[
    {
        "id": 209482,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 139,
        "title": "RAS-1982",
        "content_text": "117\n\nLi Yunchang, \"The Role of Chinese Lawyers,\" Beijing Review, 1980, 46 (Nov. 27) 24-25.\n\nFor a translation of the original Decision see Jerome Cohen, The Criminal Process in the People's Republic of China, 1949-63 (Cambridge: Harvard University Press, 1968), pp. 249-50. For a translation of the 1979 resolution see \"Supplementary Regulations of the State Council on Rehabilitation Through Labor,\" Foreign Broadcast Information Service, Daily Report: PRC, Nov. 30, 1979.\n\n15 For a rather favorable report on one aspect of the programme, see Wei Min, “Reforming Criminals,” Beijing Review, 1981, No. 8 (Feb. 23), 22-29.\n\n16 See Bryan Johnson, \"China Dissidents Fall through Crack in New Legal Code,\" Christian Science Monitor, Jun. 18, 1979: 1, Jay Mathews, \"Chinese revive labor camps for youthful dissidents,\" Washington Post, Jun. 1, 1980, Al and Fox Butterfield, \"Hundreds of Thousands Toil in Chinese Labor Camps,\" New York Times, Jan. 3, 1981, 1,4.\n\n17 According to a New China News Agency report at the time of the conviction of the dissident Wei Jingsheng in October 1979, one of the charges levelled against him is that he had violated these specific provisions of the Constitution. See US, China Review, 4.2 (Mar-Apr. 1980), 8.\n\n18 The Chinese text of the new Constitution was published in the Renmin ribao, Dec. 5, 1982. For a translation see Beijing Review, 1982, 50 (Dec. 27), 10-29.\n\n20 Peng Zhen, \"Report on the Draft of the Revised Constitution of the People's Republic of China,\" Beijing Review, 1982, 50 (Dec. 13), 10-11.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
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    {
        "id": 211073,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 134,
        "title": "RAS-1987",
        "content_text": "109\n\nMCKENZIE, Herbert\n\n29.1.1876\n\nMCMULLEN, Jacob\n\n28.7.1937\n\nGeorge Houghton\n\nMCPHERSON, Alex\n\n28.7.1905\n\nMCPHERSON, Buddy\n\n19.9.1938\n\nAeneas Cameron\n\nMCPHERSON, Peter\n\n13.11.1935\n\nMADISON, Geoffrey\n\n22.11.1936\n\nMAHONEY, Cyril\n\n9.2.1845\n\nMALCOLM, Alexander\n\n24.5.1932\n\nJames Cook\n\nMANIHAN, Alfred\n\n17.7.1938\n\nMANN, Ludwig\n\n28.3.1892\n\nMANRIQUE, Alonso\n\n17.3.1908\n\nMARCUSSON, Paul\n\nNot known Lallace\n\nMARTIN, J (infant child of)\n\nMASON, John Robert\n\nMATHEWS, Abraham\n\nPeter Everhard\n\nMESKE, Karl\n\n1.5.1903\n\nMARTIN, Paul Curt\n\n19.7.1904\n\nNot known\n\nMASON, John Jr\n\n11.11.1924\n\n29.8.1903\n\nMENHORN, Max\n\n30.12.1906\n\n5.3.1915\n\nMEYER, Ernesto\n\n5.1903\n\nMEYERBREI, Jean\n\n17.8.1915\n\nMILAS, Leonides\n\n30.6.1962\n\nMITCHELL, James\n\n29.1.1922\n\nMITCHELL, Mary\n\n2.3.1921\n\nMOREHOUSE, Harry W\n\n19.1.1886\n\nMORRIS, Heten\n\n27.5.1944\n\nMOREHOUSE, Oscar F\n\n9.11.1885\n\nMORRISON, Raymond\n\n5.6.1958\n\nMargaret Arthur\n\nMUELLER, Heinrich\n\n18.10.1913\n\nMULLEN, G H\n\n27.11.1936\n\nMUNRO, John\n\n1.2.1941\n\nMURRAY, Samuel\n\n12.10.1924\n\nNELLE, John Edw.\n\n29.7.1914\n\nNEUMARK, Walter\n\n2.9.1922\n\nFritz\n\nNEWCOMBE, Mahalla\n\n19.7.1919\n\nNEWTON, A Cochrance\n\n28.4.1942\n\nNICHOLSON, Charles\n\n24.2.1912\n\nNORDMANN, Maria\n\n24.5.1875\n\nStewart Schwab de\n\nNUSSBAUM, Gottlieb\n\n17.1.1900\n\nNYSSENS, George\n\n12.4.1893\n\nOAKEY, Francis\n\n17.11.1880\n\nOGILVIE, John\n\n2.11.1882\n\nOLSEN + Not known\n\nOPPEL, Gustav\n\n11.11.1875\n\nOSWALD, James\n\n27.11.1865\n\nOTT, Theodor\n\n26.3.1886\n\nPACKSCHICK, Otto\n\n13.2.1915\n\nPALOMO, Emilio\n\n6.8.1964\n\nPANTELL, H\n\n17.6.1916\n\nPATRICK, David Jean\n\n24.3.1896\n\nPAUKERT, Karl\n\n20.6.1914\n\nPEACOCK, Charles\n\n31.1.1945\n\nSamuel\n\nPERRY, Robert\n\n8.1898\n\nPETERSEN, Johnny\n\n30.10.1915\n\nPETTY OFFICER from USS \"Richmond”\n\n24.12.1879\n\nPEACET, Emile\n\n8.10.1877\n\nPIDERIT, Karl\n\n16.6.1922\n\nPIERCE, Joseph\n\n19.2.1879\n\nPINFORD, Frederick S\n\n6.1951\n\nPITCHER, Samuel C\n\n31.1.1895\n\nPLAZA, Dominga\n\n30.6.1963\n\nPLITTS, W\n\n3.9.1882\n\nPLUMB, William W\n\n21.7.1902\n\nPOLLARD, Reginald Lucas\n\n25.7.1889\n\nPOLLARD, Thomas\n\n9.8.1889\n\nPOLLITZ, Fernando Sydney\n\n7.1902\n\nPOND, Oriana\n\n11.7.1869\n\nPORTE, J Marius\n\n14.1.1866\n\nPRALL, Joseph Apsley\n\n10.4.1905\n\nPREHN, Heinrich Otto Friedr. Ludwig\n\n24.12.1878\n\nPRESTON, SC\n\n14.3.1932\n\nPRESTONJEE, J\n\n25.11.1959\n\nPRING, Reginald D\n\n15.11.1938\n\nPURKISS, Garnett Gladstone\n\n8.12.1966\n\nRAE, Alexander\n\n16.9.1884\n\nRALPH, John\n\n18.9.1908\n\nRALSTONE, Robert\n\n10.2.1945\n\nRASCH, Mrs Herta\n\n9.2.1945",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
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    {
        "id": 211809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 224,
        "title": "RAS-1989",
        "content_text": "199\n\n-- it may, however, improve on further acquaintance but we had no other opportunity of judging during the evening\". The \"Turkophonini” could be heard in a solo with variations and it was deemed \"by far the most perfect and pleasing instrument of the two`. The Shanghai Redowa Waise (Redowa: a Bohemian dance) which had been \"composed expressly for this Concert and dedicated to the Ladies of Shanghai — as the programme informed us\", also performed on the Turkophonini was not thought of \"very highly”, but it convinced the reporter that \"the instrument is well adopted for that class of music\". Obviously not everyone in the audience was of the same view, for the editor wrote in the Herald of September 27: \"The critique of our reporter has been much discussed in fashionable circles and the correctness of his judgement as to the perfection of these new instruments questioned. Knowing his high attainments as a musician, we defer to his opinion. Matters of taste do not admit of dispute. De gustibus non est disputandum. We may all enjoy our own and as a second glass of wine enables us to pronounce better judgement as to its quality, so will this second performance (on September 29) by familiarizing us with the instruments enable us better to decide upon their excellence\". In Hong Kong the China Mail could not speak \"in very warm terms of praise at least as regards their suitability for solo performances\" (CM 21.8.1856). On the other hand it admitted that \"by men of cultivated taste M. Ali's talents are fully appreciated and it will be long ere those who have had the pleasure of listening to his performances will forget the sweet but powerful tones of the Turkophone or the duleet melody of the Grand Clarionet and Turkophonini\" (CM 16.10.1856). Ali Ben Sou Alle was assisted by local amateurs who played a number of pieces including two Rossini overtures on the piano; and \"very creditably\" sung Mendelssohn's \"The Fairest Flower\".\n\nThe evening was attended by a \"numerous audience, comprising the beauty and fashion of our Settlement'' (NCH 20.8.1856).\n\n29.9.1856 (Mon)\n\nA second concert by Ali Ben Sou Alle.\n\nNo review was published in the Herald, only an announcement (NCH 27.9.1856).\n\n18.2.1857 (Wedn)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nJ.M. MORTON: “Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue\n\nTh: N.N. (C)\n\n―\n\nR: The season opened both under the new management of \"Peter PROTEUS\" (again: a stage name, Proteus being an old Greek who could assume different shapes, as some actors are able to; also a character from Shakespeare's \"Two Gentlemen of Verona') and with a new theatrical reviewer in the Herald: \"The Man on the Bund\" (for the current season only). And although some months later he was heavily criticized because of some strictures he made about the choice of plays, in general his articles in a highly personal style were a mere continuation of the \"nothing but praise\" attitude that so prevailed. Thus Used Up was \"rendered with unquestionable ability by Mr. Peter Proteus, the manager\" who himself played Sir Charles Coldstream; and Mr. CLAY gave the part of the forlorn, but blunt and honest blacksmith Ironbrace with much skill and effect\". Making her debut Mrs. NESBIT impersonated Lady Clutterbuck: \"One would not have thought that so much deceit could lurk under so smooth and charming a face\". She brought to this part \"not only much cleverness and knowledge of the feminine heart but a very imposing person and decided good looks; and one could not help thinking the baronet might have stumbled upon a less pretty face in his",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 259,
        "title": "RAS-1989",
        "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211845,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 260,
        "title": "RAS-1989",
        "content_text": "235\n\nthat in more congenial parts Mr. FUNNYDOG will help to compensate us for the loss of that most genial of humourists, our incomplete BRUSHWOOD\". The critic ended with the following advice: \"For the future it would be better to rehearse three pieces and play two of them the first night; then in the event of a second performance the piece which was received on the first occasion with the heartiest plaudits might be repeated, preceded or followed by the new Drama held ready and in reserve. We are inclined to offer this suggestion owing to the various complaints which we have heard of the lateness of the hour at which Thursday's entertainment concluded, and also from a selfish wish perhaps to have two dramatic treats instead of one” (NCH 16.12.1865).\n\n## APPENDIX I\n## Authorlist of plays staged in Shanghai 1850-1865\n\nIn this list full titles of the plays staged in Shanghai will be found as well as first nights in London (these generally according to Nicoll. History of English Drama).\n\nP: Performance in Shanghai\n\n?: The play is listed under more than one author\n\n| Author | Play Title | First Night in London | P: Performance in Shanghai |\n| --- | --- | --- | --- |\n| AYTON, Richard (1786-1823) | \"The Rendez-Vous\" | 21.9.1818 | 24.3.1852 |\n| BARNETT, Morris (1800-1856) | **The Serious Family** | 30.10.1849 | 8.10.1859; 23.3.1865; 28.4.1865 |\n| A BECKETT, Gilbert Abbott (1811-1856) | \"The Roofscrambler” | 15.6.1835 | 12.12.1850 |\n|  | **Siamese Twins** | [14.4.1834] | 5.5.1853 |\n|  | **The Turned Head** | 3.11.1834 | 27.1.1865 |\n| BERNARD, William Bayle (1807-1875) | \"A Practical Man\" | 20.10.1849 | 8.3.1854 |\n| BOUCICAULT, Dion (1822-1890) | **The Colleen Bawn or the Brides of Garryowen** | 29.3.1860 | 25.4.1865 |\n|  | \"The Octoroon or Life in Louisiana\" | 6.12.1859 | 7.1.1865; 13.1.1865; 14.1.1865 |\n|  | \"Used Up\" (with C. Mathews) | 1.6.1846 | 26.1.1853; 8.2.1857 |\n| BRIDGEMAN, John Vipon (1819-1889) | **I've Been Eaten My Friend!** | 8.9.1851 | 22.3.1854 |\n| BROOKS, Charles William Shirley (1816-1874) | \"Anything for a Change\" | 7.6.1848 | 14.5.1854 |\n| BROUGH, Robert Barnabas (1828-1860) | \"Crinoline\" | 18.12.1856 | March 1863; 16.3.1863; 1.4.1863 |\n|  | **Medea or The Best of Mothers with a Brute of a Husband** | 14.7.1856 | 28.12.1864 |\n| BROUGH, William (1826-1870) | 'Apartments: Visitors to the Exhibition may be accommodated. A piece of extravaganza to suit the times' | 14.5.1851 | 23.3.1853 |\n|  | \"The Area Belle\" (with A. Halliday) | 7.3.1864 | 30.9.1865 |\n|  | \"Conrad and Medora or Harlequin Little Fairy at the Bottom of the Sea\" | 26.12.1856 |  |\n\n138",
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    {
        "id": 211847,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 262,
        "title": "RAS-1989",
        "content_text": "237\n\nCOYNE, Joseph Stirling (1803-1868)\n\n\"Binks the Bagman\" (13.12.1843). P: 8.10.1857\n\n\"Duck Hunting\" (29.9.1862). P: 30.3.1864; 4.4.1865\n\n\"The Infanticidal Farce or Did you ever Send your Wife to Camberwell?\" (16.3.1846). P: 21.2.1856\n\n**Urgent Private Affairs** (7.1.1856). P: 5.5.1858\n\nCROSS, John C (d 1810?)\n\nThe Golden Farmer or Harlequin Ploughboy (28.6.1802). P: 8.10.1857\n\nDANCE, Charles (1794-1863)\n\n**Delicate Ground or Paris in 1793** (27.11.1849). P: 13.2.1864\n\n\"The Dustman's Belle\" (1.6.1846). P: 9.2.1858\n\nDANVERS, Henry (??)\n\n**A Conjugal Lesson** (3.7.1856). P: 26.3.1857\n\nDIBDIN, Thomas John (1771-1841)\n\n**The Birthday** (16.3.1799). P: 9.2.1858\n\nDUMAS, Alexandre fils (1824-1895)\n\n\"Camille\" (English adaptation of 'La Dame aux Camélias') (1852; London: 1858). P: 27.3.1865\n\nEDWARDS, Henry Sutherland (1828-1906)\n\n**The Goose with the Golden Eggs** (with A. Mayhew) (1.9.1859). P: 13.2.1863\n\nFITZBALL, Edward (1792-1873)\n\n\"The Daughter of the Regiment\" (30.11.1843). P: 15.4.1865\n\nGILL, W.B.\n\n**Aurora Floyd Burlesqued**. P: 19.4.1865\n\n\"Which is Which?\". P: 27.3.1865\n\nGORE, Catherine Grace Frances (1799-1861)\n\n**A Good Night's Rest or Two in the Morning** (19.8.1839). P: 21.2.1856\n\nHALLIDAY, Andrew (1830-1877)\n\n\"The Area Belle\" (with W. Brough) (7.3.1864). P: 30.9.1865\n\nHARDWICKE, Pelham: See C. Mathews\n\nHARRIS, Augustus Glossop (1826-1873)\n\n\"The Rose of Castille\" (Music by M.W. BALFE) (29.10.1857). P: 8.10.-14.10.1864\n\nHAZLEWOOD, Colin Henry (1823-1875)\n\n? \"Aurora Floyd or the First and Second Marriage\" (21.4.1863). P: 26.11.1864; 17.4.1865\n\n? \"Lady Audley's Secret\" (25.6.1863). 142 P: 28.12.1864\n\n\"Rob Roy\" (19.6.1864). P: 28.3.-5.4.1865\n\nJERROLD, Douglas William (1803-1857)\n\n\"Black-eyed Susan or All in the Downs\" (8.6.1829). P: 28.3-5.4.1865\n\nJERROLD, M. William Blanchard (1826-1884)",
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    {
        "id": 211848,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 263,
        "title": "RAS-1989",
        "content_text": "238\n\n\"Cool as a Cucumber\" (24.3.1851). P: 26.3.1857; 30.3.1864; 4.4.1864\n\nJOHNSTONE, J.B. (1803-1891)\n\n? \"Aurora Floyd\" (May 1863). P: 26.11.1864; 17.4.1865\n\nKENNEY, James (1780?-1849)\n\n**Love, Law and Physic** (20.11.1812). P: 28.1.1851\n\n\"Raising the Wind\" (5.11.1803).144 P: 9.2.1858; 30.3.1864; 4.4.1864\n\n**Sweethearts and Wives** (7.7.1823). P: 11.4.1865\n\n**Truth out!** (7.3.1812). P: 10.11.1865; 20.11.1865\n\nKÖRNER, Theodor (1791-1813)\n\n\"The Governess\" (= \"Die Gouvernante\"). P: 28.3.1864\n\nKOTZEBUE, August Friedrich Ferdinand von (1761-1819)\n\n\"The Harvest at Home\". P: 28.3.1864\n\nLACY, Thomas Hailes (1810-1873)\n\n\"A Silent Woman\" (17.8.1835). P: 29.6.1864\n\nLILLE, Hubert\n\n\"As Like as Two Peas\" (30.6.1854). P: 16.3.1858\n\nLINLEY, William (1771-1835)\n\n? \"The Honeymoon\" (7.1.1797). P: 15.4.-21.4.1865\n\nLOVER, Samuel (1797-1868)\n\n**The White Horse of the Peppers** (26.5.1838). P: March 1863; 16.3.1863\n\nLYTTON, Edward Bulwer (1803-1873)\n\n\"The Lady of Lyons or Love and Pride\" (15.2.1838). P: 10.2.1864; 22.10.-28.10.1864(?); 29.4.1865(?)\n\nMADDOX, John Medex (1789-1861)\n\n\"A Fast Train! High Pressure!! Express!!!\" (25.4.1853). P: 8.3.1854\n\nMARSTON, John Westland (1819-1890)\n\n\"A Hard Struggle\" (1.2.1858). P: 12.11.-18.11.1864\n\nMATHEWS, Charles James (1803-1878)\n\n\"A Bachelor of Arts\" (under pseudonym: Pelham Hardwicke) (23.11.1853). P: 10.2.1858; 8.5.1865\n\n\"Little Toddlekins\" (15.12.1852). P: 26.5.1864\n\n\"Used Up\" (with D. Boucicault) (1.6.1846). 138 P: 26.1.1852; 27.1.1853; 18.2.1857\n\nMAYHEW, Augustus Septimus (1826-1875)\n\n\"The Goose with the Golden Eggs\" (with H.S. Edwards) (1.9.1859). P: 13.2.1863; 17.2.1863; 26.4.1865\n\nMAYHEW, Edward (1813-1868)\n\n\"Make your Wills\" (16.7.1836). P: 23.1.1856\n\nMAYHEW, Henry (1812-1887)\n\n\"The Wandering Minstrel\" (16.1.1834). P: 24.5.1865",
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