[
    {
        "id": 204336,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 104,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n100\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe atomization of the Sangha in Hong Kong, as in China proper, has caused a wide variation in the quality of institutions. One monastery, for example, is little better than a public house. It has a restaurant that serves wine; the sound of mahjong drowns out the crickets on summer evenings; there are ping pong tables in the monastery garden; rooms are available; and the abbot (if one can call him that) is said to have originally joined the Sangha in China to escape criminal prosecution. In another, not entirely dissimilar monastery, the abbot is unable to read and write. Yet in both cases, there is a Buddha Hall and worship is carried on. These are two of the monasteries most often visited by tourists.\n\nOn the other hand, there are some institutions that really do credit to Chinese Buddhism. The members study the doctrine and, in many cases, do admirable welfare work, as we shall see below. The Vinaya is observed. The premises are well kept. There is an atmosphere that can make even the casual visitor think of taking refuge there from the dust of the world. The best example is probably the Po Lin Tsz on Lantao.\n\nMost Hong Kong monasteries are in the New Territories, built on hillsides, often with a fine view. They usually have an extensive set of buildings, capable of accommodating a much larger number of persons than are actually in residence (a reminder of greater prosperity in times past). Nuns and lay women devotees may be found in the same institution, living and worshipping separately from the monks. One reason for this type of \"co-educational\" arrangement is that only monks can be dharma masters, qualified to teach. In a nunnery, therefore, disciples must await their occasional visits.\n\nThe largest of the Colony's monasteries is the Tung Po Toh* in Tsuen Wan, which has about 40 monks, 60 nuns and 30 lay women. The Chuk Lam Shim Yuen, also in Tsuen Wan, has 20 monks, 30 nuns, and 100 lay women. On the other hand, another of Tsuen Wan's well-known institutions, the Wang Faat Tsing She, has monks only, ten in number. These figures are representative for the Colony's larger monasteries. Actually, the only other large monastery is the Po Lin Tsz, which has 30 monks, 20 nuns, and 50 lay women.*\n\n* All these figures are approximate, partly because there is a certain amount of coming and going and partly because of the feeling on the part of informants that a round number is adequate\n\nThe internal organization of Hong Kong monasteries (and the same would apply to nunneries) is generally as follows. All authority rests in the hands of the abbot. Under him there are, theoretically, four departments in charge of",
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    {
        "id": 204340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 108,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n104\n\nVol 1 (1961)\n\nISSN 1991-7295\n\npremises rented, they can operate on a low budget and their financial position tends to be sound.\n\nThis cannot be said of the regular monasteries and nunneries of Hong Kong, few of which are endowed with income-producing properties as were the monasteries of China proper under the Empire. Their ratio of inmates to supporters is usually high. Their buildings, donated by rich patrons of an earlier day, are usually rambling and expensive to maintain. In general, their income comes from the following sources, listed in order of importance.\n\n(1) Fees for ancestor worship. In many monasteries there is a room called the tso t'ong where ancestor tablets are hung and where after services in the Buddha Hall the monks pray for the welfare of the ancestors represented. For this service, the descendents contribute a lump sum at the time the tablet is erected plus a maintenance fee each year (usually at Ch'ing Ming or the Double Seventh). The fee varies according to the position and size of the tablet. A large tablet hung in a prominent place can be quite expensive. This system provides some monasteries with their only dependable source of income. Ancestor worship is also a feature of dharma meetings, which may be held twice a month, or be very special occasions in which thousands of Buddhists participate. In 1959, for example, the Po Lin Tsz held a most elaborate dharma meeting according to the rites of the Surangamasutra, and reportedly received HK$200,000 in donations, mostly from overseas Chinese in Southeast Asia who wished to have their ancestors remembered.\n\n(2) Rents on land or buildings. Some institutions have paddy; some have houses in neighboring villages; some (like the Po Lin Tsz) have both. But the rental income is usually small.\n\n(3) Donations made by the admirers or lay disciples of one of the monks (usually the abbot of the monastery) for some special purpose (like building repairs); or for the performance of funeral and other services.\n\n(4) Small donations (usually HK$1 to HK$10) made by visitors who come to celebrate the birthdays of the gods worshipped in the particular institution. Fortunately some deities, like Kuan Yin, have several \"birthdays\".\n\n(5) Donations made by patrons of lodging or restaurant facilities offered by the monastery (which are always free of charge).\n\n5 Actually, only one is her birthday. The other two are celebrations of her enlightenment and nirvana (sic).",
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    {
        "id": 204419,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 51,
        "title": "RAS-1962",
        "content_text": "42\n\nHOLMES WELCH\n\nof the ordaining monastery or some other monastery, and they were supposed to spend the next five years in meditation and study. This was the first stage of their career as monks.\n\nLife in the Meditation Hall was strict. One slept only five hours a night and meditated about ten hours a day. Rising was at 3.00 a.m. followed by an hour of morning prayers, then an hour's rest; breakfast was eaten before dawn; after it came four and a half hours of meditation. This meant sitting in the lotus position for forty minutes, then having a drink of tea, then twenty minutes circumambulating the altar, then going back to sit, then some more tea, more circumambulation, and so on. Circumambulation prevented the joints from getting stiff, but one had to keep on with mental exercises while doing it. It was not just a matter of walking about. Lunch came before noon and was followed by an hour's rest, two hours' meditation, an hour of afternoon prayers, supper at 5.30, and three and a half hours of meditation in the evening. At ten o'clock the monks went to bed. If one of them dozed during meditation the next morning, the monk on patrol, or hsün-hsiang w†, would tap him on the back. If he talked during meals, quarreled, or broke any of the other rules, he was beaten severely.\n\nThe daily schedule varied from monastery to monastery. Rising in the winter was later and retiring earlier (except during the so-called Meditation Weeks in autumn, when for up to forty-nine days one slept only two hours a night). But the schedule I have given is typical.\n\nSometimes I have asked monks whether they did not get bored meditating ten hours every day. They deny it vigorously. They say there was a programme, a method. For instance, one might be trying to find an answer to a standard question like \"What was my original face before I was born?\" The Instructor would come over and say: \"What are you looking at?\" If one replied, \"At the buddhas and bodhisattvas,\" he would say \"Where are the buddhas and bodhisattvas?\" One could not answer and was beaten. Then the Instructor would ask: \"Who is being beaten?\"\n\nI am afraid that the subject of methods of meditation is too large to embark on here. It is true, however, that many monks found themselves unable to master it, particularly Ch'an (Zen)",
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    {
        "id": 204420,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 52,
        "title": "RAS-1962",
        "content_text": "THE BUDDHIST CAREER\n\n43\n\nmeditation. I know of a monk who tried the latter for about a year and a half and then gave up. He changed to T'ien-t'ai meditation, which is somewhat easier. He did this for nine years, but still did not feel that he was getting anywhere, and so for the last eighteen years he has been reciting Buddha's name, which is the practice of the Pure Land sect.\n\nNotice that there was no set career. A monk could meditate; he could recite Buddha's name; he could study. He was not committed to the practice of any one sect. It is as if in the West a Christian could be a Quaker this year, a Roman Catholic next year, and a Baptist the year after, regarding them all as complementary. Much of the Buddhist monk's time, of course, was spent in ritual which was common to all sects: chanting the scriptures morning and evening, rites to celebrate the anniversaries of buddhas and bodhisattvas through the calendar year, masses to release the souls of the dead from hell, prayers for the sick, prayers to avert disaster, and other ceremonies designed to assist the faithful with practical problems of life and death.\n\nThe newly ordained monk was, as I say, supposed to meditate and study for five years after ordination. Study was usually carried on in a seminary. The seminaries (there were about thirty-five of them) were established in the nineteen-twenties as a part of the general revival of Buddhism in China. I shall not go into the seminary curriculum, but it lasted from three to twelve years, depending on how much education the monk had already had. It began with secular subjects (history, mathematics, etc.), and ended with studying how to expound the sutras. Some seminaries had a tough programme: one monk I know got T.B. from overwork.\n\n**\n\nAfter the seminary the next stage of the monk's career was peregrination. I use this word because it properly means making pilgrimages. A monk would start off from the place he had been trained and wander up and down China. He might spend a week in one monastery, a few months in another, many years in a third. But in theory there could be no final settling down.\n\nPeregrination was a hard life, and this was one of the reasons it was considered essential. It rubbed off superficialities—from interest in personal comfort to feelings of self-importance. More than that, it enabled a monk to learn each text and doctrine",
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    {
        "id": 204421,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 53,
        "title": "RAS-1962",
        "content_text": "44 \n\nHOLMES WELCH \n\nfrom those who knew them best. The leading exponent of the Lotus Sutra might be living in Kiangsu, the leading exponent of the Surangama Sutra in Manchuria, and so on. One went around the country to the famous monasteries, studying at the feet of the famous masters. One's possessions were all in a bag that theoretically weighed only two and a half catties: bowl, robes, and, most important of all, the ordination certificate—so important that one monk I know keeps his in the Hong Kong and Shanghai Bank. The ordination certificate was like a Diners' Club credit card. At any big public monastery anywhere in China, the travelling monk had merely to show it to the head of the Guest Department and, if it was in order, he had to be admitted and he could live there as long as he liked unless he violated a rule for which the penalty was expulsion. Under certain conditions it was not necessary to show his ordination certificate to gain admission. That could wait until he applied for a place in the monastic organisation.\n\nDuring his first weeks in a monastery the travelling monk lived in the yün-shui t'ang or “cloud-water hall” (monks were thought to be as unattached as drifting clouds or running water). Then when the next semester2 began, he would enroll in the Meditation Hall, or the Hall for Reciting Buddha's Name, or some other part of the organisation. In general he ascended by one or both of two ladders, the ladder of religious positions or the ladder of administrative positions. In the Meditation Hall, for example, he might first be an acolyte, then record the sayings of Instructors, then handle the liturgical instruments, and finally become the wei-no or head of the Hall. Though I call him “head,” his position was in fact inferior to the Four Instructors Ssu-ta pan-shou, who, in rotation, taught the monks how to meditate. On the administrative side he might begin as a serving monk. (The famous Hsü-yun spent four years as a water-carrier, as a gardener, and waiting on table). Step by step he could rise to be a chief of a department, perhaps of the abbot's personal office, or later of the Guest Department or the Treasury. There was a theoretical total of forty-eight positions and in a big monastery like Chin Shan they were all filled.\n\n2 The year was divided into two main periods beginning on the 16th of the first moon and the 16th of the seventh moon,",
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    {
        "id": 204422,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 54,
        "title": "RAS-1962",
        "content_text": "# THE BUDDHIST CAREER\n\n45\n\nAt the top of the hierarchy was the abbot, fang-chang 方丈. He was chosen in such a variety of ways that I shall only mention two. The first was called selecting the worthy, hsüan-hsien 選賢. It meant that at the end of the old abbot's three-year term (there was a limit of three terms) the head monks of the monastery and the elders of the neighbouring monasteries would consult with one another to decide who would make a worthy successor. It was not easy because someone had to be found who was qualified both as an administrator and as a teacher, and the trouble was that, even when found, he might be unwilling to serve. Very few monks wanted the responsibility of running a big monastery. What they wanted was hsiu-hsing, to practise religious exercises. So if they heard that they were about to be named abbot, they would silently depart by night. As a last resort those charged with finding a new abbot might get half a dozen candidates to draw lots in front of Buddha's image. This way Buddha himself made the selection and there was no escape for the reluctant.\n\n3\n\nA simpler and far more widespread method than the \"selection of the worthy\" was for the abbot himself to decide which of his disciples should succeed him and then to train him for his future responsibilities. In some famous monasteries this would always be one of his dharma disciples fa-t'u 法徒, not a \"tonsure disciple, t'i-tu ti-tzu 剃度弟子\" and, of course, not a Refuges disciple, kuei-i ti-tzu 歸依弟子. A dharma disciple was a younger monk to whom, in theory, the master had handed on his understanding of the dharma in a direct “imprinting of mind on mind, hsin hsin hsiang yin 心心相印.” In testimony thereof the master gave him a dharma certificate fa-chüan 法券 which stated that he, the master of such-and-such a generation, had received the dharma from so-and-so of the previous generation, who received it from so-and-so of the generation before, all the way back through forty or fifty generations to patriarchs like Nagarjuna or Bodhidharma, the founders of the T'ien-t'ai and Zen sects. The dharma certificate was the highest document conferred in the monastic career. It established formally that a monk belonged to a given sect, though there was nothing to prevent him from...\n\n* i.e., not a monk whose head he had shaved and whom he had trained before ordination,",
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    {
        "id": 205147,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1966",
        "page_number": 103,
        "title": "RAS-1966",
        "content_text": "98\n\nHOLMES WELCH\n\n43 Reichelt quotes a warning by the late Ming monk, Hsi-ming, against \"being deceived into joining the Catholic church or some other outside sect,” and states that it was often reprinted (Truth and Tradition in Chinese Buddhism, Shanghai, 1927, pp. 157-158).\n\n44 It was in 1920 that Reichelt first proposed an \"institute for special work among the Buddhists.\" He wanted to make contact with monks whose hearts were filled with bitterness towards Christianity because some Christians were \"so fatally lacking in a sympathetic and gentle attitude towards others.\" It was to be \"a half-way house\" with many of the features of a Buddhist monastery, including a wandering monks' hall, a meditation hall, a bell tower, a crematorium, and a hall for the aged. See K. L. Reichelt, \"Special Work among Chinese Buddhists\" Chinese Recorder 51.7 (July 1920), 491-497. When it finally went into operation, under the name of the \"Christian Mission to the Buddhists,\" in the autumn of 1922, it had only a \"very small, semi-foreign house.\" After a year and a half, it moved to somewhat larger quarters which included a dining room, where vegetarian meals were served, and the all-important \"pilgrims hall\" where monks were allowed to put up for three days (as they would be at a Buddhist temple) and stay longer if they were interested in serious study. The layout was \"just as in monasteries with two long platforms where they can spread their bedding, and, above them, shelves where they can place their things. Between the two platforms, there is an altar with an incense burner and two candlesticks and above all an impressive crucifix.\" Even more significant was the arrangement of the chapel, to which they were summoned for worship twice a day (as they would be in a monastery) by \"a Chinese bell with deep tones.\" The altar was of red lacquer \"in a true Chinese style,\" adorned with gilt designs that included the following: \"the lotus lily symbolizing the purity, the fire, and the water of the cleansing spirit” (but also, of course, symbolizing the Buddha Amitabha and his Pure Land), \"the swastika of peace and cosmic union\" (but also one of the Buddha's sacred marks and a general symbol for Buddhism), and the cross over a lotus, which was the Mission's emblem.\n\nJust as in a Chinese temple, plaques with parallel inscriptions were hung on the walls. One bore a quotation from the Gospel according to St. John: \"The true light that enlightens every man has come into the world.\" The other legend was more Buddhist in flavour than Christian: \"[Join in] the great vow compassionately to help people across to the other shore\" (ta-yüan tz'u-hang).\n\nThese efforts to make Buddhist monks feel at home attracted a large number of them as visitors (about a thousand annually) but in the first four and a half years of operation, only seventeen male Chinese were converted and baptized. See Notto Normann Thelle \"The Christian Mission to the Buddhists,\" Chinese Recorder (September 1927), 571-575. A photograph of four of the Buddhist and Taoist novices, whom Thelle says were enrolled in the boys' school opened by the Mission, appears in the Chinese Recorder 54.11 (November 1923), facing p. 671. When the permanent headquarters of the Mission were constructed at Tao-fung Shan in the New Territories of Hong Kong during the 1930s, the approximation of a Buddhist monastery became almost as close as Dr. Reichelt had originally envisaged it. Some missionaries were afraid that he was being too broad-minded in his use of Buddhist motifs and even that he might be fostering a kind of Buddho-Christian syncretism. He and his colleagues maintained, however, that their only purpose was to \"lead these people into a living faith in Jesus Christ.\" (Thelle, p. 571).\n\n45 Maha Bodhi, 41.3.4 (March-April 1933), 133,\n\n46 Most of the information on Chao-k'ung up to this point is taken from David Lampe and Laszlo Szenasi, The Self-made Villain, London, 1961.\n\n47 Victor Purcell, The Chinese in Southeast Asia, London, 1951, p. 47.",
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    {
        "id": 205377,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 139,
        "title": "RAS-1967",
        "content_text": "132\n\nREV. MR. KRONE\n\nTo the left of the temple of Confucius, is the temple of “Kwan-kung”關公—the God of War; and on the right another one dedicated to \"Man-tai\", the God of Literature. Behind the latter is the hall Ning-lun, in which the public examinations are held. The literati and elders meet here on special occasions. In the vicinity of these edifices is the temple of “Sha-nung”神農—the God of Agriculture; and before it extends a piece of ground, on which the chief magistrate has to plough a few furrows at the beginning of spring, in accordance with an ancient custom. Near the sea-shore is a large space of ground, which serves for drilling the military, and on which the military examinations are also held. On it also a hall is erected for the accommodation of the officers.\n\nNot far from this place is a Buddhist temple, which contains images of the three Buddhas, and of the eighteen Lo-hou, which are Buddhist demi-gods. In front of the three Buddhas is a tablet, before which the devotees worship the reigning dynasty. On this tablet is the inscription \"Ten Thousand years!\" Farther above this is another tablet with the characters \"Protect my black-haired people.\" The chief magistrate is obliged to repair here once a month, and to prostrate himself before these tablets.\n\nOther edifices worthy of notice are, a five-storied pagoda, a temple to the well-deserving mandarins Wong and Lau, and an altar to the Gods of Land and Grain. Outside the town is the execution ground, and here, in 1854, many rebels were decapitated, and there might be seen at times the heads hung up in baskets as a warning to the people.\n\nThe fort and city of Kowloong are sufficiently known, and there is but little to say of them. The low walls and miserable forts have often been visited by foreigners. The environs of Kowloong contain some curious mementoes of history, of which the rest of the district is destitute. Ping-tai, the last of the Southern Emperors of the Sung dynasty, fled with the remnant of his faithful adherents to the province of Canton. Near Kowloong he attempted to build himself a palace, which however he was unable to complete, and the situation is now marked by a temple to \"Pak-tai”北帝—the God of the North. One of his high officers died here, and his tomb is situated on a hill, which is called to this day Sung-wang-tai. These three characters are engraved on\n\n+",
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    {
        "id": 205609,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1968",
        "page_number": 151,
        "title": "RAS-1968",
        "content_text": "146\n\nNOTES AND QUERIES\n\nThe halls are all substantial buildings, somewhat simpler in style than the usual run of Chinese temples and they do not declare themselves obviously as religious institutions. Once inside, however, their religious nature is obvious from the images one sees immediately in the main downstairs shrine room where one enters.\n\nA few words are in order here on the deities worshipped by members of the sect and particularly in the vegetarian halls, for one of these deities effects the lay-out of the hall itself.\n\nWomen inmates may worship any god or goddess popular with them in a private capacity, and some have pictures and small images of such deities in their own sleeping quarters. Hsien-t'ien religion has itself incorporated, however, a number of gods and goddesses and Buddhas and Bodhisattvas into its worship. Kuan-yin is commonly found in halls of the sect and was in fact found in the halls in Ngau Chi Wan. Popular Chinese triads such as: Sakyamuni, Lao Tzu and Confucius (Buddhism, Taoism and Confucianism) are also common and appeared in the lower shrine room of the WING LOK TUNG. The sects relate various gods and Buddhas to each other by the theory of reincarnation: one god is the reincarnation of another, or of a Buddha in a different age. They are also related to each other by their cooperation in the work for Truth in a particular \"Truth\" epoch.\n\nA goddess peculiar to the sects of the religion exists, however. In this sect she is known as \"Golden Mother of the Yao Pool\" (Yao-ch'ih Chin-mu). In other sects she is known by different names: several simply call her \"Venerable Mother\" (Lao-mu), while Kuei-ken Men \"The Sect of Reverting to the Root [of Things]\" calls her \"Unbegotten Venerable Mother\" (Wu-shêng Lao-mu). Some sectarian leaders have told Marjorie Topley that they can tell when a particular sect split off from others in the religion by the term of address they use for \"Mother\". Mother is supposed to change her name every few years or so in order to prevent the unorthodox off-shoots from obtaining access to her. Any message sent to her under the incorrect name will fail to arrive. More sophisticated members say, however, that this goddess is in fact a symbolic representation of the Void: out of which the cosmos, and with it, Absolute Truth, emerged. But to most ordinary members, particularly female members, she is a goddess of great compassion and power and they sometimes identify her with Kuan-yin.",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1969",
        "page_number": 96,
        "title": "RAS-1969",
        "content_text": "90\n\nR. BRUCE\n\nLike Sakya-muni who became Gotama Buddha, he left the rich life of the Palace for the austerity of monkhood. His head and eyebrows were shaven, his dress was the yellow robe, his dwelling a cell in a city monastery. He shared the simple life of the most humble. Each morning he went into the streets to receive in a metal alms bowl gifts of food from the people. Each day the monks chanted the Pali sutras, studied, or practised meditation. It was a life of abstinence. No worldly wealth is allowed in the Order. It is absolutely forbidden to tell lies, to take any form of life, to gossip, to steal, to have any contact with women, to handle money, or to eat after mid-day. A monk's demeanour is important - how to stand, sit, walk, how to address people, and how to maintain that composure which is revealed in the face of Buddha's image in every Wat in Thailand.\n\nThe discipline was not irksome to Mongkut, and it became him as easily as the luxury of the Palace. He immersed himself in Buddhist studies and acquired a good knowledge of Pali, the language of the scriptures. He found in his research that there were serious gaps in the collections of texts and commentaries in Siam. At the young age of thirty-three, he had been in the Order three years. Mongkut became the Abbot of Wat Bowaniwate. He ordered many Pali books from Ceylon to repair the omissions in the Buddhist writings. But the most important part of his work as a monk was the reform and revitalising of the Order of monkhood itself.\n\nPrince Mongkut, the Abbot, found the observance of the code of conduct too slack. Some monks in Wat Po, the Temple of the Reclining Buddha, were even gambling and handling money. He set a new standard of discipline in his own Wat and then established a new sect within the Order. This was the Dharmayuta, the Followers of the Law, which survives today. The rules prescribed for this school of monks are far stricter than for the majority group, the Mahanikai, the Great Sect. Mongkut preached to the monks in his Wat and to the people, bringing a fresh interpretation of the Dharma, the Law, in place of what had become atrophied ritual. In creating a new sect among the monks, Mongkut did not bring about a \"Reformation\"; he left no cleavage among the followers of Buddhism. He re-inspired belief and disciplined practice. That this was done by a Priest, half-brother to the King and his likely successor, was doubly significant in a country where",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 207038,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 109,
        "title": "RAS-1974",
        "content_text": "The monuments of Vientiane and Luang Prabang\n\n103\n\nwent to Bangkok and the temple in Vientiane lost its importance. It has been restored many times and is technically no longer a temple but a 'haw' or hall since services are not held and the building has been converted into a museum. At the entrance is a fine Dvaravati Buddha and there are several good examples of bronze Lao Buddhas with characteristic sharp, pointed noses both outside and inside the building. Among those inside is an elegant and extremely attenuated standing Buddha and two walking Buddhas. The restored pediments of the building are good examples of Lao woodcarving and so are the carved window panels.\n\nNearby is Vat Srisaket which is a quiet spot without having any particular artistic merit, though its galleries of Lao-style Buddhas, the carved ceiling of vihara and its naive frescoes of animals are worth seeing. The only other temple of note is Vat Ong Tu, near the market with good carving on the portal only in the Chiengmai style. The primitive wall paintings at Vat Oup Muong are a modern interpretation of the Ramayana but the temple is otherwise without interest; Vat Xieng Yuen and Vat Chantaburi, by the river Mekong, have peaceful and shady courtyards, and the temple of the Sankaraj, or Lao Supreme Patriarch, Vat Dong Mieng is remarkable mostly for its carving and hideous modern paintings.\n\nVientiane boasts the usual ministries of an administrative capital and a small modern royal palace for the occasions when the king comes from Luang Prabang. Modern Vientiane is largely without interest, the only building of note being the Monument to the Dead on the broad avenue leading to the That Luang; it is a top-heavy and as yet still incomplete miniature of the Arc de Triomphe. The teak-lined boulevards running parallel to the Mekong have a tranquillity which few capital cities can boast.\n\nThe difference between Vientiane and Luang Prabang is striking; the former has on occasions something approaching a bustle of modernity. Luang Prabang, a half-an-hour away by plane, is a century away in time. There are virtually no modern buildings, there is no traffic, and the ring of mountains around seems to keep the world away. The morning market is peopled by Lao villagers and Meo tribesmen, the latter heavy with silver and bright with colour; three soldiers look after a pig and half-a-dozen people watch a kettle boil on the side of the road. Local silk is offered at very low prices and the silverware is unusual. Luang Prabang is the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 207809,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 197,
        "title": "RAS-1976",
        "content_text": "182\n\nMICHAEL SMITHIES\n\nwhitewashed, and any paintings there might have been are obliterated. The views from the upper floor, particularly over the river and the plain at sunset, are of remarkable beauty and peace. The Manabodhi is a late temple modelled on the Pala decorated spire. The Shwesandaw pagoda outside the old city walls is a solid stupa raised on five terraces and was the first built after the conquest of Thaton and nearby is the Shinbinthalyaung or sleeping Buddha of the 11th century; like most such images, being horizontal rather than vertical, it fails to impress and is too narrowly confined within its building.\n\nIn the village of Nyang-U is to be found the much-revered Shwezigon pagoda, which is believed to contain a bone and a tooth of the Buddha. It was started by Anawratha and completed by Kyanzittha. The gilded cone of the stupa cannot be seen at present as it is sheathed in a decorative and complex framework of bamboo scaffolding in order that repairs to earthquake damage can be carried out. The only noticeable damage was to the hti or gilded and jewelled ornamental umbrella at the top, which as Groslier pointed out were 18th and 19th century additions to temples of no archeological and little artistic consequence. However, the Shwezi-gon hti is currently displayed in a building on the ground floor and one can see the precious stones close to. Of more consequence is the magnificent Kubyaukki near Wetkyiin village. This is fairly late, dating from the early 13th century and relatively small, with a stupa in the Bodh Gaya form. Its importance lies in the very good state of preservation of the wall paintings, neatly lined up in rows and illustrating the Jataka tales with a Burmese inscription beneath each scene. The colours are still in very good condition. Unfortunately most of the paintings on the lower half of the nave were removed to Germany by Thomann at the end of the nineteenth century, but what remains in place is extremely fine.\n\nHtilomino, built in 1211, is a double-storeyed building like the Thatbinnyu. There is some excellent stucco decoration still on the building, particularly on the frieze below the cornice, the ornamental corner pilasters and the pediments of the arches. There are four Buddhas on the ground floor as well as the floor above. Like all the other temples, this was once painted, but little remains except some decoration on the vaulting. Sulamani and Dhammayangyi are located near to each other and are superficially similar, the former dating from 1183 and the latter from the middle of the 12th",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 207813,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 201,
        "title": "RAS-1976",
        "content_text": "186\n\nMICHAEL SMITHIES\n\nWith Pegu one is back to the culture of the early inhabitants of Burma, the Mons. Their original centre was around Thaton, further east than Pegu and this was certainly in existence by the 5th century AD. It was a Mon monk who had converted the Burmese King Anawrahta in the middle of the 11th century to Buddhism, and the king had requested certain relics and texts from king Manuha, who had refused. The result of the refusal was the destruction of the Mon kingdom but its cultural preeminence was recognised in the religion, architecture and art of early Pagan. After the fall of Pagan the Mons reestablished their kingdom, first at Mataram, and then, from 1369 at Pegu (Hanthawaddy or Hamsavati). They were temporarily ruled by the Burmese from 1539-1550 and again from 1551-1740; but Mon independence was due to be short-lived and the last king Binnya Dala was killed in 1747 by Alaungpaya and the Mons, like the Chams in Vietnam, then became a people without a country, though they still exist in large numbers in lower Burma near Moulmein and also in scattered villages in central Thailand.\n\nPegu is a day trip out of Rangoon, but as much as the present capital now reflects the condition of contemporary Burma, so Pegu is lost in its past. Its most famous sight is the Shwemawdaw pagoda, centred round a stupa with a broad stepped octagonal base and which is still taller than the Shwedagon in Rangoon. It is in many ways the palladium of Mon culture. Its foundation date is not known, but it was already raised in height by the Mon king Thamala in 825. In the twentieth century it suffered three severe earthquakes, and the present spire effectively dates from 1954 when restoration was completed. A number of ancient Buddha images was found when much of the stupa collapsed in the 1930 earthquake. Not very far from the Shwemawdaw is the spot where the two Hamsa birds alighted, one on the other's back, on a shallow spot in what was then the sea. The Hamsa is the symbol of the Mons and is also of course the mount of Brahma. This site is the Hinthagone, which now boasts a rather horrible modern shrine with vulgar paintings of hamsas but with a good view towards the Shwemawdaw. Hardly less vulgar is the reclining Buddha, the Shwethalyaung, reputed to be largest such image and certainly one of the ugliest. It was originally built in 994 but fell into disrepair and was restored in the 15th century. It was neglected again and became overgrown, to be rediscovered by a railway engineer at the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 207815,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 203,
        "title": "RAS-1976",
        "content_text": "188\n\nMICHAEL SMITHIES\n\nthe minority dances like those the repetitious groupings of the Karen, but in the pwe, a complicated form of popular opera where the narrative of a traditional story is intertwined with a modern play which, reaching its end about two or three in the morning, then reverts to the rest of the pwe story. Pwe has everything for the villager wishing to take his mind off current cares, for it includes love songs, stories of handsome princes chasing after princesses who can wiggle their bottoms, often in contrary directions, with regal exquisiteness, and the strident orchestra gives the appropriate support to the stage. Mandalay is the great centre for pwe activities.\n\nThe Mon theme can be resumed in Thailand by a visit to Nakorn Pathom, a few hours drive from the city. Like Pegu, Nakorn Pathom is an ancient Mon centre, called Davaravati in Siam, and is thought to date from the 5th century. Just before arriving at the modern city, which was established in the 19th century, is the Phra Pathone; little remains of the original stupa which is probably the oldest Buddhist monument in Thailand. Nearby a kind of grotto has recently been erected by a deceased monk into which are inserted heads and objects found in the temple grounds; they are nearly all Davaravati period and some Buddha heads are of much beauty. Not far from this is the unimpressive brick remains of Wat Chulapathone which has however yielded considerable artistic riches in the form of terracotta bas-reliefs which were originally placed around its base. These illustrate Mon versions of the Jataka tales and are to be seen in the new museum to the south of the giant chodi in the town. Wat Pramane is a much-excavated brick ruin to the south of the city giving but a faint idea of its early importance. But the chief pride is the 19th century stupa erected over the original stupa that was Phra Pathom. The work of building the enormous tiled cupola was started by King Mongut, who discovered the original stupa when still a monk, and was continued by his son Chulalongkorn. The stupa may be higher than the Shwe-dagon in Rangoon but it cannot begin to compare in interest. At its base, on the upper terrace, are twenty-four small turrets with bronze bells for the faithful to ring. The projecting chapel to the north contains a venerated statue in the Sukhotai style, and in a detached prayer hall to the east is an excellent Davaravati stone Buddha seated in the European fashion. Also of interest in Nakorn Pathom is the Sanam Chan palace built by King Vachiravuðh",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 207816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 204,
        "title": "RAS-1976",
        "content_text": "The Ancient Mon-Pagan, Peru & Nakorn Pathom 189\n\n(Rama VI) complete with Shakespearian house and a statue to his dog whom he suspected had been poisoned by jealous courtiers.\n\nThe Pagan theme of temple paintings, though of a different period, may also be taken up again in Dhonburi, across the river from Bangkok. Dhonburi was the capital between the fall of Ayuthaya in 1757 and the establishment of Bangkok in 1782 and boasts a number of old temples, many still having their original mural paintings. The little visited Wat Wai Thepnimit is lost amid sluggish canals and has paintings in good condition dating from the late 18th century. Like many of such temples, the scene above the main door inside represents the victory of the Buddha over the temptations of Mara; the scene behind the altar shows the division of the world into paradise, earth, and hell; and at the lower levels on the sides, between the windows, are the stories from the last ten Jataka tales, while above are serried rows of alternating orahan, or devotees, and yaksa or giants. In better condition, though in not so charmingly dilapidated a building, is the temple of Wat Chaiyathit, which can only be reached by a walk by narrow canals and a railway track. The well-known paintings at the fine Wat Suwannaram on Klong Bangkok Noi need little introduction. The small dual buildings of Wat Rumarin Ratchapaksi near Wat Dusit, bombed by accident in the last war, are now at last being repaired, though not before the weather has caused considerable damage to the quality of the paintings. One of the most impressive buildings to survive the passage of time and weather is the old library at Wat Rakhang, the Ho Trai. This has three rooms and was formerly part of a dwelling of General Chakri, the founder of the present dynasty, in the 18th century. He had it converted into a library for the temple after he became king. The carved entrance doors are magnificent, and the Ayuthia period lacquered library cupboards are in very good condition. The paintings, which had been much damaged by time and smoke from a fire at the temple, are now being restored. The scenes depict barely recognisable episodes from the Thai version of the Ramayana.\n\nBangkok does not lack evening entertainment, but there is not much that can rival the setting of Krisnavara House, with its collection of antiques beside the Chao Praya River, for a performance of the now rarely presented hoon krabawk, or stick puppet theatre. The figures are clothed in 19th-century court dresses and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
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    },
    {
        "id": 207920,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 308,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n293\n\nhalls, noted how common they were in Central China and continued \"they may almost be said to abound in Szechuan\". He suggested that the custom sprang from the belief that the benevolent influence exercised by the deceased during his lifetime would still be active if his body was preserved and set up. These mummies were placed in a hall on their own and even in the main hall beside the Buddha's image directly in front of the main altar. The \"images\" were usually gilded, though several on O Mei Shan were made up in fresh colours and dressed in silken robes which sometimes produced quite a monumental effect. The finest example he saw was in a wayside monastery on Chiu Hua Shan at the Ts'ui Yun An where the features of a monk who had died about the turn of this century had been gilded and “stood out as though carved in oak”.\n\nThe Chinese appear to have used two ways of preserving corpses. The usual method consisted first of evisceration; the body was then pickled in salt for a considerable period of time, afterwards being placed in a sealed urn and left for several years. If, when opened up, the urn was found to contain an undecayed body a subscription list was opened for the gilding and enshrining of the relic. The body was thickly gilded or varnished and, if not exposed to the elements or to great extremes in temperature and humidity, it would then last for centuries. The second method was for the dying monk, if he felt divinely inspired, to fast before death and in the process dry himself out, so that after death little was required to finish off drying the body into a leathery, hard mass of skin and bone3.\n\nThe following short notes on the better known \"fleshy bodies\" provide a clearer picture of how widespread the practice was. In May 1975 a preserved body, just emaciated skin and bones, seated in a cross-legged position was returned from Japan to Taiwan. The relic, the body of the monk Shih Tzu-kung (#4) known as the Stone Monk (GI✯✯), had been in Japan since World War II when it had been secretly shipped there by a Japanese military dentist. The body, more than a thousand years old, was of a T'ang Buddhist leader born about 700 AD in Kwangtung into a family named Ch'en (#). His title during life was Wu Chi Ta Shih (AR), which is the title he is still known by. He has now been returned to his original monastery in Taiwan.\n\nAn embalmed body exhibited in the eastern part of the Great Hall of the Yueh Lin Temple in Chekiang was claimed to be that",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 208075,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 114,
        "title": "RAS-1977",
        "content_text": "98\n\nK. G. STEVENS\n\ncharm papers, some new, but mostly faded and tattered. The temple keeper said that supplicants had stuck these on to ward off demonic influences, each being a plea to Chao to order his tiger to devour baneful demons. This image is not in the Disaster Altar but its function is exactly as though it were. According to the temple keeper it is an old image, pre-1840.\n\nThe cut-out red and green charms, called Green Horse and Nobleman, should not be confused with yet other red paper charms with cut-out holes in them, which are pasted annually on lintels of altars, temple doorways and shrines, thus reconsecrating them. These are called slips (piao) (*) and come in three sizes, small, medium and large (1-✯✯). Most of them bear a small square of gold paper pasted on them.\n\nAlthough only Taoist popular religion temples have Under Altars, there is also a Buddha who comforts “in time of calamity”, Yao Shih Fo (***) (whose full title includes the phrase “disaster” “Hsiao Tsai Yen Shou” (5* £**). He never appears in Under Altars.\n\nAnother \"Under Altar\"\n\nAnother small inset Under Altar at ground level, which is nearly always central under the main altar, is the altar to the tutelary deity of the temple, Ti Chu Fang (H). It is often called the Prosperity Hall and is unconnected with our study. It consists of a tiny open fronted \"box”, lined with red or orange paper, containing only one or two small red plaques dedicated to the tutelary deity (£* 五土龍神;護廟地主財神),(五方五土地主財神) or (前後地主 神財).\n\nIn one temple only, in Wanchai, a second altar under yet another side altar, contains a large image of the local Earth God (No2) which is normally on a side altar or beside the temple entrance. Behind him is pasted an orange paper bearing black characters describing the Earth God as the Controller of Wealth, and naming in a parallel row of characters the other major Cantonese Wealth God \"Ts'ai Po Hsing Chun\" (# $ £*) who is not represented by an image in this instance. This is a rogue disposition, doubtless ordered by a well-meaning but ignorant temple committee.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 208728,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 185,
        "title": "RAS-1979",
        "content_text": "158\n\nJULIAN F. PAS\n\nAs I see the situation, Chinese temples can be grouped under various criteria, for instance, (i) religious affiliation; (ii) nature of deities enshrined; and (iii) ownership. Let us try this proposal and see how it works out.\n\n(i) Temples according to their religious affiliation:\n\nFirst, there are temples that must be considered as essentially Confucian: in Taiwan only a small number located in most of the district capitals: Taipei, Tainan, Tai-chung, Changhua, Hsinchu, Kaohsung, Hualien, Chiayi, Taitung. These are the temples erected in honor of Confucius himself. A number of temples enshrining Kuan Ti or other deities do not fall under this category.\n\nSecond, a great number of temples are distinctly Buddhist: they are built by the Buddhist community (monks and/or nuns) or by a distinctly Buddhist group of lay people or even by an individual Buddhist believer or Buddhist family. They enshrine Buddhas and/or bodhisattvas, and are in most cases attached to monastic establishments. Temples enshrining bodhisattvas Kuan-Yin or Ti-tsang are not necessarily of this type.\n\nThird, there are temples in Taiwan that may be called Taoist. Their numbers on the mainland tend to be much larger: they were in some cases attached to Taoist monastic institutions, just like their Buddhist counterparts. Taoist monasteries (as the author also mentions, p. 113) do not seem to exist in Taiwan nowadays (although a revival is taking place, e.g., the Tao Te Yuan in Kao-hsiung) but Taoist temples can still be recognized as such, although it is not easy to formulate practical criteria.\n\nNegative criteria are: temples designated as Taoist either in government publications and official lists or by the temple administration itself are not necessarily Taoist. In those cases \"Taoist\" temple means any temple which is not Confucian, Buddhist or ancestral. Furthermore, a Taoist temple is not necessarily one that enshrines Taoist deities (cf. Buddhist temples). Positively speaking, a Taoist temple is one founded and/or administered by a distinctly Taoist",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
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    },
    {
        "id": 208731,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 188,
        "title": "RAS-1979",
        "content_text": "CHINESE RELIGION REDISCUSSED\n\n161\n\npresent day Taiwan, I may point out the cult of the Golden Mother of the Jade Pool and the cult of Kuan Ti focussing on divinatory writing and the publication of morality books.\n\nHaving discussed the great variety of temples according to the first criterium: religious affiliation, the other two criteria mentioned (nature of deities enshrined, and ownership) do not need much attention, since they have already been co-discussed. However, the second criterium needs some elaboration: distinction of temples according to the nature of the deities enshrined. In a few cases there can be no mistaken identity although this criterion by itself is insufficient to determine the temple type. The clearest cases are when the Buddhist Holy Ones are the main objects of worship; Buddhas Sakyamuni, Amitabha or Amita, the Buddha of Healing (rather than 'Medical Buddha' as Baity calls him on p. 126), bodhisattvas Kuan-yin (Avalokitesvara), P'u-hsien (Samantabhadra), Maitreya, Wen-shu (Manjusri), to name the principal ones. In most instances these temples are essentially Buddhist. However, one has to be very careful: the mutual absorption of cult objects by various religions has often blurred the origins; in many Matsu temples (community temples of the folk religion) there is a secondary shrine behind the central hall, in which Kuan-yin is enthroned on the central altar. However, the iconography has been changed: this Kuan-yin does not have the appearance of traditional Buddhist sculpture but appears as another deity of the folk religion. Therefore such temples are still essentially folk religious temples, and the dissonant appearance of Kuan-yin should not deceive the observer.\n\nThe same principal applies to the cult of Ti-tsang (Ksitigarbha). Although originally a bodhisattva, his cult has become so popular that he has been absorbed into the folk religion: his image can be found in many community temples throughout Taiwan, mostly on a secondary altar in the central hall. But once again he has lost the typically Buddhist iconographic appearance.\n\nWhat is the difference between Taoist and popular deities? The most distinctively Taoist Holy Ones are those one does not often see in the temples: their images, painted on scrolls, are in the possession of Taoist priests and brought to the temples or temporary roadside shrines by them for special occasions: such as rituals for the dead or the great chiao festival. Besides those there",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208870,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 32,
        "title": "RAS-1980",
        "content_text": "4\n\nKEITH G. STEVENS\n\nTemples and monasteries, despite their outward appearance are not always simple, self-contained religious units. Quite frequently they contain a number of major and minor deities, each with its special shrine or altar, hall or building.10 The original major deity may, for one of several reasons, be relegated to a secondary position and a new primary deity installed on the main altar. After some years and changes in abbots or temple keepers, the identity of certain deities, including surprisingly, major gods and goddesses, have been forgotten and, so as not to lose face, their identities are guessed at by temple staff, often wildly inaccurately.\n\nThere are several groups or complexes of folk religion temples in the two territories and to identify the number of individual temples on one particular site apart that is from where it is possible from reading the titles over the entrances-it is necessary to count the number of Earth Gods and Door Guardians in their niches inside the temple on the inside walls, usually opposite each other, facing across the various entrances. A single or pair of these deities is usually found in each individual temple within a complex of temples irrespective of how many entrances there are. The Wen Wu temple (or Man Mo in Cantonese) in Hollywood Road, Hong Kong is an example, with two temples side by side seeming to be one having only one courtyard. The Wen Wu itself, a large traditional temple, is to the east with its Door Official and Earth God sitting side by side in one shrine. In the smaller \"Temple of the Buddha of Light\" on the west, there is only a single image, a lone deity called the \"Door Official Earth God\", a title which amalgamates the titles of the two usual deities.\n\nUrban and rural11 folk religion temples differ in that the former tend to be more sophisticated, always have a keeper and several other staff, cater for worship by individuals at any hour (between 8am and 6pm) and have a wealth of images. Rural temples, in the main also boast keepers, but these are usually absent as they are \"pensioners\",12 very elderly people who spend much of their time asleep, calling on friends or shopping. Devotees visiting a rural temple normally find no one to assist them, and presumably, as this is an accepted facet of rural life, nobody seems to mind. The urban temple keeper on the other hand has to earn his living or recoup his investment of an annual tender, and so he ensures that a member of the staff is permanently in the temple during opening hours to assist in devotions, offer for sale incense, oil, charms and",
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    },
    {
        "id": 208875,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 37,
        "title": "RAS-1980",
        "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n9\n\nThese are the wooded valley running down from Lantau Peak through Luk Wu to Tai O, the wooded area around Lo Wai to the north of and above the new town of Tsuen Wan, and the oldest of all, the easterly wooded slopes of the hill known to foreigners as Castle Peak. (Plate 2)\n\nBuddhist temples can also be established by a monk wishing to set up an establishment of his own to earn credit. The usual pattern would be first to open a small temple consisting of a Buddha Hall, a living room and kitchen. As others join him, if of course they do and if the temple retains its popularity, so the establishment will thrive and grow. However, should he die prematurely, his establishment usually dies with him.\n\nBuddhist monasteries, nunneries and temples usually follow a pattern based on the origins of the monk who first founded or organized the establishment. Hence, a monk from Shandong will reflect his provincial background in the organization and iconographical features of the establishment.\n\nBuddhists rarely have simple temples. Whereas traditional folk religion temples consist of a single storey, monasteries tend to have an upper and lower hall. Buddhist and Daoist monasteries and temples may best be described as being a series of \"boxes\" which, unlike a very high proportion of traditional temples, do not need to be symmetrical. They tend to run to complexes with their numerous rooms and halls, separate buildings and shrines, each housing one or more images. In each devotional hall the main sanctuary or altar which holds the image or symbol of the deity (or in the case of the Halls of Long Life and Rebirth, the spirit tablets) serves as the focal point of devotions and rites. Some monasteries and a few temples have a separate hall dedicated to the Ten Judges of the Underworld (with Di Zang Wang on the main altar) or the Eighteen Luohan (the disciples of the Buddha Sakyamuni).\n\nThere are, in addition to the devotional halls, monks' and nuns' quarters, kitchens, visitors' halls, refectories, study rooms, reading and meditation halls. Many small images are to be seen in each, though they are not always Buddhist. The occasional state religion cult hero or folk religion deity may be seen usually donated by a not too discriminating devotee. Abbots rarely refuse an image, particularly if it is accompanied by a donation to the establishment.\n\n*路盧遮那寺 in Lo Wai.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 208876,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 38,
        "title": "RAS-1980",
        "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    },
    {
        "id": 209085,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 247,
        "title": "RAS-1980",
        "content_text": "Plate 1.\n\nA small rural monastery above Tsuen Wan.\n\nf\n+\nTHE\n\nPlate 2. A modern Buddhist temple in Lo Wan (The Western Monastery),\nThe Buddha Hall is on the first floor.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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        "rank": 0
    },
    {
        "id": 209789,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 48,
        "title": "RAS-1983",
        "content_text": "26\n\nthe problem of space was solved and the ancestors acquired additional merit by sharing that gained by the monks' prayers. Thus, the ancestors' hall (1) has become a rich source of revenue in many Hong Kong monasteries. The affluence of the sangha is most easily seen in the many very spacious and ornate temples built or rebuilt in recent years. These magnificent buildings in turn become centres of attraction for devotees and tourists. As we shall see below, these temples do not really serve the direct needs of the sangha, which has diminished in number. (Very often, only a handful of monks live in a monastery which could accommodate hundreds.)\n\nThe affluence of the monks is again seen in the proliferation of small temples and houses of cultivation (#4). There are altogether about 400 big and small temples and the significance of this large number is self-evident if we bear in mind that there are altogether only about 200 to 250 monks and about 1,000 nuns in Hong Kong. It is estimated that there are about a dozen big monasteries each of which holds in excess of ten monks, and a significantly larger number of nunneries containing about that number of nuns. It appears then that a small temple has on the average only one monk or two or three nuns. If a monk is wealthy enough, there is a great attraction for him to own a temple himself, for then he can avoid the difficulties of living in common with other monks or of subjecting himself to an abbot. The impact of this development on the monk's religious cultivation is yet to be investigated.\n\n4.\n\nAnother development during this period was the establishment of Buddhist centres within the urban areas. Many of the small temples mentioned above are situated within high-rise blocks of flats in the crowded areas of the city. Thus, the monks make themselves readily accessible to the populace whether for the purpose of spreading the Buddha's teaching, doing social work, administering to the schools or performing Buddhist ceremonies. The old centres in the New Territories were not given up. With the expansion of the population and the development of new towns, these old centres have in turn become readily accessible. Constant streams of devotees and tourists are a normal happening nowadays. The net effect has been that contact between monks and ordinary people has become very considerably increased.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    },
    {
        "id": 209793,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 52,
        "title": "RAS-1983",
        "content_text": "30\n\nThus, the written rules for community living are considered perfect and valid for all times and places. However, in common with all traditions which rely on the written word as the sole authority, difficulties in interpretation arise as soon as conditions and environmental customs change. The built-in weakness of written rules is that they can never hope to provide solutions to all situations and yet they have to claim perfection in order to boost their authority. With changed conditions and times, many Buddhists have asked themselves: Should the letter of the law be kept or should the spirit of the founder be preserved when the letter is no longer seen as embodying the spirit? If the spirit is considered the more important thing, how does one know that one has the founder's spirit? Would knowledge gained aside from the rules be mere guessing? These tensions have plagued the sangha throughout its 2,500 years' of history. There are situations where the rules are verbally recited and yet only certain ones are kept, while the others are tacitly ignored. Such has been the practice of the sangha in China. The monks verbally received 250 precepts at their ordination ever since the introduction of Buddhism into China and yet many of these precepts were never kept. The inherent difficulty in adapting the written law to suit the situation of a different time and place so that the true Buddha spirit may be readily lived is the lack of a central Buddhist authority which is strong enough to effect such a change. The result is a schizophrenic verbal adherence to the law with constant deviation in practice. Conscientious monks realize the unsatisfactoriness of such a situation but there is little they could do to alter the situation. Recent discussions of the re-organization of the sangha fall readily into this familiar pattern.\n\nThe biggest recent discussion of the re-organization of the sangha was initiated by an agenda of proposals to be discussed at the conference of Chinese monks in 1977. The agenda was presented in the context of an open letter which called for responses to matters concerning the sangha system, dress, ranking of monks, education etc. The initial reaction was collected in volume 209 of the magazine Buddhism in Hong Kong. Unfortunately, the media got hold of the report and rightly or wrongly, made a sensational report that monks were contemplating marriage. The scandal, real or imaginary, killed any further",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    {
        "id": 209871,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1983",
        "page_number": 130,
        "title": "RAS-1983",
        "content_text": "108\n\nand more than half of them still live within two miles of these ancient sites, which speak of hundreds of years of settlement and progress, before the Han emperors conquered the coast with a fleet and army.\n\nLeaving aside the islands close to Hong Kong, which have little of interest, we next pass the Potoi group off Cape d'Aguilar (named after a Major-General who commanded the troops in Hong Kong in its early years). All are of granitic rocks seamed with dykes of dark green stone which decay more rapidly than the granite and so often form valleys, caves and hollows. All but Potoi itself are barren and deserted, except for the light on Waglan (Wang Lan \"Barrier Fence\"). About nine years ago, the Chinese second officer of a ship distinguished himself by steering straight on to the island, where the ship not unnaturally stopped. There was no discoverable reason for this exploit; it was not bad weather, though dark it was about 2 a.m. and the light showed clearly. A similar but more excusable disaster occurred in 1916 on the east end of the Lema's eight miles to the south on Tam Kon Shan (“Carrying Pole Mountain\"), when the Chiyo Maru, which was a big trans-Pacific liner, ran aground. I believe few or no lives were lost.\n\nnets.\n\nPotoi has a small but good harbour, very popular with boat people, and with a handsome temple. There are a few shops, and its economic centre is Stanley. The beach is used for drying. Once in 1930 an ingenious fellow tried to monopolize the beach by applying for a matshed site right in the middle of it. I saw the place, saw through his game, and turned him down. Up in the hills are three tiny hamlets, living on the scanty crops their fields produce, and probably selling to the boat people as well; their names mean \"Long Stone Ridge\", \"Cow Lake\", and \"Mountain Hut\" 27.\n\nTo the north, at the entrance to Junk Bay, known in Chinese as \"General's Haven\" (Tseung Kwan O), is an island called Fat or Fu Tau Chau (“Buddha's or Tiger's Head Island\"). It was the site of one of the \"Blockade of Hong Kong\" customs stations; the station is in ruins, although the island has a few inhabitants.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    {
        "id": 209872,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1983",
        "page_number": 131,
        "title": "RAS-1983",
        "content_text": "109\n\nNam Tong Island (“Southern Hall Island\"). This island is large and mountainous. Military defence work is currently going on there. It was formerly cultivated, but in 1929 the cultivated area was abandoned. There is an Aga light on the southern point. The channel to the north of this island is \"Buddha's Head Pass\". The harbour within this channel is well sheltered: there is a big temple on the mainland to the north of the channel. The chief place of interest on this island is the old fort near the north point, with a south wall thickened, apparently for mounting cannon. This fort is probably Chinese, perhaps built by pirates.\n\nHere we leave the islands of the South District, and enter the North District as we pass into Port Shelter. The interest of this place lies in its extraordinary geography and geology, and its wonderful beauty. The surf which beats on the high pillared cliffs of High Island, Bluff Island, and Basalt Island dies away as your launch passes into the long calm channels, and under the hills of the mainland there is perfect shelter, though I do not think the anchorages are good. Grassy hills come down to the waters' edge, and near Saikung the sea is studded with diminutive islets.\n\nThe soil of these islands appears extremely barren, as the population of the islands is very small. Fishing seems the chief occupation. Settlements are few. Yim Tin is named after some abandoned salt fields a little to the south of the (Roman Catholic) mission church: Kau Sai (\"West of the Channel\") explains itself. There is also a group of settlements in the southern part of High Island. These have the remarkable names of \"North Fork\", \"Tribute Rice Junks Bay\", and \"White Insect Wax\",32 This group and Yim Tin are the only places in these islands where cultivation is of any extent. \"North Fork\" is a most remarkable place. Someone has lavished money on it, the houses and the ancestral temple are well built, a high platform held up by a big masonry retaining wall stands in front of them, and a small stream by the village is crossed by a fine three-span bridge all of stone: it is the sort of stream for which the rest of the Territory think six stepping stones are ample. I have no idea how these names originated, except that the bay may have been an anchorage for junks carrying the tribute rice north from Canton to Peking.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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        "id": 209875,
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        "page_number": 134,
        "title": "RAS-1983",
        "content_text": "112\n\nHaven\".\n\nPui O at present often uses for its name characters meaning \"Shell Harbour\".\n\n1* Yi Long Wan (\"Second Wave Bay\").\n\n1 These villages used to stand just south of Discovery Bay but have since given way to the major housing project of that name.\n\n\" Tai Pak Island is now called Tai Lei (\"Great Profit\").\n\n19 Shau Chau is now called Sha Chau (\"Sand Isle\").\n\n\"Tongkwu is now called Lung Kwu Chau (\"Dragon Drum Island”). \"The Society for the Aid and Rehabilitation of Drug Addicts (SARDA) has had a treatment centre here since about 1960.\n\n31\n\n* Capital of San On District.\n\n** No villages now survive on Hei Ling Chau, which, after the closure of the leprosarium, is now occupied solely by the Correctional Services Department. The remaining villagers were resited to various places on Lantau in 1952-53.\n\n** Chau Kong is now called Sunshine Island (Chau Kung To), after an agricultural rehabilitation programme for refugee families launched there in the 1950s by Mr. Gus Borgeest (of Hong Kong) and others.\n\n\"Kau Yi Tsai is now called Siu Kau Yi Chau, with the same meaning.\n\n**A prewar periodical magazine containing many items of great interest, including Father D.J. Finn's contributions on local archaeology, 1933-36. These were reprinted, edited by Rev. T.F. Ryan S.J., by Ricci Hall, University of Hong Kong, 1958, entitled Archaeological Finds on Lamma Island (M) near Hong Kong.\n\n** Waglan at present uses for its name characters meaning \"Barrier to the Waves\".\n\n#T\n\nRespectively Cheung Shek Pai, Ngan Wu, and Shan Liu.\n\n\" Also known in English as Junk Island. At present the island is known in Chinese only as Fat Tau Chau (\"Buddha's Head Island\").\n\nNam Tong Island is now known as Tung Lung Chau (\"Eastern Dragon Island”).\n\n* This is the Tin Hau Temple (Tai Miu) on Joss House Bay.\n\nAfter partial excavation, it is now listed as an ancient monument under the care of the Urban Services Department.\n\n** Respectively Pak A, Leung Shuen Wan, and Pak Lap.\n\n** These inlets were drowned in the mid 1970s to form the High Island Reservoir.\n\n*Tolo Harbour.\n\nYuen Chau Tsai, see note 2 above.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
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    {
        "id": 209960,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1983",
        "page_number": 219,
        "title": "RAS-1983",
        "content_text": "197\n\nFrom 1860 there is, firstly, a collection of China Medals and related items and eight drawings by a Royal Marines Light Infantry officer who served in the Second China War. There is also a vase and a gilded, seated, Buddha which were taken from the Summer Palace in that year.\n\nThe Marines were involved in the fighting occasioned by the Boxer uprising in 1900, and the Museum holds a number of relics of this involvement. A Boxer flag is, for instance, on display. This was captured by Sgt. Preston, Royal Marines Light Infantry, on the walls of Peking on July 14, 1900, an act for which he was awarded the Conspicuous Gallantry Medal. The notes explain that Preston kept the Boxers at bay while an American Marine seized the flag.\n\nA Victoria Cross was won at about the same date which is commemorated by the display of a large pike. This was captured by the RMLI detachment during the siege of the Legations. Captain L.S.T. Holliday led a sortie during which he had half a lung shot away. He later became Adjutant General of the Royal Marines and when he died in 1966 at the age of 95 he was the oldest holder of the VC. A squat, gape-mouthed, mortar about two feet high is also on show. This was seized at the capture of the Taku forts in 1900. A large brass shell case used by the Quick Firing guns at the Taku Forts is mounted in the museum as a gong. The case has the name Berndorfer stamped upon it, an Austrian firm.\n\nNext came a quick visit to the National Army Museum, in Chelsea, London. Among the items which I spotted there were the following, and I am sure there must be others which I missed.\n\nThere is a large, full-length, portrait of Sir Hugh Gough, by an unknown artist. He is shown with what looks to be an Indian servant buckling on his sword and is impressively bemedalled. A tall, slim, figure, with a white moustache, the General was in his fifties or sixties when the picture was painted. A silver model pagoda commemorating the Treaty of Nanking, August 1860, is on loan from the present Viscount Gough. It was made by Richard Hennell and is hallmarked London 1860-61.\n\nA long rampart gingall, manufactured at South Tientsin Arsenal in 1895 slants diagonally across a case which also features",
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    {
        "id": 210290,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 261,
        "title": "RAS-1984",
        "content_text": "240\n\nCHOI CHI CHEUNG\n\nburnt and vegetarian food was offered by many worshippers there.\n\nAt the entrance of the Tao Ch'ang, 4 notices stated: \"The water and land cross-over is at this Tao Ch'ang ()\" separating the Tao Ch'ang area from the other areas. Within the area, there were 39 worshipping objects. There were three distinct areas to the Tao Ch'ang: i) On one side of the entrance, there were the territorial gods of the human world, and, on the other side of the entrance, there was a god who holds the key to the door between earth and hell (two of his runners were with him). ii) In the main hall, there were tablets of different spirits who were supposed to come from the ten courts of the underworld, and tablets of the Taoist Saints. Two Generals were put in the centre of the hall to watch over the spirits. iii) At the back of the area, was the altar (or Hoza in Japanese) where the priests practised their rituals under the images of the 3 Buddhas and the Goddess of Mercy. Compared with the typical Buddhist arrangement for rituals for appeasing the dead, the Tao Ch'ang area of the Kobe Chinese 'Yue Lan' was more inclusive and closer to Chinese folk tradition, though the priests were all Buddhists.\n\n32\n\nThere were 7 types of objects worshipped (Table in the Appendix):\n\ni) Those represented by incense bowls and offerings only.\n\nii) Paper-made figures.\n\niii) Paper-made lanterns.\n\niv) Porcelain statues.\n\nv) Paper-made houses.\n\nvi) Paper-made tablets.\n\nvii) Paintings.\n\nNot all worshippers knew the names and roles of all the objects worshipped. During the festival, worshippers presented incense sticks to all the objects of worship in the festival area. However, besides the Ming-che and the \"Ancestral Hall\", the two runners attracted the most attention from the worshippers. Worshippers bribed them with bundles of paper money. One Cantonese lady of about 75 years old explained that by doing so, it was hoped that the runners \"would take care of our ancestors whose spirits are com-",
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        "document_key": "RAS-1984",
        "page_number": 267,
        "title": "RAS-1984",
        "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n  \n    1.\n    A Nan Chun Che *\n  \n  \n    2.\n    Buddha #N*\n  \n  \n    3.\n    Chia Ych Chun Che\n  \n  \n    ***\n    \n  \n  \n    4.\n    Kannon, the Goddess of Mercy\n  \n  \n    5.\n    Dragon Kings of the 4 Seas\n  \n  \n    6.\n    Representative of the Heavenly Kitchen 天厨使者\n  \n  \n    7.\n    Chin Kwong Wang\n  \n  \n    8.\n    Cho Kiang Wang thi\n  \n  \n    9.\n    Sung T'i Wang ✯E\n  \n  \n    10.\n    Wu Kwan Wang HE\n  \n  \n    11.\n    Yen Lo Wang\n  \n  \n    12.\n    Bien Chen Wang |\n  \n  \n    13.\n    Thai Shan Wang E\n  \n  \n    14.\n    T'u Shi Wang\n  \n  \n    15.\n    Pin Deng Wang\n  \n  \n    16.\n    Chuen Lun Wang\n  \n  \n    17-18.\n    The Courts of extreme happiness 極樂殿\n  \n  \n    19.\n    Kan Tsai Wang\n  \n  \n    20.\n    Wai Lo ##\n  \n  \n    21.\n    ?\n  \n  \n    22.\n    The Great Kings and Emperors 大王大帝\n  \n  \n    23.\n    The Lord of Pu-tu\n  \n  \n    24.\n    Ancestral Hall of all Lineages 各姓宗祠\n  \n  \n    25.\n    6 paths and 4 species 0%\n  \n  \n    26.\n    Wandering spirits of 4 directions 西方忘魂\n  \n  \n    27.\n    The 3 Pure Ones E\n  \n  \n    28.\n    Gods of the 3 levels\n  \n  \n    29.\n    ?\n  \n  \n    30.\n    Male and female orphan spirits 男女孤魂\n  \n  \n    31.\n    3 religions and 9 schools\n  \n  \n    32.\n    Million souls of the 3 levels 三界萬靈\n  \n  \n    33.\n    Office of the Yin and Yang H\n  \n  \n    34.\n    Lord 8th A\n  \n  \n    35.\n    Lord 7th\n  \n  \n    36.\n    Temporary resting place ✯✯S\n  \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
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    },
    {
        "id": 210415,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 22,
        "title": "RAS-1985",
        "content_text": "and God answered my question through my own mouth. I asked first, \"Who are you? Are you God or an immortal or the Buddha?\" God replied, “I have no name or characteristic. I am God who has no beginning or end.\" I said, \"You deign to descend upon my humble quarters, notwithstanding my lowness and foolishness. For this I feel greatly honoured. Please enlighten me.” God said, “You have great capacity. I want to transmit to you the Great Method of Curing and Exorcism. Are you willing to accept or not?\" I said, “Of course. But I do not know if time will allow it or if I can successfully learn it.\" God said, \"The learning of it is instantaneous.” At that time, I accepted the message not without scepticism.\n\nShortly afterwards, a servant maid in the Patriarch's household was taken ill with a severe stomachache. He tried the new method of curing despite his scepticism. In less than half-an-hour the maid was completely cured. After that, he used the method on other sick people and cured them as well. Finally, he became convinced of the truth of the events that had occurred to him.\n\nAs one would imagine, the conviction that he had seen a new god was not arrived at without a struggle with his previous Christian faith. As witnessed by his family, Patriarch Lo slapped himself uncontrollably and uttered words of self-reproach whenever he entertained doubts about the new god.\" Lo's new-found faith caused a shock-wave through his devout Christian family. Commotion reigned within the family until finally everybody agreed on a test-case. Lo's brother-in-law, Tam Tao Wing, had been ill with an unknown and incurable disease and was at the point of dying. Preparations had already been made for his funeral. Lo said that the brother-in-law's sickness was caused by a demon and offered to cure him in return for non-interference with his new religious beliefs. The family agreed. Lo attempted his exorcism and within minutes the brother-in-law was completely cured.\" After this episode, the Patriarch was left to do whatever pleased him. Lo's wife, at first his most vociferous opponent, later became his most convinced follower.\n\nNews about the Patriarch's prowess at curing spread like wild",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 211635,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 50,
        "title": "RAS-1989",
        "content_text": "25\n\nwhich is reserved exclusively for the occasion. The offerings must include red pork and two long stems of bamboo in leaf; these are laid out on special tables placed on small stools so that they do not touch the ground and be defiled.\n\nThe Jade Emperor's image has been noted on altars in nine temples in Hong Kong and in two in Macau. It is also to be seen on numerous altars throughout South-East Asia and in Taiwan. In Taiwan his image appears alone or with two or three attendants on a number of secondary altars and even on side altars. In Hong Kong he is the main deity in six of the nine temples and is the major deity on a secondary altar in the other three.\n\nThe most fascinating image of the Jade Emperor in Hong Kong is to be seen in the upper level hall of the Monastery of the Ten Thousand Buddhas in Shatin where he is flanked by two of his ministers. In a large number of temples in which he is the main deity the Jade Emperor is supported in this way by the two stellar deities, each in his own secondary altar flanking the main altar with the Jade Emperor. They are the Lord of the Northern Bushel and the Lord of the Southern Bushel, Nanpei Tou (jjdk-1-). There are also a number of images of attendants flanking the image of the Jade Emperor, and on occasions the Civil and Military Judges (Wenwu P'ankuan).\n\nHe is the main deity in a tiny temple near Shaukiwan on Hong Kong island, a tiny image in a small single-room temple occupied by one elderly lady, the temple keeper. The original occupants were refugees from Yunnan province in the early fifties, dead these many years. By the mid-seventies the temple was being kept spotlessly clean by the elderly lady who had been an amah to a long-departed English family. She explained that she had to earn her keep somehow, especially as her husband had already 'long time gone topside'.\n\nIn Penang people will tell you that the small red shrine outside their shop or house is dedicated to the Jade Emperor even though neither his name nor title is recorded anywhere.\n\nSupporting the Supreme Deity is a Board or Ministry of Thirty-Six Ministers, with duties to supervise junior celestial officials and clerks, whose images are rarely to be seen on altars though on temple murals all thirty-six are frequently portrayed. Their role is to control and run",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211636,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 51,
        "title": "RAS-1989",
        "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211731,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 146,
        "title": "RAS-1989",
        "content_text": "121\n\nCHEUNG SHAN KWU TSZ (長山古寺), AN OLD BUDDHIST NUNNERY IN THE NEW TERRITORIES, AND ITS PLACE IN LOCAL SOCIETY\n\nThe Plan of the Nunnery\n\nP. H. HASE*\n\nHong Kong has dozens of Buddhist monasteries and nunneries, mostly located in the New Territories. Almost all are recent foundations. The majority were founded by monks or nuns fleeing from one of the three major disturbances to Buddhist life in China in the last 80 years - the 1911 Revolution, and the chaos of the Warlord years which succeeded it; the Anti-Superstition Campaign mounted by the Kuomintang from the mid 1920s; and the Communist Revolution of 1949-1952.\n\nThese monasteries and nunneries mostly share a single common plan, which distinguishes a Buddhist place of worship from the ordinary temple of the traditional village religion. The ordinary temple consists of a windowless rectangular hall, with the altar to the God against one of the short walls, and entered through the opposite short wall. The hall usually has a Tin Tseng (天井), or lightwell, in the centre for the escape of incense smoke. Often two subordinate similar halls are placed one on either side of the main hall, interconnecting by arches.\n\nMost Buddhist institutions are built to a different plan. They are centred on a Buddha Hall (A, 大殿), which is also a rectangle, but one entered through the centre of one of the long walls, and the altar is not against the opposite long wall, but free-standing a little in front of it. These Buddha Halls usually have windows, and do not have Tin Tseng. In large monasteries or nunneries, the Buddha Hall is a free-standing structure surrounded by a portico, placed in the centre of an enclosed courtyard-garden on a raised podium, with the other buildings forming ranges along the edges of the courtyard. The whole complex is enclosed: the monastery or nunnery, unlike the ordinary temple, is\n\n* The author would like to thank those Ta Kwu Ling elders who gave him the information on which much of this article is based, and also the staff of the District Office, North, who assisted in setting up the interviews. He would also like to thank the staff of the District Land Registry, North, for their unfailing courtesy and assistance.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 147,
        "title": "RAS-1989",
        "content_text": "122\n\nusually considered private in character, and hence the entrances are such that the general public can be excluded as desired.2\n\nIn smaller institutions, the buildings tend to form only a single range, and the Buddha Hall is built in the middle of it. Even here, however, the range of buildings will usually front an enclosed courtyard-garden, and the Hall will be raised up a few steps higher than the other buildings.\n\n1\n\nAlthough the great majority of Buddhist monasteries and nunneries in Hong Kong were founded in the last 80 years, a few are older, founded by indigenous groups before the coming of the British. Five are known to me in the mainland New Territories3 — the Ching Shan, or Pooi To (#4 · *) monastery at Tuen Mun, (certainly in existence in the fifth century*), the Ling To () monastery at Ha Tsuen (probably founded or refounded in the Ming Dynasty), the Ling Wan () nunnery at Shek Kong (an early Ming foundation4), the Lung Kai () nunnery near Lung Yeuk Tau (probably an early Ch'ing foundation5), and the Cheung Shan Kwu Tsz (££‡), near Man Uk Pin on the old road from Sha Tau Kok to Sham Tsun (Shen Zhen).\n\nThe subject of this article.\n\nOf these ancient foundations, the Ching Shan monastery was rebuilt in 1918 and several times since, and the Ling Wan nunnery was rebuilt between 1919 and 1927. These now show the standard Buddhist plan mentioned above. The Lung Kai nunnery is a total ruin, following abandonment and the stripping of the roof during the last War. The Ling To monastery was rebuilt in 1928, and again (from the foundations up) in 1970. It is believed that both rebuildings used the foundations from the 1861 rebuilding, but the interior layout of the present structure is only a shadow of the original. Only the Cheung Shan Kwu Tsz survives unreconstructured and undamaged as an example of a Buddhist institution in the area from before the twentieth century influx of immigrant monks and nuns. Because of this it seemed worth studying the monastery in some detail.\n\nThe old road from Sha Tau Kok to Sham Tsun ran more or less along the line of the present Sha Tau Kok road from Sha Tau Kok to the Wo Hang Au above Sheung Wo Hang. It then cut to the north-west of the present road, passing Man Uk Pin village, and thence on through the mountains by a low pass called Miu Keng (M, \"Temple Pass''), past Ping Yeung village, to cross the Sham Tsun river by the bridge",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211735,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 150,
        "title": "RAS-1989",
        "content_text": "125\n\nhillslope at the back and sides.\n\nstone\n\nAs far as can be ascertained, the walls of the nunnery are throughout either of blue brick or of heavily plastered stone rubble, on footings of the standard building technique in the region. The roofs are of tile laid single thickness on beams supported directly by the walls. The only windows are very small (about one foot square) openings with bars and wooden shutters in the front face in the second and fourth sections, and the side wall of the fourth section, and two tiny single-brick openings, in the front wall of the second section, and the side wall of the fourth section.\n\nThe main temple hall is the third section. The main entrance to the nunnery is here, at the top of a shallow flight of steps. The double-leaved door opens into an Entrance Hall bare of all furniture except for the brick spirit-screen wall, with the altar to Wai To (卫道), the Defender of the Way, against its inner face. The Entrance Hall opens out into the Tin Tseng, which is mostly filled with the large brick paper-burner, and the steps up to the upper level. Above the steps is the Main Hall, with the altar against the back wall, and with a large offering table in front. The altar is to Kwun Yam, and has statues of the Lord Buddha (Sakyamuni), and the King of Hell (Ti Ts'ang Wang, 地藏王), as well as of Kwun Yam on it. To either side of the main altar are very small subordinate altars, where the tablets commemorating certain deceased monks are kept. In front of the main cult statues are five small images: two are unidentified, the others are of Milofu, Shan Ts'ai (善财), and Yũ Nũ (玉女). Below the altar is the usual shrine to the spirits of the Five Directions (五方).*\n\nTo the left of the Main Hall as you look at it from the entrance, i.e., at the back of the second section of the building, is the Side Hall, containing an altar to the Earth God (To Tei, 土地). This Side Hall has no Tin Tseng or windows, and is in consequence rather dark, being lit only by the light coming in from the arch which links this Hall with the Main Hall. The nunnery is now in a very run-down state, and it is not clear what furnishings were originally in this Hall: presumably there was an offering table of some sort in front of the altar. This Side Hall contains the inscription commemorating the rebuilding of the nunnery in 1868.\n\n* I am indebted to Mr. Keith G. Stevens for identification of the deities worshipped in the nunnery.\n\nPage 150\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211754,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 169,
        "title": "RAS-1989",
        "content_text": "144\n\nThe Shing Ping She was thus required to maintain the Kim Ho Temple, and at least the Heroes Shrine part of the Ping Yuen Temple, and had to meet the costs of the rituals it conducted there. It also had to maintain the bridges and roads, and to meet the costs of the patrols it sponsored. However, it had no land at the time of the Block Crown Lease (1905). Apart from the temple itself, the Ping Yuen Hap Heung owned no land at that date either. Similarly, none of the individual villages of the area owned any significant amounts of communal land. The Shing Ping She did, however, have enough income to buy a good deal of land within the New Territories later — five and a half acres was bought, together with a house, between 1911 and 1920, at a cost of $1,272.50 for just over three of the five and a half acres. Villagers believe the She also bought land at Wang Kong Ha during this period.\n\n18\n\nThe She seems to have imposed a grain tax on all householders and cow owners within the patrol district. At least in the 1930s, as the elders recall, some of this grain was passed to the nuns at the Kim Ho temple and the Cheung Shan Kwu Tsz for their sustenance, but most was sold.\n\nThe villagers claim that the Shing Ping She also bought from the Cheung Shan Kwu Tsz all the nunnery's lands within Ping Che and Ping Yeung, at a date somewhen in the 1920s, but without changing the registration of the land in the Land Registry. This is possibly why the She's programme of land purchase in its own name comes to an abrupt end in 1920.\n\nThis claim may well hide a more complex situation. As mentioned above, neither the Shing Ping She nor the Ping Yuen Hap Heung held any communal land in 1905, although they had significant communal commitments: Loi Tung, equally, seems to have had no communal land to provide income for the needs of the Loi Tung Yeuk. At the same time, the nunnery land does not seem to have been used to meet nunnery needs. After the fire, the abbess repaired the roof by seeking donations, not by selling or mortgaging part of the land, and this was clearly the position also at the time of the 1868 rebuilding, since the inscription in the temple records the donors. In the 1930s, the nuns' rice came from donations from the Shing Ping She, not from rent. It seems very likely that the Ping Yuen Hap Heung and Loi Tung people had placed their communal lands under the name and protection of the Buddha. This is not uncommon in the area; such an arrangement made it more difficult for managers to embezzle the land entrusted to them, and protected it from external...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212159,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 101,
        "title": "RAS-1990",
        "content_text": "78\n\nicon form on minor altars in Taiwan. These icons are understandable as portraits of Sun the 'Father of the Nation' appear with those of Chiang Kai-shek in offices, schools, barracks etc. where they were bowed to each morning as a sign of respect. Among the less literate and more superstitious it is not difficult to see how this has led to such icons appearing on altars with incense burnt before them.\n\nIn the mid-1960s, the Kuomintang organised a political demonstration in Cambodia on the 15th day of the seventh lunar month, the middle of the month during which Hungry Spirits return to the human world for thirty days. During the demonstration public sacrifices to the spirits of the victims of the communists in China were performed. There was also talk of deification of one or two but this came to nothing.\n\nIt has not been unknown for outstanding living persons to have a sanctuary built in their honour. The magistrate of Ch'ing-ho district in Hopei was such a man. He brought about a substantial reduction in taxes and other government levies and thus lightened the financial burden on a hard pressed people. In 1886, two years after he had been transferred to administer another district, the grateful populace of Ch'ing-ho built a shrine in his honour.\n\nIn Singapore in 1970 a new cult was founded near Woodlands on the northern tip of the island when the deity, Wu T'ien Chu, appeared to a Singapore Fukienese man in a dream. The deity explained to the Fukienese that he, Wu T'ien-chu [The Military Master of Heaven], was a mighty deity who had chosen the Fukienese man to become the 'Master Warrior' of his cult. He required a new bungalow to be converted into accommodation for the founder with the lounge becoming the altar hall. He told the Fukienese man that he would protect his devotees, cure their illnesses and bring them good fortune. A statue of the deity was carved in the likeness of the spirit as he appeared in the founder's dream and placed on the altar. The founder, the Fukienese man, explained that with his wide knowledge of all religions he encourages devotees from every nation and creed to worship in his temple. He explained that the world's most powerful deity is the Jade Emperor, with Sakyamuni, The Buddha, as his deputy. Next in seniority is Kuan Yin followed by Wu T'ien-chu who has a great many assistants and warriors under his charge, none of whom is ever portrayed in image form. He continued that the four pillars of the cult are \"the four gods (shen) of other religions, Buddha, Christ, the Pope and Mohammed”.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
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    },
    {
        "id": 212208,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 150,
        "title": "RAS-1990",
        "content_text": "127\n\nThe Taoist temple, a centre of superstition, visited by the people of the village at certain seasons and particularly popular with the old women, is usually larger than the ancestral hall. It can be distinguished from the rarer and finer Buddhist temples by its walls of red. The Buddhist colour is yellow. Both Taoist and Buddhist temples prefer remote sites, often amidst the crags of tree-clad hills, but their colour apart are difficult to distinguish the one from the other. They are equally filled with images, from the fearsome spirits that guard the entrance hall, and the divers gods in the succeeding halls, to the Great Buddhas in the main hall, behind which there will be a very demoniacal representation of the Buddhist hell.\n\nThe temples to Confucius contain no images. They are to be found in the larger towns, amidst ancient trees and stately courtyards. They are now generally used to shelter government offices or schools. Wherever there are troops, the temples are their barracks; and they provide convenient cover for forlorn travellers.\n\nOn the second evening we reached Kanchow, the wealthy city in south Kiangsi, where the Generalissimo's elder son has been appointed Commissioner in charge of a group of magistracies. While in Russia, where he spent a number of years, he had married a blonde Russian wife. The two have set themselves to converting their district into a model area. No mercy is shown to opium smokers: they are executed. Dishonest officials are inexorably punished. Wealthy merchants, who have profited by holding stocks for a rise, are made to contribute heavily for the benefit of local services, and the sons of the influential are not allowed to dodge conscription. The dispensation is popular with the poorer classes, but not with the privileged. The Generalissimo is proud of his son's work, and one day sent a foreign reporter, who had been critical of Chinese administration, to investigate. He returned with a glowing report. Would that there were more districts in China, where honesty is the rule! Unfortunately, since 1937, there has been a relapse. The improvisations of war have left increasing spheres of administration in the hands of the military, and graft is again the order of the day. It is another of those Chinese anomalies that the Generalissimo, the relentless opponent of Communism, should be proud of a son who unquestionably is influenced by Russian ideology.\n\nConscription in China is not applied in our sense of the term. There\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212378,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 320,
        "title": "RAS-1990",
        "content_text": "[1849] it numbered 25 boys. The free tuition he offered brought him goodwill in the eyes of the people, without much cost, since the boys provided their own food and brought their own books to the school.\n\nIt was very difficult for Brother Hamberg to live alone and lonely in this way, in the midst of a great crowd of Chinese people, far from any of his Brethren or friends.\n\n110\n\n297\n\nNOTES\n\nP.H. Hase\n\nSee C. Smith, \"The Archives of the Basel Mission”, Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 28, 1988, pp. 203-207.\n\n2 Basel Mission Archive, Document A-1,2 Nr. 44, \"Half-Yearly report of the Missionary Rev. P. Winnes, from 1st January to 1st July, 1853**.\n\n1 I am grateful to M. Anne-Maria Pordes for her help in transcribing and translating this document.\n\n#\n\nUnfortunately, the Mission in Sha Tau Kok was closed down and moved to Lilong in 1853, so no further descriptions of Sha Tau Kok of this type were written.\n\n6\n\n5 Jahresberichte der Basler Mission 1849, pp 141-143.\n\nHamberg was forced to abandon his work at Sha Tau Kok in 1849; the Mission there was taken up again by P. Winnes and R. Lechler in 1852, but it was effectively abandoned again in 1854.\n\nTHE BUDDHA, THE HEAVENLY TRUE WARRIOR\n\nAn interesting phenomenon seen only in Taiwan was first noted in 1984 in Tainan. From an iconographic point of view, the sudden appearance on altars of a wooden carved image portraying a middle-aged scholar sitting sideways cross-legged on a crouching winged mythological creature with a dragon's head* was most unusual.\n\nThe image, now observed in some sixty temples in most areas of Taiwan, labelled T'ien Chen-wu Fo ADA is gilded, though the creature is usually brown. The scholar, clean-shaven, with a full face, holds a seal in his right hand bearing the inscription, 'With\n\n* See Plate 6",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212575,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 129,
        "title": "RAS-1991",
        "content_text": "109\n\nbasket-like container. A pail of water sprinkled with fresh pomelo leaves is sometimes left on the spot where death occurred and a pair of new trousers (these pun with ‘rich' in Chinese) with a blue sash may be draped over the pail. As a more down-to-earth disinfectant, sulphur is burned.\n\nIn 1840s Hong Kong, the dying were often abandoned on hillsides, in open spaces or matsheds, although the Government tried to track down offenders.\"2 Later an I ts'z (#), a public ‘ancestral hall', was constructed. In places like Cheung Chau Island a 'death house' (something like the hospice of today), established in 1878, still stands where the very ill were taken.\" There was another at Tai O. A similar building now in ruins, built by the Kai Fong (neighbourhood welfare association), existed on Peng Chau Island where the destitute could die in peace.\" This was temple-like in appearance with three rooms, one for the sick, one for the dying and one for the caretaker. It also contained an image of the Lord of Purgatory, a Buddha who saves souls. Avoidance of death was not necessarily because of callousness.\" Many Chinese fear spirits of the dying or the dead will possess the living. This was why, of those that took their own lives, many preferred violent, bloody suicides, involving pain on the doorstep of their tormentors, so the unfortunate had the right to haunt the oppressors.\n\n16\n\nThe Tung Wah Hospital was established in 1870, ostensibly to replace the above I Ts'z. It also provided free burials for paupers. Originally sited at Kennedy Town, it moved in 1899 to Sandy Bay where the present 'coffin home', on a 100,000 square foot site, provides transshipment sometimes from overseas to China and storage of bones, bodies in coffins or ashes in urns. The remains of the Tung Wah Director, who was instrumental in building the present home, have rested there since 1906. There is capacity for the bones of about 900 persons. Only about 200 remain at present. Some relatives spread bones of relatives out on sheets of paper to air. Some remains await an auspicious day to be interred. Many emigrants now take ashes of loved ones with them overseas so they can be properly tended.\n\nUp to the 1950s, when people did pass away at home in urban Hong Kong, bamboo ramps were frequently erected so coffins could be brought direct, head first ('head should face heaven, feet should face earth': in England it is feet first), from upper floor balconies or windows to the ground.\" With narrow stairways and corridors, and coffins larger than in the West, knocking and scraping walls were considered harbingers of 'death tapping at doors'. With the construction of multi-storey",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 213392,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 214,
        "title": "RAS-1994",
        "content_text": "Gordon-Cumming, Constance Frederica, Wanderings in China, Edinburgh Blackwood, 1888\n\nGraham, Gerald S. The China Station Wan and Diplomacy 1830-1860, London Oxford University Press, 1978\n\nGraham, Dorothy, Through The Moon Door the Experiences of an American Resident In Peking, New York JH Sears, 1926 (Bj19j/A2/926g)\n\nGray, John Henry, Walks in the City of Canton, Hong Kong De Souza, 1875\n\nGray, Mrs John Henry, Fourteen Months in Canton, London Macmillan, 1880\n\nGreen, Owen Mortimer, The Foreigner in China, London Hutchison, 1942\n\nGreenberg, Michael, British Trade and the Opening of China 1800-42, Cambridge the University Press, 1951\n\nGriffith, Robert, China fu - China fydd, etc, London Gwasq Livingston, 1935\n\nGue, Caroline, China 13 (An Account of Travel to Treat Trachoma), London Faber and Faber, 1964\n\nGumpach, Johannes von, The Burlingame Mission, a Political Disclosure on the Position and Influence in China of Robert Hart As Confidential Advisor of the Tsungli Yamen, the Dispersion of the Lay-Osborn Flotilla, the Policy of the United States in China, Shanghai, London and New York, 1872\n\nGutzlaff, Charles (Gutzlaff, Karl Frederick), Journal of Three Voyages Along the Coast of China in 1831, 1832, and 1833, London Frederick Westley and A H Davies, 1834\n\nChina Opened, or a Display of the Topography, History, Customs, Manners, Arts, Manufactures, Commerce, Literature, Religion, Jurisprudence, etc of the Chinese Empire. London Smith Elder and Co. 1838\n\nHall, Josef Washington, In the Land of the Laughing Buddha, New York Putnam, 1924.\n\nHao, Yen-p'ing, The Comprador in Nineteenth Century China Bridge Between East and West, Cambridge (Mass) Harvard University Press, 1970\n\nChanging Chinese View of Western Relations 1840-95, Cambridge History of China, vol 11, 142-201\n\nHarkness Ruth, The Baby Giant Panda, New York Garrick and Evans, 1938 (Yale copy entitled The Lady and the Panda, an Adventure)\n\nHarris, George L, The Mission of Matteo Ricci, SJ a Case Study of an Effort at Guided Cultural Change in China From Sixteenth Century, Monumenta Serica XXV 1-168 (1966)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 214233,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 91,
        "title": "RAS-1998",
        "content_text": "54\n\nfirms that the majority of deities in these two temples are Deva. The categorization of the Twenty-eight Immortals as Deva was arrived at by comparing the Sanskrit identities of the twenty-eight images and the list of the Twenty Deva provided by Soothill. The minor variation in inclusion and omission between the Twenty Deva listed by Soothill, the Twenty-two Deva in the Ta Pei Ssu and the Twenty-five in the Pi-yun Ssu cannot be explained.\n\nIn some temples the Deva have been equated with the Asuras. This is incorrect as the Asuras are those who are not only not Deva but are, according to some writings, the greatest enemies of the Deva and, in others, it is written that the Asuras are anti-gods and not, as claimed so often in English, demons.\n\nIt would not have been possible to identify any one of the images of the Deva without its Sinicised Sanskrit title on the tablet before it apart, that is, from the three fundamentally Chinese deities with their Chinese titles included within the Deva groups, Wei T'o and the four T'ien Wang Guardians.\n\nImages within the Two Temples in the Western Hills\n\nWithin the main hall of both temples, apart from the images of the Deva lining the side walls, stands the popular and well-known Buddhist bodhisattva, the Goddess of Mercy, Kuan Yin adapted from images brought from India where he [a male deity at that time] was the Brahmanist deity Avalokitesvara. In the Ta Pei Ssu she is alone whereas in the Pi-yun Ssu she is sitting crossed-legged and is flanked by two pairs of secondary bodhisattva. The first pair is Wen Shu and P'u-Hsien, whose Sanskrit titles are Manjusri and Samatabhadra respectively. They were two of the twelve divine Buddhist teachers. They in turn are flanked by another pair of bodhisattvas, Ti-tsang Wang, the Saviour of the Underworld and Ta-shih Chih. The latter is one of the members of the retinue of Amitabha [O-mi-t'u Fu] known in Sanskrit as Kshitigarbha and Mahasthama respectively. Mahasthama is believed to be the deified Maudgalyayana, the right hand disciple of the Buddha, Gautama.\n\nIn the Pi-yun Ssu, the bodhisattva Saviour of the Underworld, Ti-tsang Wang, is depicted in his modern standard form, sitting side-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214237,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 95,
        "title": "RAS-1998",
        "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214238,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 96,
        "title": "RAS-1998",
        "content_text": "59\n\nConclusion\n\nWe have been examining a particular arrangement of Indian Deva within two temples in the Western Hills of Peking. Each group has an image of the Bodhisattva Kuan Yin as the main deity within the Deva hall itself. Although monks explained that the images of deities down the side walls of the hall had been created in accordance with researches in old Buddhist books, there was no explanation why they should all have a Chinese rather than an Indian form. It has been suggested by devotees that the concept of the Deva might have reflected the Manchu dynasty's affinity with Tantric Buddhism, and perhaps Vedic beliefs or been brought by Lamaist monks during the late Ming but there is no evidence that this was so. Yet another devotee thought that when the images were first created during the early sixteenth century, Chinese craftsmen had a somewhat limited idea of the origins of the deities concerned and even, perhaps, no idea what the people of South Asia looked like and therefore made the images in the form of Chinese. An unanswered question is the presence of several deities within the groups of Deva whose origins were entirely Chinese without any connection whatsoever with Vedic Hinduism.\n\nA small number of individual images of deities with a Brahmanist origin have been seen on altars in temples in all Chinese communities; these however have not been at all widespread. Typically they were adopted by immigrant Chinese from native Buddhism. A remarkable example of a syncretic group of Buddhist, Hindu and Chinese folk religion deities is to be seen in a joint Buddhist, Hindu and Chinese folk religion temple in a quiet area of Angsila some sixty miles south of Bangkok. The three altars against the rear wall in the main hall of this temple are the Thai Buddhist altar, stage right with an image of Sakyamuni Buddha in its centre flanked by two other Thai Buddhist images. The central altar, the Hindu altar, contains one large image of Shiva [Siva], holding a trident and dressed in a robe and turban, and with several small unidentified images standing before him. And finally, the Chinese folk religion altar dedicated to T'ien Hou, the patron deity of sailors, with her small image on the altar, stage left, flanked by her usual demonic attendants, Thousand-Mile Eye and Following-Wind Ear. Devotees of all races pray before each altar in turn, usually beginning with the altar of their own culture and cursorily placing incense before the other two. In the temple forecourt are large brightly painted",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214239,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 97,
        "title": "RAS-1998",
        "content_text": "60\n\nconcrete images of Thai Buddhas, the [Chinese] Jade Emperor and Siva with the tiger. Temple staff of the three religions attend to their own altars and help devotees as and when required.\n\nThe most widespread Buddhist images seen throughout China which are obviously not Chinese deities are the four major guardians in the entrance hall to Buddhist establishments, the Defenders of the Faith. These and other similar minor guardian deities are former gods of Indian folklore and include the giant guardian deities known in Chinese as Wu-shih, such as those whose images stand outside the main hall of the Jinci in Taiyuan. A further two are the traditional guardians of Buddhist temple gates dating from at least the 8th century. The one [facing the gate] on the right hand is opened-mouthed and coloured vermilion, whilst the guardian on the left has a closed-mouth and is the colour of charcoal. Both are made of stucco. In China they are known as the two generals Heng and Ha, the Blower and the Snorter. In legend they fought with secret weapons; one blew a deadly yellow gas from his mouth with a ha! and the second snorted a white beam of light from each nostril with a heng! which vaporised his enemies. They can also be seen guarding the entrances to Japanese Buddhist temples where they are known as Kongo Rikishi. All of these guardians are undeniably foreign in form in comparison with the gilded images of the standard Buddhas which are now not even considered by Chinese devotees to be anything but Chinese.\n\nWe know who the Deva are, when they were placed in their present temples, both in Taiwan and the Western Hills, but not why. From our various sources it would seem that these Sinicised Indian deities are celestial protectors. We can guess that the concept was imported at a comparatively late stage but who, individually, sponsored them and had the images made is now lost in time. It is interesting to note that present day monks in the Western Hills have little idea of their origins and were apparently completely disinterested in the subject.\n\nIn the cave-tunnel in the comparatively modern temple in Taiwan, however, the images were, to the religious specialists there, simply Buddhas of Yore, the principal ones who preceded Sakyamuni.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214244,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 102,
        "title": "RAS-1998",
        "content_text": "65\n\nhand holding a precious object including a rosary, cudgel, jar, spear, pagoda, golden arrow, halberd, or bell, etc. and it is therefore not surprising that the images of Chun-t'i on the altars of both Buddhist and folk religion temples portray her with eight or eighteen arms and hands, the main two hands being held palms pressed together before the chest in prayer. The uppermost hands hold discs of the Sun and Moon respectively and the remainder, individually, hold various attributes including a seal of office, a sword, shield and fly switch. She is variously represented with three heads though predominantly she is depicted with one head with three faces one of which is that of a sow. Chun-t'i again often has a third eye in the centre of her forehead, usually a Taoist form but attributed to her Indian origin as a metamorphosed caste mark. She is generally portrayed sitting on a lotus throne in the same posture adopted by the Buddha and, in one of her poses, also by Kuan Yin P’u-sa. According to Werner the legend explaining the third face being that of a sow and the creatures supporting the lotus also being pigs relates how one of the abbesses of the Semding monastery in Tibet in whom the goddess Chun-t'i was believed to be successively incarnated, had an excrescence resembling a sow's ear at the back of her head.\n\nIn northern and central China in Tantric Buddhist temples, the Lamaist goddess Maritci, portrayed in a chariot drawn by seven pigs is identified as Chun-t'i; in the south however, where Tantric Buddhism hardly penetrated, images identified as Chun-t'i are said by priests, should devotees enquire, to be the Brahmanic cult of Maritci. However, in Tibetan and Mongol [Tantric] Buddhism Tou-mu is a common deity with her three eyes and many arms; she is considered to be an incarnation of Avalokitesvara, the bodhisattva known throughout China as Kuan Yin and this doubtless explains the confusion with Kuan Yin in central and southern China. She has been identified as Tou-mu Yuan-chün, the main deity in the T'ai Sui Hall in the Jade Emperor temple in Tainan, where she is flanked by two Tantric aides, Ch'ieh-ch'ih and Yao Ya.\n\nIn her Taoist form she is portrayed seated on a lotus, again of Indian origin, which in a number of temples rests on the back of a tortoise which in turn rests on three or seven pigs. Most likely this is no more than a reflection of the tale in the Feng-shen Yen-i in which one of the disciples of Tou-mu, Shui-huo Tung-tzu, who changed into a tortoise, bore off Tou-mu to the Western Heavens.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214245,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 103,
        "title": "RAS-1998",
        "content_text": "66\n\nIn Malaysia where a number of Tamils also pray in certain Chinese folk religion temples, they refer to Tou-mu on her tortoise and pigs as the sister of the deity Maritci.\n\n5] Pancika known in Chinese as Pan-chih-chia\n\nPancika is the third of the Eight Great Yakshas, one of the Eight Generals of Vaisravana, husband of Hariti. An image of Pancika is present in both the Pi-yun Ssu and the Ta Pei Ssu. His image in the latter depicts him as a semi-demon, with dark skin, large round eyes and a narrow coronet with a sunburst facing forward. He is dressed in colourful robes over armour and has the swirling scarf round the back of his head, draped over his arms. He is making a 'v' sign horizontally with his right hand pointing to his left, using his fore- and middle-fingers. He has no other unique characteristic. In the Pi-yun Ssu, however, he could easily be taken for Wei T'o but without Wei T'o's diamond sword. His hands are grasped together before his chest; otherwise, he is much the same as in the Ta Pei Ssu.\n\n6] Hariti known in Chinese as Kuei-tzu Mu The Mother of Demons\n\nHariti is also known as the Mother of Loving Children, the children sometimes being known as the malevolent Yaksha [Yeh-sha]. She was the mother of one thousand demons, half of them living in Heaven and the rest on Earth. She is one of the standard group of Twenty Devas [Erh-shih T'ien] though she, too, is regarded by some as a Yaksha.\n\nOriginally her diet had consisted solely of human children and only after Sakyamuni, the Buddha, snatched one of her five hundred children and hid it, causing her great anguish, did she come to realise the suffering she was causing to humans by her diet. She became a vegetarian and a devout Buddhist. She eventually became a Buddhist deity whose images were to be seen in a few temples in northern China, in Shansi in particular, portraying her as a tall, slim beautiful woman whilst beside her stood one or more tiny demonic creatures, some of her offspring.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214251,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 109,
        "title": "RAS-1998",
        "content_text": "72\n\n17] Kinnara known in Chinese as Chin-na-lo The heavenly musicians\n\nListed as one of the twenty Deva in Soothill, and also one of the Eight Classes of supernatural beings in the Lotus Sutra. They are a group who, in Java for example, are portrayed as half-bird and half-human, and known in their plural as Kinnari. They are also one of the twelve spirits connected with the cult of Yao-shih Fo, the Buddhist Master of Healing. Another version claims that they are the musicians of Kuvera, with bodies of humans and heads of horses. In yet another version they dwell in the tall trees which grow on Gandhamadana, Incense Mountain.\n\nThere are images of a Kinnara in both the Ta Pei Ssu and in the Pi-yun Ssu. In the former he is portrayed as a military figure, standing in armour and helmet and with a scarf swirling round the back of his head and down across his arms. His hands are clasped before his chest and his face, pink and friendly, has a short black beard and mutton-chop moustache. In the Pi-yun Ssu the image has a similar friendly face but this time he is wearing robes and cap of an official and not those of a soldier.\n\n18] Mahoraga known in Chinese as Mo-hu-lo\n\nMahoraga is one of the twelve spirits connected with the cult of Yao-shih Fo, the Master of Healing and the Buddha of Medicine. He is one of the twelve guardian spirits each of whom is associated with one of the twelve hours of the day. The twelve include Vajra, Indra and Kinnara.\n\nAn image of the Mahoraga has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. He is portrayed as an extremely ugly, ferocious inhuman demon with black skin. Dressed merely in a decorated and multi-coloured skirt he is standing and has a swirling scarf behind his head and a snake held in his right hand. He has spiky hair on either side of his head protruding like small snakes, and his large protruding jaw and upper lip and his sloping forehead make his face almost animal. The hair on the head is pulled up into a high point, with two ear-pressing tufts one on either side. His eyebrows are like white flames, and his",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214252,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 110,
        "title": "RAS-1998",
        "content_text": "73\n\nlarge, wide, gaping mouth has but four small teeth showing, these being normal human-size incisors top and bottom. Finally, he has three small white skulls across his forehead held in place by a pink band.\n\n19] Gandharva known in Chinese as Kan-t'a-p'o\n\nThe Gandharva are one of the eight classes of supernatural beings referred to in the Lotus Sutra. They are Indra's musicians and also in the retinue of Dhrtarastra [they are the same as or similar to the Kinnaras]. They do not eat meat nor drink wine but feed on incense and fragrance.\n\nAn image of the Gandharva is in the Ta Pei Ssu but not in the Pi-yun Ssu. His image portrays him standing, dressed in multi-coloured robes over armour, a helmet over black spiky hair, and is clean shaven. His face is semi-demonic, with large protruding eyes. He has no unique characteristics.\n\n20] Nanda Upananda known in Chinese as Nan-t'o Pa-nan-t'o 跋難陀\n\nLittle seems to be known about Nanda Upananda apart from being a protector of Magadha [near Bihar]. His image has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. It depicts him as an elderly man but with a semi-demonic face. He has round eyes, small ugly protrusions on his cheeks, a gaping mouth and fang-like eye-teeth, no moustache but a short pointed beard, and is wearing decorated robes and cap. His hands are held together as if holding a tablet [which may well be missing].\n\n21] Skanda, Viharapala or Veda' known in Chinese as Wei T'o #BE\n\nWei T'o, a Hindu deity, the Deva Protector of the Dharma, guards the sanctuary of virtually all Chinese Buddhist temples. He stands with his back to the main entrance in the inner temple hall facing the main altar and back-to-back with the Laughing Buddha of the Future, Mi-lo Fo, who greets visitors with his smiling welcome. Wei T'o is also to be seen guarding many a folk religion temple, though only very rarely does he appear on a household altar. Because of the prayers offered to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214253,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 111,
        "title": "RAS-1998",
        "content_text": "74\n\nhim by priests he has been regarded by some foreigners as the patron deity of monks: he was and still is, however, the protector of the Buddhist Law before whom lots were drawn during the selection of the new abbot.\n\nSkanda, son of Shiva and brother of Ganesh [Tunhuang fresco] is a major protector, a destroyer of demons and a god of war, identical with Karttikaya.\n\nWei T'o in Japan is known as Idaten, whilst in Tibetan and Lamaist Buddhism he is known as Skanda: Wei T'o T'ien-shen ## [or in transliterated Chinese: Ssu-chien-t'o].\n\nAlthough the image in the Ta Pei Ssu is labelled in Chinese, Wei T'o; the well-produced and colourful Chinese guide to the Hall of the Bodhisattvas produced in Taiwan gives the title in Chinese as Wei T'o and in English as Skanda. Skanda according to Werner is the Hindu mythological god of war, usually known as Karttikaya. He is represented riding a peacock, holding a bow in one hand and an arrow in the other.\n\nHe has numerous appointments, all protective. Originally he was one of the Thirty-two Generals under the command of the Four Celestial Kings - Ssu Ta T'ien-wang (see 23 below). One such appointment is his rôle as Commander of the Heavenly Hosts, the head of the Heavenly Guard [one of the Twenty or Twenty-four Devas], the protective spirit or spirits of Buddhism and its sanctuaries. In the biographies of Hsüan Tsang, Wei T'o is described as the leader of all the kuei-shen [minor deities], and was charged by the Buddha who was at that moment on the point of entering Nirvana, with the protection of the Law.\n\nOfficially he is neither a Buddha nor a bodhisattva though commonly he is referred to as the latter and it is often claimed that for his zeal he was promoted to bodhisattva when he became the commander of the Four Diamond Kings [Chin-kang: see below]. His title would appear to be the Chinese form for the Sanskrit term \"Veda\", the body of sacred writings brought to India by invaders and from which Hinduism developed. However, it is generally said that his origin is uncertain even though, for example, Vitasoka, the younger brother of King Asoka",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214254,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 112,
        "title": "RAS-1998",
        "content_text": "75\n\nis transliterated into Chinese as Wei-t'o.\n\nThere are images of Wei T'o in both of our temples, within the Ta Pei Ssu and the Pi-yun Ssu. He is portrayed in both in his standard form dressed in armour and helmet, and in Ta Pei Ssu with his diamond sword resting across his arms which are with his hands pressed together in prayer.\n\nOne of the Chinese fables related in the Chinese Repository claimed that Liang Wei-t'o, a general of the King of India, was ordered to go and find his son, Prince Fu [later to be the Buddha] who had fled to the wilderness. He found Fu covered in snow and without food, since when Wei T'o has been recognised as the commissary in Buddhist temples.\n\nHis image is one of the comparatively few which can be identified on sight without ambiguity. His antiquated, fantastic uniform, armour and helmet, and his ponderous boots are survivals from the centuries when soldiers did not march far but stood guard over their senior officers. He is depicted as a clean-shaven youthful soldier standing dressed in armour, high boots and a spiked helmet [sometimes bearing a bird with spread-wings], and with a flowing sash haloing around his head. He is standing on clouds or waves and holds what at first glance looks like a club, cudgel or knobbly sword. This is known as a ‘diamond sword' or thunderbolt used to destroy demons and other enemies.\n\nGrootaers writing about the very far north of China, on the Inner Mongolian borderland, said that in the early days of Buddhism in China it would seem likely, particularly during the T'ang and Sung dynasties, that the right-hand side of the visitor's entrance hall was occupied by Wei T'o whilst the left-hand side held the image of Pei Wang [the Northern King] who was now called Li T'o, Li Ching or T'o-t'a T'ien-wang with the recognition feature of a pagoda in the palm of his hand.\n\n22] Guhyapati Raja known in Chinese as Mi-chi Chin-kang 剛\n\nLittle appears to be recorded about Guhyapati Raja other than the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 114,
        "title": "RAS-1998",
        "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214277,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 135,
        "title": "RAS-1998",
        "content_text": "98\n\nthe shoulder and forbidden by the Buddha.\n\n12 The Afterworld is usually referred to in English as The Underworld and to most Chinese this is apt as the entrance is often described as a large hole in the ground in Szechuan province or at the base of T'ai Shan in Shantung. However, in several Underworld scrolls hanging in Buddhist monasteries the Courts of the Underworld are portrayed in the clouds with carefree humans wandering below.\n\n13 The hammer and chisel produce the avenging thunderbolts, and the drums cause the rumbling thunder.\n\n14 These Four Great Celestial Kings are to be seen in the entrance hall to most Buddhist temples. They are the Hindu Lokapala, the guardians of the Four Corners of the World and known colloquially as the Four Diamond Kings.\n\n15\n\nx stands for an illegible character.\n\nPage 135\n\nPage 136",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214550,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 408,
        "title": "RAS-1998",
        "content_text": "377\n\ntranslated into Italian, then into French. It was the undated French version that we saw. It had been written, possibly in Macau, on the instructions of the Pope and described the persecution of priests. There was also a massive hand-written \"Tartare-Mantchou French dictionary” 1st edition, Paris 1789, in 3 volumes. Another interesting book was \"Dr Fryer's Travels: A new account of East India and Persia in eight letters, being nine years travels\" by John Fryer MD (Cantab) and Fellow of the Royal Society, published in 1898.\n\nThe more linguistically accomplished of our members interpreted these works for the benefit of all and there was much erudite discussion. This was the Society at its best and we could have spent many more hours, even days, delving into this fascinating collection. [Illustration Two].\n\nOn Saturday afternoon we drove out to Fa Hai (Sea of Dharma) Temple, in the distant western suburbs at the southern foot of Cuiwei Mountain. The temple was begun in 1439 during the Ming Dynasty (1368-1644) with funds raised by Li Tong, a favourite eunuch of the Emperor. It was completed in 1443 and named by Emperor Ying Zhong. The most outstanding features are the frescoes, which completely fill the walls of the main, Mahavira, hall. These reflect a relatively pure Buddhism without Taoist depiction. They are of Buddhas, Avalokiteshvara (Kuan Yin) and the three other bodhisattvas, devas, wonderful animals, auspicious clouds, flowers and realistic landscapes. There are five Buddhas on either side with the 10 Buddhas together representing the full power of Buddhism, and possibly also the idea of east and west. The colours are subtle and not too faded (although the viewing of a colour-enhanced video prior to touring the Temple helped our appreciation). In the temple grounds are unusual pine trees with silver-white bark; ancient trees, said to resemble dragons, and a bell engraved in Chinese characters expressing Sanskrit teachings. The auspicious clouds inside were matched outside, for misty rain added to the atmosphere of the temple, set in the mountainside woods.\n\nOn Easter Sunday we were up very early to go to the oldest Christian church in Beijing - the Cathedral of Immaculate Conception of Blessed Mary, on Qianmen Avenue. This is also known as Nan t'ang, or South Church. The Emperor bestowed on Matteo Ricci the lands and funds to build the church near the then Calendrical Bureau inside",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214898,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 313,
        "title": "RAS-1999",
        "content_text": "287\n\nfive, offshore islets but, due to silting up over the years, they became part of the mainland. Mysterious caves within the mountain shelter altars dedicated to Buddha, different gods and genies based upon popular beliefs held by the area's inhabitants. Today, these caves still serve as religious sanctuaries. The mountains are also a valuable source of red, white and blue-green marble. At the foot of the mountains, skilful marble carvers create a great variety of objets d'arts.\n\nOur fifth day was spent in Hoi An. About 15 miles southeast of Danang, this charming old town was once a flourishing port and meeting place of eastern and western cultures in central Dai Viet under the Nguyen lords. Hoi An was originally a seaport in the Champa Kingdom; by the 15th century it had become a coastal Vietnamese town under the Tran Dynasty. In the beginning of the 16th century the Portuguese came to explore the coast of Hoi An. They were followed by the first western traders in the area. Then came the Chinese, the Japanese, the Dutch, the British and the French. In the early 1980s, UNESCO and the Polish Government took the initiative and funded a restoration program to classify and safeguard Hoi An's ancient quarters and historic monuments. The old town area borders the Thu Bon River to the South of the town. Le Loi Street was the first street to be built, about four centuries ago. The Japanese quarter with its covered bridge, Japanese style shops and houses followed half a century later, then came the Cantonese quarter a further 50 years later still.\n\nHoi An's ancient past is superbly preserved in its architecture. The old quarter is a fascinating blend of temples, pagodas, community houses, shrines, clan houses, shop houses and homes. One of the most remarkable historical architectural examples is the Japanese covered Bridge. Built by the Japanese community in the 17th century, the bridge's curved shape and undulating green and yellow tiled roof give the impression of moving water. Some pagodas and 20 Chinese clan houses stand in the centre of the ancient town. The clan house has been the meeting place for many generations of the same clan. Here they recall their origins and worship their ancestors. The Chinese migrant community built most of the temples and houses here over a span of 40 years, between 1845 and 1885.\n\nThe most characteristic examples of Hoi An's architecture are the old houses along Nguyen Thai Hoc Street. These elongated houses",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 215491,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 268,
        "title": "RAS-2001",
        "content_text": "217\n\nfortunate. An official-looking monk passed along each row, giving what looked like two banknotes to each seated monk. Then, down each row, ran a small boy-monk with a metal kettle, leaving a small trail of water behind him (the water coming from the kettle, I should point out). Obviously symbolic of something - ritual cleansing? Stunned and devoid of all feeling except a sense of being overwhelmed, we were ushered out into the next and final courtyard, beyond which was the building that had suffered most in the flood.\n\nIt may have suffered, but was now receiving its reward. This vast structure was the principal target of the king's no-expense-spared command. Ten years later and the restoration was far from complete. (But didn't Salisbury Cathedral take about a century to build?) The focus of this hall, the highly decorated ceiling of which stretched about six or seven storeys above our heads, was three enormous seated statues. The centre figure was that of Buddha himself, about 40 feet high and carved in wood. He was flanked by two smaller (30 feet) figures, one of whom was Guru Rinpoche. These, we were told, were of brass but they had been covered in clay. In front of these was what must have been a container-load of prayers and religious representations printed on tissue paper. It is the custom to fill the hollow back of statues with printed prayers, so that they are always there. These were waiting to be sealed within Buddha and his sidesmen.\n\nAttention to detail\n\nWorking in a stream of slanting sunlight, and with the dubious benefit of some 40-watt light bulbs, were about a dozen artisans who were putting the finishing touches to 100 or so smaller seated statues. These figures, about two feet high, were waiting to be placed into a similar number of niches in the walls around this 200-foot square hall. Other workmen were carving wood, modelling detailed bits of decoration in clay, and painting. Rood wooden scaffolding surrounded the three major figures, behind one of which I climbed. There I saw a craftsman carefully moulding clay to represent more perfectly the flowing robes of the seated guru. What struck me most was that nobody would ever see the fruits of this man's labours, but that did not seem to matter one bit. Again, thinking of my own culture, a similar amount of unrecognised effort went into the facial expression of a gargoyle high in the wall of Salisbury, or the decoration of a ceiling boss 200 feet off",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    },
    {
        "id": 216041,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 340,
        "title": "RAS-2002",
        "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    },
    {
        "id": 216203,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2002",
        "page_number": 502,
        "title": "RAS-2002",
        "content_text": "436\n\nAfter a good Chinese lunch at the Lai Yue Mun Restaurant in Xin Hui we took a taxi (RMB250) through the County city of Tai Shan and past some interesting old Chinese villages, including Yeung Do. We arrived at the Guang Hai Bay port of Shen Ju in good time to catch the 4:00 pm public ferry to Shang Chuan Island. The timetable shows ferries leave daily at 9:30 am, 11 am, 2 pm, and at 4 pm, for the crossing that took us just over an hour. They are scheduled for the Shang Chuan to Shen Ju crossing at 7:30 am, 9:30 am, 12:00 and 2:00 pm. A group could otherwise hire a speedboat.\n\nWe were told that the island had been closed to visitors until 1983 and that there was still a sizeable PLA naval base there. As we entered the fishing harbour at the NW side of the island we passed some naval vessels and fishing boats. We also had our first view of the St Francis Xavier Church on the hillside. There were several modern large tourist hotels in the Fei Sha Tan Tourist Resort at the eastern side of the island. We took a public minibus from the port to the Resort. Probably the best of the hotels was the Biyun Tian Hotel (Eastern Harbour View Hotel), though we chose a smaller one. Both faced the beach, with a pleasant esplanade packed with plenty of hawkers in the evening. The choice of restaurants was uninspiring. In the morning we hired a minibus with driver for a half day (RMB150) to show us around the island. He took us to the fishing village, purpose-built in 1992, and over the Cheung Po Chai pirate pass with the Twin Treasure Rocks. He also took us to a grotesque Laughing Buddha cave with little figurines representing the Journey to the West.\n\nSuch were the delights the driver thought we should enjoy, but for us the highlight was the visit to the Church of St Francis Xavier at the NW side of the Island. The church was a simple white tiled building with a plaque above the porch dating the church at 1869. There was reported to have been a church at the spot since 1700 with various restorations from 1813 to 1932. The caretaker unlocked the church for us. There are several rows of pews facing a large wooden cross. On the altar stands a statue of a bearded priest in front of which is a statue of the Virgin Mary. Religious paintings were hanging on the walls. In the centre of the church lay a stone sarcophagus with some Chinese inscriptions.\n\nOutside, a modernist sculpture had been erected by the Yamaguchi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    },
    {
        "id": 216308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 67,
        "title": "RAS-2003",
        "content_text": "16\n\nappear during the Northern Song Dynasty (960-1126). In the year 1066 the Northern Song Emperor Ying Zong (1063-1067) built a new Big Buddha Hall (Da Fo Dian) and the New Precious Pagoda (Xin Bao Ta) on this same site. Although at that time it was named Kong Xiang Si, it is from this date that Longhua Temple's history can accurately be traced through a continuous progression of events up to the present day. In fact, it is even possible that the 11th Century Xin Bao Ta is the same pagoda which still stands today, albeit after having been repeatedly repaired and restored countless times.\n\nDuring the Li Zong reign (1224-1264) of emperor Zhao Gui Cheng at the end of the Southern Song Dynasty (1127-1279), four boundary stones were erected in 1262, one in each of the four corners of the temple's property. Two of these supposedly still exist today, and one of them can actually be seen in the Mu Ta Yuan, lying on the ground beside the Tao Ming Chan Si Mu Ta.\n\nIn the Yuan Dynasty (1279-1368) the temple was given several land grants which added considerably to its territory. However, at the end of the Yuan Dynasty the temple buildings were completely destroyed during a battle, except for the Bao Ta pagoda, which is recorded as somehow miraculously surviving the conflagration, as it supposedly would in many similar situations throughout the temple's history.\n\nThe third Ming Emperor Yong Le (1403-1424) completely rebuilt the temple from the ground up between 1410-1416, and also changed its name from the Northern Song Dynasty name of Kong Xiang Si to the present day name of Longhua Si. Later, the Shan Men front gate was built between 1506 and 1521.\n\nThe structures built by Yong Le importunely had a short life span of only 140 years as the whole temple was destroyed during an invasion by Japanese Wako pirates in 1553. Nonetheless, after the destruction of the Wako pirates, the Ming Dynasty began a reconstruction project which lasted for about ten years, from 1563 to 1574. However, during the late Ming Dynasty the temple suffered from neglect and only one new hall, the Scripture Storage Pavilion (Cang Jing Ge), was built in 1611. A Cang Jing Ge is used by a temple to store the Tripitaka (San Zang) scriptures.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
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    },
    {
        "id": 216309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 68,
        "title": "RAS-2003",
        "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.",
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    {
        "id": 216314,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 73,
        "title": "RAS-2003",
        "content_text": "22\n\nsuccessive courtyards which separate the six main halls on the central axis. All told there are about a dozen halls, towers, and pavilions, each containing golden effigies of a wide variety of various Buddhist deities. This goes well beyond the typical scale of the average Buddhist temple which normally has only three main halls and sometimes just one.\n\nIn this first courtyard are four stone relics of uncertain age, but probably not older than the Minguo era at most. These include two stone lions and two octagonal stone lanterns, all four enclosed by stone railings. Two large trees in the courtyard were transplanted here in January 2004. On the right side of the courtyard is a new expanded gift shop (shu dian) added in January 2004. It offers not only Buddhist trinkets, but a fine selection of Chinese language books containing histories of Longhua Temple and Buddhist scriptures. Until 2004, there was not a single published history of Longhua Temple available for sale here, but late in December 2003 no less than three new well-researched titles on this topic were published, several of which can be found here.\n\nThe first main hall is the one-story Maitreya Buddha Hall (Mi Le Dian). This hall dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. It is dedicated to the Maitreya Buddha of the future, known in China as Mi Le Fo, and depicted here as the fat laughing Buddha of the Song Dynasty (960-1279). This Mi Le Fo image is a golden effigy, seated on a square stone base and protected by a glass case. He is depicted as having a third eye in the centre of his forehead. The Buddha can be seen from the first courtyard through a partially open gate of the hall, but the hall itself cannot be entered without passing through the adjoining orange wall into the second courtyard and entering from the other side.\n\nAlthough, Mi Le Fo usually does occupy the first hall of many temples, he often has to share his space with the Four Heavenly Kings (Si Tian Wang). In this case he has the whole hall to himself, the kings occupying a separate building of their own. Until January 2004 he had to share his home with the temple gift shop (shu dian), but this has now been moved out to a separate new hall in the first courtyard.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
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    },
    {
        "id": 216316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 75,
        "title": "RAS-2003",
        "content_text": "24\n\nas seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples.\n\nOn the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586.\n\nOn the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin.\n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
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    },
    {
        "id": 216317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 76,
        "title": "RAS-2003",
        "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
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    },
    {
        "id": 216318,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 77,
        "title": "RAS-2003",
        "content_text": "26\n\nwhich is open to the public, the Mu Ta Yuan, so named for the Tao Ming Chan Si Mu Ta, a broken stone tomb pagoda dating from the year 1667 in the reign of Emperor Kang Xi which stands in the centre. The Mu Ta is a hexagonal stone pillar on a lotus flower with a round stone ball balanced on top decorated with dragon images wrapped around it. Two faint inscriptions can be seen on either side of the pillar. Lying on the ground beside the Mu Ta is a broken piece of an ancient inscribed tablet. This is one of the original four boundary stones of Longhua's predecessor Kongxiang Temple dating from the year 1262 in the late Southern Song Dynasty (1127-1279). Near the Mu Ta are three stone statues of a mythical animal, the Si Ge Lin Shou. These broken stone remains may be the oldest relics on the site, but their age, origin, and significance seem a mystery. In one corner of this courtyard is a corridor connecting with the Longhua Hotel next door. At the rear of the courtyard is the monk's Dining Hall (Zhai Tang), not to be confused with the separate Vegetarian Restaurant (Su Cai Guan) intended for public visitors located on the right side of the Da Xiong Bao Dian beneath the sign of the large wooden fish (pang) hanging from the rafters.\n\nTwo long barracks-like halls run along almost the full length of the western side of the temple compound and are divided up into many small Buddhist chapels. The major ones include the Arhat Hall (Luo Han Dian), and the Goddess of Mercy Hall (Guan Yin Dian). The Luo Han Dian is a new addition to the temple, added sometime during 2002. It features small golden statues of 500 arhats or Buddhist saints. This chapel has become quite popular with worshippers, but one woman who had just finished praying mistakenly told the author there were 800 arhats, testimony to the newness of this innovation. The Guanyin Dian is on the left side of the fourth courtyard and features an impressive golden statue of Guanyin, who is depicted as facing in all four directions, and has 1,000 arms. Many of her hundreds of hands hold objects of special significance.\n\nIn between the Luo Han Dian and Guanyin Dian is yet another hall, seemingly nameless, which although devoid of architectural splendor does have three splendid gilded Buddha statues. These three include Sakyamuni Buddha (Shi Jia Mou Ni Pusa) in the centre, Manjusri (Wen Shu) on your left, and Guanyin on your right. The interior walls of this hall are literally covered with memorial slips of paper and photographs meant to commemorate lost loved ones. It is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
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    },
    {
        "id": 216319,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2003",
        "page_number": 78,
        "title": "RAS-2003",
        "content_text": "27\n\nalso in this hall that one is most likely to see the resident monks performing ceremonies which include chanting and the use of musical instruments such as cymbals and drums.\n\nA second long barracks-like hall hidden behind the first one is known as the Jade Buddha Hall (Yu Fo Dian), and contains other side chapels which are usually kept closed and only opened on special occasions. One of these is a chapel which contains an unusual Reclining Jade Buddha (Yu Wo Fo) like the one at the Jade Buddha Temple (Yu Fo Si). Above this chapel is a second floor with another image inside a glass case, and windows looking down on the gardens of Longhua Park next door.\n\nThe monks' residence is in a separate set of buildings in a back corner of the complex and is off limits to visitors. Through the windows of the second floor can be seen their private library stacked with books.\n\nApproximately 90 resident monks live here now, with another 30 student monks in apprenticeship. The temple's current abbot is Master Ming Yang. The monks of Longhua supposedly belong to the Chan Zong sect (Zen) of Chinese Buddhism. However, the vast array of gilded effigies here, representing the whole Buddhist pantheon of deities, makes one wonder about the accuracy of this claim or the status of Chan Buddhism in China today. Chan was originally an iconoclastic sect which prohibited use of images of any kind. At least one resident foreign monk was noticed living here in January 2004, made obvious by his large crooked nose, white skin, and wide girth, as well as his lateness for morning prayers.\n\nColor photos of Longhua Temple can be seen in the author's Vol. I of his New Yangzi River series, entitled Shanghai and the Yangzi Delta, published by Times Publishing Ltd. of Singapore in 2004.",
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