[
    {
        "id": 204385,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 17,
        "title": "RAS-1962",
        "content_text": "12\n\nF. S. DRAKE\n\nsouthern border of the Ordos region within the loop of the Yellow River, as Pao-t'ou was on its northern border. Fr. Mostaert, it appears, was already familiar with the Crosses and he gave some valuable information from his personal observations, as to the use to which they were put by the Mongols of his day:\n\nThe Mongols constantly dig them up from old graves and elsewhere; they know nothing about their history, but wear them on their girdles, especially the women. When they leave home to take their sheep to graze, they close their doors, and seal them with mud or clay, in the same way as other people use ordinary seals.4\n\nIn 1932 during his residence in Tsinan, Shantung, Mr. Nixon committed his collection to the late Dr. J. Mellon Menzies of Shang dynasty fame, then professor of Chinese Archaeology at Cheeloo University, for study and classification. The result was embodied in a monograph entitled Chinese Nestorian Bronze Crosses which was published with the help of a grant from the Harvard-Yenching Institute in December 1934 as a double number of the Cheeloo University Bulletin 齊大季刊,第三、五合期, 青銅十字專號。The volume consists of impressions in red (somewhat in the manner of Chinese rubbings, but not true rubbings) of each of the crosses and seals in the collection, to the number of 979, followed by tables giving the number, weight, measurements and description of each cross, and where possible the provenance of each, the whole being classified in certain clearly defined groups, together with two essays in Chinese: 'Christianity in China in the time of Marco Polo' by Dr. Menzies; 'The Swastika Cross Badges Unearthed in Sui Yüan Province, China' by Professor P. Y. Saeki; and a short Introduction in Chinese on the Nixon Collection by Dr. Menzies. This volume has long been out of print, and Cheeloo University itself has been disbanded, The Institute of Oriental Studies at the University of Hong Kong hopes, when funds are available, to publish a complete set of photographs and rubbings of the whole collection with Dr. Menzies' tables, classification and enumeration.\n\n4\n\nDr. Menzies classified the crosses, which measure from 11 to 31 ins. across, first according to shape into four main groups,\n\n1 Moule, Christians in China before the Year 1550, London, S.P.C.K., 1930, p. 92; Saeki, Nestorian Documents and Relics in China, Tokyo, 2nd ed., 1951, p. 423; Menzies, Chinese Nestorian Bronze Crosses, Cheeloo University Bulletin, 1934, pp. 92-3.",
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    {
        "id": 204427,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 59,
        "title": "RAS-1962",
        "content_text": "50 \n\nT. Y. LI \n\nThe seal originated from jade tablets used by the Emperor and members of his Court in religious rituals. Later, seals were used to seal articles in the same way as we use sealing-wax nowadays. The only difference is that in those days, a ball of clay was used to receive the impression made by a seal. Writings on slips of wood or bamboo were bundled and sealed. Valuables were placed in a sack which was tied by string and again sealed in the same way. Naturally, these seals had to be small. Paper or silk for writing was not in popular use until long after the Han period (206 B.C.-221 A.D.), and it was then that vermilion ink was first used for seals. This practice has continued to the present day. \n\nThe Ancient Seals. \n\nThe so-called ancient seals were discovered at a much later period. They were thought to belong to the Chou Dynasty (1122-221 B.C.), or possibly earlier, but there is a lack of historical evidence to support it. The form of this class of seal is most variable. The size ranges from a fraction of an inch to a few inches square. The shape is mostly square, but many odd and strange shapes are also found. The engraving may be intaglio or relief. Many characters are difficult to decipher. The matrix was of bronze, though a few were of jade. The decorations are simple but elegant. They are the \"platform\" or \"nose\" type with an \"eye\" or \"hole\" provided for a cord to go through it. \n\nSubsequently, in the late Chou or Warring States Period (481-221 B.C.), a type known as Small Seals is found. The size is usually about one inch square. The shape may be oblong, oval, or round. The style of engraving is either intaglio or relief. Many characters are difficult to read because during the Warring States Period, each feudal state developed their own writing, and these were afterwards prohibited by the Emperor of the Chin Dynasty (221-206 B.C.). Hence, they became obsolete. However, their style is delicate, graceful, and well-balanced. They are all made of bronze with simple decoration, as in the ancient seals. \n\nAfter the First Emperor of the Chin Dynasty united the feudal states (221-206 B.C.), China was once more under one Government. Great reforms were carried out in many things, among which was the standardization of Chinese characters. A form known",
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    {
        "id": 204732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 35,
        "title": "RAS-1964",
        "content_text": "26\n\nW. C. HUNTER\n\nFriday 12th\n\n1* at\n\nAt nine this morning received a letter from Macao dated the 8th, in answer to mine of the 5th; all quiet there but everyone ready to be off the moment any trouble was at hand. Delano received, enclosed in mine, a chit from Russell Sturgis which contained much news. The Hercules and Austen left for the Bogue on Tuesday last to deliver their opium and were to be followed by the Jane and Aeriel. The Chinese would only let two vessels come up at a time. The Good Success left Macao on the 9th for Madras, with despatches to the British admiral on the India Station, and the Rob Roy was to leave today for Calcutta. The Exchange sailed for Manila on the 8th; the Nar† Naples, Roza and Benuo Successo and Poppy had also sailed for Manila but the letter does not say if they took opium or not.\n\nMr. Inness was on board the Hercules with Alex. Matthews and Chay. Beal36. The Hercules and Austen had in all over 5,000 chests.\n\nGave two bottles of beer to the Se-Ying37 or lieutenants on guard in the second line of boats in front of the Factories. Had a long chat with several of the officers belonging to Name Hoe's guard relative to matters in dispute. They appear exceedingly friendly but take no interest whatever in what is going on,\n\nSaturday, 13, 1839\n\nLast night at 12 o'clock Captain Elliot received a communication from the Commissioner, dated in the morning from the Bogue, in which he requests that the opium ships might be ordered to come up and anchor close to Chinn-up to deliver the opium, instead of Lankeel where there was much inconvenience owing to rough water. He also said that the compradores and cooks were ordered to return but they have not come yet. However it will take some time for the order to be generally promulgated.\n\nMidnight I have just returned from a chat of three hours duration held at the Hoppo House or \"Custom-House Station\" at the water's edge opposite our Factory between two officers, one equal to a captain and the other to a lieutenant, the Custom-House Officer and myself. The Captain, who wore a crystal button, was\n\n*Two words illegible.\n\n† Part of ship's name illegible.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
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    },
    {
        "id": 204915,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 23,
        "title": "RAS-1965",
        "content_text": "18\n\nS. G. DAVIS\n\nBIBLIOGRAPHY\n\n1. Bard, S. M., Chiu, T. N., and So, C. L. \"Stone Ring at Loh Ah Tsai, Lamma Island, Hong Kong,\" Asian Perspectives, VIII.\n\n2. Ch'en Kung-che (1957). \"Archaeological Surveys and Excavations at Hong Kong,\" Kao Koo Hsueh Po, No. 4.\n\n3. Davis, S. G. (1952). The Geology of Hong Kong (Archaeology), Government Printers, Chapter XI, pp. 188-194.\n\n4. Davis, S. G. and Tregear, M. (1961). \"Man Kok Tsui. Archaeological Site, 30, Lantau Island, Hong Kong,\" Asian Perspectives, IV.\n\n5. Davis, S. G. (1962). \"Hong Kong University Team Archaeological Activities for Period 1958-61,\" Asian Perspectives, V, 53.\n\n6. Davis, S. G. (1964). \"Rock Carvings at Shek Pik, Lantau Island, Hong Kong,\" Asian Perspectives, VII, 19-21.\n\n7. Finn, D. J. (1933-1936). \"Archaeological Finds on Lamma Island, Hong Kong,\" The Hong Kong Naturalist, Reprinted 1958, Ricci Hall Publications, University of Hong Kong, Hong Kong.\n\n8. Heanley, C. M. (1928). \"Hong Kong Celts,\" Bull. Geol. Soc. of China, VII, 209-214.\n\n9. Heanley, C. M. and Shellshear, J. L. (1932). A Contribution to the Prehistory of Hong Kong and the New Territories.\n\n10. Heanley, C. M. (1935). \"Fields of Hong Kong,\" The Hong Kong Naturalist, VI, 233-239.\n\n11. Heanley, C. M. (1938). \"Letter to the Editor on Archaeological Finds in Hoifung,\" The Hong Kong Naturalist, IX.\n\n12. Laufer, B. (1909). Chinese Pottery of the Han Dynasty, American Museum of Natural History Publication, East Asiatic Committee.\n\n13. Laufer, B. (1914). Chinese Clay Figures, Part I, Chicago Field Museum of Natural History, Publication 154.\n\n14. Laufer, B. (1917). The Beginnings of Porcelain in China, Field Museum of Natural History, Publication 192, Anthropological Series, XV, No. 2.\n\n15. Lo, H. L. (1956). \"The Sung Wong Toi and the Location of the Travelling Courts by the Seashore in the Last Day of the Sung,\" Journal of Oriental Studies, Vol. 3, No. 2, 185-217.\n\n16. Maglioni, R. (1938). \"Archaeological Finds in Hoifung District, China,\" The Hong Kong Naturalist, No. 8, 208-214.\n\n17. Maglioni, R. (1940). \"Archaeology: New Nomenclature,\" The Hong Kong Naturalist, X, No. 2, 130-133.\n\n18. Maglioni, R. (1940). \"Some Aspects of South China Archaeological Finds,\" Proceedings of the Third Congress of Prehistorians of the Far East, Singapore, 209-229.\n\n19. Maglioni, R. (1952). \"Archaeology in South China,\" Journal of East Asiatic Studies, No. 2, University of Manila, Philippine Islands, 1-20.\n\n20. Meanelly, E. (1962). \"Excavations at Man Kok Tsui on Lantau Island,\" Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 2, 103-108.\n\n21. Schofield, W. (1935). \"Implements of Palaeolithic Type in Hong Kong,\" The Hong Kong Naturalist, VI, Nos. 3-4, 272-275.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205553,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 95,
        "title": "RAS-1968",
        "content_text": "90\n\nARMANDO M. DA SILVA\n\nIt will suffice here to say that the exterior defence of the Chu Kong estuary consisted of a series of forts, customs-stations and guard-posts in the Lo Man Shan 老萬山, Kai Pong 鷄澎, Sam Chau Mun 三洲門, Ngoi Ling Ting 外伶仃, and the Tam Kon ## groups of the outer off-shore islands. The civil administration ruled from Nam Tau, the district city of the San On district. The military administration was centred at Tai Pang, on the western arm enclosing Tai Pang Hoi (Mirs Bay). The civil administration operated on a north-south axis, as against the east-west axis of the military coastal defence system. This is understandable when one realizes that the military could facilitate their control of the coast-line by establishing easy communications by water running the length of the coast-line from strongpoints on strategic head-lands and the offshore islands.\n\n3 For the Chinese characters of place names of some locales in the vicinity of Tai Yu Shan see map 3. For names of places within the present territory of Hong Kong see A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Hong Kong, Government Printer, 1960).\n\n4 So far as I know there has been no published study of this fort by Hongkong's local historians, except for a brief mention in one work which states that Kai Yik Kok fort was of Ch'ing dynasty date. Lo Hsiang-lin, Hongkong and its External Communication before 1842, (Hongkong, Institute of Chinese Culture, 1963) p. 172.\n\n5 The principal ingredients of this cement are clam and oyster shells which are crushed and burnt to produce slaked lime. The lime is then mixed with fine sand to produce a holding cement. Shells and fine sand are common to many local beaches and are, apparently for this purpose, used in lime kilns.\n\n6 San On Yuen Chi, kuen 22, under section on Coastal Defence reads:\n\n看復界後海絮籹寧而設險更捻周密雖今之汎地 及設兵皆與舊制不同而大嶼山雞翼角炮臺南頭 炮臺赤濘炮蠱最為餓要\n\n7 Fan Lau is also known as Shek Sun meaning \"boulder growths\", a reference to the numerous residual boulders at Kai Yik Kok,\n\n8 Luis Gomes, Monografia de Macau (Macau, 1951), a Portuguese translation of the O Mun Kei Leuk p. 70. \"No 7° ano de long Tcheng (1730) construiram-se fortalezas nas duas montanhas, distribuiram-se as guarniçoes para a sua defensa e foram reforçadas as tropas que guarneciam Tai-U-San formando assim como que um angulo semelhante ao que e constituido pelos chifres dum boi, para servir de defensa exterior de Macau e o Boca Tigre\",\n\n9 J. J. L. Duyvendak, \"Sailing directions of Chinese voyages\" T'oung Pao, vol. 34 (1938) pp. 230-237; and \"The true dates of the Chinese maritime expeditions in the early fifteenth century\", T'oung Pao, vol. 34 (1938), pp. 341-412.\n\n10 The district of San On (新安) was formed in the sixth year of Lung Hing (隆慶) ie. 1572-73, Fourteen years later, in 1587, the San On district gazetteer was written by Yan Tai-kon (縣太君), the District Magistrate. Various editions followed. The latest edition was published in 1819. This gazetteer provides the best primary source of information on pre-British Hongkong. Chapters (kuen) XIV and XXII deal with Coastal Defence. These are chapters of special interest to historical geographers.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 205765,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1969",
        "page_number": 71,
        "title": "RAS-1969",
        "content_text": "65\n\nTUNG KWU ISLAND:\n\nTHE TYPE SITE OF HONG KONG'S OLDER PRE-HISTORIC CULTURE\n\nINTRODUCTION\n\nW. SCHOFIELD*\n\nThe present paper describes the writer's investigations of the large site revealed from 1925 onwards by sand diggers on the island of Tung Kwu beyond Castle Peak,† This dumb-bell island, which is formed entirely of Hong Kong granite and the sand which links its two portions by an isthmus, has not only yielded pottery of the historic period in one area of its western beach, but a great many remains of a culture obviously earlier than that of the Bronze Age in Lamma described by Father Finn.‡\n\nDESCRIPTION OF THE ISLAND (See Plates 1 and 2)\n\nTung Kwu is a typical single dumb-bell with an isthmus joining a large northern hill ridge 76 metres high to a smaller southern one of 68 metres. These hills show all the signs of early loss of their original woods, followed by washing away of most of the thick subsoil of clay full of quartz grains which formed beneath their cover, some of which remained on the isthmus and beaches. Much of the hill surface is occupied by large masses of granite boulders formed by chemical action in the clay, and left behind when it was washed away.\n\nA noteworthy feature of the northern hill area is the 35 metres hill that rises just north of the isthmus and is surrounded by a\n\n* Mr. Schofield (1888-1968) served in Hong Kong between 1911-1938 as a Cadet Officer and Police Magistrate, He was noted for his work pre-war on the geology and archaeology of Hong Kong, in which fields he was a pioneer scholar. More recently his article \"Further Notes on the Sung Wong Toi\" appeared in the 1968 Journal. Ed.\n\n†This island has long been misnamed on local maps. The Hong Kong Government's official Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (no date, but 1960), p. 161, calls it Lung Kwu Chau (##) and describes it as \"an uninhabited island in area 0.158 sq. mile off the west of the Castle Peak Peninsula, incorrectly named TUNG KWU (Tongku) on the 1:25,000 official map. (Sheet 13, 1957 edition)\".\n\n‡\n\nThe photographs which illustrate this article may be found at Plates 1 to 9 at the rear of this volume. They are representative, and not ordinarily related to items mentioned in the text because Mr. Schofield died before we had chosen and discussed the illustrations. I am greatly indebted to Mr. James C. Y. Watt, Assistant Curator of the Hong Kong City Hall Museum and Art Gallery and Hon. Sec. of the Hong Kong Archaeological Society, for much help and advice with the sketch-map, charts and plates. Ed.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
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    },
    {
        "id": 206620,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 168,
        "title": "RAS-1972",
        "content_text": "162 \n\nW. SCHOFIELD \n\nthought to be older than the Han dynasty (210 B.C.). It was known to have been conquered by the First Emperor and added to China, but even history is silent on it prior to that time (220 B.C.). Hence its prehistory lay shrouded in almost darkness, with only a few vague traditions and scanty ethnographic and linguistic data to shed light upon it. \n\nThe first beginnings of enquiry into the pre-Chinese culture of South China date back to about 1926 when Dr. Heanley, then investigating the geology of Hong Kong as an amateur, noticed lying here and there on hills of gravelly clay formed from decayed granite, stones which could not have been formed and left there naturally, and which clearly had the shape of stone adzes, as a rule smoothed and polished. Realising the importance of these finds, he devoted much of his leisure to a careful search for more of them, and in so doing discovered a number of sites, which included an axe factory, a workshop for jewellers working in quartz and other stones, and shore settlements, presumably of fishermen, as well as hill settlements. In this work he was associated with Prof. Shellshear, of Hong Kong University, and shortly before leaving Hong Kong in 1930 he interested me in the subject. I had for some time been investigating the geology of the Colony, and started this new line in association with Dr. Heanley and Prof. Shellshear. My contribution consisted mainly in discovering new sites, chiefly in sandbanks on the coasts and islands of the New Territory. Special attention was paid to these for two reasons; first, the beaches were being vigorously dug for sand to be used in building and public works; second, these sandbanks were the only places where a succession of layers containing objects of different ages could be found. As no beds of limestone exist in the Colony, it was vain to look for caves. \n\nIn my explorations I had occasion to examine a beach site discovered by Dr. Heanley on the island of Lamma close to Hong Kong. This had been dug back a considerable distance further, and I saw, littered over the beach, vast quantities of pottery, with more projecting from the sandy cliff behind. One piece of a cup I found was covered with a bottle-green glaze, a ware which was later found to be a feature of the culture at this and several other sites in Hong Kong. Later visits to the site revealed that bronze weapons and tools were to be found in fair number; in addition, rings of",
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    {
        "id": 206870,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 147,
        "title": "RAS-1973",
        "content_text": "NOTES AND QUERIES \n\n141 \n\nabout the execution: he did not seem to like talking about it and at last in order to avoid any more he made some excuse to us and went down stairs and waited there. \n\nAt about 9.30 a.m., C. got tired of waiting and left for Shameen, and about the same time A. and W.† started off on a voyage of discovery intending to come back and report how matters were looking. \n\nSoon after we saw them on the roof of a house which overlooked the Execution Ground. This we thought would be a much better place than the ground itself, to see the affair from, giving us, as it would, a chance of not being obliged to look if we did not feel inclined to do so. We were none of us, I fancy, very sure how we would stand the sight, especially after the guide had told us that he did not intend to go on to the ground with us but only to show us in and then leave us until it was all over. We therefore started off and joined A. and W., and right glad we were afterwards that we had done so. The owner of the house—a rice-pounding shop—received us civilly and sent some stools on to the roof for us to sit on.\n\nThe Execution ground is merely a \"blind\" alley about 10 or 12 yards wide and 70 or 80 yards long, having a dead wall on one side and some \"shanties\" on the other, these being the workshops of pottery makers who use the alley for drying their ware. Yesterday when we were here the ground was covered with clay pots being sun-dried but now, in one spot, these had been cleared away and two rudely constructed crosses 5 or 6 feet high had been erected quite close to each other. One end of this alley is crossed by a street but the passage can be blocked on either side by gates. The rice shop on the roof of which we were stationed was at one corner of this wall, so that we looked down on one gateway and across the alley at the other one. When we got on to the roof we found about 200 people assembled in the ground, this number comprising many children—there were also a few people on the neighbouring house tops. In answer to our rather importunate enquiries we were now told that \"it\" would soon take place, that all was ready, and only waiting for the final orders to be given by the Viceroy.\n\nSoon after 10 o'clock there was some confusion at the nearest gateway and then 3 or 4 Mandarins with about a dozen soldiers arrived. The crowd at the same time tried to rush in, but they were\n\n† not identified.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    {
        "id": 207444,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 212,
        "title": "RAS-1975",
        "content_text": "204\n\nDONALD C. BOWIE\n\nthan he need. The improvement in his attitude to us in 1945 as the war drew to a close was significant. I never felt safe with him. His management of drafts of patients coming to our hospital from P.O.W. camps showed gross negligence particularly in the early year or so and I found it scandalous that he allowed a patient with acute and easily remediable intestinal obstruction to reach death's door in 1942 before allowing him to be sent to the hospital. How far blame should be laid on Saito and how far his commander, Tokunaga, should bear responsibility I do not know. I was then, and still remain, glad that we did not have to have Saito as our master if we had been losing the war,\n\nI thought Sergeant Seino was the most intelligent of all the Japanese army administrators with whom we came in contact. It was he who was most closely concerned with our routine affairs. He retained his dignity and upheld his position, but he was a man who could be talked to though not easily swayed. He never let his army down, and he never slapped me though he did, I know administer a token slapping to one of our officer patients whom he had caught communicating on a family matter with the outside world through the medium of our parcels. I do not know what happened to him after the Japanese surrender, but so far as we were concerned he did his duty fairly and earned a degree of my respect.\n\nJapanese officers and N.C.O's nearly always wore swords and always on duty wore what used to be called field boots in the British army in the First War and between the wars when they were worn by cavalry and gunner officers and by field officers in other regiments and corps. The Japanese used to skiff (or \"skliff\" is likely an OCR error for \"scuff\" or \"skiff\") their feet along the ground thus making an important noise as they walked, well suited to the dignity of their wearers.\n\nAt first in 1942 the guards were drawn from Japanese units but later were Formosans (Taiwanese). The latter were of no great quality and were poorly clad and equipped, and some of their N.C.O's were pettily officious and often over ready to take offence. They wore ankle boots with canvas uppers and rubber soles and there was a separate compartment in the canvas for the big toe. It was often startling to meet them on a verandah in a blackout as they moved silently along with fixed bayonet and rifle at the trail. These guards interpreted their own orders in such matters as the amount of lighting allowed during blackouts and the time of our",
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    {
        "id": 207531,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 299,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES\n\nTHE POTTERY KILNS AT WUN YIU, TAI PO\n\nSo far as I know, the printed official papers of the Hong Kong Government contain only a few references to these local kilns. They all relate to the period 1899-1912 and in chronological order are as follows:\n\n(a) \"One village we visited was engaged entirely in the manufacture of pottery, the clay for which is found in the mountain immediately above the village. The villagers are said to have learned the art of manufacturing pottery from an Italian missionary who formerly resided among them.\" J. H. Stewart Lockhart's Report on the New Territory, Hongkong Government Gazette, 8 April 1899 P. 544.*\n\n(b) \"The pottery works at Un Yiu near Tai Po manufacture very coarse ware for export to Kong Mun and local use. The trade done is quite small.” Eastern No, 88, Correspondence relating to the Kowloon-Canton Railway (London Colonial Office, 1907) Enclosure B to No. 59 to Lyttelton, 11 January 1905.\n\n(c) \"The only Potteries are at Wun Yiu near Taipo, about 400,000 pots, rice bowls and plates are here turned out every year, of an average value of 6 cash each; most of them are exported to Tam Shui in Chinese Territory, Some also to Hongkong.\" G. N. Orme. \"Report on the New Territories 1899-1912\" Sessional Papers 1912, para. 83, p. 55.\n\nThere were at least two kilns. One of these was built over some years ago for a school extension. The other, or part of it, is still to be seen. There are said to be others in the area.\n\nA temple dedicated to Fan Sin Kung (#) stands near the site of the kilns. It is in good repair and contains commemorative\n\n* Appendix No. 2 to the Report, which deals with the geology of the New Territory, adds 'Some excellent pottery clay exists on the slopes of Tai Mo Shan, of which we saw specimens in the village of Wun Yiu, of a light brown colour and extremely fine texture'.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207909,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 297,
        "title": "RAS-1976",
        "content_text": "282\n\nNOTES AND QUERIES\n\n\"It was a serious offence to be a member of a secret society and, under Hong Kong law, possession of what was called the membership cloth or any of the regalia of such a society was regarded as sufficient proof of membership. The cloth was what a member had, instead of a card, just a scrap of cotton material, seven by four inches with the name of the holder and details of the society. I remember arresting a man in Hong Kong who was on his way to China and finding he had a membership cloth that had been stamped with a large gold seal on which were printed, in English, the words 'affiliated to the Chinese Freemasons of America' round a design of the Square and Compasses in the second degree.”\n\nThe Hon. Editor recalls seeing a similar sign \"Chinese Freemasons\" on a door in China Town, Vancouver, B.C. during his recent visit there in May 1977, but unfortunately did not take down the full English and Chinese text.\n\nSANDAL WOOD MILLS AT TSUN WAN*\n\nThe following extracts from various publications relate to this now almost forgotten but long established local industry, located at Tsun Wan in the New Territories of Hong Kong. Formerly a small market centre serving the surrounding villages, Tsun Wan is now a large industrial town.\n\nFrom J.H. Stewart Lockhart's Report on the New Territory, The Hongkong Government Gazette, 8th April, 1899, p. 544.\n\n“A large establishment exists near Tsun Wan for the manufacture of joss-powder, out of which joss-sticks, used in the worship of idols, are made. The powder is made from fragrant wood, which is pounded into dust by means of water-wheels, six of which were seen at work.\n\nAlthough there is a large force of water throughout the territory available for water-power, this is the only instance in which we saw water utilised for manufacturing purposes.\"†\n\n* Usually romanized as Tsuen Wan: see A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Government Printer, n.d. but c 1960) p.\n\n† On his short visit, and necessarily cursory inspections, Mr. Stewart Lockhart appears to have missed the use of water wheels to crush clay at the Wun Yiu pottery kilns: see CSO1904 Ext/6929 in the PRD Hong Kong. For mention of Water Wheel Licences see Hong Kong Administrative Reports, Assistant District Officer, New Territories, Southern District, 1912 (p. I 15), 1913 (p. I 13) and 1914 (p. I 10).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 208120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 159,
        "title": "RAS-1977",
        "content_text": "CHEUNG CHOW LONG ISLAND\n\n143\n\npainted to the eyes, and clad in gay garments. Behind these a band of native musicians, youths dressed in gaudy clothes, provide the melody and rhythm. The dragon shakes his head and stamps his feet to the rhythm, the bearers grunt and sweat, the musicians fiddle and bang and blow, the spectators spit and chew, laugh and talk, admire and applaud. The last player disappears round a bend in the street and another procession begins to form itself with much good-natured chaff and chatter. Meantime the dragon processions which have already been sent off wander through the distant fields, and the curious rhythm of the dance rises and falls in every corner of the glens.\n\nSo much we have seen for ourselves, but our kind host, who has lived on the island for many years, tells us that on the great day of the feast, all the small processions meet at the special matshed, where are assembled also some of the local gods, as well as visiting deities who have been brought by the folk from other towns and villages. All these gods are then carried in procession to the Pak Tai Temple to make their how to the occupant. Following this they are carried about a mile to the temple of the Queen of Heaven, the Lady of the fisherfolk, through the streets densely packed with fishermen and townsfolk, and thousands of visitors. At this temple the processions stand aside, and the gods in their chairs of state are raced back to the special matshed. The first god to arrive, even if he arrives in several pieces, brings to his devoted supporters the best of luck during the year.\n\nIn the afternoon the cones are overturned and there is a scramble for the cakes, which are then eaten with the happiest consequences for all concerned. It would be interesting to hear more exactly what these benefits are, for the whole feast looks like an ancient fertility cult.\n\nWe are much indebted in this account to notes jotted down by Mr. A. C. Franklin, and kindly put at our disposal. The opportunity to witness the Moon-cake festival was also due to his kindness. If we have not reproduced all the interesting and suggestive comments which those notes contain, it is because we hope that he will find time to throw them into literary form and publish them. Meantime we would welcome corrections, and an elucidation of the meaning of the feast from our students, some of whom might well take time to visit Cheung Chow for that purpose.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 209596,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 253,
        "title": "RAS-1982",
        "content_text": "231\n\nmusic, a dazzling transformation scene, and a rollicking harlequinade.\" It enlisted a great many people for the leads, chorus and orchestra.\n\nNot everyone in Hong Kong was happy about pantomimes. In 1891 in the \"Beauty and the Beast\" \"the indiscreet censure lately passed by the Bishop upon the Pantomime was noticed in a verse or so--and a comical but somewhat misplaced representative of his Lordship appeared in the Harlequinade\".\n\nThe A.D.C. tried its hand at light opera in 1894 with the performance of Gilbert and Clay's \"Princess Toto\". It was described, however, as \"vapid and unattractive\". The Choral Society had for some years been presenting light operas and had already given \"Iolanthe\" and \"The Gondoliers\". In subsequent years the A.D.C. did \"Trial by Jury\", \"Yeomen of the Guard\", \"His Excellency\", and \"The Gondoliers\".\n\nDuring this same period, along with the works of Gilbert and Sullivan, other currently popular musical plays were staged.\n\nTHE GENIUS OF MR. SINCLAIR\n\nWith more frequent visits of professional companies, the A.D.C. increasingly found it difficult to sustain interest and attendance. This resulted in financial losses and threatened the future of the Amateurs. A new era arrived when Mr. Walter Sinclair assumed direction of A.D.C. productions in 1912.\n\nSinclair was imaginative and venturesome and mounted productions that were different from those presented by the travelling companies. The A.D.C. took on new life.\n\nAmong Sinclair's innovations was his introduction to Hong Kong of the playwright Lord Dunsany. In 1921 he presented an evening's programme of four Dunsany plays. One of these was \"The Compromise of the King of the Golden Isle\". It was the play's world premiere. The setting was Chinese. During the interval preceding it, to set the mood, a group of Chinese amateur musicians played Chinese music. It was particularly noted that the music \"was not unpleasing, for people who have heard only the cymbals and tom-toms may find music in the sweetness of some of the native banjos and fiddles\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209612,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 269,
        "title": "RAS-1982",
        "content_text": "1892/93\n\n―\n\n1893/94\n\n247\n\n\"Honour Bound\" (W. S. Gilbert and Sydney Grundy, 1880)\n\n12, 15 Nov. 1892\n\n\"On Bail\" a farce (W. S. Gilbert, 1877)\n\n26, 28, 30 Dec. 1893, 3, 6, 9, 16, 24 Jan. 1894\n\n\"Princess Toto\" (W. S. Gilbert and Clay, 1876)\n\n1894/95\n\n30 Jan. 4, 6, 9, 12, 16, 18, 23 Feb. 1895\n\n\"Robinson Crusoe\"\n\nPantomime:\n\n17, 20, 24 Apr. 1895 \"The Magistrate\" (A. W. Pinero, 1885)\n\n1895/96\n\n26, 28 Dec. 1895\n\n\"Dandy Dick\" (A. W. Pinero, 1887)\n\n8, 10, 20 Feb. 1896\n\n1888)\n\n1896/97\n\n\"Trial by Jury” (Gilbert and Sullivan, 1888)\n\n19, 21 Dec. 1896 — “Cups and Saucers\" (G. Grossmith, 1878)\n\ngiven in 1886.\n\n\"Charley's Aunt\" (Brandon Thomas, 1892)\n\n25 Feb. 1897 — \"Les Cloches de Carneville\" (H. B. Farnie and R. Reece, 1878)\n\n1897/98\n\n19 Nov. 1897\n\n1890)\n\nF\n\n1898/99\n\n19, 21 Feb. 1898\n\n—\n\n\"A Pair of Spectacles\" (Sidney Grundy, 1890)\n\n\"The Duchess of Bayswater and Co.\" comedietta (A. M. Heathcote, 1888)\n\n\"A Pantomime Rehearsal\" (C. Clay, 1891)\n\n17, 19 Nov. 1898 — “Our Bitterest Foe\" (G. C. Herbst, 1874)\n\n\"Sugar and Cream\" comedietta (J. P. Hurst, 1883) \"The Steeple Chase\" (J. M. Morton, 1865) given in 1874.\n\n―\n\n5, 7, 9, 11, 14, 17, 18 Jan., 1, 3 Feb. 1899 pantomime \"The Yellow Dwarf, or Harlequin the Knave of Hearts\"\n\n1899/1900\n\n4, 6 Nov. 1899\n\n\"The Magistrate\" (A. W. Pinero, 1885) given in 1895.\n\n12, 13 Dec. 1899 \"The Mother In Law\" farcical comedy (G. R. Sims, 1881)\n\nJL\n\n12, 15, 17, 24, 26 Feb. 1900 \"Yeoman of the Guard\" (Gilbert and Sullivan, 1888)\n\n1900/01 24 Nov. 3 Dec. 1900—\n\n1901/02\n\n1902/03\n\n—\n\n―\n\n\"Our Flat\" (Mrs. M. Musgrove, 1889)\n\n15, 19 Nov. 1901 “Trying It On” farce (W. Brough)\n\n\"Plantation Revels\" minstrel variety\n\n13, 14, 15 Nov. 1902\n\n\"Liberty Hall\" drama (R. C. Carton, 1892)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209613,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 270,
        "title": "RAS-1982",
        "content_text": "248\n\nCARL T. SMITH\n\n30, 31 Jan., 2 Feb. 1903\n\nMarshall, 1898)\n\n1903/04\n\n14, 16, 17 Nov. 1903 -\n\n1898)\n\n―\n\n1903/04\n\n1904/05\n\n▬▬\n\n\"His Excellency the Governor\" (R.\n\n\"Lord and Lady Algy\" (R. C. Carton,\n\n11, 12, 14 Dec. 1903\n\n(Wilde, 1895)\n\n\"The Importance of Being Earnest\"\n\nT\n\n13, 18, 19, 20 Feb., 11, 12 Mar. 1904 \"His Excellency\"\n\n(W. S. Gilbert and O. Carr, 1890)\n\n19, 20, 23, 24, 26, 28 Nov. 1904 \"Dorothy\" comedy opera\n\n(B. C. Stephenson and A. Collier, 1886)\n\n21, 23, 28, Jan. 1905 \"Jane\" (H. Nichols and W. Lestrey,\n\n1890)\n\n7, 8, 10 Apr. 1905\n\nEsmond, 1897) —\n\n\"One Summer Day\" comedy (H. V.\n\n1905/06\n\n12, 13, 15 Jan. 1906\n\n1894) —\n\n\"The New Boy\" farce (Arthur Law,\n\n\"Princess Toto\" (W. S.\n\n15, 16, 17, 19, 20, 21 Feb. 1906 Gilbert and F. Clay, 1876)\n\n+\n\n31 Mar. 2, 3 Apr. 1906\n\n28, 30 Apr., 1 May, 1906\n\n(Arthur Law, 1902)\n\n1906/07\n\n20, 21, 22 Dec. 1906\n\nPinero, 1888) —\n\n15, 16, 18 Feb. 1907\n\n(C. H. Darnley,\n\n\"Lady Huntsworth Experiment\"\n\n\"A Country Mouse\" comedy\n\n\"The Hobby Horse\" comedy (A. W.\n\n\"Facing the Music\" farcical comedy 1899)\n\n1907/08\n\n←\n\n20, 21, 22, 25 Feb. 1908\n\n1897) -\n\n1908/09\n\n1909/10\n\n\"The Liars\" comedy (H. A. Jones,\n\n2, 3, 4, 5, 7, 8 Dec. 1908, 19, 20 Feb. 1909: \"A Country Girl\"\n\nmusical\n\n17, 18, 19, 20, 21, 22, Jan., 18, 19 Feb. 1910 \"The Torcodor\"\n\nmusical comedy\n\n12, 13, 16 Apr. 1910\n\nRyley, 1901)\n\n\"Mice and Men\" comedy (M. L.\n\n!\n\n1910/11\n\nno production.\n\n1911/12\n\n-\n\n13, 27 Jan. 1912 Grand Variety Entertainment and\n\nHarlequinade \"as performed at Drury Lane in 1870\",\n\nPage 270\n\nPage 271",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
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    },
    {
        "id": 211807,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 222,
        "title": "RAS-1989",
        "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211808,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 223,
        "title": "RAS-1989",
        "content_text": "198\n\nT: Farce (1 act) C: Amateurs\n\nF: Music\n\nTh: D\n\nR: This was the last theatrical entertainment organised by Horatio BUSKIN and he could look back on a successful \"career\" as manager. Only the music had flagged of late (tonight \"a buzz in a box near the proscenium represented the music — we were ten feet away from it and it was therefore lost upon us\" the days of \"Sir George Smart and Messrs Thalberg\" and \"Koenig\" were over).\n\n—\n\nTo make up for these shortcomings \"Mr. CLAY as Honeybun (in the Infanticidal Farce) was, as he always is, first rate\". In Slasher and Crasher the public witnessed the debut of \"Miss Polly DEXTER as Rosa, affording hope of a new evening star of the first magnitude\" (NCH 23.2.1856).\n\n14.8.1856 (Thur)\n\nN.N.: The Nigger Doctor and his Patient Patient or the First Lesson in Surgery\n\nT: Negro farce\n\nC: Travelling American Company (Messrs Baker, Woodward and Montgomery) Th: Old Theatre (C)\n\nN: The whole evening was announced as a \"Grand Ethiopian Musical Soirée\"\n\nR: An advertisement only was published in the NCH of August 9. In it the above mentioned gentlemen (formerly of the New York Serenaders) praised their performances as having been \"the theme of universal admiration during the past four years throughout the East Indies as well as the Australian Colonies\". In addition to the farce, the programme consisted of \"Negro songs, interspersed with willy saying and doings peculiar to the African race in America\".\n\n19.9.1856 (Fri)\n\nConcert by Ali Ben Sou Alle and some local amateurs.\n\nInstruments: Turkophone, \"Turkophonini\", clarinet, piano.\n\nProgramme:\n\nG. ROSSINI: Two overtures. V. BELLINI: Selections from \"La Sonnambula\". F. MENDELSSOHN-BARTHOLDY: \"The Fairest Flower\" (song). Some German songs, The \"Shanghai Redowa Walse\", Medley of English, Scottish and Irish airs. Th: N.N. (C)\n\nR: Tonight was the occasion of the first real concert in the Settlement's history. It was given by Mr. ALI BEN SOU ALLE, a Turk who, after a study at the Conservatoire de Paris, had been appointed Directeur de Musique de Marine in Senegal (which had been French since 1871) in 1844. In 1847 he returned to Paris to enter the orchestra of the Opéra Comique, but the following year he went to London where he found employment in the orchestra of Her Majesty's Theatre at the Haymarket. He learned to play some instruments that had been invented by Adolphe Sax, the Belgian musician (1814-1894) and thereafter he made an extensive tour to Australia, Java, Singapore, Manila and China (CM 16, 10, 1856). In Hong Kong and even Canton he had appeared in August and October 1856 (CM 7.8. 14.8. 21.8. 16.10.1856). In between he gave two recitals in the Yangtze port. In the Survey it has already been stated that the soloist entertained the public with performances on several instruments that had been rechristened Turkophone and Turkophonini: in reality they were the Saxophone and (probably) the soprano saxophone. Well may we ask how these instruments, which were only of recent origin (1840s), were received by an audience completely unused to their sound. The artist interpreted a selection from Bellini's \"La Sonnambula\" on the \"Turkophone\" and the critic wrote that \"the compass of the instrument is very great but we confess to some disappointment as regards its quality of tone, and correctness of tone also, in some few notes, and altogether we think it an imperfect instrument",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 224,
        "title": "RAS-1989",
        "content_text": "199\n\n-- it may, however, improve on further acquaintance but we had no other opportunity of judging during the evening\". The \"Turkophonini” could be heard in a solo with variations and it was deemed \"by far the most perfect and pleasing instrument of the two`. The Shanghai Redowa Waise (Redowa: a Bohemian dance) which had been \"composed expressly for this Concert and dedicated to the Ladies of Shanghai — as the programme informed us\", also performed on the Turkophonini was not thought of \"very highly”, but it convinced the reporter that \"the instrument is well adopted for that class of music\". Obviously not everyone in the audience was of the same view, for the editor wrote in the Herald of September 27: \"The critique of our reporter has been much discussed in fashionable circles and the correctness of his judgement as to the perfection of these new instruments questioned. Knowing his high attainments as a musician, we defer to his opinion. Matters of taste do not admit of dispute. De gustibus non est disputandum. We may all enjoy our own and as a second glass of wine enables us to pronounce better judgement as to its quality, so will this second performance (on September 29) by familiarizing us with the instruments enable us better to decide upon their excellence\". In Hong Kong the China Mail could not speak \"in very warm terms of praise at least as regards their suitability for solo performances\" (CM 21.8.1856). On the other hand it admitted that \"by men of cultivated taste M. Ali's talents are fully appreciated and it will be long ere those who have had the pleasure of listening to his performances will forget the sweet but powerful tones of the Turkophone or the duleet melody of the Grand Clarionet and Turkophonini\" (CM 16.10.1856). Ali Ben Sou Alle was assisted by local amateurs who played a number of pieces including two Rossini overtures on the piano; and \"very creditably\" sung Mendelssohn's \"The Fairest Flower\".\n\nThe evening was attended by a \"numerous audience, comprising the beauty and fashion of our Settlement'' (NCH 20.8.1856).\n\n29.9.1856 (Mon)\n\nA second concert by Ali Ben Sou Alle.\n\nNo review was published in the Herald, only an announcement (NCH 27.9.1856).\n\n18.2.1857 (Wedn)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nJ.M. MORTON: “Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue\n\nTh: N.N. (C)\n\n―\n\nR: The season opened both under the new management of \"Peter PROTEUS\" (again: a stage name, Proteus being an old Greek who could assume different shapes, as some actors are able to; also a character from Shakespeare's \"Two Gentlemen of Verona') and with a new theatrical reviewer in the Herald: \"The Man on the Bund\" (for the current season only). And although some months later he was heavily criticized because of some strictures he made about the choice of plays, in general his articles in a highly personal style were a mere continuation of the \"nothing but praise\" attitude that so prevailed. Thus Used Up was \"rendered with unquestionable ability by Mr. Peter Proteus, the manager\" who himself played Sir Charles Coldstream; and Mr. CLAY gave the part of the forlorn, but blunt and honest blacksmith Ironbrace with much skill and effect\". Making her debut Mrs. NESBIT impersonated Lady Clutterbuck: \"One would not have thought that so much deceit could lurk under so smooth and charming a face\". She brought to this part \"not only much cleverness and knowledge of the feminine heart but a very imposing person and decided good looks; and one could not help thinking the baronet might have stumbled upon a less pretty face in his",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211810,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 225,
        "title": "RAS-1989",
        "content_text": "200\n\nrash decision to marry the first that came\". Another actor who was to become a local Roscius. Mr. Phunago BRUSHWOOD, \"gave the somewhat unusual stage character of a double-faced farmer (Wurzel) all the selfish cunning and irritable tone which it needed\". Other parts were taken by Miss Polly DEXTER, Mr. HEAVISWELL, Mr. Jehoshaphat SNAKES and Mr. PLEADWELL (as the lawyer!).\n\nIn Box and Cox Messrs PROTEUS, BRUSHWOOD and Mrs. CLAY \"kept the audience in a roar\" (NCH 22.2.1857).\n\n3.3.1857 (Tue)\n\nDramatic readings from Charles Dickens by Mr. Benjamin SEARE. Th: C\n\n―\n\nR: In the Herald of February 28 it was announced that \"we are apprized by 'Circular' that an entertainment of a novel character in Shanghai, but one which has greatly attracted the fashionable and literary world elsewhere, will be given by Mr. Scare in the Hall of the Shanghai Theatre on Tuesday Evening next the 3rd prox. The subject - The Early Writings of Charles Dickens is a theme affording scope for great versatility of talent. (...) The Community are much indebted to Mr. Scare for his gratuitous offer of an evening's intellectual amusement to diversify and enliven the monotony of Shanghai life. The Circular notifies that the divertissement will commence at half past 8 & precisely, that no personal invitations will be issued and that a syllabus of the Lecture will be placed in each seat for the use and acceptance of its occupant”. Then, in the issue of March 7, a report was published: \"A large and select circle of residents had met in the New Theatre\". It became a kind of one man show by Mr. Seare, as the \"requirements of versatility and mimic power were most successfully supplied. (...) The lecturer was perfectly at home in each and all of the various characters as they turned up, passed from one to another with an ease that was admirable and portrayed each with a force of comic power which elicited much applause, and, to select the most appropriate compliment we can bestow, did justice to the author. All in all the audience was \"kept in a roar”. Mr. Seare concluded with some general remarks on the necessity of some recreation of this kind in a community so distant from home and so isolated and comprising at the same time so much intelligence and ability\" (NCH 7.3.1857). One wonders how Mr. Seare was able to give these lectures free of charge; had he been a touring artist that would of course have been impossible. But as it turns out he was a mercantile assistant in the employment of Gilman & Co (this according to the Shanghai Almanac for 1858). In May 1865 he gave another performance (see 27.5.1865). No further details are available about the programme, but no doubt the characters from The Pickwick Papers figured largely in it. Who, after all, can resist Mr. Pickwick, Mr. Jingle and Sam Weller? Dickens himself began readings from his own works one year later, in April 1858, in Britain and the United States.\n\n26.3.1857 (Thur)\n\nJ.B. BUCKSTONE: \"A Kiss in the Dark\" (1840)\n\nT: Farce (1 act)\n\nM.B.W. JERROLD: \"Cool as a Cucumber\" (1851)\n\nT: Farce (1 act)\n\nH. DANVERS: \"A Conjugal Lesson\" (1856)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (CH\n\nR: In a witty mind \"The Man on the Bund\" informed us that \"by way of introduction there was a kiss — and in the dark too! — perhaps the sweetest kiss of all, administered with enviable gusto by Mr. SNAKES as Fathom. Mrs. Pettibone submitted to it with less indignation than the fact of her being so much respected led us to suppose. But then, it was to punish the odiously jealous Mr. Pettibone who would insist on making\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211811,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 226,
        "title": "RAS-1989",
        "content_text": "201\n\n+\n\nhimself uncomfortable, with one of the nicest looking creatures for a wife imaginable. (...) Mr. BRUSHWOOD did the 'green eyed monster' admirably and the character suited him well—we mean of course artistically. By a skilful arrangement the warmth of a kiss was made to be followed by Cool as a Cucumber. Did the manager intend this to impart a deeper meaning than is conveyed on the face of the \"play-bill\"? We have an esteem for him and hope not: for although a kiss is, sometimes, but the prelude of a coolness that surpasses even that of a cucumber, we would not have Mr PROTEUS openly hint as much\". This piece called forth all the powers of the manager himself, and so perfectly was the coolness of Mr. Plumper exhibited, whether as regards the criticism of Mr. Barkins' face or his sherry, that, had he stepped from the neighbouring ice-house directly upon the stage, he could not have looked cooler (this was a reference to the Commercial Hotel; see note 94) What a desirable companion he would make, we thought, for the hot weather, but Mr. Proteus must be so, indeed, in any weather. The playing was well sustained throughout and Mr. BRUSHWOOD did his best — and that was not a little — to fret and fume as ‘Old Barkins' — but we can scarcely say that he looked a heavy father\" (the heavy father was one of the specialist roles in a stock company). A Conjugal Lesson was \"decidedly the crowning piece of the evening and was performed with an amount of case and artistic ability which elicited loud and well merited applause\". And as the critic had evidently taken a fancy to \"Mrs. NESBIT” he continued that she “looked more fascinating and piquant than ever and quite won the hearts of the bachelor portion of the audience who were altogether at a loss to understand the bad taste of Mr. Lullaby who could stay away from such an attraction till three in the morning!” (NCH 28.3.1857).\n\n23.4.1857 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: “A Capital Match” (1852)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (C\n\n—\n\nR: That other favourite of the reviewer, Peter PROTEUS, had resigned and so the evening had to do without him. In the introduction to his report, the \"Man on the Bund\" referred to the playbill which informed him \"in capitals of vermillion that Still Waters Run Deep and of other matters besides in the like flaming manner”. About the piece he was not at all content: \"Muddy waters, however, as well as still, they turned out to be. This piece is one of those incongruous mixtures of French novel morality and English domestic life, which is as offensive and preposterous, as it is ludicrous. London milliners may persist in imitating the extravagances of French crinoline and superabundant circumference: they dress up our wives and sisters until they have destroyed every graceful curve they may have and make them look like balloons endowed with feminine heads and shoulders; and with a growl we may submit to this perversion of taste and whim of fashion. But when our playwrights, in their dearth of invention, ransack the repertories of the minor Parisian theatres for something new, which they themselves cannot originate, and stumbling upon the old and stale subject of Parisian conjugal infidelity, try to fit it into English social life, especially that of the middle class, the attempt excites at once our scorn and laughter, and ought, like monstrous bandorgans and other nuisances, to be put a stop to\". Small wonder then that in it \"there was much good acting thrown away. Mr. CLAY performed, throughout, the part he had undertaken, admirably. His conception of his character was good and was given with fidelity and ability. It was just how a blunt, honest Englishman might have been expected to act when, by some extraordinary chance, his domestic privacy is invaded by such a frenchified monstrosity as Captain Hawkesley. Mr. ROLLER too did the lean and slippered Pantaloon most successfully. His ease of manner on the stage and finished...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 215083,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 179,
        "title": "RAS-2000",
        "content_text": "136\n\nthe images with the temple keeper removing and burning them after fifteen or thirty days. The usual offerings to placate the deity consist of the three different cooked meats, fruit and tea (or wine) though before about 1955 it was not uncommon to see a candle burning in front of an image, placed there by a devotee whose year it represented. This was frowned upon by the Hong Kong authorities as a fire risk and the practice died out. Gray in Guangzhou [Canton] in the 1870s noted that under each image two or more small slabs of clay had been placed. These had been put there by votaries 'desirous to curry favour with the gods.' When there were too many for convenience they were removed by the person in charge of the shrine. Rev. Henry in Guangzhou in 1883 noted that the sixty small images, one to the presiding genius of each year in the cycle of sixty were raised on tiles with some bedecked with gaudy red coats, the gift of those devotees who had received special favours during their special years. Hardy (John Chinaman at Home) noted the sixty images in the same temple in Guangzhou, in a hall of the 'doctor' temple, before which the sick prayed for recovery before the spirit of his particular year, with people over sixty starting to count the years again from the beginning.\n\nA huge stove stood in the south-west corner of the Taisui temple dedicated to the planet Jupiter, within the enclosure of the Temple of Agriculture in Beijing, in which animals used for sacrifice were boiled or roasted. The sacrifice was performed on the penultimate day of the year or on a lucky day specially selected from the first ten days of the new year.\n\nImages of Taisui appear on the altars of some fifty-six temples in Hong Kong and on fourteen in Macau. Fifteen of these temples have the full groups of sixty images, the others have single images or small groups of two, three, four or six.\n\nTaisui Festival Dates\n\nTaisui is variously feted, nominally on the 7th of the first lunar month though more generally his festival is celebrated on what is called his anniversary on the 19th of the seventh lunar month. He was, however, officially sacrificed to in dynastic China in the Temple of Heaven in Beijing on the 28th day of the twelfth lunar month.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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    }
]