming emperor suffered from sore nipples.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
        "rank": 0
    },
    {
        "id": 214257,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 115,
        "title": "RAS-1998",
        "content_text": "78\n\nthe Twenty-four Heavenly Lords. The Four, said to be brothers, are believed to have been born during the 11th century BC and are now protectors of Mi-lo Fo. The 16th century novel, Feng-shen Yen-i, describes the popular myths surrounding the defeat of the four Mo-li brothers during the legendary wars of the 12th century BC who fought with their magical weapons but whose main weapon was the white rat which devoured all enemies. However, Yang Chien, the nephew of the Jade Emperor and son of Li Ching [the General with the Pagoda] was swallowed by the white rat but once inside it he ate the rat's heart and at the same time transformed himself into the white rat which was unsuspectingly put back into its bag by one of the Mo-li brothers. Yang Chien stole out whilst the Four brothers were in a drunken sleep and stole the magic umbrella, whilst Na-cha who had fought and defeated them broke their magic jade ring. The Four lost heart, were defeated and slain. The war was followed by their canonisation by Chiang Tzu-ya who appointed them to the posts of the Heavenly Kings, controllers of the elements, from whom people sought protection from calamities.\n\nThere are standard images of all four of the Great Celestial Kings in both the Ta Pei Ssu and the Pi-yun Ssu.\n\nThere has been a certain amount of confusion over the colours, names, and titles of these guardians; even their characteristics and attributes vary from monastery to monastery. Confusion has arisen over the centuries due to non-Buddhist and even pre-Buddhist factors, with every combination to be seen, such as the General of the North with the Umbrella, the General of the West with the Rat or Mongoose, and so on. The most frequently noted observations are as follows:\n\n  \n    Taoist Titles\n    Symbol\n    Characteristics\n    Buddhist title\n    Sanskrit title\n  \n  \n    Mo-li Ch'ing\n    Magic weapons or Sword/lance or Jade Ring or Parasol\n    black face or black beard\n    Ch'ih-kuo T'ien-wang\n    Dhrtarastra 持國天王 or 東方大王\n  \n  \n    \n    [colours: blue/green] or Lyre/lute",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214360,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 218,
        "title": "RAS-1998",
        "content_text": "Some of the waxwork figures of the heroes and warriors listening to Chiang Tzu-ya reading out the list of deifications.\n\nPage 183",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214362,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 220,
        "title": "RAS-1998",
        "content_text": "The terrace of the Deification of the Gods in the Waxworks Museum, with Chiang Tzu-ya reading out the list of deifications.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    }
]