[ { "id": 204308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 76, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 82, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204329, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 97, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n93\n\nThe climax of the dramatic struggle between No-cha and his father Li Ching may be summed up here:\n\nLi Ching, hearing that No-cha had come again with his magic arms, was infuriated. He mounted his black horse and came out to meet No-cha with his halberd with crescent-shaped blade. The fighting had not lasted many minutes when Li Ching was in a profuse perspiration and had to flee for his life. No-cha pursued him with desperate efforts and nearly caught him when Mu-cha, the second son of Li Ching and disciple of the Immortal P'u-hsien (Samantabhadra), came on the scene. Although they were brothers they had not known each other before and No-cha had to tell Mu-cha the whole story. Mu-cha rebuked No-cha and called him a patricide, and defended the father with his precious sword. No-cha hurled his golden brick in the air which fell on the back of Mu-cha and hurt him. No-cha resumed his pursuit, and as Li Ching, being exhausted, did not wish to be overtaken by his son, he drew his sword and was about to commit suicide when he was stopped by a Taoist who was no other than the Wên-shu Kuang-fa Tien-tsun (Mañjusri) who was invited to come by Immortal T'ai-i to give No-cha an impressive lesson. Wên-shu now hid Li Ching in his grotto and seized the naughty hero with his \"Dragon-concealing Stake\"--which was also called \"Seven Precious Golden Lotuses\"--which in a mist of dust fastened No-cha's neck and feet with three golden rings and bound him to a golden stake. Wên-shu ordered Chin-cha, his disciple and No-cha's eldest brother, to beat No-cha black and blue with a staff until T'ai-I himself appeared. At the intercession of T'ai-i, No-cha was released and both father and son were brought before the two Taoist masters. T'ai-i rebuked the father for his petty-minded action and told him to go home. After Li Ching's\n\nAfter Li Ching's retreat, he instructed No-cha not to bear any grudge against his father and charged him to return to the grotto in Mt. Ch'ien-yuan on the pretext that he would stay with Wên-shu and play chess. No-cha, raging with anger, taking advantage of the absence of the two masters, pursued his father again. When Li Ching was in danger of falling into the hand of the son, another Taoist, the Jan-têng Tao-jên (Dipamkara) of the Yüan-chüeh Cave on the Vulture Peak, appeared on the scene as if by accident. He sheltered Li Ching behind, and when No-cha demanded single combat with his father, he increased Li Ching's strength by spitting on him and touching him on the back. Li Ching was then able to get the upper hand in the fighting and No-cha was defeated. No-cha was beside himself with rage. He jumped aside suddenly and tried to pierce Jan-têng with his spear, but the thrust was repelled by a white lotus flower emitted from the latter's", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204587, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 68, "title": "RAS-1963", "content_text": "CHANGES IN CHINESE LANGUAGE\n\n57\n\nA new term, Kuo-yü #, meaning national language, came into use soon after the founding of the republic in 1911. A phonetic system based on kuan-hua had been devised in 1909 but then discarded because it proved inadequate as a means of mass communication. The term Kuo-yü rapidly won acceptance, replacing kuan-hua first in official circles and then gradually, in other circles as well.\n\nThe promotion of Kuo-yü, already nation-wide, received new impetus when some prominent scholars, notably Ch'ien Hsüan-tung 錢玄同, Li Chin-hsi 黎錦熙 and Chao Yuan-jen 趙元任, backed by the government, announced that the term Kuo-yü should be used in a broader sense than \"current standard language of the nation\". They held that it should mean \"unification of the national language, study of dialects and preparation of a phonetic script\". They also suggested that because of Peking's geographical and historical position, the Peking dialect should be chosen as the standard national language.\n\nFor almost fifty years such efforts to create a national language have constituted the main current of Chinese language reform. This is not the place to give a full account of the successes and failure of these efforts. We shall merely summarise their most important results. Their first result was the adoption in 1913 of the chu-yin tzu-mu ✯✯$ or National Phonetic Alphabet for use in dictionaries and text books. This alphabet rendered the sound of each character much more accurately than the traditionally fan-ch'ieh, which had been cumbersome and difficult to learn. Another important accomplishment of the Kuo-yü movement was the introduction of the so-called Gwoyeu Romatzyh # or National Romanization, formally adopted under the name of Kuo-yin tzu-mu ti-erh shih #\"second form of national alphabet\". This system represented the first attempt by Chinese linguists to replace the traditional characters by a romanized script based on the Latin alphabet. Although it never gained popular acceptance, it helped greatly to establish Kuo-yü as the national language; and the promotion of it for this purpose was in fact one of the important turning points in the course of recent changes in the Chinese language.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 205609, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 151, "title": "RAS-1968", "content_text": "146\n\nNOTES AND QUERIES\n\nThe halls are all substantial buildings, somewhat simpler in style than the usual run of Chinese temples and they do not declare themselves obviously as religious institutions. Once inside, however, their religious nature is obvious from the images one sees immediately in the main downstairs shrine room where one enters.\n\nA few words are in order here on the deities worshipped by members of the sect and particularly in the vegetarian halls, for one of these deities effects the lay-out of the hall itself.\n\nWomen inmates may worship any god or goddess popular with them in a private capacity, and some have pictures and small images of such deities in their own sleeping quarters. Hsien-t'ien religion has itself incorporated, however, a number of gods and goddesses and Buddhas and Bodhisattvas into its worship. Kuan-yin is commonly found in halls of the sect and was in fact found in the halls in Ngau Chi Wan. Popular Chinese triads such as: Sakyamuni, Lao Tzu and Confucius (Buddhism, Taoism and Confucianism) are also common and appeared in the lower shrine room of the WING LOK TUNG. The sects relate various gods and Buddhas to each other by the theory of reincarnation: one god is the reincarnation of another, or of a Buddha in a different age. They are also related to each other by their cooperation in the work for Truth in a particular \"Truth\" epoch.\n\nA goddess peculiar to the sects of the religion exists, however. In this sect she is known as \"Golden Mother of the Yao Pool\" (Yao-ch'ih Chin-mu). In other sects she is known by different names: several simply call her \"Venerable Mother\" (Lao-mu), while Kuei-ken Men \"The Sect of Reverting to the Root [of Things]\" calls her \"Unbegotten Venerable Mother\" (Wu-shêng Lao-mu). Some sectarian leaders have told Marjorie Topley that they can tell when a particular sect split off from others in the religion by the term of address they use for \"Mother\". Mother is supposed to change her name every few years or so in order to prevent the unorthodox off-shoots from obtaining access to her. Any message sent to her under the incorrect name will fail to arrive. More sophisticated members say, however, that this goddess is in fact a symbolic representation of the Void: out of which the cosmos, and with it, Absolute Truth, emerged. But to most ordinary members, particularly female members, she is a goddess of great compassion and power and they sometimes identify her with Kuan-yin.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206512, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 60, "title": "RAS-1972", "content_text": "54\n\nJ. L. CRANMER-BYNG\n\nCouncillors at Jehol at this time: Mu-yin; K'uang-yüan; Tu Han; Chiao Yu-ying. Information on all these officials can be found in Hummel, Eminent Chinese, especially in the biography of Su-shun. Their power relationships are discussed in Banno, China and the West, passim, but especially 55-56. The term \"minister of the imperial presence\" (yü-ch'ien ta-ch'en) is rendered by Brunnert and Hagelstrom, Present Day Political Organization, p. 28, no. 101, as adjutant-general.\n\nII Tengchow is on the northern side of the Shantung promontory. In fact it was not opened to foreign trade which was carried on at Yen-tai near Chefoo. S. Wells Williams, The Chinese Commercial Guide, 211-212. Ch'aochow was the old name for Swatow; Ch'iungchow is in Hainan. Taiwan City and Tamsui were ports on the island of Taiwan which came under the administration of Fukien province.\n\n12 Ch'ung-hou was appointed to this post by an edict of 20 January with the designation superintendent of trade for the Three Ports, with his headquarters at Tientsin. Hsueh Huan, governor of Kiangsu and acting imperial commissioner at Shanghai, was made responsible for the newly opened ports along the Yangtze and the coast to the south of it, by the same edict. As far back as 1844 the imperial commissioner at Canton was currently designated imperial commissioner for the Five Ports. With the addition of new ports it was made a concurrent post of the governor of Kiangsu in 1861, until 1868 when it was made a concurrent post of the governor-general of Liang Kiang residing at Nanking. In 1870 the post of superintendent of trade for the Three Ports was raised to an imperial commissionership and held concurrently by the governor-general of Chihli. It is not clear when the commonly used designations for these two posts viz: superintendent of trade for the southern ports and superintendent of trade for the northern ports were first used. Meng, The Tsungli Yamen, 40-41; Banno, China and the West, 233-5.\n\n13 Article 3 of the Convention of Peking between Britain and China refers. See W. F. Mayers, Treaties Between the Empire of China and Foreign Powers, 8. The phrase to avoid complications arising is a euphemism for 'to avoid peculation'.\n\n14 Tentatively we have translated the Chinese phrase hui-tan as counter-foil. Note 19 also refers.\n\n15 The term is fuyin. See Brunnert and Hagelstrom, Present Day Political Organization of China, 793.\n\n16 See Frank H. H. King, A Research Guide to China Coast Newspapers, 1822-1911.\n\n17 Translated in collaboration with Mr. Vei-Tsen Yang. Chinese text in Ch'ow-pan wu shih-mo, Hsien-feng, 72: 2-3. A second edict was issued on the same day, and on the same subject, to the Grand Secretariat. This edict was translated by T. F. Wade along with the six-point memorandum. Note 2 above refers.\n\n18 Not to be confused with the Russian Hostel nor with the language school for the Russians in Peking, both of which were often referred to in Chinese documents as O-lo ssu-kuan, thus making confusion likely with the Russian language school referred to here. See Meng, The Tsungli Yamen, 111, note 48.\n\n19 Lit. 'draw up a joint document'. Glossed by T. F. Wade as a paper signed by both parties showing that the amount deducted is in due proportion to the collection'. Translation of Peking Gazette in F.O. 17/352 p. 42.\n\n20 Presumably referring to Robert Hart, the Inspector General of the Chinese Maritime Customs Service, and the westerners serving under him. On the general subject of foreigners taking part in the administration of China after the middle of the nineteenth century see Fairbank, The Chinese World Order, 273-5; also Fairbank \"Synarchy under the Treaties\" in Fairbank (ed.) Chinese Thought and Institutions, 204-231.\n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 88, "title": "RAS-1973", "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206836, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 113, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 114, "title": "RAS-1973", "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207001, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 72, "title": "RAS-1974", "content_text": "66\n\nCAROLE MORGAN\n\n16 Chavannes, Vol. 111, p. 420; Ssu-Ma Ch'ien, 28/4a-5b.\n\n17 Biot, Vol. 11, p. 261; Chou Li, 8/23a.\n\n18 Schindler(1), p. 625.\n\n19 Biot, Vol. 11, p. 256; Chou Li, 8/21a.\n\n20 Biot, Vol. 11, p. 261/62; Chou Li, 8/23a.\n\n21 Erkes(2), p. 45.\n\n22 Biot, Vol. 11, p. 259/60; Chou Li, 8/22b.\n\n23 Biot, Vol. 11, p. 259-260; Chou Li, 8/22b.\n\n24 Schindler(1), p. 314.\n\n23 Dubs, Vol. 111, p. 402, note 10.\n\n26 Erkes(2), pp. 59-60.\n\n27 Biot, Vol. 1, p. 80; Chou Li, 1/33a.\n\n28 Couvreur, Vol. 1, p. 646.\n\n29 Mu Tien Tzu Chuan, 2,2a., 3,3b., 4,24.\n\n30 Erkes(1), p. 206; Couvreur 11, p. 17.\n\n31 Couvreur, Vol. 1, p. 659.\n\n32 Couvreur, Vol. 1, p. 640.\n\n33 Couvreur, Vol. 1, p. 642.\n\n34 Couvreur, Vol. 1, p. 644.\n\n35 Couvreur, Vol. 1, p. 101.\n\n36 Couvreur, Vol. 1, p. 374.\n\n37 Burkhardt, Vol. 111, p. 91.\n\n38 Couvreur, Vol. 1, p. 735 note.\n\n39 Couvreur, Vol. 11, p. 16.\n\n40 Couvreur, Vol. 11, p. 17.\n\n41 Couvreur, Vol. 1, p. 104.\n\nA Cheng, Vol. 11, p. 55; B Chang, p. 138.\n\n42 Chavannes, Vol. 5, p. 69; Ssu Ma Ch'ien, 43, 8b/9b.\n\n43 Dubs, Vol. 11, pp. 133-135.\n\n44 Schafer, p. 60.\n\n45 Dubs, Vol. 11, pp. 133-135.\n\n46 Schafer, p. 60.\n\n47 Erkes(1), p. 207.\n\n48 Laufer, pp. 267, 277.\n\n49 Schafer, p. 77.\n\n50 Laufer, p. 266.\n\n51 Cheng, Vol. 111, p. 235.\n\n52 Karlgren series 251.\n\n53 Erkes(1), pp. 120, 121.\n\n54 Laufer, p. 255.\n\n55 Laufer, p. 260.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207002, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 73, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\nBIBLIOGRAPHY\n\n67\n\nPrimary Sources\n\nChou Li, Ssu-pu Ts'ung K'an, ts'e 9-14, Commercial Press, Shanghai, 1920-1922.\n\nMu Tien Tzu Chuan, Ssu-pu pei-yao, ts'e 1129, Chung-hua shu-chu, Shanghai, 1927-1935.\n\nSsu Ma Ch'ien, Shi Chi; Er. Shih-Ssu pen, Wu Chou Tung, Wen Shu Chu, Shanghai, 1903.\n\nSecondary Sources\n\nANDERSSON, J. G. Children of the Yellow Earth, Kegan Paul, London 1934.\n\nBIOT, Edouard Le Tcheou Li, Wen Tien Ko, Peking 1929, (reprinted 1939).\n\nBURKHARDT, V. R. Chinese Creeds and Customs, South China Morning Post press, Hong Kong 1955 and 1958.\n\nCHANG Kwang-chih The Archeology of Ancient China, New Haven, Yale University Press, 1963.\n\nCHAVANNES, Edouard Les Memoires Historiques de Se Ma Ts'ien, Brill, Leiden (reprinted 1939).\n\nCHENG Te-K'un Archeology in China, Vols. I, II, III, Heffer, Cambridge 1960.\n\nCOUVREUR, S. Le Li Ki, Imprimerie de la Mission Catholique, Ho Kien Fu 1913.\n\nCREEL, Herrlee G. Studies in Early Chinese History, Kegan Paul, London 1938.\n\nDUBS, Homer The History of the Former Han by Pan Ku, Waverly Press, Baltimore 1955.\n\nERKES, Eduard (1) \"Der Hund im Alten China\" in T'oung Pao, Vol. 37 (1944) 186-225.\n\n(2) \"Das Pferd im Alten China\" in T'oung Pao, Vol. 36 (1940-42) 27-36.\n\nKARLGREN Grammata Serica, Museum of Far Eastern Antiquities, Bulletin No. 12, Stockholm, 1940.\n\nLAUFER, Berthold Chinese Pottery of the Han Dynasty, Brill, Leiden 1909.\n\nSCHAFER, Edward The Golden Peaches of Samarkand, University of California Press, Berkeley and Los Angeles, 1963.\n\nSCHINDLER, Bruno (1) \"The Development of the Chinese Conception of Supreme Being\" in Hirth Anniversary Vol., 298-366.\n\n(2) \"On Travel, Wayside and Wind Offerings\" in Asia Major, Vol. 45 (1924) 624-656.\n\nYETTS, Perceval \"The Horse; A factor in Early Chinese History\" in Eurasia Septentrionalis Antique, Vol. 9 (1934) 231-235.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207028, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 99, "title": "RAS-1974", "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n93\n\nof Chin Lü-hsiang ✯✯✯(1232-1303), and a supplementary section prepared by Shang Lu j (1415-86) and others under imperial order of 1476, was available to de Mailla in the edition of 1708.1 But it carries Chinese history only to the end of the Yuan dynasty, whereas the Histoire générale in its final form includes the Ming and Ch'ing periods to 1780, the 45th year of the Ch'ien-lung reign,\n\nSince de Mailla's manuscript was sent to France in 1737,2 where it remained unpublished for forty years, it is evident not only that the author relied on sources other than the T'ung-chien kang-mu to continue his record beyond the Yuan period, but also that the final chapters are not his at all. There is no secret involved in these facts, credit generally being given where due by the published Histoire générale. But the usual tendency to consider the matter as closed when one has attributed the work to de Mailla and indicated the T'ung-chien kang-mu as his source is misleading. Volumes I-IX represent an abridged translation of the Kang-mu; for Vol. X, which treats of the Ming period, four other Chinese sources were employed. They are indicated in the editor's footnote to Vol. X, pp. 1-3, as follows:\n\n+\nLes trois auteurs que le Père de Mailla a suivis sur ce qui concerne les MING, sont le docteur Kou-yng-tai, examinateur des lettrés du Tché-kiang, dont l'ouvrage, intitulé Ming-ssé-ki-sse-pen-mo ou Faits historiques de la dynastie des MING a été publié par Fou-y-tché, premier ministre de Chun-chi, empereur des TSING: ce ministre en faisant tant de cas, que non content d'en être l'éditeur, il y a ajouté une preface de sa façon. Le second auteur, d'après lequel le Père de Mailla a rédigé l'histoire des MING, est Tchu-tsing yen docteur du premier ordre & gouverneur de Nan-yang-fou du Ho-nan. Son ouvrage, fait sur le modèle du Tong-kien-kang-mu, a pour titre, Tong-kien-ming-ki-tsuen-tsai, c'est-à-dire, Suite complette de la dynastie des MING-Tchang-yn, president du tribunal des Rits & ministre d'état, le publia la trente-cinquième année du règne de Kang-hi. Enfin le troisième écrivain, que le Père de Mailla a consulté sur les MING est le fameux lettré Tchong-pé-king, qui vivoit sous cette dynastie, au temps qu'elle perdit le sceptre impérial. Son Ouvrage, intitulé Ming-ki-pien-nien; c'est-à-dire, Annales de la dynastie des MING, fut rendu public la quarante-septième année de Kang-hi, plus de cinquante ans après la mort de l'auteur.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207029, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 100, "title": "RAS-1974", "content_text": "94\n\nR. G. IRWIN\n\nCes trois historiens des MING sont particulièrement distingués à la Chine, & personne n'y révoque en doute les faits qu'ils rapportent; c'est sur leur réputation de fidélité & d'exactitude que le Père de Mailla les a adoptés de préférence aux autres. II a encore puisé dans un recueil de discours & instructions de HONG-VOU, fondateur des MING, que Chun-chi des TSING a fait traduire en tartare pour son usage particulier dans le gouvernement de son nouvel empire & pour l'instruction des grands de sa cour. Ce recueil est intitulé, Ming-kou-lou-hong-vou-han-y-oyong-tatsi-yen; c'est-à-dire, Documens importans de l'empereur HONG-VOU, de la dynastie des MING.\n\nThese authors and their works may well have been renowned at the time of de Mailla, but two centuries later their very identification presents a problem, the results of which are herewith summarized:\n\n1. Ku Ying-t'ai (T. Keng-yü),3 who is credited with the authorship of Ming-ch'ao chi-shih pen-moa by the editors of the Ssu-k'u ch'üan-shu tsung-mu¤$£$#!' was a native of Feng-jun, Pei-Chihli. After taking the chin-shih degree in 1647 he held a secretaryship in the ministry of Revenue, and later in the Chekiang provincial board of education. The history, a work in 80 chüan, each devoted to a separate topic, carries a preface dated 1658.6 On the whole, it is a well-ordered record of the Ming period. Factual errors, which occur, for example, in connection with Chu Yün-wen, who reigned as Emperor Hui (1399-1402), and again with Chang Ma, better known as Empress I-an (consort of Chu Yu-chiao, emperor of the T'ien-ch'i period, 1621-27), are accounted for by the lack of any such standard source as the official history at the time of composition. But the Ssu-k'u editors are of the opinion that the author has handled the available material well.\n\nWhether Ku should be given entire credit for its authorship is open to question, however, since it seems to have been based on Shih-kuei ts'ang-shu♬ §#*, for which he is reported to have paid Chang Tai of Shan-yin, Chekiang, some 500 pieces of gold. Fu I-li# » † (fl. 1862-74), in a colophon, discusses the problem at length, concluding that Chang Tai's material passed through the hands of Hsu Ch'ao-li, who re-wrote it. Ku, in turn, re-worked this, and cannot be accused of out and out plagiarism.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207033, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 104, "title": "RAS-1974", "content_text": "98\n\nR. G. IRWIN\n\nof investigation which he and two other Jesuit fathers had made to Formosa in 1714.31\n\nHaving carried his record to the close of the K'ang-hsi period, de Mailla ventured no further into contemporary history. Some forty years later the task of recording the subsequent Yung-cheng and Ch'ien-lung periods (to 1780) was assumed by M. le Roux des Hautesrayes32 of the Collège Royal de France. It should be noted that whereas de Mailla had scrupulously confined himself to Chinese (and in one instance Manchu) sources, the contribution of des Hautesrayes, in Vol. XI, pages 369-610, was based, not on Chinese texts at all, but on the writings of Jesuit missionaries, available in the volumes of Lettres édifiantes edited by Père du Halde and in the collection Mémoires concernant les Chinois,33\n\nVol. XII, containing “a note on the customs, sciences, and arts of the Chinese,” a table of reign titles, a summary of geographical nomenclature, an alphabetical index, etc., is also the work of des Hautesrayes. But the essays on Cochin China and Tongking, said to have been based on Chinese sources, are specifically attributed to P. Gaubil, and taken from Lettres édifiantes, Vol. XXXI.34 By translating the part relating to China in Fischer's Histoire de Sibirie, 1774 (in Russian), Stollenwerck has provided the note concerning the first attempts of the Russians against the Chinese.35\n\nAbbé Grosier, who had been intimately connected with the publication of the earlier volumes, brought out in 1785 a supplement entitled \"Description générale de la Chine ou Tableau de l'État Actuel de cet empire.” Individual copies have circulated independently, but it is commonly considered as Vol. XIII of the series, and its author is justifiably included in a review of those who share in the completed work.\n\nThe present paper, it will be seen, makes no attempt either to evaluate the sources which have been identified, nor the manner in which de Mailla employed them. Its purpose has been simply to correct a popular misconception with regard to the relation between the T'ung-chien kang-mu and de Mailla's Histoire générale.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207047, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 118, "title": "RAS-1974", "content_text": "112\n\nJAMES HAYES\n\nThis recital tells its own story. Hsin-an hsien was not one of the glories of the prefecture. In that useful compendium on the Kwangtung province, the Kuang-tung K’ao-ku Chi-yao of 1893, only the counties of Nan-hai, P'an-yu and Tung-kuan were singled out for mention in the section dealing with the customs and traditions of the Kuang-chou prefecture. These entries speak of the elegant dress and manners of Nan-hai, of its literary and cultured atmosphere, and of how every palace examination brought forth the names of successful local candidates; of the profusion of foreign and local products, and the native and foreign merchants, stationery and itinerant, and the immense shipping of the port.1 Tung-kuan found fame as the ancient examination centre for the province; but no other place is mentioned. In scholars' eyes, the two metropolitan districts of Nan-hai and P'an-yu completely eclipsed the country and coastal districts of the prefecture like Hsin-an and another late creation, Hsin-ning, established in 1498-1499.2 As late as 1745 the district magistrate of Hsin-an when composing an inscription for the repair of the Chau Wong memorial school at Kam Tin, styled it as a place where the Book of Poetry was read as early as sunrise; and culture had spread even to this remote place near the sea.\n\nThe Kuang-tung K’ao-ku Chi-yao, a typical work of Chinese historiography, lovingly compiled, was the work of four Hunanese who had long been employed in the province as huan or officials and mu-fu or private secretaries to senior mandarins. It deals, in 46 chuan, with the wide variety of subjects usually found in district gazetteers and other works on administrative geography. Those chüan dealing with subjects on a geographical basis included material, arranged by prefecture and district. Hsin-an is included whenever, in the opinion of the compilers, there was anything in its records that warranted an entry.4\n\nAs in the chuan on customs and tradition the entries for Hsin-an in other chüan are much fewer than for the older hsien of the\n\n1 KTKKCY 4/1,\n\n2 KTKKCY 1/1 and KCFC 7/4.\n\n3 Tablet dated Ch'ien Lung 10th year, 1st moon, lucky day, inside the building.\n\n4 There is, of course, no shortage of books dealing with Kwangtung and its many localities under similar heads, and in providing their Hsin-an material the compilers did not set out to provide a compendium of all that had ever been included in the successive editions of the standard works on the Kuang-chou prefecture and the hsien of Tung-kuan and Hsin-an, but rather a selection of important material. The KTKKCY seldom provides material after the end of Ming (1644),", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 84, "title": "RAS-1975", "content_text": "76\n\nHELGA WERLE\n\nwhich has the shape of a miniature temple, has the three characters Han-lin yuan embroidered on its red curtain; it is not General T'ien who is sitting behind the ever closed curtain, but the San t'ai-tze lao-yeh\n\nthe 3 princes (Mu-ch'a, Chin-ch'a and No-ch'a).* \n\nThe birthday of the San t'ai-tze lao-yeh is celebrated yearly by this troupe with special performances in the first month of the Chinese calendar in the public housing estate Tung Tau Tsuen ✯✯, not far from the airport, where a whole community considers the San t'ai-tze as their patrons.\n\nAt this birthday celebration in 1976, between 9 and 10 p.m. a man suddenly came running to the temple facing the stage and donned the costume prepared on the table. No-ch'a is usually represented as a young boy: his hair tied in a bob over each ear, with his feet on fire-wheels. The man, a medium, is believed to be an ordinary man who might have never thought of No-ch'a. But on his birthday the god (here No-ch'a) will possess a person who will then only act as a medium. The man or sometimes a woman will get up from his bed, if he is sleeping, or from the table if he is eating, and rush to the square where the festivities are held without talking to anyone. Sometimes 3 people appear being possessed by the 3 princes. If the god in this temple has proved to be particularly efficacious (ling) then this event is expected and the respective clothes for the god are already prepared on a table specially marked with a green bamboo 3m high attached to its leg. The costume for the god is usually put into a flat round basket and a weapon is placed beside it. The medium puts on No-ch'a's costume, a yellow silk blouse and trousers and on the head he puts a band with the two hair-knots attached, shaking all the while and aided by those who have expected his arrival. When dressed the medium takes up the weapon, a solid spiky iron-ball on a chain, and wields it against his own body, beating his back and chest, perhaps to prove that he is actually possessed by the god.\n\n* Doré, Chinese Superstitions, Taipei 66, Vol. 7, p. 413 and Vol. 9, p. 111; E. T. C. Werner: Dictionary of Chinese Mythology, page 247.\n\n† Such a bamboo is also fastened to the roof of the stage or where rituals for the dead are held: it indicates the presence of spirits or marks the place to which spirits are invited to come.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 143, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n135\n\nWu-ti's Northwestern Campaigns,\" HJAS, XXVI (1966), 170, 172-173; Yü, 14; Lattimore, 485. Northern barbarian cavalry units were designated Hu-ch'i; southern barbarian units were called Yueh-ch'i.\n\n29 Michael Loewe, \"The Case of Witchcraft in 91 B.C.,\" Asia Major, XV.2 (1970), 180-181 traces Chin's career, major offices, and impact. See also Han-shu, 7: 1b; 38: 21ff; 68: 2a-b, 20b; 112: 16a-b.\n\n30 G. Haloun, \"The Liang-chou Rebellion 184-221 A.D.,\" Asia Major, I (1949-1950), 119; 121. Note the interesting case of Chao Hsin, discussed in Loewe, \"The Campaigns,\" 79.\n\n31 WSM, TC 79; 11; WCSL, 129: 17.\n\n32 Cited in Ch'ien and Goodrich, 9.\n\n33 See, for example, Yü, 205; Chi Ch'ao-ting, Key Economic Areas in Chinese History (New York, 1963), 99; Eberhard, 126; etc.\n\n34 Mackerras, 56-61, especially 60-61.\n\n35 See Su Ch'ing-pin, 399; Yüan, 160; Gabriella Molé, The T'u-yü-hun from the Northern Wei to the Time of the Five Dynasties (Rome, 1970), 157, 163, 167, 169, 180.\n\n36 See Yüan, 153-163; Su Ch'ing-pin, 589.\n\n37 See Wang Kung-wu, The Structure of Power in North China During the Five Dynasties (Kuala Lumpur, 1962); also Su Ch'ing-pin, 399.\n\n38 The preface to this work is very illuminating. Therein, Li Te-yü describes the general circumstances of Wen-mo-ssu's submission, making repeated reference to past experience with submissive barbarians and lauding the present emperor's virtue. After extolling Wen-mo-ssu's merits, Li suggests that just as the Hsiao-ching (Classic of Filial Piety) defines the proper relationship of ruler and minister, father and son, so the I-yü kuei-chung chuan defines the proper behavior of foreign employees in the Chinese service. Implicit in the comparison is the idea that Li is to T'ang Wu-tsung what Tseng Ts'an was to Confucius. For further information on Wen-mo-ssu, see Chang Ch'ün, T'ang-tai hsiang-hu an-chih k'ao [An examination of the treatment of surrendered barbarians in the Tang dynasty]. Hsin-Ya hsieh-pao [New Asia College Journal], 1.1 (August, 1955), 310-311; James R. Hamilton, Les Ouïghours à l'époque des Cinq Dynasties d'après les documents chinois (Paris, 1955), 69, 71, 153-154; Su Ch'ing-pin, 397; Hsin T'ang-shu, 217(B) [lieh-chuan, 142 hsia]: 1-3; T'ang-shu, lieh-chuan, 145: 13-14.\n\n39 Li Te-yü, 2: 10-11; see also ibid., 7: 56; 8: 57; etc.\n\n40 Ibid., 2: 11.\n\n41 Ibid., 5: 29, 31; 5: 33-35; 7: 56; 8: 59-60; 13: 101-109; 19: 159-160.\n\n42 See Mackerras, 14-47; also Li Te-yü, 14: 116-119. Tseng Kuo-fan undoubtedly had the T'ang experience in mind when he wrote: \"Since ancient times outer barbarians (wai-i) have assisted China; but in each case, after success, there have been unexpected demands,\" IWSM, HF 71: 10b.\n\n43 Howard Levy, Biography of An Lu-shan (Berkeley, 1961), 17-20.\n\n44 See Richard J. Smith, “Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History 8.2 (1974), 124-125; also Lo Jung-pang, \"The Decline of the Ming Navy,\" Oriens Extremus, 5 (1958), 165-168.\n\n45 Sung-shih, 472: 18-21; Liu Sheng-mu, Ch'ang-ch'u-chai hsü-pi [Supplementary writings from the Ch'ang-ch'u study] (preface date 1929), 5: 146.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208338, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 62, "title": "RAS-1978", "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 210092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 63, "title": "RAS-1984", "content_text": "42\n\nJULIAN PAS\n\nWebster's Dictionary (1979), p. 1733.\n\n10 Webster's Dictionary (1979), p. 170.\n\nLenormant (1875), p. 18.\n\n12 Lenormant (1875), p. 19.\n\n13 Lenormant (1875), p. 30.\n\n14 Needham (1956), p. 349.\n\nBanck (1976).\n\n16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien\n\n(Reproduction of the\n\nEarliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958.\n\n17\n\n19\n\nI have used the cheng-t'ong or Ming edition, as reprinted in Taipei.\n\nEberhard (1970), p. 193.\n\nHuang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17.\n\n20 Eberhard (1970), p. 191-192.\n\n21 Jordan (1982).\n\n11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8\n\n23\n\n24\n\nThe Chinese text: 高達五十得名\n\nSt. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142.\n\nBIBLIOGRAPHY\n\nA. Sources\n\n(i) Taiwan (& Hong Kong) Oracles, published in booklets\n\nB-I\n\nB-I\n\nB-I\n\nB-2\n\nB-2\n\nB-2\n\nSheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown).\n\nK'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30.\n\n+\n\nLing-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979.\n\n+\n\nPai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977.\n\nLing-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966)\n\nKuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, \n\n1\n\nPublished by\n\n*, 1964,", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 64, "title": "RAS-1984", "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210094, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 65, "title": "RAS-1984", "content_text": "44\n\nJULIAN PAS\n\n6. Hou-wang ling-ch'ien 14, published by Tsui-ching tang f**, Canton, n.d. (block print edition; 64 oracles).\n\n7. Pei-ti ling-chien w, published by Wu-kui t'ang in Canton, n.d. (block print; 50 oracles, identical with above Shang-ti ling-ch'ien).\n\n(iv) Oracles reproduced in the Tao-tsang\n\n1.\n\n2.\n\n3.\n\n4.\n\n5.\n\n6.\n\n✯ (−TT), 1977 Taipei reprint. Szu-sheng chen-chin ling-ch'ien 145, vol. 54, pp. 44056-44080, TT. 1298 (1 scroll; 49 oracles).\n\nHsian-chen ling-ying pao-ch'ien KERAK, vol. 54, pp. 44081-44137, TT. 1299 (3 scrolls; 365 oracles, divided over 12 daily hours each of which has 30 slips, i.e. 360 plus one slip for each of the five agents).\n\nTa-tz'u hao sheng chiu-t'ien wei-fang Sheng-mu yilan-chun ling-ying pao-ch'ien KkP;AMP@!#MEW, vol. 54, pp. 44138-44150, TT. 1300 (1 scroll; 99 oracles).\n\nHung-en ling-chi chen-chân ling chien light hi. Vol. 54, pp. 44150-44154, TT. 1301 (1 scroll; 53 oracles).\n\nLing-chi chen-chün chu-sheng ling ch’ien OBZIRAR, vol. 54, pp. 44155-44159, TT. 1302 (1 scroll; 64 oracles).\n\nFu-t'ien kuang-sheng ru-i ling-ch'ien KQE✯, vol. 54, pp. 44160-44190, TT. 1303 (1 scroll; 120 oracles).\n\n7. B-2 Hu-kuo chia-chi chiang-tung-wang ling-ch'ien ARMORIA, vol. 54, pp. 44193-44213, TT. 1305 (1 scroll; 100 oracles).\n\n8. Hsuan-t'ien Shang-ti kan-ying ling-ch'ien K, vol. 60, pp. 48479-48506 (49 oracles).\n\n(v) 1. Sham Francis, Trans., Kwun Yum Fortune Slip Predictions. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1983. (This set corresponds with the Kuan Yin set found in Lukang; B-11 and -12).\n\n2. Sham Francis, Trans., Predictions of Wong Tai Sin. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1984. Chai, Tung-yeh # !f, \"Ling-chien malo-chii” NUE.\n\n3. Heaven-Earth-man Journal Ke (published in Taichung, Taiwan), no. 1 (1968), 117-147.\n\nB. Studies\n\n1. BAUER, Wolfgang, China and the Search for Happiness. Recurring Themes in Four Thousand Years of Chinese Cultural History. (Translated from the German by Michael Shaw.) New York: The Seabury Press, 1976 (German Ed.: 1971)\n\n2. EBERHARD, Wolfram, \"Oracle and Theater in China\", pp. 191-199, Studies in Chinese Folklore and Related Essays, The Hague: Mouton, 1970.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211543, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 260, "title": "RAS-1988", "content_text": "236\n\nnames in Mandarin (Wade-Giles). This book is about South China. The whole \"feel\" of the place and its people is somehow different if it and they masquerade as something else: had Cantonese Romanization been used, the identification of the two villages named at pp. 126-127 need not have been explained, to cite one example. The late K.M.A. Barnett said the same when he reviewed my book, The Rural Communities of Hong Kong, in Vol. 24 of this Journal, when I was another victim of the system. Frankly, I should have known better, having even more to buck convention than Dr. Murray!\n\nJames Hayes\n\nJerry Dennerline, Qian Mu and the World of Seven Mansions, New Haven: Yale University Press, 1988.\n\nWhen Qian Mu (Ch'ien Mu) returned to the Chinese University some years ago on the occasion of the founding of the series of lectures that bears his name, students flocked to hear him even though few could have understood his Jiangsu dialect that passed for Mandarin. I have always looked upon that incident as being highly symbolic of the call of Chinese nationalism, of the attraction that the unity of Chinese culture held for Chinese students, and of their propensity to accept as wisdom what they could not understand.\n\nQian Mu symbolizes Chinese culture, untainted by Westernism or party politics. Qian Mu was my colleagues' teacher. He founded New Asia College that became a part of the Chinese University, in Hong Kong and not Taiwan, driven by nothing except his determination that scholarship should be pursued for its own sake. My colleagues at the Chinese University recall with nostalgia the comradeship they felt as students of New Asia in the 1950s. Despite Hong Kong's colonial status, and despite the 1949 Revolution, in New Asia they studied the Chinese classics as the fundamental philosophy that would remain forever Chinese. You cannot but marvel at the confidence that was inspired by this great man, and you can understand why students would turn to him for intellectual leadership.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211705, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 120, "title": "RAS-1989", "content_text": "Weights and Measures \n\nLength \n\n1 fen \n\n1 ts'un (Chinese inch) \n\n1 ch'ih (1 Chinese foot) \n\n1 li (1 Chinese Mile) \n\nWeight \n\n1 chin (1 Chinese catty) \n\n1 tan (100 Chinese catties) \n\nArea \n\n1 mu \n\n \n\nMetric \n\n3.725 mm \n\n3.715 cm \n\n37.15 cm \n\n648-681 m \n\n604.8 g \n\n60.48 kg \n\n1/6 acre \n\n95 \n\nIncense Cultivation \n\nJoss stick manufacture is a branch of the incense industry, which is a traditional activity in Hong Kong dating back at least 400 years. It was first developed as a primary industry concentrating on the cultivation of and trade in incense trees. Then the industry gradually expanded into the manufacturing sector as incense wood was ground into incense powder before being exported. After the exhaustion of the incense trees, the industry expanded completely into the industrial secondary sector, making joss sticks from imported incense powder. \n\nAquilaria sinensis, the fragrant incense tree, was once cultivated in Hong Kong. In the late Ming period, the county of Tung-kuan was renowned for the quality of its incense. Until 1572, Tung-kuan county included the area subsequently forming the county of Hsin-an (including the present day New Territories area). Tung-kuan incense was famous throughout China, but was particularly favoured in the lower Yangtze area around Su-chou. In Kuang-tung hsin-yü, it is noted that many Tung-kuan people made their fortune from Kuan-hsiang (meaning incense from Tung-kuan) which was so popular that the annual sales values amounted to tens of thousands of taels. The business boomed, especially during the mid-autumn festival when people around Su-chou and Sung-chiang burnt incense overnight to \"fumigate the moon\". As a result, the stock of Kuan-hsiang was sold out in as short a period as one night.' \n\nPage 1\n\n \n\n \n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212528, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 82, "title": "RAS-1991", "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214242, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 100, "title": "RAS-1998", "content_text": "63\n\nthe golden bowl being his unique characteristic.\n\nMahesvara, Mahadevi or Siva, known in Chinese as Mo-hsi-shou-lo T'ien 摩醯首羅天\n\nMahesvara is one of the numerous titles borne by one of the best known of the Indian deities, Siva. He has come to be regarded as the Supreme Being though he more generally represents the more malignant forces and destruction, all part of the cycle of creation and destruction. He is married to either Uma Mahesvara [also known as Parvati], by whom he had a son named Skanda [see 21 below], or to Kali, who is also Durga. The latter is known as Hariti [and in Chinese Kuei-tzu Mu: see 6 below] whose image is also one of the twenty-eight Devi. Hariti has one face, six arms and a necklace of skulls\".\n\nImages of Siva stand in both the Ta Pei Ssu and the Pi-yun Ssu. In the Ta Pei Ssu he is portrayed as a typical northern Chinese deity dressed in multi-coloured robes and a tall Buddhist crown, but with six arms and an ageless Chinese face of indeterminate sex. He looks like and could easily be confused with other multi-arm Buddhist deities as he has no unique characteristic. In the Pi-yun Ssu he is naked apart from a skirt in colourfully decorated cloth down to his knees. He has four arms and a smaller head on top of his normal head. He has red spiky hair on both heads and fangs rising out of the lower jaw of his normal head.\n\nSoothill described Siva as having eight arms, three eyes and riding a large white bull, holding a handful of snakes and a small drum, and can be represented as the phallic symbol.\n\n4] Maritci [Maritchi or Marici] known in Chinese as Chun-t'i P'u-sa\n\nThe Tantric [Lamaist] bodhisattva, Chun-t'i, is the Buddhist form of the Hindu personification of light and an offspring of Brahma, Cundi or Candi. She is often confused with the Tantric many-armed Kuan Yin and the Taoist stellar deity, Tou-mu Hsing-chün. Two separate deities also are referred to by Chinese devotees as Chun-t'i; these are as", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214244, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 102, "title": "RAS-1998", "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214258, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 116, "title": "RAS-1998", "content_text": "The King Protector of the East and controller of Spring\n\nelement: water\n\nP'i-p'u Tung-ch'a T'ien-wang LUXXE\n\n毘普動叉天王\n\nRed face\n\nMo-li Hai\n\nLute/guitar\n\nor Umbrella\n\n摩禮海\n\nor Sword and Snake\n\nor writing brush\n\nor Green face\n\nKuang-mu Virupaksa\n\nT'ien-wang\n\nwith Red beard 廣目天王 [Colour: red]\n\nThe King Protector of the West and controller of Winter\n\nelement: fire\n\n79\n\nP'i-p'u Po-ch'a T'ien-wang OXXE\n\nMo-li Shou Rat or Mongoose\n\nPink or Green face Tseng-ch'ang Virudhaka\n\nT'ien-wang\n\n[Colour: Red] 增吒天王\n\n[which changes into\n\nand short beard\n\n摩禮壽\n\na white, winged\n\nor Red Bird\n\nelephant]\n\nor Red or Golden Dragon\n\nor Magic sword and ring\n\nor Whip\n\nThe King Protector of the South and controller of Summer [or Spring]\n\nelement: wood\n\nT'i-t'ou Lai-cha T'ien-wang DELI\n\nMo-li Hung Umbrella\n\nPink or white face T'o-wen Vaisravana\n\nClean shaven\n\nor Money bag\n\nT'ien-wang\n\n摩禮紅\n\nor Snake [and pearl]\n\n[Colour: Black]\n\n多聞天王\n\nor Rat/Mongoose\n\nor gold\n\nand occasionally", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214268, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 126, "title": "RAS-1998", "content_text": "89\n\nAppendix B\n\nTHE DEVA WITHIN THE BODHISATTVA HALL IN THE PI-YUN SSU PEKING'S WESTERN HILLS\n\nThe Chinese titles of these the Deva within the Bodhisattva Hall in the Pi-yun Ssu are as follows together with their standard Sanskrit name:\n\nFan T'ien\nBrahma\n[Mahabrahman]\n\nTi-shih\nIndra\n[Sakra Devaran]\n\nT'o-wen Tien-wang\nVaisravana\n(Guardian of the North)\n\nCh'ih-kuo T'ien-wang\nDhrtarastra\n(Guardian of the East)\n\nTseng-ch'ang T'ien-wang\nVirudhaka\n(Guardian of the South)\n\nKuang-mu T'ien-wang\nVirupaksa\n(Guardian of the West)\n\n) the Four\n) Guardians\n) of the\n) Entrance\n) to\n) Buddhist\n) Temples**\n\nMi-chi Chin-kang\nGuhyapati\nAnother Diamond King Guardian\n\nMo-hsi-shou-lo\nSiva\n[Mahesvara]\n\nPan-chih Ta-ching\nPancika\n\nPien-ts'ai T'ien\nSarasvati\n\nChi-hsiang T'ien-nü\nLaksmi\n\nWei-t'o\nSkanda or Viharapala\n\nChien-lao-ti-shen\nPrthivi\n\nP'u-t'i Shu-shen\nBodhidruma or Pippala\n\nKuei-tzu Mu\nHariti", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214274, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 132, "title": "RAS-1998", "content_text": "Shen-mu T'ien Wang [?]\n\n神母天王\n\nP'u-chi T'ien Wang 菩濟天王\n\n[?]\n\n95\n\nShax Lo Wang 沙 x* 羅王\n\n[?]\n\nMan-shan Ch'e Wang [?]\n\n滿善車王\n\nP'o- x - Hsien-jen 婆x仙人\n\n[?]\n\nShan - x - T'ien Wang [?]\n\n善x天王", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]