[ { "id": 204246, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 14, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n11\n\nTHE STUDY OF ASIA: A HERITAGE AND A TASK\n\nInaugural Address delivered on April 7, 1960.\n\nF. S. DRAKE, O.B.E., B.A., B.D.,\n\nProfessor of Chinese, Hong Kong University.\n\nThe study of Asia by the West is the result of the total impact of East and West through the ages, in which traders, soldiers, administrators, travellers, preachers, and scholars all have a part, and in which a study of the language and literature of the peoples of Asia is an essential element.\n\nSo far as Europe is concerned the study of Asia commences with the Greeks.\n\nThe Greeks were in contact with Asia in three directions: along the coast of the Black Sea they were in contact with the Scythians; in Asia Minor they lived under the shadow of the Persian Empire; through Egypt they were in contact with the sea routes to India and beyond.\n\nThese three directions indicate three great geographical divisions of the subject around which we can, I think, arrange the historical, cultural and linguistic studies.\n\nFirst the grasslands of Central Asia, from the steppes of Russia to the plateau of Mongolia, home of the nomadic races from the Scythians to the Mongols;\n\nsecond, the Oriental Empires connected with the great river valleys and deltas from Iran to India and China;\n\nthird, the islands and peninsulas from South-east Asia to Korea and Japan, including the China coast.\n\nI. The Scythians are graphically described in the pages of Herodotus, and his description is verified by the finds of archaeologists in the tombs of their chieftains in South Russia and the Caucasus region. The virile 'nomad animal style' of the ornaments in bronze and gold found from the Caucasus to the Siberian side of the Altai, and from the Altai through Mongolia to the borders of China, indicates the extent and the character of the nomadic tribes.\n\nBut the chief source of our knowledge of the nomads is to be found in the series of Chinese dynastic histories. The Chinese were in continual contact with the nomadic peoples along their northern frontier from Manchuria to Turkestan—the line of the Great Wall. The struggle between the nomads and the Empire, based on agriculture, is the great theme of Chinese history.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 90, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n86\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe prince Siddhartha thereupon asked, \"Is there any good bow in this city which will suit my strength?\" The father, King Suddhodana was very glad and said, \"Yes, there is.\" \"Where is it then, Your Majesty?\" asked the prince. \"Your grandfather Simhahanu (the lion's cheek) had a bow which is now kept in the temple and flowers are offered to it. No man has ever been able to bend it.\" The prince urged the king to send for it, and when it had been fetched, all the Shakya nobles were allowed to have a trial, but no one could string, nor draw it. Then the minister Mahanama was given an opportunity. He exhausted all his energy yet he could not move a single inch of the string and so he presented it to the prince. The prince remained seated without moving. He seized the bow with his left hand and bent the string with a single finger of his right hand. A startling noise broke out throughout the city Kapilavastu which made all the people frightened. \"What noise is it?\". \n\n+\n\n28\n\nIn Ch.2 of the Pei-yu-chi, the king of the Kingdom of Ko-ko () received a tribute from the Western tribes. It was a bronze drum twelve inches thick. Upon the challenge of the tributary messenger, no one in the court, not even the generals, could pierce its surface with an arrow. The prince, \n\nThe prince, who was only seven, claimed that he could shoot through it. \"He seized the bow with his left hand and put on the arrow with his right hand. The arrow darted off and pierced the surface with the feather of the arrow left outside.' \n\nThe age of No-cha and that of the said prince were seven years. We can see that No-cha's story is derived partly from the Pei-yu-chi and both originated from the story of the Buddha.\n\nNo-cha's arrow darted off to a far distance and accidentally killed a Taoist disciple of Madame Shih-chi (ENR), who was a goddess of the Intercepting Sect. Shih-chi sent the Athlete of the Yellow Turban to bring Li Ching to her grotto in the K'u-lou Shan (Mt. Skeleton) and pressed him for an explanation, Li Ching vowed his innocence and was set free so that he could investigate the matter. No-cha again admitted to his father what he had done, and followed Li Ching to Shih-chi's place to settle the matter. At the entrance to the grotto he had a desperate clash with the goddess, and though he hurled all his precious weapons they fell into her hands and sleeves. No-cha fled to Mt. Ch'ien-yüan for protection. His master, the Immortal T’ai-I had a violent quarrel with Shih-chi on his behalf, and the quarrel\n\n28 No. 190, The Tripitaka in Chinese, translated by Jfianagupta; also Sister Nivedita & Ananda K. Coomaraswamy, Myths of the Hindus & Buddhists, Harrap, 1914, pp. 261-2.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 62, "title": "RAS-1962", "content_text": "CHINESE SEALS\n\n51\n\nas Small Seal was proclaimed by the Government in place of the previous existing irregular characters which were known as Big Seal characters 大篆 or ch'ou wen 籀文,\n\nIt was during the Chin Dynasty that the term sist 鉥 was restricted to mean the Emperor's seal and official or personal seals were known as yin 印. The Chin seals are usually cut in intaglio, with cross or vertical dividing lines and a line at the margin. The size is about 1 inch square and the shape is usually square. The personal seals were more or less of the same style as the later Chou type.\n\nThe Royal Seal was said to be made of jade with eight Chinese characters cut in relief ****, with dragons carved on it as decoration. Official and personal seals were made of bronze with simple decoration.\n\nThe Han Dynasty (206 B.C.-221 A.D.) followed the short-lived Chin (221-206 B.C.). This was the golden age of seal making. During the Han Dynasty, a form of calligraphy was specially proclaimed for seal making. This is a cross between the small seal character of the Chin and the later Li 隸 character. It is regular, simple and upright, most suitable for seal making. The different types of Han seals 印 were most numerous, the chief of which were the official seals, personal seals and miscellaneous seals. The engraving may be in intaglio, relief or both in the same seal. Han seals exist to the present day in abundant numbers and their style is studied and copied up to this moment.\n\nThe decoration on Han seals was more elaborately made in that different ranks of officials possessed seals of different decoration; such as camel, horse, tortoise, tiger, leopard, bear, sheep, rabbit, lizard and etc. Even the colour of the cord signified different ranks. Personal seals might have decorations such as a tortoise or other animals.\n\nAs for the matrix of the seal, records show that Han seals were made from gold, silver, bronze or jade according to the rank of the official. Royal seals were made from jade. Personal seals might be made from precious stone, precious metal, bronze or gilt bronze. Ivory or horn of rhinoceros were also used.\n\nAfter the Han Dynasty, the art of seal making suffered a great set-back during the Sui (600 A.D.), T'ang (618-907 A.D.),", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204485, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 117, "title": "RAS-1962", "content_text": "106\n\nBRONZE\n\nELSPETH MANEELY\n\nThe bronze, though small in amount, was an interesting and exciting discovery. Fr. Finn at his Lamma sites, and Schofield and Andersson at Shek Pik also found bronze associated with pottery and stone of similar workmanship to the Man Kok Tsui material. The Man Kok Tsui bronze: two pieces of a lanceolate knife, and a fine patinated fishhook, were found in the vegetable fields of the central valley. In considering the age of the site the presence of these three pieces of bronze is important despite the fact that they must be regarded as surface finds.\n\nSTONE:\n\nThe stone artifacts found at Man Kok Tsui consisted of grinding, hammering and polishing tools of local granite and sandstone; polished adzes, knife edges, roughly chipped discs, polished discs and rings. The most interesting of these were perhaps the adzes and the rings, showing as they did the advanced nature of the stone industry achieved by these Neolithic people. The adzes were of most of the types found in South East Asia, including some rectangular in cross-section, a type Fr. Maglioni has linked with his Late Stone Age PAT culture. The rings varied in size and shape, and mostly were of quartz or black dolorite. Some were very finely finished, one particularly fine slotted quartz ring varied in section thickness by only 0.004 of an inch.\n\nPOTTERY:\n\nTwo varieties or qualities of Neolithic pottery were encountered at Man Kok Tsui; a hard resilient stoneware, grey or buff in colour often with a purple tinge and frequently speckled through and through with blackish spots; and a soft, coarse, friable sand-mixed ware. No complete soft pots were found but, judging from pieces of lip and concentrations of sherds found, some of these pots must have been large. Man Kok Tsui yielded eleven whole, nearly whole, or reconstructable hard pots. Some of these looked as if they had been finished on a turn-table and some seemed entirely hand-made. The two largest hard pots, one eighteen and the other sixteen inches high, appeared to have traces of glaze. The shapes of the pots corresponded to those described by Finn, Shellshear, Schofield and Heanley from other sites in Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204489, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 121, "title": "RAS-1962", "content_text": "108\n\nELSPETH MANEELY\n\nThe suggestion of glaze on two of the pots, the bronze, the variety of shapes of the polished stone adzes, and the impressed patterns on the pottery similar to Fr. Maglioni's PAT culture, all indicate a Late Stone Age or Early Bronze Age date (Warring States, 481-221 B.C.) for the Man Kok Tsui site. However, the people living in this area may have continued to use stone tools and pottery of this type well into the Han period.\n\nREFERENCES\n\n1 William Watson, Archaeology in China, Max Parrish, London, (1960).\n\n2 C. M. Heanley and J. L. Shellshear, “A Contribution to the Prehistory of Hong Kong and the New Territories\", Proceedings of the First Congress of Prehistorians of the Far East, Hanoi, (Jan. 1932),\n\n3 Daniel J. Finn, S. J., Archaeological Finds on Lamma Island Near Hong Kong, Ricci Publications, Ricci Hall, University of Hong Kong, (1958).\n\n4 W. Schofield, \"A Protohistoric Site at Shek Pik, Lantao, Hong Kong\", Proceedings of the Third Congress of Prehistorians of the Far East, Singapore, (1938).\n\n5 R. L. Maglioni, S. J., \"Archaeology in South China\", Journal of East Asiatic Studies, Manila, II, No. 1, (Oct. 1952).\n\n6 R. L. Maglioni, S. J., \"Archaeology Finds in Hoifung\", Hong Kong Naturalist, VIII, Nos. 3-4, (March 1938).\n\n7 S. G. Davis and Mary Tregear, \"Man Kok Tsui, Archaeological Site 30, Lantau Island, Hong Kong\", Asian Perspectives, IV, Nos. 1-2, (1960), 183-212.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204921, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 29, "title": "RAS-1965", "content_text": "T. HARRISSON\n\ntiny flakes, remain. It is planned to concentrate on continuing down to deeper levels when we resume field work later in 1964.\n\n2. West Mouth (b) rest of outer mouth-rich, undisturbed stone-age occupation in light area; stratified sequence from late neolithic down to full palaeolithic occupation; about 700 square feet completed.\n\n3. West Mouth, (c) inner, half dark section not in general early use as occupation, but dense late Stone Age cemetery, and up to early Iron. Eighty burials so far exposed; most treated and left in site for fuller physical study.\n\n4. Lobang Angin (“Wind Mouth\") - a shelf of c.400 square feet high on cliff edge, fully occupied before the late Stone Age and back into the palaeolithic; excavations, half-done so far, will be completed.\n\n5. Gan Kira (Traders Cave\") — a smaller rockshelf near sea level, evidently a neolithic trading camp, which includes an apparent murder incident and scattered sub-surface skeletons (some beheaded). Fully excavated down to limestone bedrock (fossil oysters, O.gigas).\n\n6. Lobang Tulang (“Caves of Bones\")-cliff grottos full of jar and other secondary burials, mainly of the early birds' nest trade with China period (?900 - 1200 A.D.); bronze and other finds; completed.\n\n7. Kain Hitam (\"the Painted Cave\")-a separate cave high in a limestone island, discovered by Barbara Harrisson in 1958; 200 feet of wall paintings above floor littered with \"death ships\" and an abundance of bone, beads, porcelain and stoneware sherds, etc. Evidently this was the centre of elaborate prehistoric funerary rites, related to those still extant in the Niah River (as filmed). C-14 dates on four \"death ships\" so far received give between 0 and 780 A.D.\n\nExcavated in 200×5 foot square blocks correlated to wall paintings. A small section was left for a check-study in 1965.\n\n8. Samti - a small rock shelter in an isolated corner of the Great Cave formation, which also held death ship remains.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205422, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 184, "title": "RAS-1967", "content_text": "BOOK REVIEWS \n\n177 \n\nBUDDHISM IN CHINA, A HISTORICAL SURVEY, Kenneth K. S. Ch'en, Princeton University Press, 1964, pp. xii, 560, £5 (U.K.) \n\nWith perfect candor, and absolutely no insinuation of disparagement, it may be said that this book with its 486 pages of text and 43 pages of bibliography is not a work of original research but a conscientiously and painstakingly written, highly informative and engagingly readable general survey of a vast subject, based on the international Buddhistic publications in Chinese, Japanese, English, French and German. The author does not propose to settle any thorny or esoteric problem or penetrate into the obscure recesses of any occult doctrine, but gives an interesting account and all its ramifications with an almost cyclopaedic richness. He tells us the whirligig of Buddhist fortunes under the various dynasties, and especially the foreign dynasties - Northern Wei, Liao, Chin and Yuan; the involvement with politics—both on the ruling side and the rebelling side; and the close relationship with the various branches of Chinese culture: art, literature and philosophy. There is a concluding chapter of 16 pages on 'The Contributions of Buddhism' which is necessarily sketchy. The glossary of Buddhistic terms and the list of Chinese Names and Titles in Chinese script—though incomplete—are helpful to the reader. \n\nAs examples of the cyclopaedic interest of this book, two items especially may be mentioned: how Maitreya was naturalized to become Mi-lo-fo, and got involved with insurrectionary societies; and how Avalokitesvara was metamorphosed from, until the 10th century, a male into from then onwards a female. \n\nThere has been a legend in which it is alleged that Chinese culture has been completely indigenous and that China has refused to accept anything from outside. Such a legend exists and is prevalent because it is fostered both by domestic nationalistic, if not chauvinistic, pride and by the lack of historical knowledge on the part of foreigners. In fact, ever since the Bronze Age, China has had cultural intercourse with foreign cultures; the unearthed bronze articles of that period testify to that. Chinese music was notably influenced by outsiders. Many current popular, and many extinct classical, musical instruments are not native; the very names betray a foreign origin. Quite a number of the Chinese classical lyric measures bear appellations which have no", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205765, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 71, "title": "RAS-1969", "content_text": "65\n\nTUNG KWU ISLAND:\n\nTHE TYPE SITE OF HONG KONG'S OLDER PRE-HISTORIC CULTURE\n\nINTRODUCTION\n\nW. SCHOFIELD*\n\nThe present paper describes the writer's investigations of the large site revealed from 1925 onwards by sand diggers on the island of Tung Kwu beyond Castle Peak,† This dumb-bell island, which is formed entirely of Hong Kong granite and the sand which links its two portions by an isthmus, has not only yielded pottery of the historic period in one area of its western beach, but a great many remains of a culture obviously earlier than that of the Bronze Age in Lamma described by Father Finn.‡\n\nDESCRIPTION OF THE ISLAND (See Plates 1 and 2)\n\nTung Kwu is a typical single dumb-bell with an isthmus joining a large northern hill ridge 76 metres high to a smaller southern one of 68 metres. These hills show all the signs of early loss of their original woods, followed by washing away of most of the thick subsoil of clay full of quartz grains which formed beneath their cover, some of which remained on the isthmus and beaches. Much of the hill surface is occupied by large masses of granite boulders formed by chemical action in the clay, and left behind when it was washed away.\n\nA noteworthy feature of the northern hill area is the 35 metres hill that rises just north of the isthmus and is surrounded by a\n\n* Mr. Schofield (1888-1968) served in Hong Kong between 1911-1938 as a Cadet Officer and Police Magistrate, He was noted for his work pre-war on the geology and archaeology of Hong Kong, in which fields he was a pioneer scholar. More recently his article \"Further Notes on the Sung Wong Toi\" appeared in the 1968 Journal. Ed.\n\n†This island has long been misnamed on local maps. The Hong Kong Government's official Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (no date, but 1960), p. 161, calls it Lung Kwu Chau (##) and describes it as \"an uninhabited island in area 0.158 sq. mile off the west of the Castle Peak Peninsula, incorrectly named TUNG KWU (Tongku) on the 1:25,000 official map. (Sheet 13, 1957 edition)\".\n\n‡\n\nThe photographs which illustrate this article may be found at Plates 1 to 9 at the rear of this volume. They are representative, and not ordinarily related to items mentioned in the text because Mr. Schofield died before we had chosen and discussed the illustrations. I am greatly indebted to Mr. James C. Y. Watt, Assistant Curator of the Hong Kong City Hall Museum and Art Gallery and Hon. Sec. of the Hong Kong Archaeological Society, for much help and advice with the sketch-map, charts and plates. Ed.", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 205777, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 83, "title": "RAS-1969", "content_text": "TUNG KWU ISLAND\n\n77\n\nand used throughout the time when the site was occupied by Neolithic men.\n\n3. Hard Pottery:\n\nTwo specimens of hard pottery were also discovered: one without ornament and resembling in shape and size part of a joint of bamboo; the other bearing a 2-line net pattern of horizontal rhombs intersecting at 30°, and with a raised rhombic stud in each mesh. The former lay at two levels, having been broken; one piece was at 92cm., the other at 122cm.: the probability is that the former was nearer the original depth of deposition than the latter. I suspect it may be a later importation which got into the deposit in the course of grave-digging. The other specimen was loose on a ledge of sandy cliff high up in sector C, and is obviously early. No other specimen like it was found, nor do I know of any similar piece from any Hong Kong site. It was most likely an import from elsewhere, brought in when the site was occupied.\n\nThis second pot has a hard, dark gray body; its neck is smooth, rising abruptly from the body and narrowing slightly upwards; the mouth is broken away. The measurements are as follows:\n\nDiameter of pot at base of neck, 10 cm.\n\nDiameter of pot at lowest portion of body fragment, 16 cm. Maximum height of surviving piece of neck, 3.5 cm.\n\nThe curving outline of the body fragment shows that the greatest diameter of the entire pot did not exceed 17 cm., and the presence of ornament right up to the base of the neck makes it unlikely that the maker intended it to have its mouth covered by a bowl, as many vessels clearly were. The only signs of turning visible on the fragments are on the neck, inside and out; this feature is common on the necks and lips of high-fired pottery of the Bronze Age, but is rarely seen on the bodies, which generally show the thumb impressions caused by the ribbon technique of pottery making. Similar impressions can be made out inside the fragment of the body, though they are not very clear.\n\nC.\n\nHISTORIC AND RECENT POTTERY\n\nThere are wide differences between these types of pottery and the ancient material so far dealt with; the most marked being that every piece of the newer productions found on this site", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206620, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 168, "title": "RAS-1972", "content_text": "162 \n\nW. SCHOFIELD \n\nthought to be older than the Han dynasty (210 B.C.). It was known to have been conquered by the First Emperor and added to China, but even history is silent on it prior to that time (220 B.C.). Hence its prehistory lay shrouded in almost darkness, with only a few vague traditions and scanty ethnographic and linguistic data to shed light upon it. \n\nThe first beginnings of enquiry into the pre-Chinese culture of South China date back to about 1926 when Dr. Heanley, then investigating the geology of Hong Kong as an amateur, noticed lying here and there on hills of gravelly clay formed from decayed granite, stones which could not have been formed and left there naturally, and which clearly had the shape of stone adzes, as a rule smoothed and polished. Realising the importance of these finds, he devoted much of his leisure to a careful search for more of them, and in so doing discovered a number of sites, which included an axe factory, a workshop for jewellers working in quartz and other stones, and shore settlements, presumably of fishermen, as well as hill settlements. In this work he was associated with Prof. Shellshear, of Hong Kong University, and shortly before leaving Hong Kong in 1930 he interested me in the subject. I had for some time been investigating the geology of the Colony, and started this new line in association with Dr. Heanley and Prof. Shellshear. My contribution consisted mainly in discovering new sites, chiefly in sandbanks on the coasts and islands of the New Territory. Special attention was paid to these for two reasons; first, the beaches were being vigorously dug for sand to be used in building and public works; second, these sandbanks were the only places where a succession of layers containing objects of different ages could be found. As no beds of limestone exist in the Colony, it was vain to look for caves. \n\nIn my explorations I had occasion to examine a beach site discovered by Dr. Heanley on the island of Lamma close to Hong Kong. This had been dug back a considerable distance further, and I saw, littered over the beach, vast quantities of pottery, with more projecting from the sandy cliff behind. One piece of a cup I found was covered with a bottle-green glaze, a ware which was later found to be a feature of the culture at this and several other sites in Hong Kong. Later visits to the site revealed that bronze weapons and tools were to be found in fair number; in addition, rings of", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206999, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 70, "title": "RAS-1974", "content_text": "64\n\nCAROLE MORGAN\n\nParafilaria Multipapillosa, in which the parasite buries itself under the skin causing blisters which ooze blood on bursting.45) After two unsuccessful campaigns Li Kuang-li finally sent a number of Ferghana horses back to the capital in 101 B.C.; the Emperor hoped that their arrival would coincide with the beginning of an auspicious Age of the Dragon for his people.46\n\nHunting Dogs\n\nThat dogs were associated with hunting from very early times may be deduced from the fact that most words for hunting such as lie (lie) the usual term for hunting, shou (*) a winter hunt and huo (*) a bird hunt were all written with the radical for dog.47\n\nThat a good hunting dog was expensive is illustrated by a story from the Lu Shih Ch'un Chiu (L.S.C.C. 24.6) An eager hunter, dissatisfied with the performance of his dog, could not afford to replace it because the cost of a new one would have ruined his family.\n\nIt is difficult to determine which breeds of dogs were actually known in ancient China. The greyhound, a very old kind of dog, is shown on some Han stone reliefs and a small statuette of a snub-nosed mastiff, its tail curled over its back was unearthed from a Han tomb.43 This dog is believed to be in the lineage of the Tibetan wolf (Canis Niger) which also bred the Roman molossus, the Saint Bernard, the Newfoundland, the bulldog and the miniature breeds of China such as the pug so popular in T'ang times.49\n\nThere is obviously very little graphic material available from pre-Han times. The earliest hunting scene known to date is found on a Chou bronze the so-called “100 animal “dou” (‡a)” showing a hunter and his dog surrounded by various wild animals. But because none of the animals are drawn to scale (the dog is the same size as a neighbouring rhinoceros) and the smallness of the drawing conditioned by the smallness of the vessel (24 cms) it is impossible to determine the dog's breed.50\n\nAnother, somewhat later Chou bronze, also depicts a hunting scene. Here we see four dogs, but again, for reasons stated above, they offer no conclusive proof as to breed.\n\nIf we turn now to linguistic evidence we see that the Shuo Wen gives a long list of names for different dogs but the definition of these names tells us almost nothing about the animals themselves.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 112, "title": "RAS-1974", "content_text": "106\n\nMICHAEL SMITHIES\n\nrepresenting the age of the person who placed the offering in the temple, and also long metal forks offered to priests indicating their age. In the grounds of Vat Vixun is the melon-shaped stupa in memory of a Lao queen, the That Mang Mo and another vihara, unrestored, lies nearby. Vat That Luang is raised on a mound overlooking a sports field and is very sober. The vihara has a two-tiered roof and rises from an ornamental stucco band with medallions on the walls. There is an excellent and large carving of a scene from the Ramayana at the back of the altar, and the temple possesses a number of fine palm-leaf manuscripts which are copied by novices. At each end of the vihara is a chedi; the square one to the south is topped by bronze metal plates and is impressive.\n\nThis is by no means an exhaustive list of the temples of the city; temple building still continues, and Vat Monnorom, which used to consist of nothing except a large torso of an antique Buddha statue, is now being rebuilt around the statue. The energetic may climb to the top of the Phu Si less to visit the shrine, which is without interest, but to admire the magnificent view over the Mekong valley and that of its tributary, the Nam Kam. The Vietnamese temple is in hideous taste but again has fine views over the river. The small modern royal palace may not be visited and the residence of the crown prince is a modest French-style colonial building. A number of side streets are worth strolling down, if only for their tranquility; they are unpaved, the houses are of bamboo matting and atap, the gardens bright with bougainvillias and children look with amazement at westerners.\n\nSome thirty kilometres up the Mekong river are the Pak Ou caves. The scenery becomes ever wilder, the mountains more dramatic and the rapids stronger. Pak Ou consists of a limestone block straddling a bend in the river at the point where the Nam Hu joins it. There are two caves; the first, Tham Tong, contains numerous statues of the Buddha left there by the faithful (and some of which have recently been removed by the unfaithful, which is why it is necessary to report to the police on arrival and to be watched throughout the visit); through the frangipanni trees a path leads upwards to a second cave which goes further into the rock. The entrance to this is of carved wood and it is guarded by a jovial Buddha of Chinese inspiration; remnants of carved and decorated posts are to be found inside, leading one to suppose that there might have been a kind of baldachino.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 199, "title": "RAS-1976", "content_text": "184\n\nMICHAEL SMITHIES\n\nare those that form a complete contrast with the classical structures of the first major Burmese capital. These are the 19th century temples in wood. The Shwenandaw was built by Thibaw in 1880, five years before he was taken away in captivity by the British and the kingdom ended. Most of the materials came from part of a palace occupied by King Mindon which was dismantled. The elaboration of the carving is overwhelming and one suspects that to like it, after the sober majesty of Pagan, is to border on bad taste. The Shweinbin to the south of the city is even more elaborate, and still being a very active monastery the monks' saffron robes form a strong contrast to the teak wood greying with age, sun and rain on the outside. Like all wooden buildings these temples are raised above the ground on pillars and the space beneath is used for storage.\n\nMandalay has few other temples of note; those on the hill are mostly modern, and the Kuthodaw near its base dates from 1857 and is more important for the 729 stone slabs containing all the Buddhist scriptures which King Mindon had made for the Fifth Synod. The authorized version of the Tripitaka was inscribed on the slabs, each beneath its own vaulted canopy. Atumashi was built in 1880 and resembles more an Italian palace, but as only the base remains after a fire in 1890 it is hard to judge fairly. The Mahamuni was rebuilt after a fire in the 19th century and is architecturally without interest. The gold-covered bronze image is much revered and seen at night with chanting monks and the faithful at its feet is impressive.\n\nThe most interesting thing in the temple, apart from the stalls lining the temple approach, are the six bronze figures in one of the adjacent buildings. They are two of men, one probably a warrior, three of lions, and one of a three-headed elephant (erewar) and are undoubtedly Khmer, possible of the 12th century. They were probably taken by the Siamese at the sack of Angkor in the 15th century and removed to Ayuthia. The Burmese king Bayinnaung took them from Ayuthia when he sacked the city in 1563 to the then capital at Pegu. King Rajagyi of Arakan took them as spoils of war from Pegu and they were taken from Arakan by Bodawpaya in 1784 to Mandalay.\n\nThe journey to Sagaing takes one past the numerous sites of the capitals of the Alaungpaya dynasty which estimated that a new centre would give a new direction to adverse fortune associated with the old. In this way Shwebo was capital from 1752 to 1765, Ava from 1765 to 1783, Amarapura from 1783 to 1823, Ava again", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208131, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 170, "title": "RAS-1977", "content_text": "154\n\nW. SCHOFIELD\n\nbefore I handed him over to the Police: thus I was able to show that on balance Government had in the end not lost a single cent. Both shroffs were arrested and sentenced later. I then spent a good deal of time, especially on voyages to the islands, drawing up rules for the financial guidance of my successors, but Mr. Wynne Jones, who took over from me in late 1926, thought them too cumbrous, and discarded them.\n\nOne of the subjects which used to excite much feeling in the Chinese countryside was the disturbance of graves. In 1930 this occurred at Tai Wan in Lamma, on the big sand bank later excavated by Father Finn, once a leading local centre of Bronze Age culture. The sand diggers had cut away so much sand that coffins buried 2 feet deep in the bank were sticking out, and their contents could be seen. I at once ordered digging to stop till the coffins could be properly disposed of. Enquiries in the village showed that the villagers were not interested; so it was clear no local cemetery had been violated, and the persons buried had most likely been boat people. I believe the sand contractors got the Tung Wa Hospital authorities to remove the coffins: certainly there was no trouble with any local people. The high level and good preservation of these coffins showed that their burial took place long after the Bronze Age.\n\nOne troublesome class of case was the 'fung shui' difficulty caused by digging a new grave on a hill ridge not far above an older one. If the family owning the latter lost a child or two by smallpox or other complaint, they would conclude that their ancestor was displeased with them for letting a deceased stranger ‘ride' his grave, and so hinder the good influences of the site reaching him. Such cases might have to be settled by removal of the later grave, or by some compensation to the aggrieved family.\n\nOne crime that often came before my court in the office was stealing sand for building. Sand collecting was regulated by a system of permits, allowing junk masters to collect sand at selected beaches, each junk having its own collecting beach. Sand shortage was serious from 1924 to 1926, when concrete was coming into fashion for building, and between the demands of builders, and the interests of New Territory cultivators of land behind the sand banks, there was acute conflict, which sometimes grew into a shooting match. One such conflict took place at Sha Lo Wan in Northwest Lantau; this village was very jealous of the fine sandbank protecting its fields, and had licensed gun owners; so the junk", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208415, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 139, "title": "RAS-1978", "content_text": "VILLAGE GOVERNMENT IN CHINA, 1933\n\nIV\n\n123\n\nThe most important of these cultural agents responsible for the customary authority both of the Chia-chang and of the village elder is the filial piety-ancestor worship complex. The two are closely interwoven now, and have been for many centuries. Ancestor worship seems to have been the contribution of the earliest Bronze Age peoples,1 and the concept of filial piety to have originated from it. In the new religion developed by the Confucianists, ancestral worship became really secondary to filial piety, though a corollary of it.2 As a moral force it is very strong, having behind it for sanction the dead weight of thousands of years of social approval in literature and legend, in history and in law.3\n\nHsiao (#), imperfectly translated as Filial Piety, is the basic moral and ethical code of the Chinese. It emphasizes primarily the proper relationship between children and parents; but it extends to regulate the behavior between members of the whole family and clan, and even to certain relationships between individuals in the world at large. Proper behavior in all such situations is highly stereotyped and highly formalized: there is a proper way to act towards each of one's relatives with reference to his age, his rank and the degree of consanguinity.\n\nAlthough the behavior between members of a kin group is, theoretically at least, very formalized, there are two other facts which need to be emphasized in this connection. In the first place, this formalism, which is a part of the ethics of filial piety, is not a matter of external etiquette alone. On the contrary, these attitudes are, psychologically speaking, at the very core of an individual's character. They are his most fundamental reflexes, and are the very framework of his social consciousness. Secondly, as a result of this thorough conditioning, the individual has a constant feeling of reverence for age in general. He learns to respect the opinions of those older than himself, and to conform to their judgment and arbitration. In village government the remarkable authority of the\n\n1 Bishop, C. W.; \"Prefatory Note on the Worship of Earth in Ancient China.\" p. 4.\n\n2 Hu, Shih; \"Religion and Philosophy in Chinese History\", p. 33.\n\n3 The concept of filial piety has, for example, literally permeated the criminal code of the nation. See: Alabaster, G.; op. cit., passim, especially section on relationship, p. 143-216.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208876, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 38, "title": "RAS-1980", "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209114, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 17, "title": "RAS-1981", "content_text": "convey his apologies for the delay in getting the 1980 issue out, which has been due to considerable pressure of work in his public life and a recent transfer to a new job. Dr. Hayes worked as our editor for over fourteen years and this is an appropriate point, perhaps, for me to pause for a presentation we wish to make to him on behalf of the Society for his many efforts on our behalf. Dr. Hayes, who is an historian of Hong Kong Chinese society, is also a keen follower of archeological progress in the China field. We thought therefore it would be appropriate to present him with this illustrated account of The Great Bronze Age of China, which was based on an exhibition from the People's Republic held in the U.S.A. in 1980-81.\n\nThe 1980 Journal will probably be the last to be printed under the personal supervision of Mr. Y.F. Lam of Ye Olde Printerie. Mr. Lam has been a member of the Society for many years also. I would like to take this opportunity of extending our warmest thanks to Mr. Lam, who is now semi-retired, for his patience and kind advice in all matters of printing. They have contributed so much to the smooth production of the Journal and our other occasional publications.\n\nPhotographic Survey\n\nI turn now to the photographic survey. The Council is again calling for volunteers to continue the work connected with this survey which began in the early 'seventies and has been mainly in the competent hands of Messrs. Tony Rydings and Ian Diamond. The object of the survey has been to compile a photographic record of Hong Kong's street scenes - with its people and variety of occupations -- and Hong Kong buildings. The local scene is changing so rapidly that we felt we should try to capture a visual impression of the city and rural areas, in their older more traditional aspects particularly, before all is swept away. The object is not just to take numerous photographs but to compile a fully documented visual record in which every photograph is dated, each photographer's name noted, and every building, architectural feature and so forth recorded, is identified. Briefly this has meant the compiling of schedules of sites to be photographed, followed by expeditions to carry out the work, and finally the identification and cataloguing of the results.\n\nOur appeal is now urgent. Tony Rydings and Ian Diamond have carried the main burden for many years and now feel, I think quite justifiably, that it is time others came forward to do the main work. If you want this work to continue, it is up to you to come forward and", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210387, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 358, "title": "RAS-1984", "content_text": "337\n\nperiod — which lasted from the bronze age Dongson period of the third century B.C. to the end of the T'ang dominance in the early tenth century A.D. He has divided this long period into six distinct phases, constructing the main characteristics of each one as the centre-piece of a chapter.\n\nThe first (Chapter 1, \"Lac Lords\") covers the emergence of organized society in the plains of the Hong and Ma rivers (near present Hanoi) under feudal lords. Sources for this bronze age period are largely archeological and linguistic, with a heavy reliance upon the interpretation of myths and legends.\n\nThe second chapter or phase (\"The Han-Viet era”) charts the invasion of Chinese forces and particularly the southern expedition of Ma Yuan, the great Han general, and the emergence of a mixed Sino-Viet ruling class.\n\nThe third phase (Chapter 3, \"Regionalism and the six dynasties\") covers the consolidation of Chinese political and cultural domination.\n\nChapter 4, \"Local rule in the sixth century\" is the fourth phase, which Taylor calls a \"time of self-discovery” for the Vietnamese. It was a time when Chinese control weakened slightly before the consolidation of Sui-T'ang control of the south. And in this weakening the Vietnamese, according to Taylor, began looking to their pre-Chinese roots.\n\nThe Sui-T'ang period of rule is covered in Chapter 5, \"The protectorate of An-nam\". In this phase he chronicles the \"intensity\" of pressure upon Vietnam to conform to the Chinese model of civilized society, as well as the growing resistance to Chinese domination. That resistance bore success of sorts when in the tenth century the T'ang dynasty collapsed and Vietnamese rebellions succeeded in throwing off direct Chinese rule. This is Taylor's Chapter 6, \"The T'ang-Viet confrontation\", and Chapter 7, \"Independence\".\n\nWhile critical of Chinese and French historians as treating the Vietnamese past as a “branch of Chinese history\" Taylor uses", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 214920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 16, "title": "RAS-2000", "content_text": "... we do \n\nthe general view was (see volume I of HKBRAS Journal)\". not go out into the highways and byways to recruit members...\" \n\nAs a well-qualified member of staff at the University of Hong Kong said to me during the past year, 'In the 1960s, it was not easy to join the HKBRAS. It was quite exclusive. Meetings were usually held in the Hong Kong Club.' Since the Hand Over of Hong Kong, from Britain to China, we have had a recruitment drive. This has paid off. It was necessary largely because of the appreciable drop in numbers with many members leaving the Territory. \n\nWith about 73 per cent of our members being aged between 40 and 60, we were pleased, during 2000/2001, to see a few of our younger members playing active parts. I have special pleasure in thanking Moody Tang, Josephine Wong, and Crystal Tang for their assistance. Our Society needs more younger people taking part to leaven the membership. \n\nContinuing, it gives me great pleasure to report that our long-serving Vice President, Dr Elizabeth Sinn, was awarded a Bronze Bauhinia Star in the Hong Kong SAR 2000 Honours List for her work in the field of Heritage. We like to believe consideration was also given to her related work as a long-time office bearer of our Branch where her contribution has been considerable: Congratulations Elizabeth! I also have great pleasure in congratulating one of our members for 'pushing back the frontiers of knowledge.' She is Dr Sheilah Hamilton. As a mature student, she received her doctoral degree from the University of Hong Kong. Very well done! \n\nDuring the course of the year, we were delighted to receive a letter from Dr Marjorie Topley who played a leading part in the re-establishment of our Branch in 1960. We have also kept in touch with Dr James Hayes and Mr David Gilkes. All three served as presidents. All three are now Honorary Members. \n\nOn a sadder note, we are sorry to record the passing, at 82, of Lord Murray MacLehose who held the distinctions of being not only the longest-serving governor but also one of Hong Kong's greatest achievers. He was our HKBRAS Patron from 1971 to 1982 and, later, we were proud to bestow honorary membership upon him. In a letter to our Branch, Lady MacLehose wrote: \"The many generous tributes to \n\nXV", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215334, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 111, "title": "RAS-2001", "content_text": "59\n\nin southern China. Although he is particularly remembered in the south of China as the General who conquered the Yue people [Tonkinese] in about AD 39, the Hainanese in South-east Asia regard him as one of their special heroes with his image on side altars in several Hainanese community temples in Malaysia and Sumatra. Support of such a powerful spirit of a general who symbolised courage and confidence in the comparatively newly conquered south was vital to bolster the spirits of the Chinese settlers and to counter threats from aborigines, the climate and the general misgivings of the migrants so far from the Han homelands of central and northern China. Although this was the original reason for the worship of this deity, in recent centuries it has been lost and, in general, replaced by worship for his magical efficacy in providing satisfactory solutions to daily problems.\n\nHe began his career under the Xin dynasty ruler, the usurper Wang Mang but stimulated by ambition he later took up arms against him. During one campaign when briefing his generals he produced a \"cloth model\" by tracing out the lie of the land in a large tray of rice pointing out the routes and lines of advance his assembled generals should take. He aided Liu Xiu in re-establishing the Han dynasty by defeating the forces loyal to Wang Mang. Ma was then appointed Governor of what is now Gansu province, in the north-west, from where he led an army down to Tonkin to put down the revolt against the Chinese overlords.\n\nMa Yuan, well known in Guangzhou for his great height and bravery as a general, was particularly renowned for his campaign in Annam where he had pacified the country and brought back to Guangzhou city a number of Tonkinese bronze drums which he had melted and cast into statues of horses. Apart from the award of the title 'The Conquering Wave' he had the honour of having his daughter joined in marriage with the heir apparent.\n\nA certain Lady Zhu headed the insurrection against the Chinese in Annam and was captured and sentenced to death. She had been stripped of her finery before execution and was dressed in her barest clothes. Ma Yuan took pity on her and gave her one of his robes to cover her bare limbs which is said to have led to the Tonkinese ladies' custom of wearing trousers and a long covering dress with wide sleeves.\n\nDespite his age he volunteered with his ardour and ferocity", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215423, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 200, "title": "RAS-2001", "content_text": "149\n\neach one in his niche, over stone bases with their names carved on them in the same order as we have them on the main altar, all in bronze with their foundry signs: hands and faces painted red; vestments gilded throughout the length of the body, with no other colour. On the second frieze and third storey with columns that rest on the middle window the Image of Our Lady of the Assumption, titular saint of the Church, has its niche, which image steps on a large gilded moon; over her head two Angels in the round of the same metal appear to be holding a closed crown, each one of which holds out his arm on the side where he is. Below these another pair seem to go through the air giving a hand in favour of Our Lady's ascent.\n\nThe third frieze, which runs underneath the last storey, gave place to the last niche. It has on its base the Image of the infant Jesus with a cross on the globe of the world on his hand and which does not differ from the others in anything, except that it is of lesser height than them. Inside the field of the pointed summit which makes a straight triangle - on which rests the stone pedestal on which is to be fixed the iron cross with rod arms that is the crown of the whole work, for which alms were given this year as I said above - from the middle of rays carved in the stone, a kind of image of a dove goes fourth, representing the Holy Spirit with its wings wide open, in gilded bronze and of significant size. Note: for all of this magnificent and sumptuous work expenses were met with alms ....' (italics mine).\n\nThere are several quite remarkable points here. Apart from their gilded garments, the first is that the faces and hands of the images of the Jesuit saints were painted red. That these bronzes were painted is highly unusual. If the faces and hands were actually painted red is perhaps arguable. But the gilded garments of the four bronzes could well have been intended to imitate the technique of gilding practised on carved statues since Late Gothic retables.\n\nBrightly painted images are known in medieval Spanish portals, an obsolete practice in the seventeenth century. It was, however, still in use in the case of some Latin American retable-façades, as the researches of Humberto Rodríguez-Camilloni on the façade of San Francisco, Lima, Peru, have disclosed.21\n\nWhat has equally remained unknown because it is missing in José", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215427, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 204, "title": "RAS-2001", "content_text": "153\n\nTrue, the originality and beauty of carvings and images constituted an aesthetic experience aimed at everyone in the city. But one cannot help thinking that this complex text, with its erudite cross-referencing, was partly conceived with the more literate and bookish administrative and literati class in mind. After all, attracting the upper and educated classes had recently evolved as a novel Jesuit method of missionization that had borne rich fruit for Matteo Ricci and his confreres in the Chinese mainland.\n\nOne of the Chinese inscriptions states: 'The Holy Mother tramples on the dragon's head,' a reference to the Book of Genesis (Fig. 19). Both the left and the right scrolls have carved inscriptions in relief (as opposed to those explaining the dragon, which are incised), consisting of six large vertical characters. Like those on the dragon, they explain the two images spreading horizontally across the scroll inside a frame. The ones on the left, before the claws of another strange monster, with tail, short antlers, a snout, large bat's wings, breasts and shot through with an arrow, read: \"The Devil tempts mankind to do evil things\" (Fig. 20).\n\nOn the right we read: 'Remember Death and do not sin,' a kind of memento mori epigram at the bony feet of a grimacing skeleton also shot through with an arrow (Fig. 19).\n\nMain Image\n\nReferences to the Devil, who tempts humanity to sin (whose wages is death), form part of the complicated iconography of the façade. Directly or indirectly the entire iconographic programme revolves around its titular image depicting the Assumption of Mary (Fig. 21).\n\nIt is the largest bronze in the frontispiece, measuring practically six feet in height, and like all the bronzes of the façade of rather shallow 3-D casting and flat at the base. It is surrounded by reliefs of music-playing and incense-burning angels, amongst the finest in colonial religious imagery by East Asian artists (Fig. 22). The Assumption is combined with an Infant Salvator Mundi in the attic above, and with the Dove of the Holy Spirit in the pediment (Fig. 23).\n\nThe Virgin's Assumption in bodily form into heaven is one of the", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216286, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 45, "title": "RAS-2003", "content_text": "Smimoff, George\n\nSafe harbour: commemorative centennial exhibition of Porto Seguro. Macau: Museu de Arte de Macau, 2003,\n\nSwalek, Catherine Crutchfield\n\nPeony Pavilion onstage: four centuries in the career of a Chinese drama. Ann Arbor: Centre for Chinese Studies, University of Michigan, 2002.\n\nShakir, M.H.\n\nThe Holy Qur'an. Qom I.R. Iran: Foundation of Islamic Cultural Propagation in the World, [n.d.].\n\nTse Liu, Frances\n\nHo Kom-tong: A Man For All Seasons, with contributions by Terese Tse Bartholomew... [et al.]; edited by Frances McDonald. Hong Kong: Compradore House Ltd., c2003.\n\nTung Wan Tsai: a bronze age and Han Period coastal site. [Hong Kong: Antiquities and Monuments Office, c1995].\n\nNEW JOURNALS\n\nThe Siam Society\n\nJournal of the Siam Society\n\nNational History Bulletin\n\nxlv\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]