[ { "id": 205341, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 103, "title": "RAS-1967", "content_text": "96\n\nJAMES HAYES\n\nthe Pui O group in South Lantau. Unlike Chan, who had been a newcomer, Cheung's family had been settled in the area for upwards of two centuries before his birth and his father possessed a small number of fields which had descended from his ancestors. The Cheung clan, too, was the most powerful in the sub-district. Its members were settled in five of the nine small villages of the group and included one or two degree holders by purchase among its immediate forebears.\n\nHowever, like Chan, Cheung went into business, but not in the market town and not as an errand-boy, but locally and on his own account. He opened a shop in a small house situated outside the main village of the group and stocked it with goods which he brought over by sampan from the nearby island of Cheung Chau, the local market centre and a fishing port. Again like Chan, Cheung had a good head for business and used whatever money he obtained from his shop to loan sums to other villagers. As usual the loans were made for interest at high rates or in return for mortgages of land. The deeds relating to about a dozen of his mortgages have survived in an old account book. One of them, relating to the year 1898, shows that he was capable of lending what was then, to a farmer, the considerable sum of 120 dollars, the equivalent of 90 ounces of silver in one single transaction. As happened more often than not in deals of this sort, this land, consisting of an acre and a quarter of good paddy fields, was sold to him seven years later.\n\nCheung's career developed along much the same lines as that of Chan Fu-shing. He settled disputes over a considerable area, including villages outside his own group, and helped to arrange various public services, including a regular ferry to the nearby market town of Cheung Chau. Again, he also took the lead in managing the affairs of the local temples and in repairing them when this became necessary.10 It is not certain whether he purchased a degree, but he may well have done so because, as has been said, this was the normal thing for a prospering villager to do at this period.\n\nKUNG FONG-CHAI (***)\n\nThe third member of the trio, Kung Fong-chai (c. 1850-1922) was a Hakka from a village a few miles from the market town of Tai O. Like the Cheungs, the Kung family had been settled on", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 66, "title": "RAS-1974", "content_text": "60\n\nCAROLE MORGAN\n\nOther ceremonies involving dogs are mentioned in the Chou Li, the Chou Book of Rites (a utopian picture of Chou society compiled from late Chou, Chin and Han sources in the 1st Century B.C.). In the nu (（）) sacrifice to drive away pestilence, a dog was dismembered and his remains buried in front of the main gates of the capital.10\n\nThe ba (*) sacrifice to ward off evil required the participation of the Emperor himself. Riding in a jade chariot it was his duty to crush a dog under the wheels of his carriage. An analysis of the character ba clearly shows what took place in the ceremony. The term ba is written with the radical for cart and a phonetic element (（）) which originally meant an animal whose legs had been bound. It was the duty of a specially appointed official to supply a dog of one colour and without blemishes for the sacrifice.12\n\nAccording to one author, Schindler, the origin of using dogs as sacrificial animals dates back to a primitive cult in honour of a dog-shaped god of vegetation whose worship later became amalgamated with that of Shang Ti, god of agricultural production and reigning deity of the Shang pantheon.13 The fact that alone among domestic animals dogs and horses were buried (dogs being wrapped in reed mats and horses in sheets) gives some support to this theory.14\n\nIn Chou times, horses too were used as sacrificial victims. In the ma (（）) ceremony horses were used as chthonic sacrifices to the Earth Goddess;15 and Ssu Ma Ch'ien tells us that Duke Hsiang of Ch'in (776-766 B.C.) sacrificed a red colt to the White Emperor of the West.16 In such cases the horse to be sacrificed was first shot with an arrow and then buried.17\n\nBut as horses became more valuable the practice of using them as sacrificial victims gradually died out. By 103 B.C. Ssu-Ma Ch'ien informs us all live horses had been replaced by wooden statuettes except in cases such as the chiao (*) sacrifice, celebrated by the Emperor himself, during which he informed his ancestors that he was about to undertake a punitive expedition.18\n\nHorses, however, were not only used as sacrificial animals, they were also entitled to a cult of their own.\n\nAccording to the Chou Li it was the duty of an official, the Hsiao Jen, to sacrifice in Spring to the ma tsu (（马祖）), the ancestors of horses. It was the duty of the same official to honour the \"tamer", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207573, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 341, "title": "RAS-1975", "content_text": "332\n\nBOOK REVIEWS\n\nIf other, even earlier historical writings are to be taken into account, the editorial principle for presenting an introduction for each chapter, as Prof. Li has done in his new book, can be further traced to as far back as the 2nd century. For instance, in I-wen chih, \"Records of Literary Documentation”, the 30th chuan of Han Shu (History of the Han Dynasty), all the available documents have been classified, according to their nature, into the following groups: Book of Changes, Book of Documents, Book of Songs, Book of Rites, Book of Music, etc. In each group, before listing all books devoted to the same theme, Pan Ku, the author of Han Shu, also provided many introductory essays; one for each of those groups.\n\nUndoubtedly, namely the old Chinese editorial principle, of presenting an introduction to each chapter, which was first initiated by a historian in the 2nd century and again used by art historians in the 12th and the 14th centuries, has played an important role in Prof. Li's A Thousand Peaks and Myriad Ravines.\n\nI have devoted the rest of this review to a discussion of points of detail on which I differ from Professor Li's findings. These do not detract from Professor Li's considerable contribution to scholarship, but it is appropriate to mention them here for the sake of readers and users of this book.\n\nFirst of all, there happen to be some problems of identification. For example, Figure 52 (A-1) in vol. II deals with a complete set of reproductions of a landscape album dated 1729 by Huang Shen. In leaf 9 (pl. LXXXVI) of this album, in addition to its title and date, this 18th-century artist has also inscribed one 5-word poem. The 16th Chinese character which appeared in the 3rd line of this poem is an adjective which modifies a kind of orange that Huang Shen might have seen locally. This character, in Vol. I, p. 246 is identified by Prof. Li as 'yeh' since its literary meaning is rendered by its English translation as 'wild'. The reviewer questions this. His reasons are two-fold.\n\nIn an old Chinese writing, Yen Tzu chun-chiu … the ancient quibbler Yen Tsu (d. 500 B.C.) once stated that Chinese oranges in Southern Huai area were always good while the same fruit when moved to the Northern Huai area was always bad because of its thick skin.15 In this connection, the title of leaf 9 seems worthy of notice, since it is inscribed by the artist himself as", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208983, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 145, "title": "RAS-1980", "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n113\n\nseven days, although the chiao was called wu-ch'ao (or five days). The fen-teng ritual took place in the evening of the 2nd day of the 5-day celebration, or on the 4th day if the two preliminary days are also counted. This distinction is not sufficiently made clear by K. Schipper in his fen-teng discussion, nor by M. Saso in his chiao monograph.\n\n11 Saso, Cosmic Renewal, p. 73.\n\n12 De Groot, Fêtes Annuellement Célébrées, p. 210.\n\n13 Chou Li, Book 37: Officers in charge of keeping the fires; folio 27: \"They are in charge of receiving, with the mirror fu-su the bright light from the sun; (and) of receiving with the simple mirror, the bright water from the moon.\"\n\nAfter E. Biot, Le Tcheou-li ou Rites des Tscheou (Paris, 1851, Taiwan Ch'eng-wen reprint, 1969), vol. 2, p. 381.\n\n14 See W. Eberhard, Chinese Festivals (Asian Folklore and Social Life Monographs, vol. 38). (Taipei: The Orient Cultural Service, 1972), pp. 65-75.\n\n1 De Groot, Fêtes, p. 219 (My trsl.).\n\n18 To cite one example: the Taoist ritual garments, says de Groot (Fêtes, ch. 1, \"Messe Taoïque\", pp. 61-62) are often embroidered with motifs borrowed from the old imperial sacrificial garments,\n\n17 'Sacramentally' here refers to the sacramental nature of these rituals: A sacramental act is a rite in which both words and deeds not only have a symbolical meaning, but moreover are understood to actually produce the signified effect: here the active pacification-and-expulsion (or control) of the potentially dangerous spirits.\n\n18 The confusion of the various ritual acts of a chiao festival is increased by another rite of great importance in present-day renewal celebrations: the su-ch'i. Here again 'water' and 'fire' are present, but as parts of the total cycle of five agents (active powers). See M. Saso, Cosmic Renewal. pp. 75-77.\n\n10 De Groot, Fêtes, pp. 215-6.\n\n20 Abbot Guéranger, The Liturgical Year. Passiontide and Holy Week. London, 1880 and 1929), pp. 498-499.\n\n21 Ibid., p. 499.\n\n22 Ibid., p. 499.\n\n23 The Easter liturgy has in several instances been changed: the text and rubrics of the modern Roman Missal are different from the old liturgy, used in Abbot Guéranger's text. The present prayer refers in the blessing of the newly lit Easter candle, whereas in Guéranger's text as in the older liturgy it is a prayer to consecrate the incense grains.\n\n24 Ibid., p. 502. The Roman Missal, p. 180.\n\n25 Abbot Guéranger, op. cit., p. 505.\n\n26 Ibid., p. 507.\n\n27 Already J. M. M. de Groot, Fêtes (p. 217), was struck by the similarity of the Taoist and Christian ritual: \"It is beyond doubt that the ceremony of extinction and renewal of fire, which is a custom observed at the same time of the year in the Roman Catholic and Greek churches,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 211959, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 374, "title": "RAS-1989", "content_text": "349\n\ncommon to them. Most of them took place at one small space which I shall refer to as the ritual site. In most of the rituals, the ritual site was the Taoist altar in the main hall. Wherever a rite took place, the focus was one or more tables decorated with red embroidery, and covered with offerings of candle-sticks, incense, tea, wine, and sweets and food. In many cases the images of the gods to whom the rite was addressed were placed on the table. In most of the rites that took place at the Taoist altar, a distinction could be made between an \"inner table\" for the three Pure Ones and an \"outer table\" for the general gods of heaven. The priests put on their different Taoist robes and hats, which, in the main rites, distinguish the high priest from the others, and performed a series of actions to the accompaniment of music, which was played on cymbal, gong, dong-jiu and sona, and in the cases of scripture chanting and a few other rites which consist mainly of chanting, the \"wooden fish\" and \"chime\".\n\nThe other common objects used in the rites included manuals, charms, charm water, a bushel measure, knife, seal, and the faan flags for the Emperors of the Five Directions. To pay their respects to the gods, in many rites the priests held a chiu-gaan tablet before the breast as officials did when received in audience by the Emperor, or held a small incense burner with handles. At certain stages of the rites, typically when reporting their Taoist title and invoking the gods, the priest instructed the ritual representatives to kneel. The bushel measure was on the ritual table during most of the major rites. It contained, besides the faan flags, the sword and seal which represented the power of the Heavenly Master, Zhang Tianshi. With these two symbols of authority the head priest performed his magic steps to purify the ritual area, often using charm water as well. Besides the charms used with water for purification, there were charms for summoning different spirits in the Taoist cosmology.\n\n62\n\nOne of the ritual objects which appeared several times in the series of Taoist rites was the Memorial, which existed in three different forms for different purposes.\n\nIn all its versions the Memorial contained a general statement about the ritual, and a list of all the participants in the ritual, i.e. all the villagers. One version was bound in the form of a book and was usually carried by the no. 1 ritual representative in a paper \"pavilion\". This Memorial was read in summary during the first stage of most rites, and in full in a few major rites. Used in most of the major rites were Memorials in the form of scrolls, which were at the end of the rites sent off to the different sections of the supernatural", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 } ]