[ { "id": 204455, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 87, "title": "RAS-1962", "content_text": "76\n\nJ. W. HAYES\n\nThe New Territory comprised an estimated 376 square miles of hill and plain situated on the mainland of China and a number of offshore islands, large and small, some of which were inhabited and some were not. For the purpose of this article it is sufficient to say here that in 1898 it was primarily an agricultural district consisting of a few broad valleys and many pockets of farm land among the hills or at their foot, both on the mainland and on some of the larger islands, with a few market towns here and there. The emphasis was on agriculture, though there were a few small industries in operation. Village life was bounded by the two rice crops in summer and autumn and the winter season, when most land lay fallow; and by the occasional visit to the market town, often two or three hours away and over the hills, always on foot, and frequently laden with produce and livestock to sell or exchange.\n\n3\n\nIt goes almost without saying that this small slice of territory, only half the size of San On District which was one of the smaller administrative districts of the Kwangtung Province, and 1,500 miles from Peking, was an insignificant part of the Chinese Empire. However, despite its minute size and remoteness from the central provinces and the seat of government it was fundamentally Chinese and essentially Confucian in its component parts, two features which are worth emphasising. One of its former District Magistrates made an observation covering both these points in a Confucian discourse which he contributed to mark the restoration of a school at Kam Tin in 1744 when he wrote \"In this era of prosperity culture has spread to even this remote place near the sea. Here the Book of Poetry is read as early as sunrise\".4\n\nThe integrated life in which everything under Heaven has its place and plan is a recognisable feature of the Confucian code which was evolved and formulated in an agricultural society ever 2,500 years ago. A study of the daily life and background of New Territory people in 1898, which was also placed in an agricultural setting, though one based on the cultivation of rice and not of wheat, leaves me with the impression that the high degree of mental and environmental integration attainable within a Confucian framework had certainly been attained here. Life was lived generation after generation according to a set pattern. The disciplined life imposed upon an agricultural community", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204677, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 158, "title": "RAS-1963", "content_text": "142\n\nBOOK REVIEWS\n\nBOOKS RECEIVED\n\nLUN-HENG. THE PHILOSOPHICAL AND MISCELLANEOUS ESSAYS OF WANG CH’UNG. Translated from the Chinese and annotated by Alfred Forke. Second edition. 2 Vols. Paragon Book Gallery, New York, 1962. Vol. I, 577 pages, Vol. 2, 536 pages. HK$20.\n\nSYMPOSIUM ON ECONOMIC AND SOCIAL PROBLEMS OF THE FAR EAST. Edited by E. F. Szczepanik. Hong Kong University Press, 1962, 508 pages. HK$50.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 165 pages. 30/-", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204858, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 161, "title": "RAS-1964", "content_text": "136\n\nBOOK REVIEWS\n\nbrush and the most excellent ink, washed his hands and cleaned the ink stone as if to receive an important guest. He let the thoughts settle in his soul, and then he work” (page 46). Among other essays and jotting here translated should be mentioned Ching Hao's \"Notes on Brush-work\" and the Hua Yü Lu #4 (\"Notes on Painting\") by Shih-t'ao of the Ch'ing dynasty. One sentence from Shih-t'ao's essay is typical of his attitude: \"When the superior man borrows from the old masters, he does it in order to open a new road\n\nTwo illustrations gave me special pleasure: \"Misty Hills\" by Ch'en Shun and \"Peach-blossom Spring\" by Shih-t'ao (plates 18 and 19). The book is equipped with a full index of Chinese names, terms and books with their Chinese characters.\n\nThis new edition of an important work by the doyen of Western authorities on Chinese art can be recommended to all who are interested in Chinese painting and it serves as introduction to Sirén's magnum opus, his Chinese Painters, Leading Masters and Principles in seven volumes.*\n\nJ. L. C-B.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 166 pages. 30/-\n\nMr. James Liu's book is a fine introduction to the poetry of China for the uninitiated, and a substantial source of information and enjoyment for the sophisticated.\n\nOf a moderate size, the book is divided into three sections. Part I consists mainly of information, Part II of interpretation and Part III of criticism. The subject is generously illustrated with short poems translated by Mr. Liu and others.\n\nA remarkable feature of this book is the way in which Chinese poems are translated. Mr. Liu has in many cases followed the original verse form and rhyme scheme, a difficult and painstaking process requiring considerable virtuosity and originality. What he does, goes contrary to prevailing fashion and one is not surprised to find the critic of the Times Literary Supplement, while maintaining the general excellence of the book, taking\n\n*Lund Humphries, 1956. Profusely illustrated,", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204859, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 162, "title": "RAS-1964", "content_text": "BOOK REVIEWS\n\n137\n\nMr. Liu to task for an alleged sacrifice of sense and style to rhyme. There is, however, much to be said for Mr. Liu on this debatable issue. Poetry does not aim merely at the transmission of information or even of ideas. It is in essence a mood, the purpose of which is to induce the same mood in the reader. A completely literal translation no doubt conveys to the reader all the telling details in the original, but often fails to impart the æsthetic pleasure which rhyme and rhythm can alone create. A rhymed translation may lose in factual reality and may at times sound affected; nevertheless, it more often succeeds in conveying the original mood of the poem. Provided that the meaning is clear to the translator, there is always room in the rendering of Chinese poetry for a choice between rhymed verse and prose, and between an emphasis on what is said and how it is said. Mr. Liu's English version of Ma Chih Yuan's lyric to the tune \"T'ien Ching Sha\" perhaps justifies his method:\n\nWithered vines, aged trees, twilight crows.\n\nBeneath the little bridge by the cottage the river flows.\n\nOn the ancient road and lean horse the west wind blows\n\nThe evening sun westward goes,\n\nAs a broken-hearted man stands at heaven's close.\n\nThe translation as it stands does not, may I say so for the translator, pretend to be poetry in its own right: it is entirely up to the reader to judge whether or not it is superior to a completely literal translation which would look something like this:\n\nWithered vines-old trees-twilight crows.\n\nLittle bridge-flowing water\n\n— people's house. Ancient road-west wind—lean horse.\n\nEvening sun- west set\n\nBroken-bowel man at heaven's end.\n\nThe book classifies themes in Chinese poetry into Nature, Love, History, Time, Nostalgia and Leisure. The conspicuous absence of Friendship in these categories is a bit disturbing to most readers whose impressions of Chinese poetry are based on the \"Three Hundred Tang Poems\". But Mr. Liu explains the omission as follows: \"Some Western translators, it seems to me, have over-emphasized the importance of friendship between men in Chinese poetry and correspondingly underestimated that of love", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204860, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 163, "title": "RAS-1964", "content_text": "138\n\nBOOK REVIEWS\n\nbetween man and woman. True, there are many Chinese poems by men professing affection for other men in terms which would bring serious embarrassment if not public prosecution to an English poet; true also that in old China, where marriages were arranged by the parents, a man's need for sympathy, understanding, and affection often found their answer in another man\n\n15\n\nOne of the things that often lead to a misunderstanding of Chinese poetry is the insistence, to the point of excess, on the associative power of Chinese characters. One often hears that the genius of China is in its written language, in the curves and squares and dashes of its mystic signs. However, to the Chinese there is much less mysticism attached to their ideograms. They are taken for granted. No doubt association is important in Chinese poetry but it is allusion which provides the chief difficulty to readers, foreign and native alike. It is often impossible for people who have no classical Chinese background to go beyond the first line of some Chinese poems.\n\nPerhaps Mr. Liu's chief contribution to an understanding of this art is his application of Western methods to the criticism of Chinese poetry and his attempt at a synthesis between the traditional Chinese views of poetry and the verbal analytical approach of the West. This is contained in Part III of the book which begins with a criticism of the four schools of critics, namely, The Moralists, the Individualists, the Technicians and the Intuitionalists, and continues with a description of how these views might be reconciled. Imagery, symbolism, allusion, antithesis and other poetical devices are then described, contrasting Western and Chinese uses of them.\n\nThere will always be two types of readers: the man in the street and the academician. To whichever category one may belong, to those who are looking for something peculiarly Chinese or to those who look upon poetry as an exploration of different worlds (world as \"emotion and scene\")—there will be much to enjoy in Mr. Liu's well-conceived volume The Art of Chinese Poetry.\n\nT. C. LAI.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205152, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 108, "title": "RAS-1966", "content_text": "The Hanlin Academy\n\n103\n\nFrom 1647 onwards, probationers were required to study either the Manchu language or the Chinese Classics. The number of probationers taking the Manchu course, however, declined as time went on. In the reign of Yung-cheng, only about fifteen scholars were ordered to read the Manchu course, the rest, about forty, took the Chinese course.9 In the next reign (Ch'ien-lung), the aggregate number of probationers studying the Manchu course was about ten each year, and even this small number would sometimes be reduced, as those who took long sick leaves would change to study the Chinese course after their return.10\n\nThe qualification for taking up the Manchu course was physical rather than literary. Only the young and the good-looking with a pleasant voice were selected. Presumably, the reason for such a choice is that probationers studying the Manchu course would have more contacts with the Emperor and senior officials than the others. They were the persons likely to be selected as masters of ceremony in official ceremonies. In the pursuit of the course, the probationers would be called upon to study the \"History of the Liao dynasty, the Chin dynasty, and the Yüan dynasty\" (Liao Chin Yüan shih), \"the Sacred Edicts of the Emperor Hung-wu, the first Emperor of the Ming dynasty\" (Hung-wu pao-hsün), the \"Daily Exposition of the Meaning of the Book of Great Learning\" (Ta-hsüeh yen-i jih-chiang) and the \"Commentaries of the Four Books\" (Szu-shu chieh-i).11\n\n12\n\nProbationers doing research work on the Chinese texts took lessons in Chinese Classics, history and poetry. Together with those reading the Manchu language, they had to sit for a final examination after three years of study. Probationers studying the Manchu course were tested on their ability to translate from Chinese to Manchu and vice versa, whereas those reading the Chinese Classics were each ordered to compose a poem of set form or a piece of irregular verse and to write an argumentative discussion or an eight-legged essay.13\n\nNotice that the final examination of the probationers laid emphasis on the literary skill of writing essays and poems rather than on administrative knowledge. This was because of the need to distinguish \"real\" from \"false\" talent among the candidates. Themes on administrative problems, useful though they might be in testing the practical knowledge of candidates when they were original,", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205804, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1969", "page_number": 110, "title": "RAS-1969", "content_text": "104\n\nJOHN MCCOY\n\nUnfortunately, in the vast collection of Chinese literature there is comparatively little folk poetry and most of it is of recent origin. Doubtless it has existed at all periods, but except for the very early samples which became part of the classical tradition, or for the occasional single item preserved in other writings, most of it was lost. The literati generally scorned it, at least in public, and today we are able to turn up only a few collections of any significant age and these chiefly through historical accident.\n\nIn recent years the Peking government has published a collection of Ming and Ching Dynasty folk songs as part of a general policy to point attention to the artistic efforts of the proletariat. I was lucky enough to run across this material in a Hong Kong book store. Of particular interest was a book called Shan Ko or 'Mountain Songs', a collection made in the later years of the Ming Dynasty by Feng Meng-lung. These songs were recorded verbatim from the farmers and laborers in the fields near Feng's home, that is, in Wu District near Soochow. To date this group of poems represents the earliest popular collection which I have been able to find. At least it is my earliest collection showing no evidence of revision and rewriting by the collector. More such materials doubtless exist but I have not come across them yet.\n\nMountain Songs as a literary genre have probably enjoyed a long life. The oldest reference to them may be that found in the 'Song of the Lute' or P'i P'a Hsing by Po Chu-i of the Tang Dynasty. However, this may be merely a general reference to songs from the mountain areas rather than 'Mountain Songs' as a specific genre. Today the Mountain Songs flourish, particularly in South China, with new verses appearing daily. Other Peking publications have collected modern Mountain Songs and added a companion set of more acceptable lyrics with political themes. This gives us a possible spread of at least 1300 years with extant samples of a homogeneous genre going back about 300 years.\n\nThe poetic structure of the Mountain Songs won't add anything especially new to our picture of Chinese poetry. The basic verse is four lines of eight metric beats each, or multiples of eight in various combinations. This is much like the classical seven character poem where the eighth metric beat is realized as a pause at the end of each line. The major difference is that the Mountain Songs allow a considerable variation in the actual", "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d", "rank": 0 }, { "id": 206025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 105, "title": "RAS-1970", "content_text": "100\n\nK. M. A. BARNETT\n\nFor a Chinese in particular, and in still more particular a Chinese brought up in Hong Kong, I am going to make myself unpopular and say it would be a miracle if any of them really did obtain a thorough grasp of English without first learning Latin, quite a lot of Latin, and some Greek. He needs the Greek because English has (perhaps unconsciously) borrowed a lot of its flexibility from Greek. Then, building on that foundation, he needs to read and read: some Shakespeare and Milton, of course, for they are two cornerstones of the English language, but still more he should read, whatever his religion, large chunks of the Authorized (King James) Version of the Bible, both Old and New Testament. Just as any student of Greek must read Plato, regardless of whether he approves of Plato's philosophy, so any student of English who keeps away from the Bible because he is neither a Christian nor a Jew is throwing away the most fruitful source book: for every English person, even the modern pagans, even those who for Scripture teaching use some other version (e.g., the Revised), still falls back in his ordinary speech on the diction and rhythms of the Authorized Version.\n\nLAT\n\nHaving read and learned by heart the basic speech patterns of the language, it is then safe for him to jump to such modern exponents as G. Bernard Shaw; yes, I would advise jumping all that way, leaping over the 18th and early 19th century writers; you can always go back for them afterwards. But in making this big leap you need an inquiring mind and a patient teacher. Why does Shaw always write ARN'T I? when you have been taught AM I NOT and so forth. At this point I could bewail the lack of an efficient method of writing either (or any) language. Cadmus' alphabet is as unsuitable for any modern language as LI HSIH's: though both were miracles in their day. G. B. Shaw must be grinning wryly at the damp squib his legacy turned out. But although it would be a fine thing if someone would bequeath a few millions to our universities to put a good team working on something of lasting value—a way to record, faithfully, the 15 or so local languages—don't forget that we have a way. The tape recorder makes it possible for the prose or poetry writer of today, in any language whether or not it has a writing, to compose exactly as he wishes it to go. So another piece of advice to the student: ask for a library of recorded radio scripts. But avoid\n\n94\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 207047, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 118, "title": "RAS-1974", "content_text": "112\n\nJAMES HAYES\n\nThis recital tells its own story. Hsin-an hsien was not one of the glories of the prefecture. In that useful compendium on the Kwangtung province, the Kuang-tung K’ao-ku Chi-yao of 1893, only the counties of Nan-hai, P'an-yu and Tung-kuan were singled out for mention in the section dealing with the customs and traditions of the Kuang-chou prefecture. These entries speak of the elegant dress and manners of Nan-hai, of its literary and cultured atmosphere, and of how every palace examination brought forth the names of successful local candidates; of the profusion of foreign and local products, and the native and foreign merchants, stationery and itinerant, and the immense shipping of the port.1 Tung-kuan found fame as the ancient examination centre for the province; but no other place is mentioned. In scholars' eyes, the two metropolitan districts of Nan-hai and P'an-yu completely eclipsed the country and coastal districts of the prefecture like Hsin-an and another late creation, Hsin-ning, established in 1498-1499.2 As late as 1745 the district magistrate of Hsin-an when composing an inscription for the repair of the Chau Wong memorial school at Kam Tin, styled it as a place where the Book of Poetry was read as early as sunrise; and culture had spread even to this remote place near the sea.\n\nThe Kuang-tung K’ao-ku Chi-yao, a typical work of Chinese historiography, lovingly compiled, was the work of four Hunanese who had long been employed in the province as huan or officials and mu-fu or private secretaries to senior mandarins. It deals, in 46 chuan, with the wide variety of subjects usually found in district gazetteers and other works on administrative geography. Those chüan dealing with subjects on a geographical basis included material, arranged by prefecture and district. Hsin-an is included whenever, in the opinion of the compilers, there was anything in its records that warranted an entry.4\n\nAs in the chuan on customs and tradition the entries for Hsin-an in other chüan are much fewer than for the older hsien of the\n\n1 KTKKCY 4/1,\n\n2 KTKKCY 1/1 and KCFC 7/4.\n\n3 Tablet dated Ch'ien Lung 10th year, 1st moon, lucky day, inside the building.\n\n4 There is, of course, no shortage of books dealing with Kwangtung and its many localities under similar heads, and in providing their Hsin-an material the compilers did not set out to provide a compendium of all that had ever been included in the successive editions of the standard works on the Kuang-chou prefecture and the hsien of Tung-kuan and Hsin-an, but rather a selection of important material. The KTKKCY seldom provides material after the end of Ming (1644),", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207558, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 326, "title": "RAS-1975", "content_text": "318\n\nNOTES AND QUERIES\n\neverlasting as the Southern Mountain (a classical allusion symbolizing the “realm of longevity”). Providence has showered blessings of prosperity upon the family and bestowed her posterity with divine qualities. Here are gathered the young and the old to offer her their greetings and celebrations. May she live long like the evergreen pine-trees. Her descendants, who devote themselves to academic studies or engage in husbandry, have come forth with their fervent blessings of the \"Nine Similes\" [a psalm from the Book of Poetry].* Your mother, sitting in the North Hall, is presented with auspicious peaches [the \"fruit of longevity\" in Chinese legend]. She radiates with the spirit of the Dragon and the vigour of the Horse. Assembled at this Birthday party in this sumptuously decorated hall are honourable guests, all from noble and dignified families (Scribbled by Sun Ying-suet).\n\nHong Kong, 1976.\n\nFRANCIS SHAM AND JAMES HAYES\n\nHƯNG HȮM (£): AN EARLY INDUSTRIAL VILLAGE IN OLD BRITISH KOWLOON.\n\nBritish Kowloon was ceded in March 1860. Its population at that time was around the few thousand mark, and its growth was steady over the next twenty years. In 1881 the population numbered 9,021. Thereafter the population rose sharply and by 1897 it was 26,402, of which 19,202 were male, (Sessional Papers 1897, p. 485).\n\nThe increase in the Kowloon population from 1860 on may be attributed to the establishment of industrial and manufacturing concerns, that undoubtedly owed their existence to the presence of nearby Hong Kong, then making great strides towards its establishment as a great entrepôt and commercial and financial centre. Among them the Hong Kong Whampoa Dock Company set up its yard at Hung Hom in the 1860's, the Cosmopolitan Dock began at\n\n*The \"9 Similes\" (*) from the Book of Poetry()\n\n(1) (2) (3) (4) (5)\n\n如山如阜,如同如陵,如川之方至,以莫不增,\n\n(6)\n\n(7)\n\n(8)\n\n如月之恒,如日之升,如南山之壽,不騫不崩,\n\n(9)\n\n如松柏之茂,無不爾或承 [FSYS]", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207580, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 348, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n339\n\ncontrolled the central government of the late Ming period. However, due to the expansion of the military power of the Manchus, the central activity of this Association from 1640, turns into the intellectuals' Anti-Manchu Movement.41 The fact that Hsiao Yün-ts'ung has been a member of the Reconquering Association can certainly help us to understand more about his life and personality. Although we know nothing about Hsiao's Anti-Manchu activity, a description of him as, “taking up the life of a hermit, he devoted himself to poetry, essay-writing, scholarship, and painting” (p. 177) is at least not the entire picture of Hsiao Yün-ts'ung's life. He must have been patriotic and full of the spirit of justice at one time. More likely it was only because of the triumph of the Manchus that he was forced to live as a recluse for his last 30 years. Professor Li has tended to ignore this key point in Hsiao Yün-ts'ung's life.\n\nTo conclude, in the 20th Century, in the 60 years since Stephen W. Bushell (1844-1908) published his classic Chinese Art42, due to the stimulation given by the opening of museums, the growth of private collections and a developed new interest in studying things oriental, a good number of histories of Chinese art have been written by scholars of different nationalities. None of them, however, has attempted a Chinese art history based on a single private collection,43 like Thousand Peaks and Myriad Ravines. This appears to be the first book of this kind, and despite those problems that the reviewer has already pointed out, and some other minor disputable points44, it is not inappropriate to call this book the first such publication. It is one, too, that is associated with a unique and earlier feature of writing Chinese art history, the introduction.\n\nThe reviewer suggests that as a Research Curator of the Nelson Gallery and Atkins Museum in Kansas, with its far better known collection, Professor Li should publish another such history of Chinese art, or history of Chinese painting, based on that renowned assemblage.\n\nUniversity of Hong Kong, 1976\n\nFOOTNOTES\n\nCHUANG SHEN\n\n1 For instance, the well-known collection of Mr. K. Sumitomo, is described in the illustrated and descriptive catalogue Senoku Seisho ★A★T (The collection of old bronzes of K. Sumitomo) first edited by Prof. Kosaku Hamada∗ ∗ ∗ and others in 1911. After being revised by Prof. Sueji Umehara∗ ∗ ∗ it was reprinted in 1934 in Kyoto. The additional catalogue concerning Mr. Sumitomo's new acquisitions on ancient", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208343, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 67, "title": "RAS-1978", "content_text": "IS FACE THE SAME AS LI? \n\n51 \n\nand li is like saying shame is distinguished by being an external sanction. Face is purely external; whereas li is at least partly internal. Face, as everyone agrees, has exclusively to do with appearance, however important appearance may be. No one can lose face over something which is not discovered or not dragged into public view. When we talk about face it is true that \"tis not to leave it undone, but to do it unknown\"; actually it goes further; misconduct or shortcomings, even if known, does not impair the face of anybody so long as everybody can pretend to ignore it. This is well understood and pointed out by Agassi and Jarvie. Face answers the earliest definition of shame sanction as an external sanction set into motion by others.4 \n\nLi, as advocated in Confucianism on the other hand is supposed to be internalized. Confucius says in various ways, in the Analects, that li which does not issue from true feelings is not real li but only the motions of li. Often the true feeling, or internal state required is yen translated as 'benevolence' or 'human heartedness'. We are told, for example, ‘If a man has not yen, what can (the motions of) li do for him?' 'Lin-fang asked about the essence of li. The Master said, \"Important question this! It is truly li to be understated rather than overstated; for example, in a funeral, to be more concerned to have real grief than with ease with the ceremonies.\"6 Again, in another passage, interpreting a quotation from the Book of Poetry, Confucius agreed that the lesson was 'the putting on of colours comes after the preparation of a flawless ground', and that, in turn, signified that, likewise, li comes after the proper state of mind is attained. Clearly, Confucius means that li is a combination of the proper external motions and the proper internal emotions. When internal emotions of kindness, respect, humility, etc. are disciplined by and manifested through appropriate rituals or in accordance with etiquette, we have li. Even in Hsun Tzu's interpretation of Confucius, which places great emphasis on external discipline, the internal element is far from being ignored. On the contrary, external discipline is proposed as the most effective means to mould internal emotions. Face makes no such pretense at all. In Men Tzu's interpretation, which places overwhelming emphasis on internal cultivation, li is simply the ideal expression of some noble emotion which is already there. The Great Learning, traditionally believed to be written by Confucius' immediate disciple,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 204, "title": "RAS-1980", "content_text": "172\n\nBOOK LISTS\n\nMr. Leung's book lists those produced mainly in Canton and Fatshan (Fo-shan), but I have recently purchased another type of wood-block mu yu shue published in the Chiu-chau prefectural city, seemingly in late Ch'ing times and after. The covers give place of publication as Chiu-shing (M) by the 王生記, 財利堂, 吳瑞文堂 and 李萬利 publishing firms. Perhaps these were the ones referred to by D. H. Kulp, Country Life in China: The Sociology of Familism; Volume I, Phenix Village Kwangtung, China (New York, Columbia Teachers' College, Columbia University, 1925): Judging by my local collecting, they are rarely found in Hong Kong.\n\n(j) Popular poetry\n\nI have not collected old editions from Ch'ing and Republican times, but have seen many, even from the former period, usually with a Canton or Fatshan imprint. They were frequently \"borrowings\" of compilations made by scholars from the Yangtse area and North China, for such works were seemingly universally in demand. No list.\n\n(k) Novels and stories\n\nThis was not a main area for collecting, and the few works listed here are mainly for the purpose of illustrating the genre than for serious bibliographic attention. I have, in truth, seen many more titles.\n\n(l) Morality books\n\nHere again, I have not really attempted to collect such material, but only to provide a few titles on temple deities to accompany the text in Section A. But I can state that there is a great deal of it around, and that some can usually be found whenever a merchant's business and miscellaneous papers come onto the market, along with the account books and correspondence relating to his shop or firm.\n\n(m) Newspapers\n\nI have only mentioned them in the text because they seem to have been part of the stock of written materials available in rural areas of the Hong Kong Region before 1911, even if only casually and occasionally, which was", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 210084, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 55, "title": "RAS-1984", "content_text": "34\n\nSample No. 2 (B-2)\n\nOne of the more complete versions of the Kuan Ti oracles printed in book form as appendix to Kuan Sheng-ti chun ying-yan t'ao-yuan ming-sheng ching (See bibliography).\n\nThis edition has a total of 5 commentaries, perhaps inspired by the “ten wings\" of the I Ching. The last two commentaries are written in poetry, one attributed to Su Tang-po and the other to Pi-hsien.\n\n富貴榮華天付汝\n\n巍巍獨步向雲\n\n天\n\n付\n\n向\n\n雲\n\n汝間\n\n福玉\n\n如殿:\n\n東千\n\n聖意 功名遂 福全 萬得理\n\n求人\n\n財\n\n此\n\n此功\n\n有\n\n山班\n\n。須要人地相當則應。曹仙史。第一班。仙史之最貴者如。榮華富貴。自天作主。天已付之。自然福旁無涯。如海。言福之廣遠。如山。言壽之藝永。上上大吉宿雲間。青雲之上也。巍獨步。許其足踏青雲也。玉殿千官。乃是天\n\n求財。多主有名無實。為語多空虚也。\n\n解曰 此籤谋望事緒。無不遂意。但各有所主。官員占此。有超越之喜。士人有功名之虞,占前程者。福壽綿長。占事業者。根基穩固。若謀望被\n\n病症 桑麻熟 婚姻國 孕生子 行人選\n\nto\n\n解\n\n意 綠皆終 談名\n\n稱 厚天身笑 謀毒所光功\n\n脊\n\n甲\n\n崩 勛 第群步\n\n問獨步\n\n月 狸\n\n趱\n\n丹\n\n東拔羊超群碧桂\n\n成名步玉\n\n仙\n\n畿\n\n髓", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211345, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 61, "title": "RAS-1988", "content_text": "37\n\nofficials in Shanghai stopped Sulin from sailing to America because Mrs. Harkness had neglected to obtain the necessary permit to export live animals. After much discussion and wrangling, Mrs. Harkness was able to leave Shanghai for San Francisco with Sulin on the President McKinley, carrying with her a \"passenger voucher\" for \"one dog\".\n\nTwo years later, in 1938, Floyd Smith succeeded in bringing five live giant pandas to England, creating a general sensation around the world.\n\nResearch into Chinese records for records on the giant panda\n\nWith all the hoopla around the world starring one of China's very own, faces were red indeed back in the Central Kingdom. Nobody had even suspected the existence of such a delightful treasure in China's own backwoods.\n\nResearchers were challenged to dig into Chinese historical records and ancient writings to find proof that, after all, the Chinese had known all about the giant panda since antiquity.\n\nThe Synthesis of Books and Illustrations of Ancient and Modern Times, a work compiled during the Ming dynasty (1368-1644) but not printed until 1722, is a wonderful source for quick reference of Chinese scholarship throughout the ages. Thumbing through the chapters on animals, scholars of the 1930s came up with a plethora of animal names that they fitted into physical descriptions of the modern giant panda in one way or another. Some of these choices could be traced to the classics, the Book of Odes, an anthology of poetry mostly dating from the early Zhou era (1122-722 B.C.), and Erya, a dictionary thought to date from the third century B.C. Antiquity indeed.\n\nThat giant pandas had existed in China since geological times was never a point in dispute. Studies of fossil remains have proved beyond any doubt that pandas had lived in China during the Pleistocene. Furthermore, their geographical distribution had been much more extensive than today's. They had lived in areas outside the southwestern mountains, and had roamed the provinces of the north and the east, including Liaoning, Shandong, Anhui, and Jiangsu.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 212271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 213, "title": "RAS-1990", "content_text": "190\n\nbegan the habit of studying from 3:00 to 8:00 am, carrying the habit with him into his missionary life in Malacca (1839-1843) and Hong Kong (1843-1872), maintaining it even through his twenty-one years at Oxford.\n\nII. Legge's Scottish Inheritance\n\nAlthough Legge mentions numerous sources and authors in his autobiographical reflections written just a year before he died, the most profound early influence came from the 16th century Scottish intellectual, George Buchanan. Two of Buchanan's works had a long-lasting effect on Legge: the paraphrased psalms and his History of Scotland. Much more was elicited from Legge as a consequence of his exposure to these two works than might be initially expected.\n\nLike many pious Scots, James' mother memorized the Psalms and often sang them during her daily work. While he was in grammar school, Buchanan's paraphrased psalms became a great attraction to the young Legge.\n\nThese rhyming psalms provided Legge with a stylistic framework into which he rendered the Chinese classic, The Book of Odes, (*) among other works. Some of Legge's most astute translations of the terse Chinese poems from this classic, first published in 1871, reflect the paraphrastic flexibility which Buchanan achieved in his work. A few years later Legge published a metrical version of the same Chinese classic, rendering its poems in everything from stylish English to Scottish drone, pursuing the goal of portraying the rich variety of language and style The Book of Odes itself contains. Here the influence of Buchanan is particularly clear.\n\nBuchanan's influence on Legge went beyond the medium of Chinese verse. Before entering Oxford, Legge also rendered into English the whole of the Hebrew Psalter in similar paraphrastic poetry, accompanied by a critical introduction, as was his custom. For reasons unknown, this manuscript was never published.14\n\nHaving recognized the mnemonic value of rhymed paraphrases, Professor Legge also prepared a rhymed piece which cleverly related to new students the titles, order, and distinctions of the many dynasties within traditional Chinese history.\n\n35", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212290, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 232, "title": "RAS-1990", "content_text": "209\n\n7\n\nThe texts translated by Legge were given the special subtitle, The Sacred Books of China: The Texts of Confucianism (Oxford: Clarendon Press, 1879-1891). They included six volumes (numbers 3, 16, 27-28, 39-40) in The Sacred Books Of The East Series under the general editing of F. Max Müller: Part I. The Shu King (the Book of Documents), The Religious Portion of the Shih King (The Book of Odes), and the Hsiao King (the Classic of Filial Piety) (XW) (1879); Part II. The Yi King (the Book of Changes) (58) (1882); Part III. The Li Ki (the Book of Rites), (禮記) I-X (1885); Part IV. The Li Ki, XI-XLVI (1885); Part V. The Tao Teh King (道德經) and the Writings of Kwang-Tze (莊子) (the Taoist Classics by Laozi and Zhuangzi), I-XVII (1891); Part VI. The Writings of Kwang-Tze, XVIII-XXXII, and the Thai-Shang Tractate of Actions and Their Retributions, (太上感應篇) with Appendices, I-VIII (1891). One of Legge's more important addresses in this field was to the Oriental Congress which met in Lyons and Florence during September, 1878. It was entitled, \"On the Present State of Chinese Studies and What is Wanted to Complete the Analysis of the Chinese Written Characters\" (September 16, 1878). Legge was Chairman of the Congress.\n\nAfter his Inaugural Address at Oxford, Legge quickly sought to attract students and any interested public by presenting very practical discussions of Chinese language. On November 7, 1876, he presented \"The Nature and History of the Chinese Written Character\". In 1878 another public lecture dealt with \"Principles of Composition in Chinese, or Grammar without Inflections\". By January, 1877, he was able to attract enough students to begin a course entitled \"Elements of Chinese and the Confucian Analects\". By the school year of 1881-1882, Legge was presenting classes on The Four Books, Laozi's (Zhuangzi) Daode Jing (道德經), and Chinese Poetry. See Oxford University Gazette, 1876-1877, pp. 64, 191; 1878-1879, p. 93; 1881-1883, pp. 200-201. The text he used for the grammar course in his early years at Oxford was Stanislas Julien's Syntaxe Nouvelle de la Langue Chinoise (ibid, 1877-1878, p. 193).\n\n* Besides the major Taoist volumes in The Sacred Books of the East, Legge also presented independent public addresses on Laozi and Zhuangzi (莊子) at Oxford's Taylorian Institute. The high regard Legge had for Zhuangzi can be seen in the typescript of the address, still available in the Bodleian. See Oxford University Gazette, 1889-1890, p. 92.\n\nLegge's response to Buddhism was very much influenced by the polemical attitudes of the Tang dynasty scholar, Han Yu, and other criticisms of Buddhism he read in Chinese tractates written by notable missionary scholars. He employed Han Yu's memorial against Buddhism as part of class readings beginning in 1883, added other texts to this in the late eighties and early nineties, and spoke publicly on \"The Purgatories of Buddhism and Taoism!\" in 1893. See Oxford University Gazette, 1882-1883, p. 558; 1884-1885, p. 339; 1892-1893, pp. 226, 491. His most important text and article relating to Buddhism are A Record of Buddhist Kingdoms, Being an Account by the Chinese Monk Fa-Hien of His Travels in India and Ceylon (AD 389-414) In Search of the Buddhist Books of Discipline (Oxford: Clarendon Press, 1886), and “A Fair and Dispassionate Discussion of the Three Doctrines Accepted in China', by Liu Mi, A Buddhist Scholar”, (London; n.d., presented to the Orientalist Congress 188?, pp. 563-580). The original source of publication for the article is not clear.\n\n† Besides the Buddhist texts mentioned above in §9, Legge also published Christianity In China: Nestorianism, Roman Catholicism, Protestantism. On the flyleaf is the following title: Christianity in China; A Rendering of the Nestorian Tablet at Si-an-fu to Commemorate Christianity. London: Trübner & Co, 1888.\n\nCf Lindsay Ride's \"Biographical Note\", in The Chinese Classics with a Translation, Critical and Exegetical Notes, Prolegomena, and Copious Indexes (Taipei: Southern Materials Center, Inc, 1985), p. 22. At the age of 26 he had been awarded a Doctorate of Divinity by New York University (1842).", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212293, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 235, "title": "RAS-1990", "content_text": "212\n\nKong CT. London Missionary Society Archives, South China, April 24, 1845: Legge writes to the headquarters, sending copies of Collie's work to them.\n\nC Andrew J Nathan, \"The Place of Values in Cross-Cultural Studies: The Example of Democracy and China\", in Paul A. Cohen and Merle Goldman, eds., Ideas Across Cultures: Essays on Chinese Thought in Honor of Benjamin I. Schwartz (Cambridge, Massachusetts: Harvard University Press, 1990), pp. 293-314. I quote here the three relevant sections.\n\n**After World War II] relativism especially recommended itself as a corrective to our society's nineteenth and early twentieth-century missionary impulses... that their way of life was not going to sweep the world.... (Ibid. p 296).\n\n**The relativist position |-| adopted in order to prevent missionary zeal from clouding our understanding of the non-Western world |. led in some cases to an equal but opposite kind of self-deception”. (Ibid. p 304).\n\n\"Evaluative universalism by no means requires a return to the missionary mode of promoting Western values. It is not a call for proselytism but an expression of the belief, first, that value differences when they exist can, and can only, be honestly expressed, and second, that beliefs originating in different societies can fruitfully be confronted with one another, compared, and judged, even though disagreement is expected to persist”. (Ibid. pp 312-313).\n\nRecorded in Legge's autobiographical account entitled \"Notes of My Life\" (pp. 25-27), kept now in the Bodleian Library in Oxford.\n\n12 These books are Paraphrasis Psalmorum Davidis Poetica (n.p., 1566) and Rerum Scoticorum Historia (ed. apud A. Arbuthnetum, 1582). English translations of both were available in Legge's time.\n\nLi\n\nThis version was apparently intended as a replacement of the earlier rendition of The Book Of Poetry published by Legge in 1871. It was a completely revised text of both the verse and the commentarial notes. Because it only included the English text and not the Chinese text which appeared in the first edition, however, the later Oxford edition of 1893-1895 republished the earlier text. A comparison of this earlier rendition with the second edition (which others called Legge's \"metrical“ Shijing \"jén) would display the kind of discipline Legge had as a translator of classical texts. See James Legge, The Chinese Classics: translated into English, with Preliminary Essays And Explanatory Notes – Vol III: The She King; or, The Book Of Odes (London: Trübner & Co., 1876). See also Alfred Lister, \"Dr. Legge's Metrical Shi-King\", The China Review 5:1 (July 1876), pp. 1-8.\n\n11\n\nThis Hebrew Psalter was prepared with a twenty-seven page introductory essay which included some critical commentary, and over three hundred pages of metrical paraphrases of the Psalms. Legge's position in presenting the Psalter was primarily meditative and not textual-critical; neither did this tome contain the kind of extensive commentarial apparatus which The Chinese Classics always included. Perhaps it is for some of these reasons that the manuscript was never published. It is now kept in the library of New College at the University of Edinburgh.\n\n14 The printed text of this poetic summary of Chinese history I found in the Oriental Studies Library in Oxford. It was clearly planned and printed as part of some larger work.\n\nFor the value of \"cherishing the old\", see the Analects 2:11, The Chinese Classics: Vol 1, op. cit., p. 49. Han Yu's opposition to Buddhist and Taoist superstitions, his courageous attack on their spiritual deceptions, and his consequent punishment must have stood as a courageous example to Legge. Han's specific interest in the old style, and his influence in stimulating interest in the renewed study of ancient texts and writing styles, parallels some of Legge's own interests.\n\n17 After graduating from King's College, the young James spent time with his father", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212455, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 9, "title": "RAS-1991", "content_text": "would be surprised how many members have actually published a book over the last two or three years or are going to publish in this forthcoming year. We are a society whose members get consulted on a variety of matters from the Urban Council when they set up the Hong Kong Museum of History, to the Hong Kong Government when seeking assistance for the grading of historical buildings for the Government Antiquities Advisory Board, and by the Legislative Council inviting us to make representations on the Council elections and even from abroad by people who want to know for instance about how Chinese junks are constructed; we even have applications from persons who wish to work for the society full-time but unfortunately they wish for remuneration! So although we are inclined to look back, historically, we are a Society whose members consist of people from all walks of life and who take an active forward-looking interest in Hong Kong and events which are likely to affect the future well-being of the Society,\n\nAll this may sound too self-congratulatory and in some ways it is: there are of course some problems, but before coming up to them I would like to briefly outline what we have actually done to justify our existence over the last year. First and foremost there is the Journal. The 1989 Journal was published recently and if you do not have your copy please see the Assistant Secretary. I think you will agree with me that it is full of interest and is up to the high scholarly standards we have come to expect. For this we have to thank not only all contributors but particularly our Editor Dr. Patrick Hase. He has toiled long with spectacular results: but even so we are asking him to toil even harder to get out the 1990 Journal and we are hopeful this will be published later this year.\n\nThe next area I wish to highlight is the Programme: the Society has a Programme Committee under the able Chairmanship of Mr. Peter Leeds and arranges a variety of talks and visits: for the last year there have been the following talks:\n\nFather Louis Ha\n\nDr. Graeme Lang\n\nMs. J. Bresnihan\n\nMr. Peter Lee & Judy Bonavia\n\nDr. Patrick Hase\n\n150th Anniversary of the Catholic\n\nChurch in Hong Kong\n\nRise of a Refugee God\n\n(Wong Tai Sin)\n\nGovernor John Pope Hennessy\n\nTibetans and Tus\n\nNew Territories Poetry and\n\nFolk Song\n\nviii", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212765, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 74, "title": "RAS-1992", "content_text": "59\n\nprevail elsewhere, and some of the descriptions held good for the whole of China. But,' continued Mesny, 'China is a large Empire, and General Tcheng was too young when he left China for Europe to have seen much of his own country. He was no doubt much better acquainted with Parisian manners and customs than with many manners and customs which prevail in many parts of the Chinese Empire. Nevertheless, his book deserves to be read more than once, even by me, who have seen so much more of China and the Chinese than General Tcheng has so far. Had I the literary qualifications of the writer of Les Chinois, Peints par Eux-memes, I could write at least a dozen such books on China and the Chinese without exhausting the stock of information I have acquired during my forty-four years' residence in the country. I have been treated in some parts of China much the same as General Tcheng was treated in Paris,'\n\nThe Miscellany probably just about paid its way though from the occasional note of sadness though not despair which appears from time to time, Mesny must have continued more for the desire to make a living and perhaps also to keep his name before the public eye rather than to earn a fortune. It was by no means smooth going and at times he must have upset individuals and even groups such as the announcement he made in July 1899 that his Miscellany was being boycotted by the press, bankers, insurance and shipping agencies and by shopkeepers. He bemoaned the fact [Volume II, Issue 28: Sep 1896] that the loss on the first year's publication was over $2,000.\n\nSeveral times in the course of his Miscellanies Mesny repeats a disclosure of a titbit of news or political scandal to prove that he was first and that the North China Daily News and the Shanghai Mercury had simply copied his original scoop without attribution.\n\nA number of magazines were being published around this time on the China Coast such as The East of Asia Magazine, printed and published by the North China Herald Office in Shanghai, a quarterly illustrated consisting of essays on topical subjects such as Chinese customs and superstitions, gems of Chinese poetry, bits of Fukien travel, Ningpo under the T'ai-ping's, etc mostly written by reasonably well known people. It only ran for a couple of years. Another was Social Shanghai, a monthly glossy journal relating western social happenings mostly in Shanghai but in a few instances referring to the outports. It consisted of the usual society articles, including births, deaths and marriages, the races, and lengthy pieces about the Shanghai Volunteer Corps. This ran", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213172, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 240, "title": "RAS-1993", "content_text": "222\n\nquestion and wrote the second book, because the first volume, good though it is, told a very incomplete tale. Low City, High City concentrates on the Low City, Shitamachi or the old part of the city that was originally built on swampy lowlands and into which were crowded the commoners when Japan was ruled by the samurai. \"Commoner culture\" may have been a contradiction in terms to the samurai and their culture, yet it grew and grew and attracted avid attention even from the samurai in the feudal period. The lure of commoner culture remained in the Low City and continues today to beckon to many observers. Kabuki plays, haiku poetry, \"pictures of the floating world\" or ukiyoe, and the entertainers of the nightlife districts are just some of the legacies of the Low City which provoked Seidensticker's eulogy. He also takes up the high culture of the samurai, Zen Buddhism, tea ceremony and gardens, but his first love is clearly the culture of the Low City.\n\nHe takes his tale up to 1923 when the Great Kanto Earthquake destroyed most of Tokyo and Yokohama, especially the part of the city which he lovingly portrays. The 'quake struck on September 1, at noon when cooking fires were burning throughout the city. Fire soon raged over the crowded Low City, killing an estimated 100,000 people in Tokyo and Yokohama. Although the Low City sprang back to life (Tokyo folklore had it that a business which could not reopen on the third day after a fire was one which would have failed soon anyway due to its owner's mis-management even if the fire had not occurred), for Seidensticker, and for many literary figures like Nagai Kafu and Tanizaki Jun'ichiro whom he quotes heavily, the old city and its culture failed to spring back, already having been changed by the new currents and culture flowing in from the West. Now, its physical base was destroyed as well.\n\nFortunately Seidensticker did not leave his subject on such a negative note. He took up his own challenge to deal with the 'many exciting things [that] have occurred in the six decades since the earthquake.' The second volume is increasingly different from the first volume not, however, in terms of its excellence or the tender care it gives to its subject but, rather, it deals with the High City, the portion of the city which stretches far to the west and north of the Low City and in which the samurai class once lived, but which now houses the middle-class society that pervades Japan. Although the influences of the Low City are not absent in the new High City, the atmosphere changes dramatically as one goes up the low hills. The austerity and severe-mindedness of the samurai class spreads through\n\nPage 240\n\nPage 241", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213329, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 151, "title": "RAS-1994", "content_text": "133\n\ncommemorative book plate. Another of Y F's gifts to me, was a tape recording of his recitation of Chinese prose and poetry from his former school textbook, the Kwu Man in the manner taught in his schooldays at a private academy in Hong Kong. This unique recording is now in the Museum of History, and was used as audio background to a recent exhibition there on the history of education in Hong Kong. \"Y.F\" had joined the Society in its early years, but was later made an Honorary Member in recognition of his interest and personal services to it over a long period. Until increasing debility made it impossible for him to attend, he used to accept our invitations to be a guest at the dinners that followed the Annual General Meetings,\n\nLocal Tours\n\nDuring my long years as an office bearer of the Society in Hong Kong, I have organized many local tours for members and their friends. This was - and when I get the chance, still is – a labour of love. Year in year out, the \"Local Tour Programme\" has exploited the wide variety of topics and locations available for visits. In my time, they were made possible by the contacts generated by my government posts, and by the friendliness of the local people, who never hesitated to make us feel welcome. Always popular and well-attended, they have provided opportunities to view places and things of historical interest and see people in their home surroundings. In addition, some of the tours have enabled visitors to learn something of Hong Kong's modernization and progress over the years, especially in the New Territories where there is still an opportunity to see the new and the old side by side. On my regular visits to Hong Kong since coming to live in Sydney, I have been glad to see that the tradition continues and that the Local Tours Programme goes from strength to strength, with good attendances and the occasional need to repeat the more popular visits. This has reminded me of some \"monster\" visits, like the Hong Kong Island tour of November 1989, when I took four coach-loads to many locations one Saturday, and had to give members time to return to the buses at each location as, with such large numbers, \"whipping in\" was impossible.\n\nTo convey the flavour of such visits, I have included a few notes of tours that took place in the last twenty-two years. They are included here to illustrate the scope and variety of the RAS programme, and may also bring back some happy memories of readers who took part.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 214843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 258, "title": "RAS-1999", "content_text": "225\n\nNOTES\n\nNot all the materials for this study are available in Sydney libraries, and I have been obliged to take extracts from secondary sources where it has not been possible to consult the originals.\n\n2 William C. Milne, Life in China (London, Routledge, Warnes & Routledge, New Edition, 1859), p. 1.\n\n3 Davis had been a long-serving member of the Honourable East India Committee's Select Committee at Canton, and was a skilled linguist and translator.\n\n5 Sir John himself provided a light-hearted anecdote in the Introduction to a revised and augmented edition of another of his books, The Poetry of the Chinese, published in 1870. This tells its own story. \"When this Treatise was first printed (now more than forty years ago), with types brought from China, in the quarto Transactions of the Royal Asiatic Society, the foreign [i.e. Chinese written] character was so little known in England, that Lord Palmerston, with his usual pleasantry, said he took it 'at first sight for a work on Entomology'.\" (Sir John Francis Davis, The Poetry of the Chinese (Paragon Book Reprint Corp. New York, 1969 of the original, London 1870, p.v)\n\nConcerning the Chinese statecraft reformer Wei Yuan, Jane Kate Leonard comments, \"Never for a moment did he conceive of the West as a new and unique center of culture and civilization in any sense comparable with China\": in Wei Yuan and China's Rediscovery of the Maritime World (Harvard University Press, 1984), pp.3-4.\n\n6 George Henry Mason, The Costume of the Chinese (London, William Miller, 1804), preface.\n\n7 \"An Observer\" in Vol II of this publication, p.111.\n\n8 Lieutenant John Ouchterlony, The Chinese War: An Account of All the Operations of the British Forces from the Commencement to the Treaty of Nanking (London, Saunders and Otley, 1844), p.37.\n\n9 Ouchterlony, pp.37-8.\n\n10 Wyndham Baker wrote home: \"I have read every work I can get hold of", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215430, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 207, "title": "RAS-2001", "content_text": "156\n\nPopular Jesuit devotional manuals of the times prove useful. A good example is a 1617 book of poetry that was quickly disseminated after its author's death. The Officium parvum Immaculata Conceptionis, or Small Office, by the Spanish Jesuit St. Alfonso Rodriguez intersperses a brilliant cluster of Marian symbols amongst its prayers. Besides the Fountain, the Spotless Mirror, the Enclosed Garden and the Cypress, the Small Office also sings the praises of the Palm tree, the New Star of Jacob, the Eastern Door of the Temple of Jerusalem, the Port of Shipwrecks and others. Thus, the closed door underneath the decorative pyramid topped by a globe seen on the farthest right-hand bay of the façade can be equated to Rodriguez's porta orientalis of the Temple of Jerusalem, taken from Ezekiel, which remained ever closed after the Lord Yahweh had passed through it.\n\nOther carved symbols can be deciphered with other contemporary texts. For instance, one of the three left bay reliefs carved on the base of the third storey shows the seven-branched candlestick of the Jewish Tabernacle. Here it is reasonable to infer that this is a literary conceit typical of much of sixteenth century Mannerist literature in Europe. Thus, through allusion Mary's immaculate earthly body has been likened to a tabernacle and related to the Eucharistic mystery. This is because Mary carried the baby Jesus in her womb in the same way that the consecrated host is housed in a tabernacle, a cryptic simile known from Counter-Reformation religious literature.”\n\nSuch an interpretation is further confirmed by the reliefs decorating the section of the base of the third storey below the two adjoining bays, as well as the left volute. They show a stylised vine and a small monstrance amid branches with berries.\n\nThese reliefs correspond to the flowering plants that adorn the mirror on the right. Like the flowered pedestals of the columns, these plants seem to be more decorative than symbolic, depicting specimens of Chinese or Japanese flora in which Far Eastern artists have been encouraged to integrate more traditional painterly images with images of Western origin. As is the case with the gargoyles in the form of Chinese lions, they attest to the significant role played by Chinese and Japanese artists in the design and execution of the decoration of the church.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215961, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 260, "title": "RAS-2002", "content_text": "194\n\npart in shaping the openness Ch'ea expressed once he had heard about the Christian message from these two Chinese colporteurs. Would he have rejected it if the speakers were Scottish missionaries? It is highly probable that he would have resisted such an obvious foreign intrusion. But as he began to read the Delegates' Version of the New Testament presented to him by A-Wye, Ch'ea read a Sacred Sutra (Shèngjīng23) very different from the texts read by Hóng Xiùquán (1814-1864) twenty years earlier. Previous translations had been prepared primarily by foreign missionaries, always in consultation with some \"native informants,\" but hardly proper persons qualified to act as \"expert consultants\" on translation problems. The Delegates' Version, on the contrary, was the result of a rigorous process of interaction between foreign missionaries and traditionally trained Chinese informants, among them the young scholar, Wáng Tāo.24 Among their translation goals was the concern to create a translation attractive in style to a relatively educated Chinese person, in essence, a Bible with a Ruist flavour. When Ch'ea read the Delegates' Version of the New Testament, he felt the influences of a Ruist mind shaping the ideas of the text in numerous obvious and more subtle ways. In addition, and this very much due to Legge's personal commitments regarding the so-called \"term question\" debates, Ch'ea read a Shèngjīng which referred to \"God\" as shàngdì, the classical term in the Ruist canonical texts of the Book of Historical Documents (Shūjīng or Shàngshū) and Book of Poetry (Shījīng) for the supreme \"Lord on High.\"26\n\n25\n\nNo precise record of the dialogue between A-Wye, the colporteur, and Ch'ea, the keeper of the Poklo temple to Master Kong, was ever made. What is relayed through a letter conjointly written by Legge and Chalmers in 1856 is the following. Since A-Wye and his colleague intended to leave Poklo very soon for other areas in eastern Guangdong, they presented Ch'ea with a copy of the Delegates' Version of the New Testament and then proceeded eastward, promising to return sometime later. Their discussion had apparently focused in part on passages describing Jesus' dialogue with the Jewish literatus, Nicodemus (John 3: 1ff) and the Samaritan woman (John 4), dealing with the question of", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215968, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 267, "title": "RAS-2002", "content_text": "201\n\nMore fundamental to Ch'ea's self-defence was a claim inherent in those translations of the Shengjing, the Chinese Christian Bible, which employed shàngdì as the key term for the Christian God. When Jesus spoke about \"conversion,\" the Chinese phrase suggested a “return” (gūixiàng) rather than a \"turning.\" One who \"turned\" to the Christian God through the sacrifice of Christ was \"returning\" to the Lord on High (shàngdì) worshipped by the ancient sages as mentioned in the Book of Historical Documents and Book of Poetry. For a Chinese to become a Christian was, in the final analysis, to return to the religious worldview of the sage kings and to experience a new fulfilment of their own Ruist cultural heritage.49\n\nPerhaps it was this strain of Chinese Christian theology which was partially influential, though never stated explicitly, in sparing Ch'ea from civil punishment. Probably some months after he had left his post at the local temple, Ch'ea was arrested by government officials and his Christian books were seized. Ostensibly the charge was that he had \"been deceiving the people with heretical doctrines,\" but there were probably other concerns also motivating the officials' harshness. After the initial battles of the new Sino-British war, issues probably not fully known by Ch'ea, all suspicious citizens with obvious foreign connections were being questioned. The threat of foreign invasion determined by the outcome of war and not restrained by any other known international legal institution greatly threatened the Qing hierarchy and Chinese citizens in the Manchurian empire. As a consequence, Ch'ea had this additional complication to face in addition to other, probably more expected, cultural oppositions. After \"squabbling for about three hours\" and trying to \"practice extortion\" on Ch’ëa, who “fearlessly” did not “answer them a word,” nothing could be found as evidence to place him in either a cangue or chains. Did the officials peruse the books and come up with other conclusions? Or was it merely that they found Ch'ea was a poor man without money, and so \"they pretended to be in a great rage\" and let him go?", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]