[ { "id": 207110, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 181, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n175\n\nfound in Wing Lung Wai where his portrait in military officer's uniform is to be seen.\n\nTang Ming Luen, the son of Tang Kuen Hin, was another military officer. He was a very powerful man with exceptional strength in his arms. When he was young and before he studied the military arts, he came across, one day, two water buffaloes fighting in a road. The people standing by were unable to pass and yet could do nothing to separate the animals. Tang Ming Luen, seeing this, seized each buffalo by the horn, wrenched them apart, and stopped the fight. It happened that a newly passed Kui Yan named Tang T'in K'ei, who came from Tung Kwun district, was visiting Kam T'in to worship at the ancestral hall, and, according to old Chinese custom, to report the good news of his degree to his ancestors. He witnessed Tang Ming Luen's feat of strength and greatly admiring him, he encouraged him to study for the army, giving him ten taels of pure silver sycee as a reward. Tang Ming Luen passed his Mo Sau Tsoi in the 25th year of Ka Hing, A.D. 1820, and the Mo Kui Yan in the following year.\n\nThere is another story that Tang Ming Luen dug up some hidden treasure in his orchard, which was near Sui T'au Ts'un. To the North of the garden, there was a large banyan tree and close by it a rock covered with creeping plants. On dark days, it was said that a light used to shine near this rock and at a distance, it appeared like a big white horse. One day, Tang told a labourer to dig a hole for planting a fruit tree in a corner of the garden where a lot of long grass was growing. In doing so, the man dug up a large earthenware jar with a lid on it, which was full of silver sycee. He seized a handful of them and started to carry them home, but at once, his eyes became dim-sighted and he was unable to see his way. Thinking that it must be a punishment for trying to take money that did not belong to him, the man put the coins back in the ground, and his sight recovered at once. When he told Tang of his discovery, Tang had the ground thoroughly dug, and many more jars, each full of silver coins, were found.\n\nTang Kuen Hin was born in the 20th year of Kin Lung, A.D. 1755, and he built a school called So Lau Yuen in Shui Tau Tsuen, one of the Kam T'in villages. This building has a curious carving inside, rather like the face of a clock with Roman lettering on it, the origin of it being unknown. Another building called Ch'eung Tsun Yuen was built by one of his descendants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 208479, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 203, "title": "RAS-1978", "content_text": "WOODBLOCK PRINTING\n\n187\n\ngrain blocks. End-grain blocks are suitable for fine close cutting and are also well suited to bear up under the pressure of printing. Large number of prints can be produced from them. End-grain blocks were widely used in mediaeval Europe, and only end-grain blocks can stand the pressure of an iron press.\n\nIn China, only plank blocks had been used for printing. The plank block is softer and easier to carve and is also easier to procure, and it can be obtained in larger sizes. Various kinds of wood can be used for blocks so long as it is not too hard, too soft, too knotty or too fine-grained. In order to withstand prolonged soaking without warping or splitting, most of the blocks used for printing in China were made from the wood of fruit trees like the date, pear, lychee etc. Woods with fine grain and obtainable locally.\n\nThe Studio of Wing Po Chai in Peking uses blocks of poplar wood (...) while Japanese use cherry wood for printing of Ukiyo-i. Poplar wood and cherry wood are too soft and easily worn out, so the printing editions are limited to a few hundreds only.\n\nFor mass quantity printing, the wood blocks should be left in water for several days until they are completely soaked before the printing process is carried out.\n\nThe ink used in the book printing was made from the soot of pine wood. Old pines were selected and cut into pieces of manageable size and put in a kiln. Soot was collected after several days of slow burning. Gum extracted from buffalo horn was then mixed thoroughly with soot. Sometimes pearl powder, the skin of pomegranate and pig's gall were added to make better ink. The best ink was made by the soot or lampblack collected from the far end of the kiln. The farther from the fire, the better soot can be obtained. At the end of Ming Dynasty, most low-cost books were printed by coal powder mixed with flour paste. Nowadays, the ink we use is mostly made from the soot of vegetable oil mixed with glue. The colours used for colour picture printing were the colours used in Chinese picture painting. They are all water-base pigments. Most of them were made from specific flowers, plants or vegetables. A few mineral colours were also used.\n\nPaper was expensive at first. It became cheaper when new cheaper material like rice or wheat stalks and bamboo shoots had been introduced after the Tang Dynasty. Usually, better quality", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 215192, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 288, "title": "RAS-2000", "content_text": "PHOTOGRAPH OF HONG KONG HARBOUR AND WATERFRONT TAKEN IN 1954\n\nJACK LAO MOU CHI\n\n251\n\nThe photograph is actually five photographs joined together, approximately 30 inches by 6 inches.\n\nStarting at the Central District Vehicular Ferry to Jordan Road, it can be seen that, moving to the right, Connaught Road at the time formed the Praya or Waterfront. Near the right-hand end of the photograph both Blake Pier and Star Ferry Pier can be seen. The Star Ferry moved to its present piers, on reclaimed land, in late 1957 when a number of people complained about the extra distance to walk!\n\nBehind the two piers can be seen the Queen's Building (where the Mandarin Hotel stands today), the old Hong Kong Club building and Mercury House (Cable and Wireless). Behind is the Royal Naval Dockyard, which was where Admiralty is situated today. Beyond, of course, is Wan Chai, where Gloucester Road at that time formed the Waterfront, and still further on is North Point.\n\nOn the other side of the Harbour the skyline is formed by the Kowloon Foothills and one can pick out such landmarks as Kowloon Peak (Fei Ngo Shan), Lion Rock and Beacon Hill. Passes along the Foothills, from west to east include Kowloon Pass, Sha Tin Pass, Grasscutters' Pass, Customs Pass and Tate's Pass. Further to the north are Heather Pass and Buffalo Pass.\n\nRight over to the west of the photograph is Tai Mo Shan, Hong Kong's highest mountain.\n\nIn those days there was a clear view of the Harbour from Government House and Governors were said to use the number of ships in the Harbour as a barometer of the economy. In this photograph there does not appear to be a great deal of activity.\n\n(Question from Dan Waters, who borrowed the photograph and copied it: 'During the 1956 Riots I served as a Special Constable based at the Waterfront Police Station. I was under the impression that this", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 } ]