[
    {
        "id": 214191,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 49,
        "title": "RAS-1998",
        "content_text": "Laurel and Hardy, who first teamed up in 1927 and made over 100 films together which came out 'fresh' every time, are other examples of comedians whose humour travelled well. Hong Kong's own martial arts expert and stunt man, Jackie Chan, sometimes dubbed 'Hong Kong's favourite son,' has become successful, both in the Far East and Hollywood, by combining Chinese kung fu and bits of slapstick.\n\nAnother good example is Mr Bean who, because he doesn't say anything, has no difficulty in getting his humour ‘across the Great Wall' and into countries in Asia. It is interesting that, to most British audiences, Bean is funny, foolish and unenviable in every way. He is the last person they would wish to work with or be associated with (Cairnes, 1998). The Japanese and many Asians, however, see him rather differently. They see Bean as a pathetic, lonely figure who deserves pity and would be fun to have around. Yet even he does not appear funny to everyone.\n\nVisual, universal humour, such as the puppy licking the baby's ice-cream, has a much better chance of crossing frontiers, although the television series, America's funniest home movies, does not always receive the same reaction in countries outside the United States, and indeed not even by all Americans. As a group of Chinese and Britons discussing humour agreed: 'If you've seen one showing of America's funniest home movies you're seen them all.' In fact the reaction to these movies seems to be mixed. An American woman living in Hong Kong told the author that the humour was not subtle enough for her but her two children enjoyed these films. Other Americans, however, said they found them 'funny and relaxing'.\n\nAccording to American Brent Ambacher, who was raised in Hong Kong and works as a part-time comedian, more and more Westerners today expect more sophisticated, 'highbrow' (sometimes termed 'three-dimensional') humour. This more profound variety should, as it were, embrace a ‘moral lesson.' This may depend on the cultural background and the awareness and intentions of the artiste. It may, for example, concentrate on slamming pomposity, condemning underhanded politics or corruption, or some other topical subject. Today's audiences often expect a comedian who is more 'civic minded,' who will deliver his act in a philosophical way and will give them something of substance to evoke deep afterthought. All this as opposed to the shallow",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214194,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 52,
        "title": "RAS-1998",
        "content_text": "15\n\ning is as good as a session of aerobics. Cousins' book has become a classic.\n\nIt has been said that people laugh more in a warmer climate than they do in the cold north, which, up to a point, is understandable. Opening your mouth too wide lets in the cold! But certainly, as we have seen, senses of humour can differ from the north to the south of Europe, and from country to country. They can also change considerably across Asia. There are differences even among the population of China, from one region or one sub-ethnic group of people to another. Many of the latter have their own dialects which, many insist, may be classified as separate languages in their own right. In China, jokes about politics often go down better in Beijing, the capital city of the country and the heart of Government; whereas Shanghai is the major commercial centre in the People's Republic on the Mainland.\n\nThe People's Daily is purported to have quoted the Chinese joke about an alien being captured in China (HK Standard, 1998). In Shanghai, so it was written, they would dissect it for medical research. Beijingers, conversely, would send it to a museum as an educational exhibit, while the Cantonese, who eat anything whose back faces the sky and has four legs, except a table, would ask, 'which part of the creature can be braised in brown sauce?' Part-time comedian Brent Ambacher, long-time resident in Hong Kong, told the author that he had been unable to think of any similar jokes about Hong Kong people.\n\nQuite rightly, making fun of people today because of their origins is usually frowned upon, as is the cracking of sexist and racist jokes. Many squirm at 'black humour' which is too close to the bone. Yet in Hong Kong the term gweilo (meaning 'ghost person' or 'foreign devil') may, or, as the term is so widely used, may not carry pejorative intentions. Certainly not everyone agrees with the latter, and Frank Ching, the well-known Hong Kong journalist, on more than one occasion has said he never uses the term and that to say it is not derogatory is to deny the obvious (Waters, 1995; 146). Nevertheless, a number of Westerners, especially British, use the term as a self-deprecating form of humour.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214222,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 80,
        "title": "RAS-1998",
        "content_text": "43\n\nSources and acknowledgements\n\nA considerable amount of material in this paper has been drawn from the author's own experiences. Much of it he has heard with his own ears rather than just repeating what he has read or what others have told him. This information has been gleaned over a period of four-and-a-half decades living and working with Chinese in Hong Kong and while visiting cities and regions in the People's Republic of China and while visiting overseas Chinese communities.\n\nThe author is grateful to a number of Hong Kong comedians, including Reuben M., Brent Ambacher, Harry Wong and Michael Hui. He is also grateful to a number of Chinese friends, such as Howard Young, Legislative Councillor, Joseph Chow, civil engineer and businessman, who enjoy amusing their friends, both Chinese and Western, by telling jokes. Thanks are also due to Nury Vittachi, journalist, author and part-time comic.\n\nThe author also acknowledges help received from Dr Kristin Stapleton of the University of Kentucky, Carol A R Andrews of the British Museum, Josephine Khu and Dr Sandra Tsang of Hong Kong University, Dr Elizabeth Sinn of the Centre of Asian Studies, Hong Kong University, and Catherine Lau of the Hong Kong Fringe Club.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    }
]