[ { "id": 204568, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 49, "title": "RAS-1963", "content_text": "44\n\nFLOWERS OF HONG KONG\n\nBEK-TO CHIU, B.Sc.*\n\nMiss Chiu gave the second of her talks to the Society on \"The Flowers of Hong Kong\" illustrated by Mr. F. A. Nixon's collection of colour transparencies on 16th July 1962. She took as her subject \"Summer Flowers and Fruits, with comments on other seasonal Plants\".\n\nThrough the generosity of our President, Dr. J. R. Jones, it has been possible to reproduce six of Mr. Nixon's coloured transparencies and these are accompanied by Miss Chiu's comments on them. The plants selected are:\n\nIndigenous plants: Camellia hongkongensis, Seem.\n\n紅茶花\n\nTutcheria spectabilis, Dunn.\n\n榻木\n\nRhodoleia championi, Hook.\n\n紅鏡盞\n\nBauhinia blakeana, Dunn.\n\n紅荊\n\nIntroduced plants: Gordonia axillaris, (Roxb.) Dietr.\n\n茶花\n\nBauhinia variegata, Linn.\n\n紫荊\n\n*Lecturer in Botany in the University of Hong Kong.\n\nI\n\n[Editor]", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204576, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 57, "title": "RAS-1963", "content_text": "46\n\nBEK-TO CHIU\n\nTUTCHERIA SPECTABILIS (CHAMP.) DUNN.\n\nFamily: Theaceae 山茶科\n\nA\n\n榻捷本\n\nTutcheria is a comparatively new genus, created in 1908 by Mr. Dunn, Superintendent of Gardens and Forestry Department, in honour of his assistant, Mr. W. J. Tutcher who was the first to draw attention to its distinctive characters. The most important of all was the structure of the fruit and seeds. The capsular fruit, on ripening, splits into four, five or six valves which are completely deciduous, dispersing the laterally compressed or angular seeds, two and five in each loculus. The columella alone is left on the persistent perules.\n\nBecause the blooms are Camellia-like, before 1908, the plant was referred to as Camellia spectabilis, Champion and its significance of being indigenous to Hong Kong was overlooked. There is a medium size tree reaching up to 40 feet, with a spreading crown of handsome glossy evergreen leaves, in the upper part of the Old Botanical Gardens. This is well worth a visit, especially in May and June when the blooms are in season.\n\nThe showy white cup-shaped flowers, about 4 inches in diameter, are Camellia-like, with tangerine orange anthers that form a mass at the centre and are slightly fragrant. The white petals are tinged yellowish and greenish at the tips and the outer surfaces are each traversed by a stripe of a light golden sheen. The perules are pale green with a golden sheen and the single stout style, apically dividing into three to six short erect arms, is apple green. The flowers, almost sessile, arise singly from the axils of the upper leaves and appear stately and distinctive.\n\nThe capsules are large, 1 to 2 inches in diameter, subglobose and woody, covered with a soft green pubescens. It takes six months to ripen. The seeds are again viable for a short time.\n\nOther species of this genus have been recorded from S. China, Formosa and the Liuchiu Islands but the species spectabilis is native to Hong Kong and has been introduced into Great Britain for cultivation.\n\nI", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204579, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 60, "title": "RAS-1963", "content_text": "# FLOWERS OF HONG KONG\n\n## BAUHINIA BLAKEANA, DUNN.\n\nFamily: Caesalpiniaceae (or a subfamily in Leguminosae)\n\n洋金鳳科\n\nCommon names: Red flowered Camel's Foot\n\nHong Kong Bauhinia\n\nHong Kong Orchid Tree\n\n49\n\nThis Hong Kong Bauhinia was first discovered by the fathers of the Missions Etrangères at Pokfulum near \"the ruins of a house on the seashore\" and was first described in 1908 by Mr. T. S. Dunn, Superintendent of Gardens and Forestry Department, who named it blakeana in honour of Sir Henry Blake, Governor of Hong Kong until 1903, for his keen botanical interest during his governorship. This has been regarded as the most beautiful and spectacular of all Bauhinias. The flowers are fragrant, large, 5-6 inches in diameter, and orchid-like with rhodamine purple petals overlaid with deep crimson streaks or patches. The inflorescences of dense racemes terminate the branches and take months to unfold and hence the blooming season lasts from October to April. Each flower remains blooming for several days and is shed completely, never maturing into fruit nor seed. Its origin is still unknown and no similar plant has been found elsewhere in the world.\n\nThe medium-size tree is an evergreen, with long spreading and graceful branches bearing handsome, large bilobed leaves, characteristic of the genus, and named after two brothers, surnamed Bauhin, who were herbalists. This was to describe their inseparable relationship. The outline of the leaf blade is comparable to that of the foot of a camel and hence one of its common names. The leaves are of a dark bluish green, with a soft felty appearance and the leaf blade traversed by 13 palmate main veins. The branches are tender and break easily and are always more severely devastated after typhoons than any other trees. Their sprouting power, however, is excellent, reviving quickly with numerous new shoots, within a short time.\n\nThe attractiveness and worth of Bauhinia blakeana is becoming increasingly known. It is cultivated in the Colony as well as in other subtropical parts of the world: Amoy and Canton in China, and Los Angeles and Florida in U.S.A. where there is a hot, humid summer and a cool, dry winter. Since no seed is produced, propagation is by grafting and air layering.\n\nPage 60\n\nPage 61", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 205212, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 168, "title": "RAS-1966", "content_text": "162 \n\nNOTES AND QUERIES \n\nwith a Mexican name, was also brought to the Old World by the Spaniards. All of these plants crossed the Atlantic in Spanish bottoms and were then carried round the coasts of Africa and Asia to South China by the Portuguese. In the same way the sugar-cane, the banana and the yam were established in Brazil by the Portuguese and the cassava was introduced into West Africa where it has become the source of one of the staple foods of several countries.\n\nThe sweet potato, of course, presents special problems since there is reason to believe that it may have reached Polynesia in early times as an importation from the Americas. Nevertheless, it is not a native of the vast expanse of islands dotting the Pacific and it is much less likely that it came to China by that route than from the West,\n\nThe \"kind of melon\" of which the author speaks is known today in the Macanese dialect of the Hong Kong Portuguese as bobra Guiné (Guinea pumpkin). This word appears in Chinese characters (romanised as mó-pá-lá kin-ní by Mr. Luis Gomes in his Portuguese translation) in the Ao Men Chi Lüeh,? published towards the middle of the eighteenth century. The Chinese gloss has faan-kwa. It is likely then that this plant was introduced into China from West Africa or Guinea, to use the old name, and that the prefix faan cannot link this plant in any way with the Pacific area.\n\nThe rambutan (nephelium lappaceum), related to the lychee, is a Malayan tree and has a Malay name derived from rambut (hair), because of the hairy coat with which it is covered. This coat is of a reddish hue which no doubt explains the first element of its Malayan Cantonese name hung-mo-tán. The other elements are obviously phonetic renderings of the Malay word. This tree and its fruit were probably introduced to China by the Portuguese.\n\nAs a last comment on the element faan, are the faan-kwai not more often Westerners than people from the Pacific?\n\nOn the peanut, which, as Mr. Barnett says, bears no indication of foreign origin in its name, it appears to me that this plant may have been introduced to South-East Asia by the Portuguese. The botanists seem to agree that it is a native of Brazil and the Spanish chroniclers of the Indies describe it as a food-crop in Hispaniola", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205940, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 20, "title": "RAS-1970", "content_text": "THE LIBRARY OF THE HONG KONG BRANCH ROYAL ASIATIC SOCIETY\n\nREPORT FOR THE YEAR 1969 - 1970\n\nA further 53 volumes of books were added to the Library during the past year, bringing the total stock to 396 volumes, excluding bound volumes of periodicals, which are mentioned separately below. Of the additions, no less than 43 were gifts, and the Branch is extremely grateful to the following donors:\n\nCentre of Asian Studies, University of Hong Kong\n(2 publications)\n\nDiocesan Girls' School, through Miss M. B. Mansfield\n(Bentham's Flora Hongkongensis, 1865, and Dunn and Tutcher's Flora of Kwangtung and Hongkong, 1912)\n\nMr. J. E. Noronha\n(Historic Shanghai, by C. A. Montalto de Jesus, 1909)\n\nSouth China Morning Post, Ltd., through the\nUniversity of Hong Kong Library (9 volumes)\n\nFather Manuel Teixeira\n(4 of his own publications on Macau)\n\nUniversity of Hong Kong Library\n(18 volumes)\n\nAnother seven volumes were received through the Hon. Editor, having been sent as review copies to the Journal. Of the above, undoubtedly the most valuable is that by Bentham, which in spite of its publication date remains the primary source on Hong Kong flora. Another interesting addition is a Xerox copy of a rare private publication, Diary of events and the progress on Shameen, 1859 - 1938 by H.S.S. [H. Staples-Smith], made from the original now in the possession of Mr. J. W. Hayes.*\n\nThe Hon. Librarian took advantage of the sale at the Challenge Bookshop in July to purchase eight titles of Asian interest at reduced prices.\n\nThe Library continues to receive a number of valuable journals in exchange for its own publications, and a further fifteen volumes of these have been bound, bringing the total of bound volumes\n\n* There follows on, from Mr. Ryding's report, part of a letter addressed to me by The Rt. Rev. Gilbert Baker, Bishop of Hong Kong and Macao, dated 29th September, 1969, reproduced here with his kind permission, that provides this identification. The Bishop was then on the staff of Christ Church, Shameen. Ed. (Footnote continued on opposite page)", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 205989, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 69, "title": "RAS-1970", "content_text": "64\n\nCOLONEL V. R. BURKHARDT\n\nThe main points of Walker's report are that its location was the Happy Valley—now entirely built up—and that the plant on which the insect fed was Buddleia asiatica. Its flight resembled that of one of the Hesperiidae, and that it fed vibrating the wings all the time, with its long tails elevated and quivering. The earliest date he recorded it was on 15th February, 1892, and a fine series was taken on 12th March. In 1893 it was scarce, and did not appear before 2nd April.\n\nNothing is said about the larval stages, or the food plant, but Steven Corbet in his Butterflies of the Malay Peninsula, mentioning an allied species Leptocircus meges, states that its larva has been found in Hong Kong on Illigera cordata: in general appearance it is like a Papilio larva, being dark greenish-brown at first, and then changing to dark apple green. The pupa is attached to the upper surface of a leaf of the food plant.\n\nSince 1950 very few collectors in Hong Kong appear to have captured Lamproptera curius and only two instances have been brought to my notice prior to 1957. Lt. Col. J. Eliot took one female near Sai Kung on 2nd May, 1953, and another was secured by the wife of a member of the University staff.\n\nAll butterflies have their cycles of abundance and scarcity, though their incidence has yet to be determined, and 1957 was evidently a peak year for Lamproptera curius. Two collectors, Messrs. R. A. U. Todd and J. Hackney, on 9th June, found the insect swarming in a gully in the centre of the New Territories. Their description of the flight, like dragonflies, tallies with the observations of Commander Walker. The insects were feeding on wild buddleia, and rested between flights with spread wings on fern. Abundant larvae were also noted, but were not taken as they were thought to belong to one of the commoner Papilionidae. On a later visit on 6th July Mr. Todd brought in seven larvae in various stages, with an ample supply of the food plant. This is Illigera platyandra (Dunn) a tough vine with triple pointed leaves growing at intervals of about four inches. The larvae ranged in length from 9 mm to the full fed at 26 mm, which pupated on the following day.\n\nIn the early stages the larva is black over the thorax narrowing above the prolegs, and broadening out again over the tail. The", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 19, "title": "RAS-1974", "content_text": "THE PAPER CHASE\n\n13\n\nstudy I am down in cellars or up in attics ransacking their contents for yet more documents. And when I light upon them—especially on the choicer specimens—I probably make delighted chuckling sounds in my throat like Ben Gunn discovering a cheese.\n\nAnd what is an archives repository like? Well, externally, to fit the popular conception of things archival, it ought to be neo-gothic in style, rather like a 19th century English provincial railway station. Internally, though, and my hostess would be much certain of this, it would look more like a derelict warehouse, its floors piled with books and papers, evidently in the utmost confusion and, of course, covered with a thick mantle of dust (Dust is always an important feature in the myths about us). And, strangely enough, considering the archivist's obsessive love for fascinating old documents, they would be swarming with vermin.\n\nGrotesque as it is, this image of the archivist and his work is all too common. In this regard we carry a burden not unlike the one which archaeologists once laboured under. Was it so long ago that the archaeologist was invariably depicted, and thought of, as a spindly, eccentric looking apparition, clad in a solar topee, bush jacket and Bombay bloomers, devoted to all things arcane, and eternally and promiscuously ferreting in the sand for relics of the past—any relics? Old films of the “Mummy's Curse” variety usually reflected this impression of him perfectly.\n\nBut thanks initially to the unwitting cooperation of Tut Ankh Amen and to the literary efforts of people like Leonard Wooley and Sir Mortimer Wheeler, the archaeologist has sloughed off most of his comic attributes these days and emerged as a familiar and even heroic figure, just as anthropologists are doing through the influence of writers like Thor Heyerdahl.\n\nShall archivists produce their Wooleys and Wheelers to introduce the real archivist and his profession to the public? I fear not. Our profession is eminently free from danger—unless being caught between two stacks of mobile shelving can be thought of as dangerous—and however fascinating archival work may be for archivists themselves one has to admit that it is singularly lacking in the sort of features which make exciting reading for the man in the street.\n\nThere will never be a best-seller about archivology, and if popular misconceptions about us are ever to be dispelled it will probably come about only through archivists persistently reading papers like this one to captive audiences.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 208099, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 138, "title": "RAS-1977", "content_text": "122\n\nGREGORY E. GULDIN\n\nof Fujianese attending the Yueh Fei temple gradually rose until today perhaps 70-80% of the worshippers there are Fujianese. Even so, the temple is not a Fujianese temple; both the people who run the temple and the deity itself are Guangdongese.\n\nThis arrangement was less than satisfactory to the Fujianese. Since Fujianese and Guangdongese ritual practices and religious concepts are not always isomorphic, arguments over what food was properly offered to Guan Yin (Kuan Yin) or what was expected of a medium, etc., frequently erupted. Such disputes, complicated by the language barrier, made many Fujianese feel uncomfortable about worshipping in a \"barbarian\"-run temple.\n\nTen years ago this situation began to change as the Cultural Revolution in China increased attacks on the old religious organizations back in Fujian. Temple personnel such as Buddhist monks and nuns began to arrive legally and illegally in Hong Kong and served to staff a new type of temple, a form particularly suited to Hong Kong's crowded situation. Apartments were rented to serve as temples in many of the apartment buildings which contained a heavy Fujianese population. North Point branches of Sai Ying Poon temples were likewise also begun in this manner.\n\nEach apartment-temple is dedicated to a particular god; sometimes it is a pan-Chinese spirit such as Guan Yin but it can also be a specifically local one such as Sheng Gung of Fujian Province's Nan An county. Sheng Gung's original temple is now in disrepair back in Nan An but the god's statue and objects were brought to Hong Kong a few years back. Hong Kong may thus have the only Sheng Gung temple left functioning in the world.\n\n\"I have visited this little Temple, or joss-house, and have discussed its history with one of the local Kaifong, Mr. Lo Ho Ching, of 129 Electric Road, Ground Floor.\n\n\"The little Temple is dedicated to the God of Warriors, Ngok Fei, and has been in existence about 40 years. According to Mr. Lo it was built by the late Kwok Shut Ting, Compradore of the Asiatic Petroleum Company (A.P.C.), at the time when the A.P.C.'s installation at North Point was built. At present the little Temple is looked after by an old woman appointed by the Kaifong.\n\n\"The little Temple is a picturesque little structure, half embedded in a large boulder and covered by a tree. The Kaifong and I too would be reluctant to see it removed, but if it has to be removed I do not think the Kaifong will object provided that an alternative site for it can be found in the vicinity and if it is re-erected by Government at the time when the new Police Station at Bay View is built.\"\n\nThis information was provided by the Hon. Editor of this Journal.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208397, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 121, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n105\n\nExploration around the modern city of Fushan reveals present-day continuation of the handicraft industries of painting (Plate 11), textiles, paper-cutting, papier mache, and of course pottery in the neighbouring town of Shiwan. The famed Ancestral Temple in a short distance from the Overseas Chinese Hotel, is full of the work of handicraft artists of the past, with excellent examples of metalwork (Plate 12), gilt wood carving (Plate 13), brick carving and papier mache, not to mention the rooftops which are covered with long and elaborate Shiwan pottery friezes (Plate 15).\n\nThe Shiwan potters' use of waste and inexpensive materials led to the development of a rather unique art aesthetic. The use of all different types of waste materials, in addition to being economical, was perfectly suited to the development of a wide range of colourful and variegated flambe glazes, which indeed has been unequalled. Descriptive names such as \"tiger skin\", \"leopard skin\", \"pomegranate red\", \"peacock's feather\", \"sesame seed\", etc., were bequeathed according to colour and configuration. In addition, the inexpensive pottery clay with a high content of sand was much more pliable and suitable for sculpture than fragile porcelain clay. Taking advantage of the nature of this material, the potters sculpted their vessels in high relief forms from plant and animal worlds (Plate 16).\n\nThe pliable pottery clay was also good for figure sculpture which became a Shiwan specialty. The potters soon found that if they left flesh areas unglazed, more detailed and warm human expression would result. For subject matter they drew on a wide range of characters from folklore, history and religion as well as the common man, in each case attempting to distill the nature of the individual into a small size artistic creation. Anatomic exactness was sometimes deliberately altered to better convey spirit.10 (Plate 7).\n\nThe superiority of Shiwan pottery sculpture over that of porcelain was recognized when in the late 1920's three of Shiwan's best artists, Pan Yushu (**), Chen Weiyan (), and Chen Zhi (*), were invited to the Jingdezhen (✯{1⁄2§4) porcelain potteries to sculpt figures. According to Silva Mendes, Macau barrister and Shiwan collector, who personally knew the potters, the results were not good because porcelain is not as adequate a material as clay for this type of work, (i.e. sculpture). A porcelain figure of the goddess Guan Yin (†) in a private Macau collection with the mark of Shiwan potter Chen Weiyan, verifies this point, displaying", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208679, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 136, "title": "RAS-1979", "content_text": "THE MARYKNOLL MISSION, HONG KONG 1941-46 \n\n109\n\n20- Another community meeting but no further developments on repatriation. At 11 o'clock this morning we were agreeably surprised to learn that Sister Paul and Sister Corazon were on \"The Hill\" and that we could go up and see them. Again Sister Paul moved the adamant hearts of the Japanese and secured permission to enter the Camp to say goodbye to her departing Sisters. We learn that our own names have been handed in to the Foreign Office in Hong Kong for release from the Camp, and our hopes are high. We also learn that Father Tennien is in Chungking, and that Father Briggs and Father Hater are both quite ill. Since Sister Paul and her Sisters have been in Hong Kong, we have been enabled to receive weekly parcels of foodstuffs, and this has helped a great deal. For some weeks a league of softball has been in progress, and today the last game of the season was played between the British and Americans, the score being 15 to 6 in favor of the latter. A Stanley Cup was fabricated by Camp artisans and presented to the winners.\n\n22-The first anniversary of our newly ordained Maryknollers, and they enjoy a Camp lunch at the Maryknoll Sisters' apartments at 7:00 p.m. The repatriation ship, the Asama Maru has been further delayed. Due to some circumstance or other, our rice ration on the 23rd and 24th was very meager, but Father Meyer came to the rescue with his toasted rice which he has been saving for such a rainy day.\n\n25-Rumor hath it that our papers or forms are now on “The Hill,” and that we may get final word any day now to pack up and leave for Hong Kong. Mr. Gunn, an American, and seven others, British and Portuguese, are advised they may leave Camp tomorrow.\n\n26-We were delighted today to receive a visit from His Excellency, Bishop Valtorta, who asked permission to come out and say goodbye to the repatriates. He could remain but a short time, and bade the rest of us to have hope, as he felt we would be released in due time. He is also trying to secure the release of the Canadian Sisters. The Asama Maru is now scheduled to leave on the 30th, the repatriates going on board the 29th. The British are still incredulous about repatriation of the Americans. There is now some talk about possible repatriation of British women and children and old men, but nothing definite.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 276, "title": "RAS-1979", "content_text": "ORDINARY LOCAL MEMBERS\n\nMORGAN, Ms. V. Elaine, The Library, University of Hong Kong, HONG KONG.\n\nMORITZ, Mr. Frederick A., 4B, Sea and Sky Court, 92 Stanley Main Street, Stanley, HONG KONG.\n\nMORTON, Mr. R. J. McK., Legal Aid Department, 19/F Sincere Building, 173 Des Voeux Road C., HONG KONG.\n\nMOYLE, Mr. G. C., 64 Mile Taipo Road, NEW TERRITORIES.\n\nMULLOY, Mr. G. N., Flat C, 1 Homestead Road, The Peak, HONG KONG.\n\nNEWBIGGING, Mr. D. K., 35 Mount Kellett Road, The Peak, HONG KONG\n\nNG, Dr. Margaret N., Arts Mansion 5/F, Flat C, 43 Wongneichong Road, Happy Valley, HONG KONG\n\nNG, Miss Tonia, H.K. Tourist Association, Connaught Centre, 35/F, HONG KONG.\n\nNGUYET, Mrs. Tuyet, c/o Arts of Asia, 1309 Kowloon Centre, 29-43 Ashley Road, KOWLOON.\n\nO'HARA, Mr. Randolph, c/o The City Hall Library, Edinburgh Place, HONG KONG.\n\nOJEDA, Mr. J. de, Spanish Consul General, 1403 Melbourne Plaza, 33 Queen's Road Central, HONG KONG.\n\nONG, Dr. Guan Bee, Dept. of Surgery, University of Hong Kong, HONG KONG.\n\nORR, Mr. I. C., Room 506 Central Govt. Offices, Main Wing, Lower Albert Road, HONG KONG.\n\nOUTCH, Mr. W. T., c/o Essex Asia Ltd., 118 Austin Road, Tsim Sha Tsui, KOWLOON.\n\nOXLEY, Mr. C. W. B., District Office, Sai Kung, Sai Po Kong Govt. Offices, 792 Prince Edward Road, KOWLOON.\n\nPALMER, Mrs. R. M., 2 Old Peak Road, 2/F Front, HONG KONG.\n\nPARR, Mr. M. J., c/o Wardley Ltd, G.P.O. Box 8983, HONG KONG.\n\nPARRINGTON, Miss June, Arts Faculty Office, University of Hong Kong, HONG KONG.\n\nPARRY, Mr. Roger H., c/o The Marine Department, 102 Connaught Road C., HONG KONG.\n\nPAUL, Mrs. Anne Carse, 9 Jade House, 47C Stubbs Road, HONG KONG.\n\nPEACOCK, Mr. I. R., 5A Manhattan Tower, 63 Repulse Bay Road, HONG KONG.\n\nPERESYPKIN, Mr. Oleg P., P.O. Box 1382, HONG KONG.\n\nPICKARD, Mrs. Jane, Flat A6, 14 Shouson Hill Road, HONG KONG.\n\n249", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208872, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 34, "title": "RAS-1980", "content_text": "6\n\nKEITH G. STEVENS\n\nAn example of the latter is the very recently established open-air shrine on a hillside, half way up, and some 120 steps above, the tarmac road of Black's Link on Hong Kong island. It consists of a small row of three shrines in one long concrete construction. Each is no bigger than 2' by 1'6\", and contains a printed and framed coloured icon, one Buddhist, and two of the folk religion. The title given to the whole is the Temple of the Three Immortals (49) The final character \"Miao\" (temple) normally gives the impression of roofed halls containing images and icons. However, the concept of the three altars of the Temple of the Three Immortals is no different from other temples with large altars, numerous images, high walls and a roof, which with all their other refinements in no way add to the power of the prayer of the devotee. There are, however, not many examples in Hong Kong of permanent outside shrines being referred to as a miao (temple).\n\nMonasteries were usually built away from the main centres of population, on hillsides backing on to slopes and facing downwards, overlooking wooded landscapes or the sea; whilst Daoist folk religion temples are to be found in population centres (especially where the centres existed a hundred or so years ago) and in sheltered coves at a convenient landing point.\n\nFishermen's folk religion temples may seem at times to be in isolated spots, but in practice they are near safe anchorages and just far enough from the next temple to be economically viable for the temple keeper. The pattern of fisherfolk temples, dedicated predominantly to Tian Hou (A) and Hong Sheng (), when plotted on a map, is quite distinctive, particularly in Wanchai and the centre of Victoria. The temples, now quite far inland, were originally built back a little from the original coastline and faced what then was the nearest stretch of water.\n\nUrban popular religion temples, built in traditional style in the early days of the two settlements, are usually simple folk religion establishments dedicated to the popular cults of Guan Di, Tian Hou and Wen Chang, whilst more modern temples built since the 1880's tend to be dedicated to less well-known deities who offer specialised services such as the plague deity, Sui Jingbo.\n\nOver the years a few temples have been closed down or moved elsewhere, from lack of patronage or because of reclamation, urban redevelopment and street widening. In one fell swoop a fisherman's", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208881, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 43, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n15\n\nIn single-room and larger temples the major altar, which faces the entrance, may be either one large space reaching from side wall to side wall or it can be divided into three, five or more individual altars with, on occasions, a separate altar or two constructed down the side walls. (Plate 6).\n\nIn quite a number of traditional temples the main hall is divided longitudinally by partition walls from floor to ceiling. These stretch a short distance into the main hall from the rear wall of the temple, one on either side of the main altar. The two side altars are therefore outside the partitions, and in practice these partition walls serve to isolate the side altars.\n\nIn many traditional temples several major deities, and even a few minor deities, have a side hall dedicated entirely to themselves and their attendants. These include the God of Loyalty and Literature Guan Di; the fertility goddess Jin Hua Niang Niang; the bodhisattva Guan Yin and the wealth god Cai Bo Xing Jun. It is not necessarily a down-grading of the importance of the deity but a late recognition and addition to the temples' complement. A great many side hall altars contain a group of unconnected and unidentifiable minor images around the major and identifiable deity's image, all placed there over the years by zealous devotees.\n\nA side hall in one temple contained the lone image of the Earth God on the only altar, although the characters above the altar read Jin Hua Niang Niang. Presumably over the years the images of this fertility Goddess and her attendants had been removed and replaced by the image of the Earth God without the title above the altar being changed.\n\nThe temple incinerator, and the temple keeper's kiosk or counter from which he sells charm papers and incense, are usually in one or other of the side halls or courts between side halls.\n\nSide halls also contain large ritual items such as the temple bell, drum and the removable head and tail from the village dragon boat, and in one of the side halls of most Boat People's temples replicas of early junks (some 8' to 10' in length) also gather dust in the gloom. These model junks are used only on festival days when offerings are placed on the decks. The devotees thank Tian Hou for good catches over the previous year and request similar benefits for the coming year.\n\nThe roofs of traditional temples consist of interlocking tiles resting on lathes supported by strong cross beams. The latter are", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208883, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 45, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n17\n\nThe even larger Guan Yin temple, facing south west on the reverse of the same hill, has a similar layout, though in this complex the side halls are separated from the main hall by unroofed passageways.\n\nA third large temple, but not of traditional architectural style, the Lin Dai Temple off the Estrada do Repouso, has two separate secondary halls to the west but only one to the east. Each of the two western secondary halls are sub-divided into two altar halls, one to the front and one to the rear, making a total of seven separate altar halls.\n\nThe nearest equivalent in Hong Kong to the two largest traditional temples in Macau, are the traditional temples in Hollywood Road in Central Victoria, Temple Street in Yaumati and Stone Nullah Lane in Wanchai. Nowadays the traditional temple in Yaumati (Illustration 9) is in practice four individual temples under the management of the Tung Wah Hospital Group. Originally it was a single temple consisting of a large main hall with two side halls on either side, each hall separated from the next by an uncovered passageway. For at least thirty years, however, the complex has consisted of the main major temple, with the two secondary halls to the north being divorced from it and becoming individual temples with their own keepers, controlling committees and cults. The two secondary halls to the south have again been divorced from the main hall. One is an individual temple with its own cult etc and the other is a clinic and dispensary. The main cults in the four temples from north to south are Guan Yin, the City God, Tian Hou and again Guan Yin, though in addition the major deities worshipped in the second and fourth temples are the Ten Judges of the Underworld and She Ji (**) the Spirit of the Harvest and Crops. The carved titles of the main deities over the four temples' entrances, are interesting. The first is Fu De (**), the Earth God (and not Guan Yin as one would expect), the second has the title of the City God Temple above its entrance, the third has Tian Hou and the fourth has She Tan (***) (again not Guan Yin as one would expect). The last entrance, the clinic, has the characters for the Library over it.20\n\nThe traditional temple in Stone Nullah Lane in Wanchai is comparatively larger than other similar temples in the colony and is made up of four individual halls. The main hall, roughly 40 feet wide by 55 feet long, has three side-altars on each side of the\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208886, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 48, "title": "RAS-1980", "content_text": "20\n\nKEITH G. STEVENS\n\nAlthough clan or ancestral halls and temples are usually handsome buildings located near the centre of a village, many now old and rarely used have been permitted to fall into disrepair and are derelict. These memorial halls contain only the ancestral tablets of the senior member of each generation of the clan whose surname appears over the main entrance of the hall or complex. Some villages have two and even three such temples, dedicated to each of the clans dwelling within their bounds. (Plates 10 and 11).\n\nThe memorial and ancestral tablets of the man-in-the-street (personal ancestral tablets) are placed on either the private household altar of the family or the shelves of the memorial halls of Buddhist or Daoist monasteries and temples. Personal ancestral tablets are rarely retained for more than three generations, whereas the tablets of the public ancestors of the clan are retained as far back as the first ancestor who moved to the area in which they are presently situated.\n\nLike the small temples, the clan halls are usually cluttered with agricultural equipment used only when the season comes around. None of the clan halls is spotless, and often the plaques, panels, mirrors and other decorations are so covered in accumulated filth that they are hard to decipher. The excuse given is that the lineage is too poor to employ a temple keeper and by implication there is no one else who should keep it clean, so the halls remain decrepit and forlorn.\n\nFamily and clan temples very rarely contain images, particularly as Cantonese do not carve images of their ancestors as did the people of Hunan and Fujian provinces. When family and clan temples do contain deities, these are represented by either a framed print usually of the bodhisattva Guan Yin or a small image of a popular deity placed there by a devotee who either had no place for it at home or had a misguided notion to donate such an image to the clan (Plate 12). This happened in a small clan temple near Sheung Shui where the tolerant members of the clan have ignored the deity and have left it there to avoid hurting the donor's feelings.\n\nShrines\n\nShrines almost certainly pre-date temples and in their basic form have remained essentially unchanged for hundreds, if not, thousands of years. A considerable percentage of Chinese ritual is performed", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208899, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 61, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n33\n\n14 Because of the exorbitant rents for such accommodation, temples in shop houses and flats in Hong Kong are few and far between. In Singapore and Malaysia, temples in shop houses are very common indeed, though they are becoming less so as the years pass and rents in urban areas rapidly rise.\n\n15 Occasionally such a temple may be a converted private house, as in the many examples in Lo Wai village, Tsuen Wan, but more often it is a purpose-built but inexpensive hut.\n\n18 Temples containing images of the Buddhist deities Di Zang Wang, Milofu, and Guan Yin are not necessarily specifically Buddhist, as all three of these deities nowadays are also extremely popular deities in folk religion temples.\n\n17 Mahayana is Northern Buddhism and Theravada or Hinayana is Southern Buddhism.\n\n18 \"Illegal\" is a Hong Kong term for buildings which have been built on Crown Land often by squatters without Government land control or planning permission, but which have been permitted to remain standing under sufferance. In practice, they are temporary structures put up without permission, occasionally ramshackle though more often they are well-built timber, weather-board, and corrugated iron buildings, clean and well-proportioned. (Illustration 17). Some have stood for such a length of time as to have been gradually converted to concrete and brick. All are labelled on the side in rough daubs of paint with the bureaucratic abbreviations and digits prefixed by \"TEM\" (= temporary) affixed by squatter control staff of the Housing Department.\n\n19 Demons are well known to Chinese to be unable to go around corners and must travel in straight lines, hence these inner doors to prevent the demons from entering the temple. The inner doors originally were opened exclusively for influential people.\n\n20 See also James Hayes' information at JHKBRAS 6 (1966): 129-130.\n\n21 In overseas Chinese areas, this kind of large street shrine is still very common and, in Singapore alone, some four to five hundred exist in all kinds of nooks and crannies. For a Hong Kong example, see JHKBRAS 14 (1974): 203.\n\n22 Chu is one of the 28 Constellations (= xiu).\n\n** See pp. 111-113 of the Hong Kong Government's publication Rural Architecture in Hong Kong (1979) for this pagoda.\n\n24 In Imperial times, such masts were always to be seen outside the local magistrate's yamen.\n\n25 Chinese bells have no internal tongue clapper, being tolled by an external blow with a wooden mallet.\n\n26 For the Evacuation of the Coast, see Lo Hsiang-lin and others, Hong Kong and its External Communications before 1842 (Hong Kong, 1963) Chapter VI.\n\n27 For background, see Jen Yu-wen's article \"The Southern Sung stone-engraving at North Fu-t'ang\" in JHKBRAS 5 (1965): 65-68.\n\n28 Government action is through the Chinese Temples Committee, serviced by the Trust Funds Section of the Home Affairs Department.\n\n29 Temples according to this Ordinance include Miao (廟), Si (寺), Buddhist and Daoist monasteries, Guan (觀) and Dao Yuan (道院), and nunneries An (庵).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209325, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 228, "title": "RAS-1981", "content_text": "214\n\nKING, Miss Carol A. KIRKBRIDE, Mr K.M.G. KROPATSCHECK, Mrs Hannemarie\n\nKWAN, Mrs Alice W.S.C. KWOK, Mr Ping Leong LACK, Mr Alan J. LAI, Miss Merlin S.C. LANG, Mr Frederick G. LAWRENCE, Mr Anthony LAWTON, Mr David LEE, Mr Peter E.I. LEE, Mr Peter J. LEE, Mrs R.M.\n\nLEE, Miss Sandra Suk Yee LEE, Mrs S. Jane LERNER, Mr Bernard LEVIN, Mr David A. LEVIN, Ms. Stephanie S. LI, Mr Edwin Lao LI, Mr Shi-Yi LIARDET, Mr A.J. LIN, Mr Tien-Wai\n\nLIU, Miss Dimon\n\nLLOYD, Mrs Aileen S. LLOYD, Mrs Waltraud E.\n\nLO, Miss Alexandra Dak Wai LO, Mr Shu-wing LOCKING, Mr J.R. LOFTS, Prof. Brian LOK, Dr Leonora Shin U. LOK, Miss Wai Kwan LOVELL, Mrs Hin-Cheung LUNNEY, Mr Raymond LUTZ, Mr Hans F. MA, Prof. Ho-Kei MA, Mrs Jackie\n\nMA, Prof. Meng, MBE MACCABE, Mrs S.J. MACCALLUM, Mr. I.\n\nMACCALLUM, Mrs Wendy M.\n\nMACGREGOR, Mr Keith\n\nMAHLKE, Mr William J.\n\nMANSON, Mr James B.\n\nMAO, Dr Philip Wen-chee MARKEY, Mr J.C. MARTIN, Dr Michael R. MASON, Mr A.K. MATHEW, Mr David\n\nMATHEWS, Mr J.F. MAYERS, Mr Walter MCLEAN, Mrs Robyn H. MCCULLY, Mrs Arthur M. MCDONALD, Mrs John R. MCELNEY, Mr Brian S. MINERS, Dr N.J. MINTER, Mr C.J.W. MITCHELL, Mr Eion A. MITCHELL, Mrs Ruth M. MORGAN, Ms V. Elaine MOSER, Mr Michael J. MOYLE, Mr G.C. MULLOY, Mr G.N. MURPHY, Mr Francis S. NEWBIGGING, Mr D.K. NEWBIGGING, Mrs Carolyn NG, Dr Margaret N. NG, Miss Tonia NGUYET, Mrs Tuyet O'HARA, Mr Randolph ONG, Prof. Guan Bee OUTCH, Mr William T. ORR, Mr Iain Campbell OXLEY, Mr C.W.B. PARRINGTON, Miss June PARRY, Mr Roger H. PERESYPKIN, Mr Oleg P. PICKARD, Mrs Jane PICKFORD, Mr John B. PRESCOTT, Mr Jon A. PRYOR, Dr E.G.\n\nQUESTED, Mrs Rosemary RAM, Mrs Jane REDDING, Dr S.G.\n\nREYNOLDS, Prof. W.A.\n\nREYNOLDS, Mrs Johanne\n\nRHODES, Mr Peter F.\n\nRIBEIRO, Mrs Susan\n\nRICHARDS, Dr S.F.\n\nRICHARDS, Mrs J.K. RICK, Mr D.R. RIGG, Mrs Jillian R. ROBERTSON, Mrs A.G. ROBERTSON, Mrs W.G. ROHRS, Mr Kenneth R. ROPER, Mr G.W.\n\nROSS, Mr David M. ROWARK, Mrs Sally", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210013, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 271, "title": "RAS-1983", "content_text": "Aquilaria Sinensis is by no means rare in Hong Kong. In Dunn and Tutcher's Flora of Kwangtung and Hong Kong which was published in 1912, it was stated that in a one-acre plot of fung shui woodland in the lower ground of Hong Kong, 31 out of 125 trees enumerated were Aquilaria sinensis (then known as Aquilaria grandiflora). Even today it would not be difficult to find this tree in various parts of Hong Kong. They usually occur in natural woodland on lower hill slopes and in fung shui woods behind villages. There are good specimens in Tai Po Kau Nature Reserve, Ng Tung Chai in Lam Tsuen, and Pak Tam Chung, Sai Kung.\n\nThe publication of Professor Lo's book generated some local interest in the Incense Tree. In the 1960's and 1970's, both the Urban Services and Agriculture & Fisheries Departments planted a number of these trees in public gardens and on hill slopes. Seed supply is in abundance and there is no difficulty in raising young trees in the nursery. However, when planted out in open sites, the survival rate is disappointingly low. Moreover, the tree is quite slow-growing and is rather susceptible to wind damage. A seedling of half a metre high planted in Kowloon Tsai Park in 1974 reached a height of only 3.2 metre in 10 years. Even when planted in mixture with other tree species in plantation conditions the species fared little better. On this basis, A. sinensis is unlikely ever to rival the more robust and fast growing species which now commonly occur in our parks and countryside.\n\nNotwithstanding its growth habits, the local historical significance of the Incense Tree has been well recognised. As a matter of interest, the cultivation of the Incense Tree has been used as the main theme in the information displays in the Aberdeen Country Park Visitor Centre. Visitors to the centre, in addition to learning of the interesting historical events concerning this tree, can take the opportunity to have a close look at several live specimens growing by the side of the entrance.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210739, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 90, "title": "RAS-1986", "content_text": "73\n\nassistant, Mr. S.T. Dunn, who was in turn succeeded by his assistant, Mr. W.T. Tutcher in 1910. Both Dunn and Tutcher carried out extensive botanical work and were co-authors of \"The Flora of Kwangtung and Hong Kong\". Tutcher wrote \"Gardening for Hong Kong\" which served as a useful manual for horticulturists unfamiliar with the peculiar seasonal conditions of Hong Kong. They also organized repair and maintenance work to the buildings of the Botanic Gardens and Tutcher introduced electric lighting into the Gardens in 1913 for evening functions.\n\nMr. H. Green succeeded Mr. Tutcher in 1919. He arranged the layout of some of the flower-beds and relaid the old paths and channels with cement granite. A granite memorial in the shape of a 'Pai Lau' was erected in 1928 at the top of the main entrance steps on the old Garden in memory of the Chinese in the service of the British Government who died during the Great War 1914-1918. Then in 1931 the lower portion of the Gardens was taken over by the Public Works Department for the construction of a service reservoir. Work was completed in 1933 and the area was recovered with black soil, turfed and reopened to the public.\n\nMr. Green retired in 1937 and the vacant post was taken up by Mr. F. Flippance after a series of quick changes of appointments. By this time the activities of the Department had expanded so much that forestry in fact accounted for 65 to 70% of its work, the rest being botanical, gardening, and agricultural. In fact, afforestation work on the hills was carried out by the Gardens Department as early as 1876 but it was not until 1880 that planting on any large scale was undertaken and the Department had since been renamed the Botanic and Afforestation Department. The Botanic Gardens remained in good condition until the Second World War broke out.\n\nDuring the Second World War the Japanese occupation of Hong Kong resulted in extensive structural damage to the Botanic Gardens the site of which was badly cut up to provide earthworks for gun emplacements and defensive trenches. Much of the shrubbery was destroyed as were a number of the larger trees; additionally the surrounding railings and gates were removed to provide ease of access to military personnel and equipment. There are no\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 288, "title": "RAS-1986", "content_text": "271\n\ncounter to one side of the entrance hall. We were not allowed to enter until the opening ceremony at 10 sharp, when a male executive came out, looked at the \"opening hours\" signboard outside the entrance, and then placed himself in the centre, flanked by the two girls. Together, they bowed us into the building.\n\nMuch more was in store for us. As usual, all the employees, male and female, and there were very many of them, standing in their sections. Being among the first customers, we received many bows and gracious words of welcome. Similarly, at each escalator level, more floor staff together with executives waited to receive us as we ascended to the first and second floors. Meanwhile, an organ began to play. First (presumably) came the Japanese national anthem and (perhaps) the Company's own song, and then a selection of “vintage” Western songs of the type popular before the Second World War. Advancing to the balcony, and looking down, I was astounded to see a large assembly hall at ground level, with a huge multi-coloured wooden religious carving in the centre and a large painting (in fact, two, as it was paralleled by another on the opposite wall, hidden from my view). The organist was there, placed high up behind the carving. Looking up, I saw the coloured glass roof of the building high above me and each succeeding upper floor. The whole, being old and opulent, together with the ceremonial and the music and the art works, caused a very acute awareness of time and place, so that I felt the occasion deeply. Indeed, I cannot recall being so affected in recent years.\n\nUpon descending to the hall — and cursing myself for having told Mabel not to bring the camera as I thought it unnecessary and just something more to carry — we found that the carving and the paintings had been specially commissioned about the years 1906-08, which probably dates the building to that period. What a pity not to have all this on film!\n\nHong Kong, June 1986\n\nJames Hayes\n\nEnd note: Mitsukoshi is the department store chain of the famous Mitsui concern which began the drapery side of its business in Edo (Tokyo) in the early 17th century. See Charles J. Dunn, Everyday Life in Traditional Japan (Tokyo, Charles E. Tuttle Company, 1972), pp. 114-121.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211044, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 105, "title": "RAS-1987", "content_text": "80\n\nlegendary first Huang Yeren, and who was also eventually referred to as Huang Yeren. This individual, Huang Li, was a prefectural governor at Zhengzhou (present day Huizhou) toward the end of the reign of Dayou (928-943) during the short-lived Southern Han dynasty (918-971).\" Evidently he had retired to Luofu after becoming disenchanted with the regime which he served. The sources relate that he met a Taoist who taught him the art of making cinnabar. Towards the end of the reign of Shaoxing (1131-1162), he was by imperial edict granted the title of Dazhen (the one who obtained immortal status). He is thought to have ascended to heaven near the end of the Song dynasty.\" He is also credited with several healings. The memory of Huang Li as a separate figure in the literary sources has been preserved, and evidently there is still a temple or shrine to Huang Li in Dongguan county.\" But the figure of Huang Yeren at Luofu now includes elements of both the original Huang Yeren and the later Huang (or Wang)20 Li.\n\n21\n\nThe veneration of Huang Yeren at Mt. Luofu seems to have a very long history. The poet Su Dongpo in the 11th century A.D. in a letter to a Taoist friend mentions that he had heard of Huang Yeren at Mt. Luofu.\" The great Guangdong poet Qu Dajun (1630-1696) in his encyclopedic Guangdong Xinyu (New accounts of Guangdong) devotes an entire page to Huang Yeren. Huang, he writes, was the most frequently seen of all the saints of the mountain. A small shrine to him (in the hills to the west of the Chongxu Guan) was, he reports, in ruins.\" The writer Tan Cui, who traveled widely in Guangdong during the reign of Qianlong (1736-1796), noted the presence of a small shrine or temple to Huang Yeren in the 18th century.23 When the main temple on the mountain was destroyed in 1802, the nearby shrine to Huang Yeren evidently suffered the same fate. The present temple, the Chongxu Guan, was built shortly afterwards.\" This temple has recently been restored and renovated (1985/86).\n\nIt appears that prior to the restoration, a statue of Huang Yeren stood in the same room as the statue of Ge Hong.\" This statue has disappeared. (The statue beside Ge Hong is now that of his wife, Bao Gu, famous practitioner of acupuncture). However, there is now (as of early 1987) a separate room for the worship of “Huang Daxian\", containing a new statue of the god. We were told that it\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211045, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 106, "title": "RAS-1987", "content_text": "81\n\nwas copied by a craftsman in Guangzhou from a scroll painting supplied by the temple for use as a model. The scroll painting once hung in a reception hall of the main temple. We viewed and photographed this painting (which is not on public display). The inscription on the painting is Chisong Daxian (Red Pine Fairy). The painting is evidently one painter's version of the ancient figure of the Red Pine Fairy, and is similar to another, older picture of this figure.26 The painting does not explicitly refer to Huang Daxian. However, the appearance of the figure, who is holding a handful of herbs that he has collected, and the two deer at his feet, are consistent with a portrayal of Huang Yeren.\n\nTo summarize: Huang Yeren has been known in the Luofu area, and probably worshipped, since at least the early Song period. There was once a separate shrine to Yeren, and when the temple was rebuilt after being destroyed in the early 1800's, Yeren was moved into the same room as Ge Hong. Now, there is a separate room for Huang \"Daxian\" at the Luofu Chongxu Guan. However, he is now no longer identified as Yeren, but merely as the Red Pine Huang Daxian. We believe that this has something to do with the belief that Huang Yeren is the same figure as the Hong Kong Huang Daxian—or that the differences are unimportant.” However, the biographies of the two Huangs are clearly irreconcilable. Neither Huang Yeren nor the partly overlapping figure of Huang Li bears any resemblance to Huang Chuping. Further, there are no literary traditions that Huang Chuping went anywhere near Luofu, or anywhere other than Jinhua Mountain in Zhejiang province, and we have found no trace of any previous worship of Huang Chuping at Luofu.28 Hence, it is surprising that anyone should want to confuse the two figures. Why has this confusion of the two Huangs occurred? We now turn to the interviews and sources in which Huang Yeren and Huang Chuping have been confused or merged.\n\nIdentifications of the Hong Kong Huang Daxian with Huang Yeren of Mt. Luofu\n\nIn 1985, the first author interviewed Taoists and others in Guangzhou and in Xiqiao, and found that where they had any opinion about the origin of the Hong Kong Huang Daxian, they", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211047, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 108, "title": "RAS-1987", "content_text": "83\n\nThe second article, titled \"The legend of Huang Daxian,\" opens with a poem in which the story is retold of Ge Hong's ascent to heaven, taking even the dogs with him, and of Huang Yeren's late arrival and subsequent life as an earthbound fairy. After relating two stories of healings by Huang Yeren (stories taken from literary sources about the Luofu Huang Yeren; see n. 16) the article then asserts that\n\nAccording to historical records the Red Pine Huang Daxian of the Hong Kong Huang Daxian temple was a Jin dynasty man from Danxi. His original surname was Huang and his given name Chuping. In his youth when he was tending sheep he was taken by the famous Jin dynasty refiner of cinnabar, old saint Ge Hong, as an apprentice. Ge Hong jokingly named him Huang Yeren. After Ge Hong had ascended to heaven Huang Daxian continued to travel all over practicing kindness and helping the people. He first went to Mt. Xiqiao, and later to Hong Kong.\n\nThese extraordinary attempts to weld the two Huangs into a single figure are not based, as far as we can tell, on any literary sources. The pseudonymous authors, who very likely have had some official connection with Luofu,17 were engaged in what appears to us to be the creative reconstruction of myth.\n\n30\n\nThis reconstruction has doubtless been at least partly successful. The cultural affairs cadres who met us at the Chongxu Guan had clearly been influenced by such ideas. With some knowledge of the Luofu saints, but little knowledge of the Taoist literature, they related to us a story which managed to incorporate into the biography of \"Huang Daxian” elements of both Huang Chuping, Huang Yeren, and Huang Li.18 They were somewhat confused by the conflicting traditions but, nevertheless, asserted with some confidence that the two Huangs, Chuping and Yeren, were the same.\n\nIt might be thought that the Taoists who serve at the temple would wish to clarify the situation, and to inform visitors that the temple's Huang was Huang Yeren, the disciple of Ge Hong, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211053, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 114, "title": "RAS-1987", "content_text": "89\n\nNorthern Vietnam) he asked to be relieved of office and left the capital for Guangzhou. In 327 he settled in the Zhuming cave of Mt. Luofu where he busied himself collecting medicinal herbs and refining cinnabar. His extensive writings include several important treatises on Taoism and Chinese medicine. (Source: Zongjiao Cidian [Dictionary of religion], Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1981, pp. 997-998; see also Jin Shu [The Book of Jin], volume 72, Zhonghua Shuju). Needham calls him \"the greatest alchemist in Chinese history\" (Science and Civilization in China, vol. II, Cambridge University Press, 1956, p. 437).\n\n14 The story that Huang Yeren was late for the levitation because he was drunk, we heard from a young official of a local Taoist organization whom we interviewed in Guangzhou on August 27, 1987. Cultural affairs cadres whom we interviewed at the main temple on Mt. Luofu on August 28, 1987 indignantly denied this story. The young official also related the story that Huang Yeren (Huang the wild man) had originally been called Huang \"also [in Cantonese “yah”] man” (in many Luofu folk-tales the Yeren is said to appear in the shape of an animal). Later the character for \"also\" (in Mandarin “ye”) had been substituted by that for \"wild\" (in Mandarin also \"ye\"). We have not found any documentary sources which confirm this information.\n\n19 Michel, Soymié, \"Le Lo-feou chan\", 1954. Bulletin de l'école française d'Extrême-orient, Tome XLVIII (ler semestre), 1954, pp. 1-137, raises another possibility (see pp. 109-110): that the Yeren tradition is based on contacts in ancient times, possibly including periodic trading exchanges, between people of the plains of Guangdong and aborigines living on or near the mountain. In the eyes of the plainsmen, the aborigines would appear strange in many respects, especially in speech and appearance. Stories derived from these contacts might have become the basis for the Yeren legend. Supporting this interpretation, Soymié notes, is the fact that Yeren was thought to be able to appear as a man or a woman, a young person or an old person, and that Yeren is in fact a category of \"strange person apparitions” rather than a single figure. Clearly, once such a flexible figure had become established in the popular imagination, sightings of almost anything on the mountain could feed into the growing folklore about Yeren.\n\n16 Some stories of healings by Yeren are contained in Luofushan Fengwuzhi (Records of Mt. Luofu scenery), Guangdong Lüyou Chubanshe (Tourist affairs publishing co., 1984). This source also records the tradition that the cave of Yeren was guarded by a mute tiger. The chapter in which the healings are recorded is titled, \"The earth-bound fairy riding on a mute tiger.\"\n\n17 Source: Nanhan Shu (The book of Southern Han), Guangdong Renmin Chubanshe, 1981 (reprint), volume 17. This story was also related to Ragvald by scholars of the provincial Wenshi Guan (Research institute of culture and history) whom the first author interviewed in Guangzhou, September, 1987.\n\n18 These details are in notes provided to the first author by the Wenshi Guan scholars (see previous footnote), and were evidently taken by them from an addition to the Nanhan Shu, titled Nanhan Shu Kao Yi (Collating the variants), volume 17.\n\n19 We have not yet been able to verify the exact location of the temple, which apparently is called Huangxianweng miao (The temple of old saint Huang). There may be several other Huang Li temples in this region.\n\n20 According to Nanhan Shu Kao Yi (volume 17) his original name may have been Wang rather than Huang. Evidently he changed his surname to Huang (in Canton...", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 115, "title": "RAS-1987", "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211264, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 325, "title": "RAS-1987", "content_text": "300\n\nOnce one has read the prologue, and absorbed the author's background and motivation, derived from having been an exile (in Hong Kong) from his native place at intervals during the early part of his life, it does not really matter whether one reads the book from start to finish or (as I did) takes up those chapters that appeal most. All are of interest. If I have to make a selection, I liked the account of his father (1888-1959), a bitter-sweet and it seemed to me — quintessentially Chinese individual who lived in trying times; a brilliant man who perhaps deserved to have had a more favourable arena for his talents, and certainly after he left Shanghai to rejoin his family in Hong Kong in 1949. There were so many years of enforced idleness in both places. Personal accounts like this tell us more than the historical record, and illuminate the times more effectively.\n\nI like the author's notes to the chapters: over 40 pages between pp. 471-511. They are not only a guarantee that he has done a good job: they also help interested readers to look into books and sources of which they are not aware. Take, for example, his description (pp. 38-39) of the formalities and practices of marriage in Sung times in his opening chapter on the Sung poet Qin Guan, the subject of the first biography in the book. He cites his source and adds useful information (p. 473). When describing the arranged marriage that was the norm until recent times, and still lingers on here and there in and outside China, he adds that this is why the event was described as the family taking “a new daughter-in-law” rather than as \"a son taking a bride” (p. 40). See also note 14 on p. 499 and note 12 on p. 501 together with the upper plate on the 10th page of illustrations I'm giving no clues, look for yourselves! In short, he illuminates as well as entertains.\n\nBy now, readers will have gathered that I like this book. Of course, in such a large work (528 pages) and in an academic field that is very demanding and exacting for those who write in it, there are bound to be places in the text where the reader's own studies may refute or add to it. Contrary to what Mr. Ching says in the prologue (p. 20), recent collecting and oral history projects in the New Territories have shown that most, if not all, Chinese lineages, including those comprised of the peasants who made up the great bulk of the population, have kept written genealogies, albeit few of them got published like those of the Qin and other major lineages or, until recently, found their way into the great library collections of the West.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211707, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 122, "title": "RAS-1989", "content_text": "97\n\nHowever, to export the heavy and bulky incense logs must have caused a lot of trouble and lead to high transport costs. Yet, to assume that incense wood milling developed directly out of this trade seems, perhaps, premature. The incense industry received a very serious blow during the first eight years of the reign of K’ang-hsi (1662-1669), when the Manchus, under the excuse of the expulsion of the pirates and the necessity of protecting the population against them, ordered the people to evacuate the coastal areas, and move inland to places more than 50 li from the coast, so as to suppress the revolt of the Ming remnants. This not only led to the death of many, but also adversely affected the cultivation of and trade in incense trees. The most prosperous incense producing area, Sha Lo Wan on Lantau and Lik Yuen (nowadays known as Sha Tin), were within the evacuation area. Kuang-tung hsin-yü summaries the effects of this evacuation on the industry, noting that,\n\nthere were very few people left after the evacuation, and less than one-tenth of the incense tree growers were left. Most serious of all, old trees had been cut down, and those which were left were only those ten to twenty years old.*\n\nThose who survived this evacuation experienced another disaster in the reign of Yung-Chêng (1723-1735) when a magistrate, obsessed with a love for high grade incense, killed a number of incense growers.\" As a result, the remaining incense growers destroyed the rest of the trees and fled. Thus, the once prosperous incense tree cultivation industry was seriously harmed.\" However, Aquilaria sinensis is by no means rare in Hong Kong. Dunn and Tutcher stated that in 1912, in a one-acre plot of fungshui woodland on lower ground in Hong Kong, 31 out of the 125 trees examined were Aquilaria sinensis (then known as A. Grandiflora).\" Today, incense trees can still commonly be seen in natural woodland on lower hill slopes and in fungshui woods behind villages.\" It seems likely that while trade in incense logs did not survive beyond the early eighteenth century, local milling of incense and manufacture of joss sticks for the local trade did. It was certainly a significant feature of local life in the nineteenth century.\n\nIncense Wood Milling\n\nAfter 1842, the trade in incense wood expanded. Hong Kong's famous deep harbour and geographically sheltered position suited trading vessels. Having become a member of the British Empire, Hong Kong became", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212526, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 80, "title": "RAS-1991", "content_text": "60\n\nGovernor-General of Yunnan & Guizhou\n\nKunming 2A\n\n1816-1835\n\nAssistant Examiner of Metropolitan Exam\n\nBeijing\n\n1833\n\nAssistant Grand Secretary\n\nKunming\n\n1B\n\n& Peking\n\nGrand Secretary in charge of Board of War\n\nBeijing\n\n1A\n\n1835/3\n\nActing President of the Censurate\n\nBeijing\n\n1835/10\n\nReader, Palace Examination\n\nBeijing\n\n1836\n\nSenior Professor (Hanlin Academy)\n\nBeijing\n\n1836\n\nAppendix 2\n\nRuan Yuan's Major Works and Compilations\n\nKao gong ji ju zhi tu jie 考工記車制圖解\n\nShi qu sui bi 石渠隨筆\n\nYi li shi jing kan ji 儀禮石經校勘記\n\nShandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目\n\nShan zuo shi ke 山左石刻\n\nJingyin dao ren zhuan 淨因道人傳\n\nYunfeng zhi bei tu 云峰志碑图\n\nZhejiang shi ke 浙江詩課\n\nChong xiu piao zhong guan ji 重修剽中观记\n\nXiao cang lang bi tan 小滄浪筆談\n\nShan zuo jin shi zhi 山左金石志\n\nHuai hai ying ling ji 淮海英靈集\n\nLiangzhe yu xuan lu 兩浙輶軒錄\n\nCeng zi shi pian zhu shu 曾子十篇註疏\n\nWei yu shu shi sui bi zhu 魏餘蔬食隨筆注\n\nZhu cha xiao zhi 竹姹小志\n\nJing ji zuan gu bu yi 經籍纂詁補遺\n\nDi jiu tu shuo 地球圖說\n\nGuang ling shi shi 廣陵詩事\n\nChong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记\n\nDing xiang ting bi tan 定香亭筆談\n\nChong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212528, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 82, "title": "RAS-1991", "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212529, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 83, "title": "RAS-1991", "content_text": "10\n\n[bid\n\n||\n\n63\n\n&£#* (The\n\nHe You sheng, \"Chen Lan Fu di xue shu ji chi yen yuan\" [learning of Chen Lan Fu and its origins], Gu Gong Wen xian 2.4 (Taipei, 1971), 1-19. He's study on Ruan Yuan can also be found in \"Ruan Yuan di jing xue ji chi zhi xue fang fa\" [Classical scholarship of Ruan Yuan and his education policy], Gu Gong Wen xian 2:1:19-34 (1970).\n\n12 Liang Chi chao, qing dai xue wen gai lun [A discourse on Qing learning], (1921, Taipei Commercial Press reprint, 1975), 22\n\n13 Xiao Yi shan, ging dar tung shi [History of the Qing dynasty], (1935, Taipei Commercial Press reprint, 1976), 11 717.\n\n14 Hu Shi, Dai Dong yuan di zhe xue [The philosophical studies of Dai Zheng], 138.\n\n15 This is the only work of Ruan Yuan's that I have not been able to find. It was never printed because Ruan Yuan was not satisfied with the draft. The manuscript had been kept with Ruan Yuan's papers in his lifetime and subsequently disappeared. There was no indication whether it perished in the fires that destroyed the Ruan residence in Yangzhou in 1843, or that which burned down his studio, Wen xuan lou, in 1935.\n\n16 Ruan Yuan himself, as well as contemporary and modern scholars, complain often of the many errors in this edition. Ruan Yuan gave the excuse of not having had time to proofread the manuscript himself. In fact, he had been receiving admonitions from the Jiaqing Emperor at that time that he was expending too much time and energy on scholarly activities instead of concentrating on the affairs of state. Gungzhong dang (Palace memorials) Jiaqing 017818 (1817/29).\n\n17\n\nThis work was not printed during Ruan Yuan's lifetime, but is in Qing shi kao (Draft history of the Qing dynasty).\n\n18 There are a large number of these biographies of individual scholars, not necessarily all Ruan Yuan, scattered throughout rare book collections in various libraries. Copies of the biographies are also among the Guo Shih Guan (Qing Historiography Office) documents in the National Palace Museum (Taipei).\n\n19 For example, the Provincial Gazetteer of Fujian by Chen Shouchi, the Gazetteer of Yicheng by Liu Wenchi, and a new edition of the Gazetteer of the Prefecture of Yangzhou by Jiao Xun.\n\n20\n\nA contemporary print is in the collection of the Harvard-Yenching Library.\n\n21 Struve, 233\n\n22 Ruan Yuan, Ding Xiang ting bi ji [Informal notes from the Ding Xiang studio] 4:1b-2a.\n\n23 [bid.\n\n24 Ruan Heng, Ying zhou pi tan [Notes from Yingzhou] 1.4b; also Ruan Yuan, Yen jing shi ji [Notes written in the Yen jing studio] 11:8:8a.\n\n24 Zhang Jian, et al, Let tang an zhu di zi ji [The life of Ruan Yuan as recorded by his sons and students] 1:19b.\n\n26 The preface was dated 1804, but the work was not printed until later, in 1807 when the manuscript was finally acceptable to Ruan Yuan.\n\n27 Preface of a work entitled Ji Gu Zhai Chong ding yi chi kuan shi, printed in 1853. A copy can be found in the Fu Ssu-nien Library of the Academia Sinica in Taipei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213579, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 175, "title": "RAS-1995", "content_text": "145\n\n4000 acres. The creation of Government Forestry reserves would however probably involve considerable expenditure in the acquisition of the trees, and in watching and preserving the reserves. Hitherto funds have not been available to meet this expenditure\" (Dunn, 1907).\n\nIt was a delicate matter for graves to be sited within a village forestry area, even within a family's own portion. Agreements had to be forthcoming from village elders and from other families. Sometimes these areas had a secondary fung shui significance. For example, a fung shui hill on Tsing Yi island, consisted of a steep slope covered with pine trees, which was held under a forestry license by the Rural Committee on behalf of the villagers (Hayes 1983).\n\nTsing Yi seems to have been the exception with regard to the islands as Schofield (1983) comments, “Forestry is confined to the growing of firewood for use and sale. The plantations are generally near villages, but some on the islands belong to owners who live elsewhere. Nearly all Tsing Yi is divided between three forestry lots: yet on Lamma there are no forest lots, though there are trees all right. The biggest forestry lot is at Tung Chung. Very little planting is done except when encouraged by the District Officer: trees are allowed to sow themselves. Grass, growing thick in summer, is cut for fuel everywhere in autumn; it is the chief cooking fuel of the New Territories. Its cutting is women's work.” Coates (1968) observes that the natural regeneration of trees and shrubs was severely limited by this regular grass cutting, as young trees could not be seen in the long grass.\n\nThe problems of village forestry were described by Schofield (1977) from his time as a District Officer in the islands in the 1920s: \"During my periods in office I made an attempt to get the Chinese communities and villages owning forest lots to look after them and to plant trees. Free seed was distributed and planting instructions given, and a forest guard appointed to supervise and watch results. The difficulties of forest conservation in such scattered and isolated areas were certainly formidable: one was that the boat people could land almost anywhere and steal trees; another that the grass-cutters who annually collect fuel in the autumn are quite likely to cut and take young seedlings: to say nothing of true diseases and caterpillar infestation, often very serious. One bad case was at Tai O, where an entire hillside was laid bare at one swoop by its licensee instead of being cut in stages, and I told him", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 178, "title": "RAS-1995", "content_text": "148\n\nalthough the woodcutters have left but few trees there and at Wong-nei-chung, yet formerly it grew abundant there. In the time of the Hon Dynasty, this wood, it is said, was highly valued, and formed an article of tribute\" (HKDP, 1873).\n\nThe incense industry received a severe blow from which it never recovered during the coastal evacuation ordered by the emperor K'ang-hsi from 1662-1669. The Kuang-tung hsin-yu notes that, \"there were very few people left after the evacuation, and less than one tenth of the incense growers were left. Most serious of all, old trees had been cut down, and those which were left were only ten to twenty years old”. Those who survived this evacuation experienced another disaster during the reign of Yung-Cheng (1723-1735) when a magistrate, obsessed with a love of high grade incense, killed a number of incense growers. The remaining growers then cut down the rest of their trees and fled (Chang, 1963). The trade in incense wood, however, continued with supplies of sandalwood from New South Wales imported during the nineteenth century and milled into powder by water-powered mills in the Tsuen Wan area. A detailed account of the history of this trade and the manufacture of incense is given in Chan (1989).\n\nThe statement that Aquilaria sinensis is not native but was introduced from North Vietnam is questioned by Iu (1983), as the species appears to be indigenous to Hong Kong and is commonly found in fung shui woods where it freely regenerates to form a component of the subcanopy layer. Dunn and Tutcher (1912) stated that in 1912, in a one-acre plot of fung shui woodland on lower ground in Hong Kong, 31 out of 125 trees examined were Aquilaria sinensis (then known as A. Grandiflora). A report by Nichols (1978) found that at Uk Tau on the Sai Kung peninsula, a third of the trees in the fung shun wood were incense trees, ten times as many as in neighbouring natural woodland, and that an old man in the village said that heung trees were cultivated there in living memory for the incense trade.\n\nBecause a tree was once grown in plantations, of course, has no bearing as to whether or not it is native. Whether or not the present-day incense trees are remnants of former plantations or whether incense trees were ever cultivated in fung shui woods may never be known, but none of the village representatives questioned during a study carried out by the author into fung shui woods between 1990 and 1995 ever", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 134, "title": "RAS-1998", "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 175, "title": "RAS-1998", "content_text": "139\n\nThree of the four lesser halls, though as large as the Jade Emperor Hall and Xu Hall or nearly so, are dedicated one to the Three Matrons of fertility and childcare; one hall to the wife of Xu, whose personal names were Heshi, known as the Palace of the Consort - Furen Gong - in which her image stands on the uppermost tier of three with the Lord of Time and his sixty minions, the Tai Sui, occupying the lower two tiers; a third hall to Guan Gong, the patron deity of loyalty and honour, and patron of soldiers; whilst the fourth hall, much smaller, is virtually empty apart from a single, small pottery image of a wealth god. This spread of cults within one temple is typical of the majority of the larger temples throughout Chinese communities.\n\nAll of the images within the temple complex are of comparatively recent manufacture, certainly since the early 1980s. The original images were destroyed during the years 1949-1976, during one or more of the political campaigns against superstition or social reform, mostly during the first days of the Cultural Revolution in 1966 when the temple was gutted. Some of the new images have been well made, artistically finished in paint on plaster and concrete. Others are crude, poorly finished and eyesores for posterity. The image of Xu, however, is one of the better ones and far from crude workmanship.\n\nThe grounds and halls on the day we were there in the Autumn of 1998 were seething with devotees, many of whom had travelled some distance to pay their respects to the deities. Long strings of firecrackers were being let off and amidst the deafening racket and the palls of smoke from these and burning offerings, the whole area was what Chinese know as re'nao, excitement and noise.\n\nAcross the road, however, in the comparatively small, enclosed and dilapidated garden, silence reigned and not a soul was to be seen. On the far side of the square artificial lake in the centre of the garden is a lengthy row of small, weathered and battered modern images, all unnamed, which on closer examination appeared to be many of the emperors of China since time immemorial. A Nine Dragon Spirit Screen stretches out behind them. Of greater interest were the half a dozen small rooms, similar to horse boxes with half-doors, which lined the rest of the far side, each containing a small tableau of life-size simple and gaudily painted plaster and cement figures. These were identified as episodic scenes from the life of Xu, ranging from his miraculous birth,", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214542, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 400, "title": "RAS-1998", "content_text": "369\n\nANOTHER DILEMMA FOR TODAY'S YOUTH IN\n\nCHINA\n\nKeith Stevens and Jennifer Welch\n\nDuring a recent RAS [HK BR] tour of the Museum of the Humen People's Resistance against the British in the Opium War [1840-1842] at Humen [Bocca Tigris], a small town about sixty miles south-east of Canton on the east coast of the Pearl River, we entered the old temple dedicated to the Northern Emperor [Bei Di] in the grounds of the Museum.\n\nThe main altars of the temple were not in any way unusual in that it had the central altar with the image of the Northern Emperor, Bei Di, and two flanking side altars, one dedicated to Lü Dongbin, the doctor in the group of the Eight Immortals and the second dedicated to Guan Yin, the Goddess of Mercy. However, there were two further glass cabinets, identical with the form of the main altar, one on either side wall. Against the wall, stage left, was an image of Lin Zexu,\n\nthe Imperial Commissioner despatched by the Emperor to Guangdong province in 1839 with instructions to stamp out the opium trade. His destruction of the stocks of opium held by British, American and other foreign traders led to the so-called Opium War [in British parlance, the First China War].\n\nThe cabinet against the temple wall, stage right, contained three images of Chinese officials involved in the War. They were Admiral Guan; The Governor of the Two Guangs and a General Chen who, captured by the British, is now remembered as the prisoner taken by his captives, together with his loyal horse, to Hong Kong where he died. Before both side cabinets, which had baldachin and silken hangings in front of the altar tables bearing honorifics as do temple altars virtually everywhere, were altar tables with red spirit tablets bearing their honorific titles, as well as offerings of fruit, bottles of wine and incense pots.\n\nWhat proved so interesting was the indecision manifest amongst Chinese visitors who, having not hesitated to bow and offer incense before the images of the three main deities, Bei Di, Lü Dongbin and", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214966, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 62, "title": "RAS-2000", "content_text": "17\n\n⚫ M. Greenberg (see bibliography).\n\nX\n\n0\n\n10\n\nIt was mentioned in the Egyptian Papyrus of Ebers, c.2000 BC, and by the Greek Theophrastus, 3rd century BC.\n\nM. Booth: Opium: A History, London 1996, p.104.\n\nAn inferior quality opium was grown in Zhejiang Province. Chinese government made efforts to suppress it (1831).\n\nH.B.Morse: Trade and Administration of the Chinese Empire, New York, 1908, p.341.\n\n'Imperialism' is used to describe the system whereby one nation acquires political and economic control over another less technologically developed nation. \"Colonialism\" is more difficult to define. Originally the term applied to a settlement of the subjects of a country in lands beyond its boundaries who remain subject to or connected with the parent state. However, in recent times the two terms have been used synonymously,\n\nGreenberg, M., British Trade and the Opening of China 1800-42.\n\n13 American firms Olyphant & Co, and Nathan Dunn & Co.; their strict Quaker moral principles prevented them from trading in opium.\n\n14 Another, highly improbable, anecdote relates that Macartney asked the Emperor to enter into an alliance with Britain against the French, to which The Emperor allegedly replied that he was not concerned with the \"barbarians' petty squabbles\" outside his domain.\n\nS\n\n15 Secretary to the Court of Directors of the East India Company.\n\n16 S. Bard: Traders of Hong Kong, Hong Kong 1993, p.30.\n\n17 Anon.: China: Pictorial, Descriptive, and Historical, London 1853, p.231.\n\n18 Reproduced by courtesy of Charlotte Horstmann & Gerald Godfrey Ltd., Hong Kong.\n\n19 The belief probably had its origin in the prevalent practice in Europe of a 'seasonal", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 166, "title": "RAS-2000", "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215099, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 195, "title": "RAS-2000", "content_text": "152\n\n52\n\nAll sixty of the Taisui on their altar in the Fazhu Gong Temple Taipei. The two major deities, unconnected with Taisui, are Chunti Pusa top centre and Guan Yin Pusa bottom row centre. The inclusion of images of Chunti and Guan Yin has been noted in several temples but only in Taiwan.\n\nPage 195\nPage 196", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 98, "title": "RAS-2001", "content_text": "46\n\nmuddy plats, eventually reached the first \"gun-house,\" as the crumbling fort was known to the Chinese. Finally, the passengers reached the Custom House and on to whatever accommodation they had reserved or could find in this very primitive European backwater.\n\nChinese immigrants from Hainan, along with those from Fujian, Guangxi, and Guangdong, flocked down to the foreign colonies of south-east Asia. Though integrated into the greater Han Chinese population of Singapore and Penang, as well as within towns and cities in North Borneo, Java, and Sumatra, even today Hainanese have remained in one or two linguistic pockets, such as is to be found in the area of Rengam and Kluang in southern Malaysia.\n\nOnly a few of all the Chinese temples visited in South-east Asia have been categorically identified as exclusively founded by Hainanese immigrants. Others, predominantly Hokkien, have a Hainanese altar stuck away in one corner, erected by the few local Hainanese, though two temples stood out, both in southern Malaysia, in which the images of the deities were predominantly uniquely Hainanese, though the temple custodians, the devotees, and the other images were all Hokkien. The picture gained from Hainanese staff and devotees in temples containing uniquely Hainanese images revealed the following minimum of temples being predominantly, if not entirely, Hainanese - six in Singapore, two in Penang, one in Kuala Lumpur, one in Seremban, and two in or near Kluang in southern Malaysia; on Sumatra, one in Medan and two in Palembang; on Java, one in Jakarta, one in Cirebon, and one in Semarang. There are several in Ha Tien in southern Cambodia and others scattered across southern Thailand. The strangest of all was the lone, small Hainanese temple on Bali.\n\nHainanese temple altars bear the usual accoutrements and have the same layout as altars in other Chinese communities, though, to generalise, with less clutter, particularly on altars in Hainanese Huiguan [community club houses]. Major China-wide deities, such as Guan Yin, Guan Gong, Hua Guang, City Gods, Earth Gods, and the Wealth Gods, are the same as in every Chinese community. There are also a number of predominantly Cantonese, Chaozhou, and even Minnan deities in many of the Hainanese temples both in Hainan and in South-east Asia, adopted from other immigrant ethnic groups, including Jinhua Niangniang, Caibo Xingjun, Fazhu Gong, Qi Tian Da Sheng, Longwei.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 100, "title": "RAS-2001", "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215335, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 112, "title": "RAS-2001", "content_text": "60\n\nundimmed, and taking command of an army, first in face of a threatened invasion by the dreaded Huns of Central Asia, and again later, in AD 48, to pacify the wild aboriginal tribes of Hunan. However, he died during the campaign in Hunan.\n\nReverend Henry15 referred to Fupo Jiangjun, as a Cantonese deity who had temples scattered along the vicinity of the Pearl and West Rivers where he was worshipped by boatmen and travellers. The reason for his popularity apparently was because it was widely believed that Fupo and his army had crossed the range between Hunan and Guangdong, conquering south China, using double-decker troop carrying boats to ferry his troops from the hinterland of Hunan to Guangzhou. The boats had to be portered across the mountains against all odds.\n\n16 Mesny noted that a number of temples in Guangxi honouring Fupo had kept alive the memory of his martial deeds and exploits. A temple on the West River near the great rapids was striking for its perfect preservation. It was kept in repair, wrote Mesny, by boatmen who regarded the deity in some special manner.\n\nIn Taiwan Ma Yuan is the main deity in some half a dozen temples where he is known as Fushun Jiangjun.\n\nc] The Great Emperor, the Plum Blossom Immortal, Mei Xian Dadi ★✩, is a minor Daoist cult Immortal whose image has only been noted on the altars of three temples, all within the Hainanese communities in Kranji, Singapore. His title however appears on the temple deity list together with other deities in five temples in southern Malaysia. Temple keepers agree that the Plum Blossom Immortal was a famous doctor who, according to a god carver, bore the personal name of Zhang Chuang, lived somewhere in China many centuries ago, and is now particularly revered by pregnant women who he protects from malignant forces. He also helps them by ensuring that the babes themselves are small and therefore do not cause any injury to the mother during birth.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong,", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 113, "title": "RAS-2001", "content_text": "dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong, dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nHis festival is celebrated annually on the 20th of the ninth lunar month and his full title copied off one of the temple notice boards is Shangqing Sanwu Mei Xian Yuan Zhangui dongxian Zhang Dadi 上清三五梅仙院斬鬼洞仙張大帝,\n\nd] The Loyal and Fierce Marquis, Zhonglie Houwang 忠烈侯王, was a secondary image on the main altar in a rural hut-temple in Singapore. He was paired with Wenzhou Houwang 溫州侯王 and sat on an ornamental chair on Wenzhou Houwang's left hand side, holding in his right hand a jade-like sceptre identical with the one Wenzhou Houwang is holding in his right hand [May the State Prosper and the People Enjoy Peace]. Little was known about Zhonglie Houwang apart from a hazy memory from one of the temple elders that he had been a famous village headman many, many years earlier, his personal names now lost in time.\n\ne) A page in a loose-leaf book kept by the temple custodian in a small atap1 Hainanese temple in Lorong Ah Soo in Singapore listed the titles of the five deities [*] and nine minor spirits or aides [#] revered by devotees, some understood to be portrayed in image form on the temple altars whilst the majority were simply known by their titles and", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216014, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 313, "title": "RAS-2002", "content_text": "247\n\nenemy were the people named the Qiang. Although superficially one might take it for granted that the Qiang were an enemy tribe waging war against the Shang, there is nevertheless a close similarity between the way animals were listed as prey in hunts and the way the Qiang recorded. Both Qiang and animals were similarly used as sacrifices to the ancestors. We should not exclude the possibility that the Shang nation regarded the Qiang as half-animal, and hunted them for sport and to provide material for sacrifices.\n\nSima Qian's Yin Ben Ji (Shiji: Yin Ben Ji: Di Wu Yi. Selby: 3D.) relates how Wu Yi resorted to black magic (“shooting at heaven') with the bow and arrow. Tentatively, I put 'magic' as one of the cultural attributes of archery in the Shang period.\n\nArchery and education in the Zhou period\n\nThe tradition alluded to in the Zhou Li, in which archery formed part of the syllabus of the xiao xue education curriculum (Zhou Li: di guan - Bao Shi, Zheng Zhong's note.), as well as the rich ritual tradition of archery first recorded in the 'Rites' (Yi li, Li ji. Selby: 4D) and elsewhere, were probably recorded in the Spring and Autumn Period. But the ritual practices recorded would reflect Western Zhou usage.\n\nArchery in Zhou tradition had a number of ritual expressions:\n\n* the three-tier archery competition rituals (she li)\n\n* the sou hunting ritual\n\n* the 'bow and arrow dance'\n\n* the ritual presentation of bows and arrows as tokens of office\n\nThese expressions can all be regarded as a natural out-growth of the use of the bow and arrow in hunting and warfare. Logically more remote, however, are the claims in the Confucian 'Archery Ritual' (Li Ji: She Yi. Selby: 5B.) that the shooting of a bow was a right of passage (at birth and puberty) and was the proper method of selection of officials. Key to the explanation is the use of two sets of puns: the She pun and the Ze pun. In one we see 'shooting' punned with 'release of emotion,' and", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216017, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 316, "title": "RAS-2002", "content_text": "250\n\nthe Fusang tree re-appears.) Practical aspects of archery mental training were also chosen as images to illustrate philosophical points in Taoism, as seen in the works ‘Liezi’ and ‘Zhuangzi’.\n\nBut in practical terms, it was in military affairs that archery took the lead during the Han Dynasty. Interaction with the northern tribes on the battlefield kept up the pressure to hone mounted archery skills. General Li Guang's exploits against the Xiongnu are a case in point (Qian Han Shu: Li Guang Liezhuan, Selby: 8L). Certain military ranks in the Han military system also appear to have been appointed on the basis of military skills. (Han Shu: Zhi Guan. Selby: 8K.)\n\nAccording to the Ming author, Gu Yu, (Gu Yu: She Shu Si Juan: Lidai Wuzhi Kao. Selby: 8J) when the provincial rites were over on the first day of Autumn, military examinations started. Military officials provided training in ritual archery and the ritual sacrifice of animals, as well as the Military Classics.\n\nPresumably it was during the Han Dynasty that much of the Confucian elaboration of the Zhou rituals must have occurred. Confucius's (apparent) close connection with the ‘Archery Ritual’ (‘she yi’. Selby: 5B.) - he is both quoted in it and appears as a protagonist in the narrative - proved immensely influential when it came to formalizing the imperial system for selection of military officers.\n\nArchery and the formalization of the military appointment system\n\nThe move to a formal, relatively objective and nationwide system for selecting military officials seems to have started in the Northern Wei period, when it became necessary to overcome the family-centered and ethnocentric systems of appointing officials that was endemic in the Wei-Jin period. Chinese historians have naturally associated archery with the nomadic tribes of the north, and it is these tribes who dominated the aristocratic lines of North China in the Wei-Jin Period.\n\nIn his struggle for the unification of China, Emperor Yang of the Sui Dynasty needed to undermine the traditional power-bases of the aristocratic warlord families. In 607, he implemented examinations in 10 areas, including military affairs. There is no direct historical description of the content of the Sui military examinations; but from", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216029, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 328, "title": "RAS-2002", "content_text": "262\n\nWar in 218 AD between two of the Three Kingdoms [San Guo], between Sun Quan of Wu and Liu Bei of Shu, led amongst other things to the capture of the city of Qingzhou. One of Liu Bei's generals, Guan Yu, hurried south to defend the city but was ambushed, captured and decapitated by Sun Quan after he refused to change sides. Guan was later deified as is now the immensely popular deity, the Patron of Uniformed Bodies and is known as the God of Loyalty, Guan Di. Thus, the founder of Zhenjiang had the distinction of slaying the consequent Patron deity of Soldiers, Firemen and Detectives and the second most popular god on Chinese popular religion altars.\n\nIn the first years of the 6th century AD the first emperor of the Liang dynasty, Wu Di, who was renowned for his support of Buddhism and the Buddhist clergy, visited Zhenjiang. He had been visited by a divine monk in a dream who urged Wu Di to institute a great fast in order to rescue all sentient beings from the miseries of their existence. The Emperor ordered a new monastery to be built at Tse Hsin [Zexin], known today as Jin Shan to accommodate the Congress held in AD 507, and for centuries within the monastery there was a building known as the Hall of Liang Wang. This tradition is at odds with the date usually given for the founding of the monastery - AD 317.\n\nOur next story involves a deified hero who had nothing to do with Zhenjiang in life but, for some unknown reason, his cult would appear to have become centralised along the Grand Canal and especially at Zhenjiang. He is a canonised hero of the Tang dynasty, but one of a pair whose images elsewhere appear together on popular religion temple altars. These two euhemerised heroes, Zhang Xun and Xu Yuan, ***, have been seen on altars in Jiangsu, Zhejiang, Beijing, Taiwan, Hong Kong and South-east Asia. These two protective deities are known individually as the Venerable King of Peaceful Pacification, Wen'an Zunwang ✰✰ E [Zhang Xun] and the Venerable King of Military Pacification, Wu'an Zunwang ✯✯ [Xu Yuan] though they will\n\n+\n\nbe referred to hereafter simply as Zhang and Xu.\n\nThe most common history of the two heroes as related by a great number of temple keepers describes how Zhang and Xu, loyalists during the reign of Tang Ming Huang, opposed the rebellion led by An Lushan. They died heroically in AD 757 during the civil war defending the provincial city of Suiyang in Henan province which fell to the enemy", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216031, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 330, "title": "RAS-2002", "content_text": "264\n\nAbout two miles west of Zhenjiang railway station, on rising land, there was a temple called Xiu Wang Miao, the Temple of the Xiu Kings, dedicated to the memory of the Xiu dynasty of Nantang.\n\nLu Xiufu [AD 1238 - 1279] was a native of Zhenjiang, and a statesman and military commander during the latter years of the Southern Song. He had been appointed to the Court of Imperial Family Affairs, a form of Minister of Protocol, during the reign of Song Gong Zong [ca 1276]. He is remembered as a man of integrity and a devoted Minister who, when the Mongols were on the point of capturing Hangzhou, was sent in an attempt to reach an accommodation with them. This ended in failure. The Court was persuaded by Wen Tianxiang [one of the Three Loyal Generals of the Song] that the imperial heirs should be sent to the coast of south China, to Fuzhou and later to Quanzhou to ensure their safety. The emperor and his mother were captured by the Mongols and taken to Beijing, whilst Lu followed the Court in its retreat to the south. Lu met up with Zhang Shijie [the third of the Three Loyal Generals of the Song] in Wenzhou to rally support for the imperial cause, but had to flee on south to Fuzhou where they joined the forces of Wen Tianxiang. The senior heir was enthroned in Fuzhou as the Song Jing Yan emperor. At this point, following a reorganisation, Zhang and Lu became deputies to Chen Yizhong, the Commissioner of Military Affairs and Grand Counsellor. The new emperor was forced to flee further and further south pursued by the Mongol forces until he reached the area of present day Kowloon where Lu Xiufu rejoined the force from Chaozhou. The Mongol fleet having captured Guangzhou destroyed the forces of Zhang Shijie thus driving the Song Court out to sea. A typhoon struck the fleeing Song fleet and even though the ship carrying the young emperor was sunk he was rescued but died from shock and exposure near the Leizhou peninsula in mid-1278. Lu and Zhang stood firmly against any talk of surrender and ensured that the younger heir, a boy of six, was made emperor. Zhang became the Junior Guardian whilst Lu was Grand Counsellor. The next year the Mongol forces having been reinforced compelled the last of the Song forces to attempt to escape. Lu is said to have committed suicide but the official records do not reveal how the last of the Song, the boy of seven, died. The popular version claims that Lu, the hero from Zhenjiang, leapt into the sea with the boy in his arms.\n\nAn imperial hostelry, the Danyang Guan, was founded in Zhenjiang\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 340, "title": "RAS-2002", "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 341, "title": "RAS-2002", "content_text": "275\n\ntitles of the god”. \n\nThe third hall contained Guan Yin, as the 'patron of offspring', with statues of the Buddhist trio Dicang Wang etc., about her. A special little shrine to the left contained the 'thousand-handed' Guan Yin. \n\nDoré added that a visit to a smoky grotto, reeking with the acrid odour of 'joss-sticks' rounds off the tour of the cult buildings. Here there were two ugly statuettes, Guan Yin and Yanguang Pusa, the Bodhisattva of Eyesight: strings of cash hung as ex-votos for the former. In the depths of the grotto, sticks of incense were burning night and day before the statue of one, Pei Toutuo, a Hunanese [so said the monks] who discovered gold in what was then called Fuyu Shan E. He was said to have built the temple with the proceeds of his mining and the temple name was then changed to Jin Shan, Gold Mountain. \n\nA square artificial lake enclosed by a stone balustrade is referred to as the First Spring under Heaven after the waters were declared to be the sweetest for brewing tea. Not surprisingly a tea house offering tea brewed with water from the spring is served to today's visitors. \n\nMy wife, eldest daughter and I visited the Jin Shan Temple during a cold spell one March in the mid-1990s and found to our disappointment that the images were all modern, replacing those destroyed during the Cultural Revolution. However, along the leading edge of the main altar we recognized some twenty or so small images of the Sinicised Vedic deities similar to those I wrote about in Vol. 38 of JHKBRAS. The fact that the great Qing emperor Qian Long had a particular love for the monastery at Jin Shan, referred to earlier, may explain why these Vedic images are also present on the altar in the Jin Shan Si, possibly copied from the images in the temples in Beijing's Western Hills, again connected with the early Qing. \n\nAnother highly visible pagoda, known as the Sengjia Ta, stands on top of the Dingshi Shan, just under a mile south from Zhenjiang's former southern gate. It was built on this site during the Ming having been moved from its former location during temple reconstruction.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216046, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 345, "title": "RAS-2002", "content_text": "279\n\nfrom\n\nsince. Legends claim it to be either a Buddhist pagoda dredged up the bed of the Yangzi Song dynasty from about 1000 AD or a memorial shrine to a Song dynasty prefect of about 1090.\n\nA stone Stupa or dagoba [containing Buddhist relics] is situated on a stone platform supported by four pillars over a busy street in front of the Guan Yin Cave to the north of Yuntai Hill to the west of Zhenjiang. In years gone by people heading for the small ferry across the Yangzi had to pass under it and gained confidence for their chancy ferry crossing from the protective power emanating from the relics. It is said to have been built during the Yuan dynasty during the 13th century.\n\nDaily life of foreigners in this insignificant Treaty port\n\nDuring the heady days of westerners within the Yangzi basin the steady stream of river steamers sailing the river under the protection of foreign flags and the twin fleets of protective river gun boats of the RN and USN, trade flourished and even an early form of tourism existed. Zhenjiang was famous for silk piece-goods, silk cord tassels for official hats, medicated wine called White Flower Wine, Baihua Jiu, aromatic plants, and fine sturgeon. However, for the foreign residents the greatest bane was the boredom. Although there was the Club where cards, drink and perhaps a few books and newspapers helped while away the long evenings, the ennui of the same faces, the same voices and the same topics of conversation was sufficient to bring some to the verge of suicide and some over it.\n\nLife was fairly constrained. There were only two provision stores to serve the foreign community during the first decades of the 20th century, Foo Chong and Chong Hsin. And according to L.C. Arlington Zhenjiang Concession, despite its very limited numbers, boasted its own aristocracy, with the Consul and the Commissioner of Customs as joint Sovereign Lords. The port, he added, was full of individuality, and social life; and the clubs - that for the Upper Circles [Zhenjiang Club] and that for the Lower Strata [Customs Club] - combined to produce constant gossip and occasional friction.20 There were a number of peculiar characters but none more peculiar than an American missionary who had been divorced by his wife owing, it was said, to his peculiar ways. He professed to carry out the teaching of St. Paul by consorting with the coolies in the native city, and providing them with\n\nPage 345\n\nPage 346", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216078, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 377, "title": "RAS-2002", "content_text": "311\n\nZhenjiang city has grown beyond all recognition. Since the Communists came to power in 1949 Zhenjiang has suffered the same trials and tribulations as all other cities in China and only within the last decade or so of the 20th century did modernisation and development take off. Today it has wide streets, modern shops, drainage and factories as well as all the benefits, or otherwise, of westernisation. Also, three historical sites have been granted Asia-Pacific Heritage Protection Awards for 2001 by UNESCO. They are the Stone Pagoda, the Guan Yin Cave and a charitable association hall, all on Xijindu Street.\n\n1\n\nNOTES\n\nZhenjiang city walls were said by the British military to have been thirty feet high and five feet thick.\n\nAllom, Thomas (1844) China - in a series of views, displaying the Scenery, Architecture, and Social Habits of that Ancient Empire. London: Fisher, Son and Co Vol. IV p 41\n\n3 The area selected to be the foreign settlement was chosen in 1861 and divided into lots. Ground rent was paid to the Chinese government by leaseholders to whom titles for 99 years were issued through the British Consulate. They would have expired in 1960 had not the treaty port as a whole been formally surrendered [rendited in official parlance to avoid using the word surrendered] in 1929 after it had been decided that minor concessions were more trouble than they were worth.\n\nA\n\nCunynghame, Captain Arthur [1845] The Opium War: London\n\n\"Taot'ai [Daotai] was the term for a Qing dynasty Circuit Intendant.\n\n*Percival, William Spencer (1889) The Land of the Dragon-My Boating and Shooting Excursions to the Gorges of the Upper Yangtze. London: Hurst and Blackett, Ltd. [Percival was a member of H.B.M's Civil Service in China].\n\n'Clennell, WJ (June 1922) The Historical Setting of Chinkiang or a Bit of ‘Consular Bluff Shanghai: New China Review: Vol IV. No. 3 [Clennell provides much greater detail than is offered here].\n\n&\n\nSun Quan's city was built on Beigu Shan.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216310, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 69, "title": "RAS-2003", "content_text": "18\n\nRestoring the damage done by the three years of Taiping destruction required a massive reconstruction project which lasted for nearly 30 years from 1871 to 1899. In addition to rebuilding the previous structures, several new halls which had not existed before were added during this time, including the Guest House (Ke Tang) and the Dining Hall (Zhai Tang) in 1887; the Goddess of Mercy Hall (Guan Yin Dian), Ancestors Hall (Zu Shi Dian), and the Kshitigarbha Hall (Di Zang Dian) in 1890; and finally the 500 Arhats Hall (Wu Bai Luohan Tang) in 1896.\n\nThe Republican era, 1911-1949\n\nAt the beginning of the Min Guo Republic (1912), all the monks were forced to move out by armed soldiers who moved in and used the temple as a barracks. The soldiers looted the golden statues from the temple, and wooden parts of the temple such as window frames were used by the soldiers to make cooking fires. However, in 1920 the temple and the pagoda were both repaired, and after being closed for a whole decade the temple finally officially reopened in 1922 when all the monks came back. Holmes Welch's otherwise authoritative 1967 study of Buddhism in China mistakenly stated that Longhua Temple was occupied by the Chinese military for the entire Min Guo period. Photos from D. C. Burn's brief 1926 study of the temple show that the Qing Dynasty 500 Arhat Hall (Wu Bai Luohan Tang) was still intact then, although it no longer exists now.\n\nLonghua Temple enjoyed 15 years of peace and tranquility until September 11, 1937 when the temple was badly damaged during the Japanese attack on Shanghai. Nine Japanese airplanes dropped 30 bombs on the Longhua area. Most likely they were targeting the nearby Longhua Airport and the Guomindang's Longhua Garrison military camp next door, but they accidentally caused severe damage to the temple. Before the attack there had been 80 monks living in the temple, but afterward there were only 7 monks remaining.\n\nDuring the first five years of the Sino-Japanese War, 1937-1942, the internal affairs of the temple were confused and disorganized, with rival masters claiming the post of Abbot, and unqualified persons claiming to be Buddhist monks for the sake of seeking safe haven in the temple. On September 9, 1942 a reorganization committee was", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 74, "title": "RAS-2003", "content_text": "23\n\nThe second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged.\n\nOn the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862.\n\nAcross the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 75, "title": "RAS-2003", "content_text": "24\n\nas seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples.\n\nOn the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586.\n\nOn the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216515, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 274, "title": "RAS-2003", "content_text": "226\n\nprints available from the first survey, some 85 photographs, with accompanying text, were included in Hong Kong: Going and Gone, published by the Branch in 1980. A reprint, using enhanced negatives from the first edition, is now being contemplated. The prints from Yaumatei helped identify locations of interest when a second photographic survey with the help of the Cathay Camera Club resulted in a later RAS publication, The Heart of the Metropolis: Yaumatei and its People which appeared in the late 1990s.\n\nIan's article on the new Hong Kong PRO (The Paper Chase Archives and the Public Records Office of Hong Kong) was published in Vol. 14 of the Journal (1974), and is both informative and entertaining. Another useful essay, Facilities for Research in the Public Records Office of Hong Kong (Alan Birch, Y.C. Jao and Elizabeth Sinn [eds.]) appeared between pages 153-192 of Research Materials for Hong Kong Studies, published by the Centre of Asian Studies, University of Hong Kong in 1984. Ian also produced an interesting Note on Lieutenant T.B. Collinson, Royal Engineers (later Major-General) who served in Hong Kong in the 1840s and was responsible for the early mapping and accurate sketching of the area. Some of Collinson's letters had survived through the philatelic interest of their covers, and Ian had somehow spotted them, but I am unclear as to whether the Note was published, or where.\n\nA humorous man, dry and contained in the Australian way, Ian was quick to see the funny side of any situation, and was a good raconteur. He made full use of these attributes in his article on the PRO, when he described what he styled 'the classic delusions about us [archivists].' One was that he 'should look like a cross between Charles Darwin and Karl Marx in their old age, and that when not poring over old papers all day, he should be scouring cellars or attics for more documents, and 'making delighted chuckling sounds in my [his] throat like Ben Gunn discovering a cheese' when he lit upon a choice specimen. And I shall always recall his unbounded glee when he found (I think in the Far Eastern Economic Review, or else in a leading English daily) a reference to ‘a Sawn-off Damocles' instead of the famed 'Sword of'!\n\nIan was a skilful, extraordinarily patient worker in wood and metal, as well as a collector of Peking and also Afghan glass, the latter being Roman-like glass work found in the bazaars of Kabul (he had gone to Afghanistan in 1974 on a UNESCO consultancy).", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]