[
    {
        "id": 204289,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 57,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n53\n\nthe failure of subscribers to return the books on leaving the country-so that there is a large space occupied by books that are of little value to the Society, or to the public. I would recommend that the Library be inspected, and that those books which are not worth binding anew should be disposed of, and the proceeds be devoted to rebinding those that are worth keeping. In this way, the library will be freed from a good deal of trash, and the really valuable part of it, which is by no means small, could be more easily accommodated in the apartment designed for it, and better fitted for the use of subscribers.\n\nThe reports of the Society for 1844, 1845 and 1846 do not specifically mention the Library, but it is interesting to note that at a meeting of the subscribers in January 1846 it was unanimously resolved, \"That a bust of the late Hon. J. R. Morrison (who had also died, at the early age of 29 in 1843) be immediately commissioned from England, to be placed in the public rooms of the institution of the Morrison Education Society; that a copy of Chinnery's painting of his father (the late Rev. Dr. Morrison) engaged in the translation of the Bible into Chinese, be obtained for the same purpose; that the sum of $1,000 be appropriated to meet the cost, and the expense of placing these memorials in China.\n\nBy 1849 the Society was running into financial difficulties, the premises had to be closed and the Library was packed up. By 1855 it was open to the public again when, according to an advertisement appearing in the Hong Kong Register on 30 October, 1855, \"The Library of the Morrison Education Society, now deposited in a room in the Court House, is open every day from 1 to 4 o'clock p.m. to Members of the Society for the giving out and exchange of Books. Parties, not members of the Society, may obtain the advantages of the Library, on payment of an Annual Subscription of $5. By order of the Trustees, James Legge, Secretary.”\n\nAt the annual meeting of the Society in 1858 the question of the permanent disposal of the Library was scheduled for discussion. In this same year they had accepted on trust a collection of 400 books belonging to the China Branch of the Royal Asiatic Society which had been founded in Hong Kong in 1847 by Sir John Davis, later revived by Sir John Bowring, but which was now defunct. A report of the founding of the Asiatic Society appears in the Hong Kong Register for 1847 with a list of 44 titles of books, prints, etc., which had been presented.\n\nThere had been a growing demand for a proper public library and in May, 1863, the Morrison Education Society issued a circular urging the foundation of such a library in a City Hall and offering its own books and those of the Royal Asiatic Society",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704",
        "rank": 0
    },
    {
        "id": 204540,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 21,
        "title": "RAS-1963",
        "content_text": "16\n\nLINDSAY RIDE\n\nAs we leave the church level to visit the terraces below, it is worth noticing that the corner of the balustrade behind the chapel is adorned with an old piece of Chinese porcelain in the form of a large peach. It is about a foot in diameter and carries on top, another small, almost parasitic one, about two inches in diameter; both have a delightful bluish-grey underglaze. These peaches, Chinese emblems of longevity, are most fitting and reassuring adornments to the approach of a Christian burial ground.\n\nThe three most widely known personalities, and the most frequently visited memorials, in the cemetery are undoubtedly those of Dr. Robert Morrison, D.D., Captain Lord Henry John Spencer Churchill, R.N., the brother of Sir Winston's great-grandfather, and George Chinnery; but these people are so well known that they need neither introduction nor lengthy consideration. Chinnery will be mentioned again in connection with his portraits and we shall have to be content therefore with just one or two observations on the artist himself when we come to his memorial. The Memorials. The Upper Terrace contains forty memorials; thirty-eight of them are to be found on either side of a small central avenue, and the other two are at its far end; they are of Chinnery and Drinker. All these memorials mark the resting places of those most recently buried in the cemetery, from 1850 to 1859, as well as one relatively very recent one who unaccountably gained entrance in 1889, thirty years after the cemetery was closed!\n\nOn the left, as we move along the central avenue from the entrance, the memorials nearly all stand back under palms and shrubs near the retaining wall below the chapel. They include American naval and merchant personnel, an Armenian and a few British. The majority of the Upper Terrace memorials however are on the right, their backs to the Lower Terrace. They include more American seafarers both naval and merchant, missionaries both British and American, a member of Perry's historic mission to Japan, and Joseph Adams, the grandson of the second President and the nephew of the sixth President, of the United States of America.\n\nNames associated with early Hong Kong, for example Duddell of Duddell Street, will be found in this row, as will also that of a famous Danish family of sea captains; in fact Captain Ipland has two memorials",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204541,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 22,
        "title": "RAS-1963",
        "content_text": "PROTESTANT CEMETERY IN MACAO\n\n17\n\nTowards the far end of the terrace a number of children lie buried in a row and this is undoubtedly responsible for the oft repeated comment on the high infant mortality amongst the Europeans living in Macao in those days.\n\nThe two memorials at the far end of the central avenue are very conspicuous; the first is the altar-tomb of Sandwith Drinker, an American sea captain, business man and consul. The other is built into the wall at the end of the avenue, and carries only these two words: GEORGE CHINNERY. He was Macao's great canvas historian.\n\nHe is generally referred to as an Irish artist. If this is correct, it is not because of his place of birth. He was born in 1774 in Gough Square, Fleet Street, London, and not in Ireland. He went to Dublin when a young man, probably because a branch of the family had moved there from East Anglia a few generations previously. Nor is it certain that he was, as is usually claimed, a Member of the Royal Hibernian Academy which was not founded till twenty-one years after Chinnery left Dublin.\n\nWhile in Dublin he formed two attachments which were mainly responsible for the pattern of his future life; one had political repercussions which led to his sudden departure from Ireland and eventually from England to India. The other attachment was a wife; after an all too short period of blissful happiness, he spent the rest of his life trying to evade her. In this he was finally successful, but only by eventually settling in Macao with its haven of refuge from females close at hand in nearby Canton.\n\nChinnery came to Macao in 1825 and died there in 1852. During that time he must have painted hundreds of portraits and pictures of local scenes. Practically no foreigner and certainly no ship's captain left Macao without at least one portrait of himself by Chinnery, and the number of these scattered throughout the world must be vast. Yet it used to be said that this part of the world possessed no examples of his art. However true that was, it is certainly not so now, for the Hong Kong and Shanghai Banking Corporation, acting on the expert advice of our President, has built up a most valuable collection of his paintings. Although Chinnery never did like Hong Kong very much, many examples of his art certainly have a permanent home in our midst now. In the Lower Terrace there are 122 memorials and in our experience the most popular one amongst visitors is that of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204545,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 26,
        "title": "RAS-1963",
        "content_text": "PROTESTANT CEMETERY IN MACAO\n\nAPPENDIX\n\n21\n\nBelow are two lists of those known, or believed, to have been buried in the cemetery or memorialized in its Chapel. The first list is arranged alphabetically, and the second according to the numerical order used in the official list in the Chapel. The first list gives the location and number of the memorial, while the second gives in addition the sex, age at death, date of death and nationality. In those cases where the exact age is not known and it is certain that the individual was an adult, the evidence is given in brackets e.g. Able-seaman, Ship's captain, &c. \"40+\" means \"40 at least\".\n\nThe following abbreviations are used;\n\nLIST I\n\nU = Upper Terrace; L = Lower Terrace; C = Chapel.\n\nA.\n\nADAMS, Joseph Harod\n\nALLEYN, Frederick Perceval\n\nASTELL, John\n\nB.\n\nBACON, Francis W.\n\n+\n\nBALLS, Sarah Anne\n\nBARNETT, William\n\nBARTON, Charles John Wood\n\nBARTON, Euphemia Isabel\n\nBATEMAN, James\n\nBATES, Edwards Whipple\n\nDEALE, Daniel\n\nBEALE, Thomas\n\nBIDDLE, George Washington\n\nBOECK, Christian\n\nBOVET, Margaret\n\nBRIDGES, Henry Gardner\n\nBROOKE, John F.\n\nBUTTIVANT, John Henry\n\nC.\n\nCAMPBELL, Archibald S.\n\nCANNING, James\n\nCAPPER, Cawthorne\n\n+\n\n38 U\n\n55 L\n\n+++\n\n131 L\n\n59 L\n\n+\n\n79 L\n\n49 L\n\n--\n\n11 U\n\n+\n\n12 U\n\n121 L\n\n2 U\n\n160 L\n\n159 L\n\n58 L\n\n46 L\n\n105 L\n\n4\n\n108 L\n\n68 L\n\n154 L\n\n89 L\n\n162 L\n\n116 L\n\n++\n\n40 U\n\n+++\n\n+++\n\n+\n\n133 L\n\n94 L\n\n96 L\n\n95 L\n\n22 U\n\n100 L\n\n10\n\n98 L\n\n+\n\n87 L\n\n---\n\n+\n\n++\n\n++\n\n+++\n\n151 L\n\n7 U\n\nCHINNERY, George\n\nCHURCHILL, Henry John Spencer\n\nCOLLEDGE, Lancelot Dent\n\nCOLLEDGE, Thomas Richardson\n\nCOLLEDGE, William Shillaber\n\nCOOPER, Mark Beale\n\nCROCKETT, Ann\n\nCROCKETT, Caroline Rebecca\n\nCROCKETT, John\n\nCRUTTENDEN, George\n\nCUSHMAN, Daniel\n\n+++",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204551,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 32,
        "title": "RAS-1963",
        "content_text": "PROTESTANT CEMETERY IN MACAO\n\nL\n\nUPPER TERRACE – Cont'd.\n\n27\n\nNo. Name\n\nSex Row\n\nAge\n\nDate of Death\n\nNationality\n\n  \n    32.\n    GAILLARD,\n    Helen Baptista\n    F\n    Eastern\n    111/12\n    2 Sept. 1857\n    Amer.\n  \n  \n    33.\n    ENDICOTT,\n    Fidelia Bridges\n    F\n    Eastern\n    6\n    15 Sept. 1859\n    Amer.\n  \n  \n    34.\n    ENDICOTT,\n    Rosalie\n    F\n    Eastern\n    15/12\n    15 March 1856\n    Amer.\n  \n  \n    35.\n    MEDHURST\n    \n    F\n    Eastern\n    1 day\n    9 Nov. 1854\n    Br.\n  \n  \n    36.\n    VROOMAN,\n    Elizabeth C.\n    F\n    Eastern\n    28\n    17 June 1854\n    Amer.\n  \n  \n    37.\n    URMSON,\n    Arthur William\n    M\n    Eastern\n    3/12\n    1 March 1854\n    Br.\n  \n  \n    38.\n    ADAMS,\n    Joseph Harod\n    M\n    Eastern\n    36\n    4 Oct. 1853\n    Amer.\n  \n  \n    39.\n    DRINKER,\n    Sandwith (B)\n    M\n    Central Avenue\n    \n    18 Jan. 1858\n    Amer.\n  \n  \n    40.\n    CHINNERY,\n    George\n    M\n    Central Avenue\n    79\n    30 May 1852\n    Br.\n  \n\nLOWER TERRACE\n\n  \n    41.\n    LIVINGSTONE,\n    Charlotte M.\n    F\n    Bamboo Row\n    5/12\n    5 Jan. 1818\n    Br.\n  \n  \n    42.\n    PATTLE,\n    Thomas Charles\n    M\n    Bamboo\n    44\n    26 Nov. 1815\n    Br.\n  \n  \n    43.\n    RABINEL,\n    John Henry\n    M\n    Bamboo\n    56\n    24 March 1816\n    Dut.\n  \n  \n    44.\n    STEWART,\n    Patrick\n    M\n    Bamboo\n    50+\n    20 April 1857\n    Br.\n  \n  \n    44.\n    STEWART,\n    Louisa\n    F\n    Bamboo\n    55\n    19 April 1857\n    Br.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
        "rank": 0
    },
    {
        "id": 204702,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 5,
        "title": "RAS-1964",
        "content_text": "Volume III (contd.)\n\nNo. of copies in stock\n\nJ. L. CRANMER-BYNG. The Old British Legation at Peking, 1850 - 1959. 28 pp. 2 plates. $6.20\n\nJ. W. HAYES. Cheung Chau 1850-1898: Information from Commemorative Tablets. 19 pp. $3.80 CLIVE ROBINSON. Kashmir Holiday. 5 pp. 2 plates. $1.60\n\nVolume IV\n\nE. W. ELLSWORTH. Journal of Occurances at Canton, 1839. 33 p. 2 plates. $7.20\n\nK. M. A. BARNETT. Hong Kong before the Chinese. 26 pp. $5.20\n\n25\n\n15\n\n24\n\n18\n\n76\n\nHO TICKON. Introduction to Chinese Painting. 3 pp. $0.60\n\n78\n\nJ. W. HAYES. Peng Chau between 1798-1899. 26 pp. 1 plate. $5.50\n\n80\n\nV. R. BURKHARDT. Hong Kong Butterflies. 9 pp. 7 Col. plates. $5.30\n\n75\n\nJ. L. CRANMER-BYNG & A. SHEPHERD. A Reconnaissance of Ma Wan and Lantao Islands in 1794. 15 pp. 5 plates. $4.50\n\n53\n\nD. LESLIE. Forke's Translation of the Lun Heng. 8 pp. $1.60\n\n37\n\nF. B. L. George Chinnery 1774-1852, Artist of the China Coast. 5 pp. $1.00\n\n130\n\nKnight BiggerSTAFF. University of Hong Kong: The First 50 Years, 1911 - 1951. 3 pp. $0.60\n\n21\n\nT. C. LAI. The Art of Chinese Poetry. 3 pp. $0.60 A. ST. G. WALTON. An Introduction to the Birds of Hong Kong. 2 pp. $0.40\n\n220\n\n21\n\n22\n\nE. MANEELY. Asian Perspectives. 2 pp. $0.40\n\nJ. L. CRANMER-BYNG. A Collection of Chinese Books from the Royal Society now in the Library of Leeds University. 1 p. $0.20\n\nJ. W. HAYES. The Tung Chung Fort. 4 pp. $0.80\n\nC. Y. NG. Some Notes on Tung Chung. 3 pp. $0.60\n\nK. M. A. BARNETT. Loan-words in the Chinese Language. 2 pp. $0.40\n\n31\n\n19\n\n19\n\n16",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204850,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 153,
        "title": "RAS-1964",
        "content_text": "128\n\nBOOK REVIEWS\n\nGEORGE CHINNERY 1774-1852, ARTIST OF THE CHINA COAST. By Henry and Sidney Berry-Hill. 61 pages text, bibliography, and 76 pages of black and white photographs. F. Lewis, Publishers, Ltd., England. Price U.K. 10 Guineas, U.S. $30.00.\n\nThe various phases of the artist's life - early years, the English and Irish periods, the sojourn in India, and the final years in South China are described. The 76 plates of photographs comprise 154 subjects.\n\nSince the Arts Council exhibition of 1957 in England and Scotland, there is renewed interest in Chinnery. As information about him is frequently fragmentary, there is definite need for a comprehensive biography. However, enthusiasts and scholars will be disappointed by this book. The approach is lyrical and romantic instead of factual, authoritative, and scholarly.\n\nIt is all very well to quote the inscription on the silver palette presented to Chinnery by the Artists of Dublin (even though this information appears in Plate 1), but why describe it as “measures 16 inches across and was made by one of the leading silversmiths” when actual measurements, hallmark, date letter, and silversmith mark are all known and recorded.1\n\nTo claim Chinnery painted unsigned oils of sporting scenes2 in India on the sole basis of a label admittedly dated at least eight years after he left Dacca, strains imagination to the bursting point. Those who know what Chinnery sketched and painted in India and China - houses, temples, people, domestic animals — all placid scenes - will find it difficult, if not impossible, to accept this attribution.\n\nThe false alarm of Mrs. Chinnery's prospective arrival in China, amusingly described by W. C. Hunter, intimate friend...\n\n1 Arts Council Catalogue 1957 15\" x 13\", Dublin hallmark, date letter \"E\" (for 1801), and silversmith mark \"R.W.” (for Richard Whitford).\n\n2 Page 25, Plates 18 and 19.\n\n* Page 268, W. C. Hunter Bits of Old China,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204851,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 154,
        "title": "RAS-1964",
        "content_text": "BOOK REVIEWS\n\n129\n\nof the artist, is well known. It is impossible to reconcile this story with the statement, made without citation from any authority and no supporting evidence, that \"Mrs. Chinnery did in fact follow him to Canton, but when she attempted to land she was not permitted to do so and was obliged to stay aboard ship, where she caught smallpox and died\". If the name of the ship, the date, or any reference to the Canton newspapers or to the records of the English graveyard at Macao can be produced in support, this event will be new history. Without proof, it must be denied.\n\n<<\n\n•\n\n+\n\nAll will agree with the statement without question, he (Chinnery) stands alone for his work on the China Coast. Here he had no peer\". However, it is curious that no other European artist who visited the Pearl River area is mentioned by name. True \"none stayed for very long\". Yet they were sound painters. The success of Webber, artist to the Cook Expedition, the Daniell brothers, and Borget all prior to Chinnery—as illustrators of travel books, undoubtedly spurred Chinnery in his efforts to have his pictures reproduced.\n\n+\n\nWhile the engraving of Morrison after Chinnery is noted, the Sartain stipple of Howqua and the pleasant colored lithograph of the Praya Grande at Macao by Reinagle and Hullmandel, both after Chinnery, are not mentioned.\n\nFour signatures of Chinnery are shown. They vary quite widely, but this fact is overlooked apparently, and there is no attempt to reconcile or evaluate.7\n\nIn speaking of Lamqua, the Chinese painter, it is stated “In 1850 he consigned a group of portraits of Chinese merchants to Boston, for exhibition at the Atheneum\". Compare this with the actual facts. Five portraits of Chinese merchants by Lamqua were exhibited in the Boston Athenaeum (please, we \"Proprietors” of this private library are sensitive about correct spelling) in 1850. They were the property of Augustine Heard, partner in Russell & Co., and were distributed under his will. They are all in existence\n\nPage 48.\n\n5 Page 20.\n\n6 Page 38.\n\n* Page 57, Plates 6, 7 & 24 top.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204852,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 155,
        "title": "RAS-1964",
        "content_text": "130\n\nBOOK REVIEWS\n\ntoday. This information negates the subsequent statement \"The only specifically recorded Lamqua portrait in an American collection is that of Dr. Peter Parker\n\n+\n\n8\n\nA bibliography omitting nearly 50% of the last published bibliography will startle any serious scholar. It may be possible to write about Chinnery without consulting E. W. Bovil's articles in Notes and Queries and about the Opium War without using Maurice Collis' Foreign Mud with its Chinnery illustrations, but it is not recommended practice. W. C. Hunter, partner in Russell & Co., is quoted in the text, but both of his books The Fan-Kwae in Canton before Treaty Days 1825-1844 and Bits of Old China with its chapter on Chinnery, are omitted from the list. Any modern researcher will want to check the Jardine-Matheson papers in Cambridge, England. They are not mentioned here. There is a list of plates, but no general index.\n\nIn the China section of photographs, there are 57 oils, water-colors, and drawings captioned as by Chinnery, also 10 so-called \"School of Chinnery\", 28 port scenes, all called \"School\", and 2 miscellaneous. Authentication of any artist's work, particularly if unsigned, is a matter of opinion. When in doubt, it is far sounder to \"attribute\" and the best museums follow this custom. In recent months, a world expert on Chinnery and your reviewer considered together these 57 pictures and questioned or denied 21 of them, a substantial percentage.\n\n+ •\n\nIn 1953 the statement was made, and remains unchallenged, it is obvious that the Hong Kong Chinnery is the only portrait of Howqua that may be said to have been painted in a truly accomplished Western manner such as one would expect from the brush of Chinnery. The other portraits of Howqua, in spite of their long-standing attribution to Chinnery, almost without exception speak of Western art with a strong Cantonese accent\". There is no photograph of the Chinnery portrait of Howqua in Hong Kong in this book a significant omission. However, there are three portraits of Howqua11- all obviously by Chinese\n\n* Page 39.\n\n9 Arts Council Catalogue 1957.\n\n10 Albert Ten Eyck Gardner-The Art Quarterly, Winter 1953\n\n11 Plate 39 top and bottom, Plate 40 top.\n\n10",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 156,
        "title": "RAS-1964",
        "content_text": "BOOK REVIEWS\n\n131\n\nartists. It is disturbing indeed to find that two of these previously published elsewhere as \"attributed\" — are promoted here to \"full\" Chinnery status without a word of explanation!\n\n12\n\nHow does one reconcile the title \"The Hong Merchant, Gou Qua\" with the picture showing a man in the costume of a North China scholar?\n\nAnyone familiar with Chinese ship portraits and Chinese port scenes will question the two handsome Chinese Junk oils.13 The clue is the small British and American vessels in the lower corners of the \"War Junk\" — alluring to a prospective nautical purchaser, typical of many ship portraits, but so different in style and subject from other Chinnery marines.\n\nThe time has come to bury forever that misused, euphonic term \"School of Chinnery\". Take port scenes. Mariners and merchants arrived in Canton centuries before Chinnery. Even my two great grandfathers14 had won their battle with the pirates off Macao nearly a generation before Chinnery's arrival. What is more natural than to take home a port scene oil to show one's family. These men were not art experts and Chinese representations were good enough for them. It is possible today to date port scenes definitely prior to Chinnery, proving that Chinnery had no influence on those Chinese artists. It is also possible to date similar port scenes after Chinnery's death that show no style change from the earlier representations. Why not be honest and call them \"China Trade Port Scenes\",15 which they are, instead of \"School of Chinnery\", which they are not? To all other port scenes such as St. Helena and the Cape of Good Hope16 “School of Chinnery”, verges on fantasy, particularly so when the text denies the existence of any Chinnery pictures made on his voyage to India.17\n\n12 Plate 42 top.\n\n13 Plate 73.\n\n14 William Sturgis and Daniel C. Bacon. See R. B. Forbes — Personal Reminiscences.\n\n15 It has taken many years to substitute the correct \"China Trade Porcelain\" for \"Oriental Lowestoft\".\n\n16 Plate 55 bottom, Plate 56 top.\n\n17 Page 59.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 204854,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 157,
        "title": "RAS-1964",
        "content_text": "132\n\nBOOK REVIEWS\n\nAny sailor will raise his eyebrows as Chinnery departs for India by ship18 and arrives in Madras by schooner. All mariners will roar in indignation at the caption \"The American Clipper Ship 'Houqua' off New Bedford\".20 To show a ship-portrait of the whale ship \"Houqua\", a lowly \"pig boat\", and to confuse it with the famous Low clipper ship of the same name,22 reaches bathos indeed.\n\nThis book must be taken with frequent grains of salt. The factual, authoritative biography of Chinnery is still to be written.\n\nPeabody Museum\n\nSalem, Massachusetts, U.S.A.\n\nF. B. L.\n\nUNIVERSITY OF HONG KONG: THE FIRST 50 YEARS, 1911-1961: Edited by Brian Harrison. Hong Kong University Press, 1962. pp. xv+247+vi. HK$35.00.\n\nThe Golden Jubilee of the founding of the University of Hong Kong was the occasion for the publication of this commemorative volume. The book has several purposes: to summarize the history of the University; to recall the names and achievements of the University's most noteworthy benefactors, teachers and graduates; to record the Jubilee Honours extended by the University during 1961; and, in the words of the Governor of Hong Kong, to “stimulate interest and sympathy amongst the people of Hong Kong in whose midst the University stands.” Persons of differing interests and capacities wrote the various chapters, with the result that there is unavoidably some disharmony of organization and subject matter and unevenness of quality. Altogether, however, there is a great deal of valuable material on the aims, organization, activities, trials and tribulations, and achievements of the University, which, while not always easy to follow as one reads through the book, is nevertheless accessible with the assistance of the index. The index helpfully includes characters for all Chinese names.\n\n18 Page 18 ship Gilwell.\n\n19 Page 21 - unnamed schooner.\n\n20 Plate 76 top.\n\n21 Built Boston 1819, converted to whaling New Bedford 1831. lost Arctic Ocean 1851,\n\n22 Built New York 1844 as a 16 gun man-of-war for the Chinese Government. Taken over by A. A. Low & Brother. Foundered 1864,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 206423,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 240,
        "title": "RAS-1971",
        "content_text": "214\n\nBOOK REVIEWS\n\ninto a modern system of law. No less important is the way in which this book tells us much of western attitudes towards Chinese law and of the ways in which the westerners attempted to come to terms with a system which was so unlike their own. Though we might today criticise Jamieson's comparative law approach and his defective anthropology, his book was a creature of its own time and of his own intellectual experience, and as such it must take a place on the sinologists' bookshelves.\n\nNotes\n\n1. A. M. Kotenev, Shanghai: its Mixed Court and Council, (Shanghai: North China Daily News and Herald Ltd, 1925; now reprinted by Ch'eng Wen Publishing Company, Taipei, 1968).\n\n2. But see now Hao, The Comprador in Nineteenth Century China, Cambridge (Harvard U.P.), 1970.\n\n3. pp. 124-126.\n\nHong Kong, 1971.\n\nDAFYDD EVANS\n\nCHINNERY AND CHINA COAST PAINTINGS, Henry and Sidney Berry-Hill, 64 pages text, 144 photographs, F. W. Lewis. Publishers, Ltd., England 1970, U.S.$30.00.\n\nThe writers operate a picture gallery in New York City. In 1963 they published George Chinnery 1774-1852, Artist of the China Coast, which was reviewed in this Journal, Vol. 4, 1964, pp. 128-132.\n\nIn spite of severe criticism of their previous efforts, the authors, in another volume under the present title, persist in claiming that Chinese Port Scenes painted in Cantonese style were influenced by Chinnery and therefore are \"Chinnery School\". Even though there are numerous pictured examples in both books that Chinese Port Scenes before, during, and after Chinnery do not change and bear no resemblance to English painting, the authors plod on with their futile theory. For some 26 illustrations in the List of Plates marked \"Chinnery School\", substitute “Chinese artist\".\n\nObviously this book is written for the inexperienced collector. It lacks bibliography, an index, and a comprehensive table of contents. The text is largely a lyrical history of China from Macartney through the Arrow War. It positively oozes opium and frequently lacks accuracy.\n\nPage 240\n\nPage 241",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206425,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 242,
        "title": "RAS-1971",
        "content_text": "216\n\nBOOK REVIEWS\n\ncusp of the crescent\" (of the Praya Grande), deserves the derision of every collector.\n\nTheir description of \"the ambroidered (sic) phoenix plastron” conclusively proves the authors know nothing of the eight privileged classes in China. With this lack of knowledge they are in no position to comment on any portrait of a mandarin or hong merchant. To suggest that Gou Qua, a hong merchant, would take to the street as a fortune teller is quite impossible as he would lose face by such an act and never would paint himself in this situation.\n\nThe authors really know very little about Chinnery. They state \"Chinnery's forte was for portraits and these comprise the greater part of his oeuvre\". Pages later they quote him \"I have about 6,000 sketches of Eastern Scenery already - an invaluable collection, I assure you; but you see I am constantly accumulating”. They produce the completely unproven slur that one of the portraits he painted was of “a man of great wealth, an important qualification in the artist's philosophy as he was at his best when a generous fee had been agreed\". They also attempt, again with no proof, to attribute to him “occasional bouts of opium smoking”.\n\nIt is an error to say \"Russell & Co..... in turn came under control of Low Brothers of Salem\". W. H. Low, Senior was a partner 1830-1833. His nephew, A. A. Low, was a clerk 1833-1837, partner 1837-1840. W. H. Low 2nd worked as a clerk but never was a partner. The famous firm of A. A. Low and Bros. of New York, please, not Salem - was founded in 1841 by A. A. Low after he had retired from Russell & Co. It is a solecism to call the firm \"Russells\". It makes a good story only to the authors that \"W. C. Hunter\", later a partner in Russell & Co., “grasped sufficient of the local dialect to act as interpreter\". It is common knowledge that he specifically was sent to Singapore and Malacca to study Chinese.\n\nIt is inaccurate to state that Harriet Low, in her Diary, mentions seeing the double portrait of Dr. & Mrs. Colledge, plate 79, in London at Daniells' on 19 July 1834. She \"saw pictures of Mr. & Mrs. Colledge, not a single picture. Let us read further in the Diary: \"Ayok\" (the Low Chinese servant) \"burst into quite an hysterical laugh when he saw his father's face in Mr. Colledge's picture\". This is an obvious reference to the Chinnery portrait",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206426,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 243,
        "title": "RAS-1971",
        "content_text": "BOOK REVIEWS\n\n217\n\nof Dr. Colledge in his Opthalmic Infirmary with his Chinese assistant, which was engraved and published in London 25 November 1834. Harriet Low continues \"The pictures\" (not picture) \"were unfortunately all too late for the Exhibition\". To attempt to substitute the double portrait in the place of two separate portraits seen is unethical.\n\n1\n\nAs art experts the authors are careless. The medium in plate not given is watercolor and the \"Chinese Military\" scene was \"later\" engraved not \"lithographed\". It is also poor geography to say that Lord Macartney's Embassy entered the Yangtse, when it was the Peiho River. In the Introduction, they produce two alibis: “Paintings illustrated in the sequence and not otherwise designated are attributed to him\" [Chinnery], “except for portraits of Hong Merchants which are referred to in general terms” and \"Events are necessarily telescoped without rigid regard for precise chronology\". What a multitude of sins one can try to cover up with statements like these.\n\nIs it really necessary to include Richard Henry Dana's \"Two Years Before the Mast\"? The voyage was along the California coast not to the Far East. Bryant & Sturgis, the owners, were of Boston as stated, but never had an office in Canton. Their China Trade business in Canton was handled by J. P. Sturgis & Co.\n\nThere are illustrated 20 paintings by Lt. J. S. Rundle, R. N. of Opium War scenes, also a pen and ink sketch. The medium is not given. All midshipmen in European Navies in the 19th century were taught to sketch and paint watercolors, so presumably these are in watercolor. The authors surmise that Chinnery met Rundle and \"probably saw some of the action paintings actually illustrated in this work\", but offer no factual proof that any meeting took place. No mention is made of W. A. Knell, the marine artist, whose work, of course, is much better known.\n\nIn fact, the authors give a very warped view of China Coast painting. No mention of Webber nor Huggins, nor Borget. The Daniells not to be confused with the Daniells of later date are mentioned, but the one Daniell illustration shown is Indian, inappropriate to a book on China Coast Paintings. Chinnery had European pupils - five at least but apparently they are unknown to the authors.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 209320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 223,
        "title": "RAS-1981",
        "content_text": "BOOK REVIEWS\n\n209\n\nbe churlish to be pedantic and ask how this rating is measured. Surely Eric does not think so poorly of Hong Kong girls? We know the author's enthusiasm for their natural beauty, their dress (especially the Cheong Sam) continually pops out in this selection of comments, definitions and descriptions.\n\nBest of Every Thing\n\nOh, that this marvellous idea of collecting and presenting this sparkling miscellany about life, love, labour and lore in Hong Kong could have presented the best of everything. But we have the author's assurance that this is the first of a series, garnered from his vast collection of bits and pieces about Shanghai and Hong Kong. So, if some of the items are not up to standard, perhaps this is the cook's device not to give us indigestion.\n\nAccuracy\n\nAlthough there are a lot of facts, considered and unconsidered in this encyclopaedia of Hong Kong, historical accuracy is not particularly the author's strong line. A few years, here or there, will not matter to many readers who will sample the wide varieties of these verbal cocktails listed here. Historians, of course, will not be so happy with several statements \"Chinnery started off (his career as an artist) in Macao.” What of his Indian period which preceded his fruitful stay in Macao? Hong Kong did not officially become a colony until 1843. But it would be tedious to go through this book like a school essay.\n\ne.g.\n\nGallimaufry\n\nThis is not a Hong Kong word, but one, I think, of Ivor Brown, the lexicographer. Anyway I offer it in a sense of gratitude to Eric Cumine for this idiosyncratic but absorbing gallimaufry (what a marvellous bedside book it makes.) Ironically I find myself asking my Chinese wife about these 'things Chinese'. It takes a lot to excite her curiosity; but Eric does it.\n\n-\n\nJohn Warner, Hong Kong Illustrated Views and News 1840-1980 (Hong Kong, 1981)\n\nBy comparison with the other publications under review this is a distinguished book. Put together by John Warner, former Curator of Hong Kong's Art Museum, it is, as one would expect, a sensitive and effective collection of line engravings, and lithographs, taken mainly from two British periodicals, The Illustrated London News and The Graphic. The selection of pictures beautifully reproduced and well set-out with accompanying extracts from the letter-press of the period",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m",
        "rank": 0
    },
    {
        "id": 209593,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 250,
        "title": "RAS-1982",
        "content_text": "228\n\nCARL T. SMITH\n\nand 1877. The burlesques were particularly popular because local references could be injected into them. For instance in the 1877 performance of Alladin, the following takes place in the Sultan's Palace:\n\nWe ha'n't been asked to Government House; perhaps Sir Arthur's busy packing up his traps.* The time, alas, is drawing very nigh\n\nWhen I shall have to call and say goodbye\n\nAdding, 'Good voyage, and good wind, good water”\n\nBoth to Sir Arthur and his charming daughter.\n\nI'm sure that everybody here who knows him\n\nIs very sorry we're about to lose him,\n\nAnd when he leaves as I can only hope\n\nThat we may job along as pleasantly with Pope†\n\nFree from disasters, typhoons and tornados\n\nOr \"rows\" like those which happened in Barbadoes.=\n\nThe musical finale was composed by a local music teacher, Professor Felix Panizza. The scenery was painted by Mr. Kerr (probably Charles Morland Kerr, accountant at the Oriental Bank) and Mr. Marciano Baptista, Junior, whose father had been a pupil of Chinnery at Macao. In the second act Queen's Road was depicted as a thoroughfare in the capital of China.\n\nENTER THE LADIES\n\nBefore 1879 there were no ladies in the productions of the A.D.C. Female roles were taken by men. This was acceptable for farces and burlesques but not so suitable for realistic love-scenes. A review of a production in 1870 noticed, however, that \"Miss de la Courcy has certainly the happiest way of performing female parts. Her performance showed her knowledge of the woman's character\".\n\n* Sir Arthur Edward Kennedy, Governor of Hong Kong April 1872—March 1877.\n\n† Sir John Pope Hennessy, Governor of Hong Kong April 1877—March 1882.\n\nThere had been disturbances during Governor Hennessy's administration at Barbadoes.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 210820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 171,
        "title": "RAS-1986",
        "content_text": "154\n\nCARL SMITH\n\nCanton and Macau. In Macau he was a close friend of the eccentric painter George Chinnery. In one of Chinnery's paintings, Hunter appears in a group of men gathered informally on the verandah of the mansion occupied by the English firm of Dent and Co on the Praia Grande at Macau. Along with two other old friends of Chinnery's, Hunter maintained a watch beside the artist's bed the night of his death in 1852. He also helped to take charge of the deceased's effects. It is from Hunter that we have a number of interesting anecdotes about Chinnery.\n\nAfter Hunter left Russell and Company he did business on his own and connections with American firms, particularly Augustine Heard and Co, for whom he handled some of their Macau affairs.\n\nFrom 1864 to 1868, Hunter lived in Hongkong. During this time he was a member of the Heard firm. But in 1868, he retired and moved to Paris. In 1859 he was appointed French Consul at Macau.\n\nAs he grew older he suffered poor health. In 1886, it was thought his death was imminent. Notice was sent to his children and three of his daughters set sail for France. Their ship, the Victoria, went down at sea. One of the daughters drowned, the two others were rescued. The daughter who drowned was still single. This suggests that she may have been the crippled daughter mentioned by Lieut Preble in 1855. She had been taken to Hongkong by her mother for a series of operations to cut the tendons in her foot, which turned inward, so that it could resume a more normal position. At the time Preble mentioned the operations their ultimate success was not yet assured.\n\nWilliam Hunter survived the crisis which had summoned his daughters to his supposed death-bed for another five years. He died at Nice in 1891 aged about 80.\n\nWHEN LEGGE TOOK OVER ANGLO-CHINESE COLLEGE\n\nThe Rev. Dr. James Legge, famous for his translation of the Chinese Classics into English, moved the Anglo Chinese College from Malacca to Hongkong in 1843,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 212320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 262,
        "title": "RAS-1990",
        "content_text": "239\n\nBoswell (1815 to 1860), a graduate of Edinburgh University, who set up in private practice (previously owned by Doctor Anderson) in Macau in 1845. He was a physician and his wife, Elizabeth (née Stedman), joined him the following year. Watson was also an amateur artist and a friendship with the famous George Chinnery lasted from 1845 to Chinnery's death in 1852.\n\nWatson wrote to his sister in Scotland, in 1848, about Macau:\n\n“Counting ourselves, there are just four families and one or two Americans and French. There are Portuguese of course, but I do not class them as foreigners as it is a Portuguese settlement.”\n\nLife out East for Watson meant 14 years of hard work, ill health, and a constant struggle to make enough money for him and his family to go home. Nevertheless, in Macau he was surrounded by a happy family; he lived (as he phrased it) in a “sweet abode the prettiest spot on earth with a spacious open terrace and a wonderful view.”\n\nWatson sold his practice to a Doctor B. Kane (it took time to dispose of it as Macau was on the decline), and he moved to Hong Kong in 1856 where he became part owner of the Hong Kong Dispensary. His rent for a house on Queen's Road then was $1,200 a year. Watson was also involved with the Victoria Dispensary but this closed in 1857 because of lack of business. It appears there were too many British doctors competing for custom. Watson was said to operate the most successful practice in the Colony.\n\nIn 1857, he was closely involved when patriots of China attempted to poison Europeans by putting arsenic in the bread at the Ah Lum Bakery. He managed to rush home to warn his family before they had eaten breakfast. Fortunately, because the amount of arsenic was excessive, it induced vomiting and nobody died. To the intense annoyance of the European community Ah Lum was acquitted for lack of evidence.\n\nWatson sent his family back to Britain in 1857, and he himself returned to Scotland by the overland route (by ship to Port Suez,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 214856,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 271,
        "title": "RAS-1999",
        "content_text": "239\n\nTwo important things happened in October 1971: firstly, men were no longer allowed to take concubines and, secondly, every person had to have at least one full day off work a week. Up until then people in small Chinese firms frequently laboured seven days a week with a few days off at Lunar New Year and odd days off at major Chinese festivals - like Dragon Boat and Mid Autumn Festival.\n\nPeople\n\nEnough about statistics: what about RAS members who made things happen?\n\nI will always remember Dr J R Jones CBE, MC, MA, LL.D, JP, who served as our President from the time our Branch was reconstituted until 1970. I first met J R in early 1955 at a Dante Alighieri (the Italian Society) meeting. Then I learned he had a penchant for things antiquarian as well as languages — although he spoke little Chinese. There are a few short pieces written by him in early RAS Journals.\n\nI remember him in a pinstripe, blue suit and, although fairly tall, he could be described as dapper, polished and a ladies' man. He was gentlemanly, personable and, as such, made a splendid RAS ‘front man.' Much of the work behind the scenes, such as setting up the reconstituted Branch in 1960, was in fact done by Dr Marjorie Topley and Jack Cranmer-Byng, Honorary Editor. Marjorie Topley became our President in 1972.\n\nDr Jones had led an interesting life including serving King, Country and Empire in two world wars, as well as helping to organise the Ukrainian Army soon after the end of World War One. He also went on archaeological expeditions to Italy and Africa. As a lawyer he practised at the High Court in London and later in Shanghai. In Hong Kong he was legal advisor to The Bank, as he always referred to the Hong Kong and Shanghai Bank.\n\nIn fact he advised 'the Bank' to buy a number of paintings by George Chinnery (1774 to 1852). The latter is often said to have been the most accomplished western artist to have worked in the East in the 19th century. These paintings, which the Bank purchased, were a splendid investment. In addition, JR sat on a number of government",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    }
]