[
    {
        "id": 211044,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 105,
        "title": "RAS-1987",
        "content_text": "80\n\nlegendary first Huang Yeren, and who was also eventually referred to as Huang Yeren. This individual, Huang Li, was a prefectural governor at Zhengzhou (present day Huizhou) toward the end of the reign of Dayou (928-943) during the short-lived Southern Han dynasty (918-971).\" Evidently he had retired to Luofu after becoming disenchanted with the regime which he served. The sources relate that he met a Taoist who taught him the art of making cinnabar. Towards the end of the reign of Shaoxing (1131-1162), he was by imperial edict granted the title of Dazhen (the one who obtained immortal status). He is thought to have ascended to heaven near the end of the Song dynasty.\" He is also credited with several healings. The memory of Huang Li as a separate figure in the literary sources has been preserved, and evidently there is still a temple or shrine to Huang Li in Dongguan county.\" But the figure of Huang Yeren at Luofu now includes elements of both the original Huang Yeren and the later Huang (or Wang)20 Li.\n\n21\n\nThe veneration of Huang Yeren at Mt. Luofu seems to have a very long history. The poet Su Dongpo in the 11th century A.D. in a letter to a Taoist friend mentions that he had heard of Huang Yeren at Mt. Luofu.\" The great Guangdong poet Qu Dajun (1630-1696) in his encyclopedic Guangdong Xinyu (New accounts of Guangdong) devotes an entire page to Huang Yeren. Huang, he writes, was the most frequently seen of all the saints of the mountain. A small shrine to him (in the hills to the west of the Chongxu Guan) was, he reports, in ruins.\" The writer Tan Cui, who traveled widely in Guangdong during the reign of Qianlong (1736-1796), noted the presence of a small shrine or temple to Huang Yeren in the 18th century.23 When the main temple on the mountain was destroyed in 1802, the nearby shrine to Huang Yeren evidently suffered the same fate. The present temple, the Chongxu Guan, was built shortly afterwards.\" This temple has recently been restored and renovated (1985/86).\n\nIt appears that prior to the restoration, a statue of Huang Yeren stood in the same room as the statue of Ge Hong.\" This statue has disappeared. (The statue beside Ge Hong is now that of his wife, Bao Gu, famous practitioner of acupuncture). However, there is now (as of early 1987) a separate room for the worship of “Huang Daxian\", containing a new statue of the god. We were told that it\n\nPage 105\n\nPage 106",
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    {
        "id": 211046,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 107,
        "title": "RAS-1987",
        "content_text": "82\n\nplaced him at Mt. Luofu. The Taoists typically assumed that the Hong Kong Huang was Huang Yeren of Mt. Luofu. There is a simple explanation for this confusion of the two figures: they are all aware of Huang Yeren because he is a famous figure in the history of Taoism at Mt. Luofu; he is a “Daxian” (saint, or deified hermit-fairy), although not often referred to explicitly as Daxian; and they do not know of the Sese Yuan “autobiography\" of Huang Daxian which clearly identifies him as Huang Chuping of Zhejiang province. (Many Hong Kong worshippers are also unaware of these details).\n\nA second type of merging of the two figures is more intriguing: we have discovered several attempts to link the biographies of Huang Chuping and Huang Yeren. In a pamphlet sold outside the main temple at Luofu, describing the various sites of interest to tourists in the region and providing some background information on the history of the area, there are two short articles on Huang Daxian. The first article, titled “Ge [Hong] the holy man and the Hong Kong Huang Daxian,” relates a visit by the author of the article to the Sese Yuan Huang Daxian temple in Kowloon. After describing the temple, the account begins to describe the life of Huang Chuping, using some of the details from the Sese Yuan's \"autobiography\" of Huang Chuping. However, the account omits the miracle of turning the rocks into sheep, and instead relates the following interesting outcome:\n\nIt so happened that the old fairy and refiner of cinnabar Ge Hong was passing by Red Pine Mountain. He saw Chuping tending his sheep. Although Chuping was starving and fatigued this could not hide his wisdom. Ge Hong took him in as his apprentice, and named him Huang Yeren.\n\nThereafter Huang Daxian (Chuping) followed old saint Ge and \"for forty odd years he forgot about the business of this world.\" He followed Ge Hong to Mt. Luofu in Guangdong and gathered herbs and refined cinnabar below the Lion Rock. Huang Chuping also learnt acupuncture from Bao Gu, the wife of his master.\n\n+\n\n29",
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    {
        "id": 211947,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 362,
        "title": "RAS-1989",
        "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,",
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    {
        "id": 211954,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 369,
        "title": "RAS-1989",
        "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost",
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    {
        "id": 211971,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 386,
        "title": "RAS-1989",
        "content_text": "361\n\nBack at the ritual site, the ritual representatives installed the image of Gwun-Yam in the temporary altar dedicated to her, and the spirit tablets for the others in the san-paang altar for general gods. These, with the spirit tablets for the gods from the villages, gradually filled up the three levels of the temporary altar. Two ritual representatives fetched the tablet of Hung-Yi from the Ching-Lok Ancestral Hall to his altar on the stage. The portrait of the Heavenly Master was fetched from the village gate of Tai Hong Wai, and installed at a temporary altar set up for him in the Mau-Ging Tong ancestral hall.\n\nThere were also a few deities to be invited from the sky. They included Tin-Dei-Sheui-Yeung, the gods of the realms of Heaven, Earth (the Underworld), Water, and the human world; Gods of the Naam-Dau (\"North Dipper\") and Bak-Dau (\"South Dipper\"), both for blessings to men; the City God and the Lei-Wik (who supervises the local Gods of Earth and Grain and the Earth Gods); Tin-Chyun San-Gwan (two common titles of the highest deities); and the Dragon King. In the last stage of the Opening Rite there were complaints that those gods were omitted. But later on that day temporary spirit tablets for them were seen in the san-paang.\n\nD. Procession of incense I\n\nThe first Procession of Incense took place on the main day of the ritual, to the participating villages of the Kam Tin heung. It was to visit all the temples, shrines, and major ancestral halls to worship the gods and higher-level ancestors. There did not seem to have been a clearcut rule about the lower-level ancestral halls. When I mentioned to an elder that the procession had stopped and worshipped at Lai-Gaan Tong, his first response was that the procession should not have worshipped there. But he changed his mind later: the worship in the rite was indiscriminative, it went to every ancestral hall if the doors were open.\n\nA very large number of villagers participated. Priests took part in the procession as well, but their part was limited to a brief invocation. Most of the villagers wore hats with special ornaments indicating their villages. The procession was accompanied by the sound of large gongs, a flag saying jeun-heung (\"to offer incense\"), and the priests' musician playing sona. There was one lion dance group, and Luk Gwok flags and percussion teams playing drum and gong on lo-gu ga frames representing each of the five main villages. There were also flags",
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    {
        "id": 211983,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 398,
        "title": "RAS-1989",
        "content_text": "373\n\nMany Dangs attributed the deceased worshipped in their Altar for Heroes (Ying-Hung Chi) and those buried in the big grave known as yi-chung to the battle with the British in 1898. We found that the number of \"heroes\" for whom paper clothing were ordered for the jiu of 1955 is only 2 more than the 1895 figure, i.e. only two can be attributed to the 1898 incident.\n\nSee also Law and Lau (1985) about this dispute.\n\n19\n\nAccording to this informant the Dangs married villagers of Lam Tsuen, Tai Hang, Sheung Shui and places like Sha Tau across the border. Other Tangs who discussed the point included Tuen Mun and Gak Tin, a place of the Wong surname, also known as Fuk Tin, across the border.\n\n20 Another stone inscription dated 1786 recorded a similar case. Although it has been cited by many scholars as another rent dispute case that involved the Dangs of Kam Tin as the landlords, I cannot find any of Dangs whose names appear in the inscription in other documents.\n\n21\n\nIn Kam Tin Historical Documents, vol. 2.\n\n11 The original expression is that the villagers were the diding of the Dangs. Diding refers to tax on land and persons.\n\n73 See also Kamm (1977:213-214) on other similar disputes.\n\n24 See Cheng (n.d.).\n\n25\n\nBesides the formal names that appear in local documents and present-day road signs and maps, many of these villages had other names that were used in everyday conversation.\n\n10\n\nFormal names\n\nKam Hing Wai\n\nKat Hing Wai\n\nPak Wai\n\nTai Hong Wai\n\nWing Lung Wai\n\nAccording to the jiu festival record of the year.\n\n\"Nickname\"\n\nGaak Seui Yun\n\nFui Sa Wai\n\nLaan Bak Wai\n\nTaan Wai\n\nSa Laan Mei\n\n27 Tanaka (1985:935-7), quoting A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories, Hong Kong, pp. 172-173.\n\nThe original expression was \"Tai Hong Wai and Tsuen\" and probably included only the part of Tai Hong Tsuen whose residents were considered Tai Hong Wai people.\n\n20\n\nKam Tin Historical Documents vol. 2.\n\n30 See the account dated 1966 in the Si Kim Tong genealogy.\n\n31 According to a descendant of Fau-Ng. The genealogical relationships among the ancestors he gave may be wrong.\n\n32 Ying Lung Wai is part of Shap Pat Heung, the group of villages which was involved in several disputes with the Kam Tin Tangs. It seems that the Ying Lung Wai Dangs join the Kam Tin Dangs only in the jiu festival and the worship at the Mau Ging Tong ancestral hall. I have not heard anything about its position in the disputes between Kam Tin and Shap Pat Heung.\n\n33 Sung (1974:168) says Tai Hong Tsuen. This is my interpretation.\n\n34 Ditto.\n\n35 Siu-Geui, with his father and others, made a new stone inscription for the grave of the wong-gu in 1483. Kei-Fong's will is dated 1562. (See the genealogy in Kam Tin Historical Documents vol. 1 for both.) Kai-Wa was born in 1494 (See inside text of his spirit tablet,",
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    {
        "id": 211984,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 399,
        "title": "RAS-1989",
        "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See",
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    {
        "id": 211985,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 400,
        "title": "RAS-1989",
        "content_text": "375\n\nOfuchi (1983).\n\n5.1 These two kinds of embroidery were always found in major festivities and at temple altars.\n\n54\n\nBoth are reproduced in the Dang Clan Association handbook in Huge Baker's collection of genealogies, with commentary. One of the Dangs I talked to had some doubt about the authenticity of the alleged painting of Song Wuizong. He observed that the calligraphy was not of the typical style of the emperor, the shou-zhen ti.\n\n55 Although the wong-gu was a common ancestress, her relics were not public property. The painting of the eagle belonged to a wealthy leader of the Dangs of Kam Tin, and the other pieces to the Wan-Gaan jire segment or one of its members.\n\n57 On this divination instrument, see Ahern (1981:45-47).\n\nDiscussed in the next part of this report.\n\nSV For more information on Lam Pui and his family, see Tsui (1985).\n\n60\n\nThe rite is locally found probably only in the Kam Tin jiu festival. The priests explain it by alluding to the legendary Baiguai Zhen battle formation of Zhuge Liang, a stateman and strategist in the period of the Three Kingdoms (220-265). I think it is probably more directly related to the gimen dunjia style of magic.\n\n42\n\nA handheld small metal idiophone with a handle.\n\nSee Schipper (1974) for a thorough discussion of the Memorials in the Taiwan case, which is very close to the one I am describing.\n\nThe Oral History Project collection and Osuchi (1983) include most of the manuals used in this festival.\n\n64 The actual seating no longer observed the segregation of the sexes, although this used to be the practice.\n\n65 The difficulty was due partly to the fact that there were more Naam Bin people than their Bik Bin counterparts, even when the Ying Lung Wai villagers were added to the latter. As I have mentioned already, the seating area was divided into two halves, one for Naam Bin and one for Bak Bin. This gave the Bak Bin chu more seats each.\n\nI learned from a different source that the elder left early on the day because he felt that some younger villagers were being hostile to him.\n\n67 The informant explained that it was usual for the Village Representatives to keep their position until they die. Therefore, those who are interested in becoming one always fail, except in Shui Tau, where the villagers generally have more exposure to the outside world and re-elect their V.R. once every two years.\n\n68 I saw another lady doing waan-san at Ying Lung Wai. In addition to the san-seng, she made offerings at the village gate as well, which I guess is the normal practice.\n\nThe two men were elders/ritual representatives, neither was the head of the lineage, probably due to the lineage head's age.\n\n70\n\nExcept in the case of Tin-Chyun San-Gwan, I have relied on the Daojiao Yuenliu, the priests' manual to which they often refer when asked to explain their tradition, for interpretation.\n\nThere were some young ladies in the procession this time, which represented a recent development.\n\n72 Ancestral tablets could be seen inside, but Mr. Dang Jik-Waai said that the place used to be a sun-teng, and was worshipped by the procession because of this.\n\n73\n\nIn which case only the woman herself would suffer.",
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        "id": 212520,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 74,
        "title": "RAS-1991",
        "content_text": "54\n\n-\n\npreferred not to enter government service. He was a contemporary of Hong Liangji on the personal staff of Bi Yuan. Ling excelled in phonetics, textual criticism, the Classic of Rites, including music, as well as astronomy and mathematics both the Chinese and Western tradition. He was asked by Ruan Yuan to tutor his son Ruan Changsheng (adopted 1793, d. 1833). It was Ling who brought the excitement of the Tian yi ge collection to Ruan Yuan's attention. Ling, with Li Rui and Jiao Xun, had worked on the chou ren zhuan from the beginning. His own manuscript, Li jing shi li (Exposition on the Classic of Rites), 13 juan, was edited by and printed by Ruan Yuan after Ling's death. His prose, Jiao li tang wen chỉ [Collected prose of Ling Tingkan], 36 juan, first printed in 1812, has been useful in research on Ruan Yuan as well.\n\nZhang Jian (1768-1850) was one of the scholars who had been associated with Ruan Yuan from the beginning of the latter's official career until after his retirement. Zhang had served on the personal staff of Ruan Yuan, together with Yang Fenghao (1755-1816), Shi Guochi, and He Yuanxi (1766-1829). As a scholar, Zhang worked on various compilations, such as the Jing chỉ zhuan gu, and lectured at the Gu jing jing she. He was more useful to Ruan Yuan in his government, however. Zhang was best known for his expertise on sea transportation of tribute grain. It has been understood that Ying-he's famous memorial on sea transportation was based on Zhang's work. Zhang edited Ruan Yuan's papers on famine relief (in Ying zhou bi tan) and Liang Guang yen fa zhi [Salt Administration of Guangdong and Guangxi]. Zhang also supervised the compilation of Ruan Yuan's nian-pu, Lei tang an zhu di zu ji.\n\nLiu Wen chi (1789-1856) of Yangzhou had studied under Bao Shicheng at Mei hua Academy. He was a nephew of Ling Shu (1775-1829), another scholar who had been close to Ruan. Liu was of a younger generation of scholars who had not known Ruan Yuan in his heyday. Being a neighbour, however, he had corresponded with Ruan Yuan before the latter's retirement in 1838. In 1837, Ruan wrote a preface to Liu's work, Yang zhou shui dao ji. Ruan Yuan in retirement was an important figure in Liu's diary and they worked together on several works including a new printing of a Song-Yuan edition of a prefectural gazetteer of Zheng jiang, for which Liu wrote a preface in Ruan's name (1843). Liu recorded that he had written prefaces to several other works for Ruan Yuan, as the latter grew more\n\n+",
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        "id": 212527,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 81,
        "title": "RAS-1991",
        "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    {
        "id": 212528,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 82,
        "title": "RAS-1991",
        "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 213564,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 160,
        "title": "RAS-1995",
        "content_text": "說\n\n番人亦有\n\n如此之分\n\n番如稔失\n\n印則\n\n但更俱\n\n有三等之介\n\nBitt m\n\nFE\n\nE***S\n\n129\n\nFig. 5. Tong explains the pidgin form of comparison of adjectives\n\nThat is as far as we want to go in discussing the structure of Pidgin.\n\nAs a last topic, however, we want to say something about the etymology of Pidgin. Over the years, a lot of effort has gone into tracing the history of certain Pidgin words, especially where the words have entered standard English. The mass of fresh material in Tong's book lets us throw a little new light, although we have to admit that, as with most attempts at etymology, a lot of guesswork is involved.\n\nTong cites very many words derived from English, in which all syllables are represented quite fully, given the limitations of the language. To say, then, that the word \"pidgin\" itself originated just because that was the nearest that Chinese could get to pronouncing \"business\" is hard to accept. The same people who could say “di-fa-loen-si\" could presumably have said “bi-si-nei-st\", had they been so inclined.\n\nOur examination of the vocabulary in Tong brings us to believe that at the earliest stage there was a core of words derived not directly from English but from a variety of Portuguese, Malay, and English. These were then added to with a gradually more extensive vocabulary.\n\nWe consider that the following should be included in the early layer:\n\nbi-jin, kam-sha, de-lam, se-lam, but-lam, si-bui-lum, gi-lam, go-lam, ma-si-gi, gou-dang, ka-gou, tik-gı, get-ji, dim, gat-ji, dim, waan-sam, jaau-jaau, chin-chin, jo-si, hu-man, mai, ma-sa, ma-jin, mat-sa, jap-jap, gu-lei, mun-ni, bai, sa-bi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213775,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 127,
        "title": "RAS-1996",
        "content_text": "98\n\nreceived.\" There were unsuccessful attempts by a county magistrate to eliminate these and other customs relating to belief in sorcerers and shamans. The practice is also mentioned, as prechang dushui, in the Third Gazetteer of Yongan County, compiled about 1822, which gives very slightly more but very useful information. It mentions that \"those ordained\", again, \"were given white [ordination] certificates and yellow [celestial] mandate”, and, in addition, “slaughtered animal for sacrifice for the rite of Fengchao\". Similarly the Changle County Gazetteer of about 1845 mentioned very briefly the practice, as, again, jrechang dushui,22\n\nWe cannot preclude the possibility that the Hakka ordination actually amount to initiation to the practice of magic as in the Yao case, as the Xueshan Gazetteer mentioned that men in Kaijian “like to study to be a sorcerer.21\n\nThe Tradition of Lü Shan and Mao Shan\n\nThe Hakka and the Yao were ordained under a religious tradition distinct from Daoism and Buddhism which may be called the Lu Shan tradition. Popular traditions of “Daoist\" ritual experts of Fujian, Guangdong Cantonese and Hakka, and the Yao had in common the Lu Shan Jiu Lang, his disciples and a Wang Tai Mu which is often confused with the Daoist goddess Wang Mu. The canonical Daoist gods appear to have been incorporated at a time later than Southern Song dynasty, while the characteristic group of gods still occupies a central position.\n\nProbably the earliest mention of the Lu Shan Jiu Lang's tradition is a passage about the wuze's (\"sorcerers\") magic / method of exorcism from the Southern Song dynasty which gave the names of Lu Shan Jiu Lang, his successors and predecessors. The passage is in the Sayings of Bai Yuchan,25 the famous Daoist who was active in Guangdong, Jiangxi, Jiejiang and Fujian around 1220. Bai is obviously talking about something that had begun before his time, as he mentioned several names of these \"sorcerer's magic” that existed \"in the past\". The account began, curiously, with The King of Sha Tan, which can be interpreted by a sinicization of Satan. The magic originated with the King of Satan, who passed it to the King of Pan Gu, who in turn passed it to the King of Asura, who in turn passed it to a Wei Tou Shi Wang,26 King of Changsha, Tou To Wang, Lu Shan Jiu Lang, Meng Shan Ji",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213779,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 131,
        "title": "RAS-1996",
        "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 216309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 68,
        "title": "RAS-2003",
        "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
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]