[ { "id": 204625, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 106, "title": "RAS-1963", "content_text": "CHEUNG CHAU\n\nChung\n\nTung Wan\n\nshekhau\n\nOne Mite\n\nHoi Ping\n\nNam hor\n\n(Han-bai)\n\n© Hak shan\n\nCanton\n\nFrench 1.\n\nSha\n\nShun tak\n\nWhampoa\n\nDanes\n\nTung Chaen\n\nSun\n\nOCheungShan\n\nHeung Shan\n\nPTại chân\n\nDan Ping\n\n(Tung kuan)\n\nPearl River Estuary\n\nMam-tav\n\nmoon\n\nLINDAI\n\nPo On District\n\n[Pao-an-hsien)\n\nCapsingmoon\n\nWhichow\n\nTar Pang Wan\n\n(Mrs. Bay)\n\nTrong Chun\n\nTai\n\nKowloon\n\n$\n\nکی همینه\n\ntaipa Coloane\n\nShek Pik CHEUNG\n\nHong Kon\n\nIsland\n\nCHAU\n\nLadrone\n\nLadrone is\n\n10\n\n20\n\n30\n\nMILES\n\nMap showing Cheung Chau in relation to other places mentioned in the article.\n\nLema Is.\n\nCHEUNG CHAU\n\n93", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204961, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 69, "title": "RAS-1965", "content_text": "62\n\nJ. MCCOY\n\ncontrasts in meaning when compared with all other such sound groups in the given language, ie, hat as contrasted with bar, cat, rat, etc. By convention, phonetic notations are enclosed in brackets, as [ylt2] ‘leaf’, while phonemic notations are enclosed in slant lines, /it2/ 'leaf'. I will follow this convention whenever it is necessary to record the distinction.5 For typographical reasons ad hoc symbolization will be used in this paper to express phonetic and phonemic notation represented elsewhere by special type. These are:\n\na. [ng] will be used for the velar nasal. As with the aspirate stops, two symbols here represent a unit phoneme.\n\nb. [*], the apostrophe will be used to represent the glottal stop.\n\nc. (ê), a circumflex 'e' will represent the mid central vowel elsewhere written with the inverted 'e' or schwa.\n\nd. [ô] a circumflex 'o' will represent the low back rounded vowel elsewhere written with the reversed 'c'.\n\n* For good descriptions of SC consonants see Chao (1947, pp.18-21) and Wong (1963, Part I, pp. xi-xii),\n\n7 These and other examples may not all be minimal pairs in the strictest sense because of tones differences. However, I found no instances of change in the segmental phonemic structure of a syllable which was correlatable with tone change and I have ignored tone in order to select more familiar examples.\n\n8 The chief reason for setting up the phoneme /kw/ in SC seems to be the fact that this permits a neater distribution pattern when all possible syllable types are recorded. If only /k/ is postulated, the total number of syllable types beginning with /k/ will be about double the average for other initials. If both /k/ and /kw/ are set up, the syllable types for these two initials are about equal in number to each other and to those for other initials. Here again, the arguments seem equally strong for either interpretation but I personally opt in favor of dropping the /kw,kwh/ from the SC analysis. My reasons are to some extent arbitrary and stem first from a desire to make the original phonemic selections on purely phonemic grounds and second from a desire to simplify comparative work with other subdialects which do not have /kw/ under any phonemic approach.\n\n9 In spite of a general preference for postulating a phoneme of length in analyses of SC, there is equally good argument for eliminating length and adding one segmental phoneme. For my work I prefer the second alternative and include a mid central vowel /ê/; again my reasons for choosing this method are based on the resulting convenience in terms of comparing SC with other Kwangtung Province dialects which do not have length phonemes. If we dismiss the interpretations of Wong and Yuan, assuming the former to be purposely overdone for practical or pedagogical reasons and the latter to be more phonetic than phonemic, we find no real economy in a choice between Chao's five vowels plus length or my proposed six vowels without length. In either of these two latter systems roughly the same amount of explanation will do to fit the phonetic facts to the phonemicization. In any case SC length is significant only in the contrasts which Chao writes -aai versus ai, aau versus au. In other occurrences -aa- is described as differing from a in vowel quality, a very clear [a] as opposed to [ê]. When using /ê/ throughout instead of short /a/ the description must read that /a/ and /e/ have their cardinal values in all occurrences except /-au, -ai/ versus /-êu, -ei/ where the difference is essentially one of length; thus /-au/ would be [-a:u], /-êu/ would be [-au], etc.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 206028, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 108, "title": "RAS-1970", "content_text": "A NEW LOOK AT CANTONESE EXPLETIVES\n\n103\n\nCantonese is more interested in the method, carefully distinguishing to carry something light in the hand (NHENG14), something heavy in both hands (TOK'), something heavier on both ends of a pole (DHAAMM1), something still heavier slung at the middle of a pole (TROY17); and more again for carrying slung round the neck, on the head, along the ground, on an animal, a vehicle, boat, ship or aircraft. The direction (up, down, in when you're in, in when you're out, out when you're out, out when you're in, away, close up, back, forwards, etc.) for which in English we use different words and in Latin & Greek is taken care of by prefixes, in Cantonese as in most kinds of Chinese is done by adverbs or particles, with which I'll deal later.\n\nBut just as there is a word for elder brother and a word for younger brother, but no word for 'brother' (so that if you are obliged to say 'brother' without specifying older or younger you have to get round it), so it is much easier to learn all the words for different methods of fetching and carrying than to go to a lot of trouble to find an expression that will do for all, and then find you're not understood. I have put 19 of these fetch and carry words into four lines of Cantonese doggerel: it doesn't exhaust the subject but you may find it useful:\n\nNHENG FHENQ TOK BOK CEAR DHAAMM TROY, FRUNG SUNG JRIH GHAAW PAAI WRORNG LROY, ZOI XEOI CHEAH LRAY TROH MRAAR BUUI, LHAAY ZHONQ DRAI DAAI ZURNG FHANN XHOY13,\n\nNow perhaps you're beginning to see what I'm getting at. When we communicate with one another in speech, we don't dot all the i's and cross all the t's; we leave a dickens of a lot out. What we put in, and what we leave out, is dictated partly, of course, by what we think important at the moment; but also partly by the custom of the language in selecting what is essential and leaving out what is not. This we learn not from the grammar books but from the accepted models given to us by our early reading and by the way those around us speak when we are children,\n\n15\n\n16\n\n17\n\n#\n\n18 檸拹托賻扯擔抬,奉送移交派往來,載去車嚟駐馬背,𨋢裝帶總分開。\n\n14 #", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 207096, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 167, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n161\n\nAnother ancestral hall, built by the Tang family was less fortunate. The story goes that in the 1st year of Ka Hing (✯✯) A.D. 1796 of Ts'ing dynasty, the sons of Tang Yue Cheung (**) decided to build an ancestral hall worthy to house the tablet of their illustrious ancestress, the princess. So they built a house of “kak muk” (**) in T’aai Họng (✯✯✯) village, and in shape the house was like a king's palace. At that time the district magistrate of Sun On was a man nicknamed “Hungry Bug\" on account of his habit of collecting \"squeeze\" wherever he could. When he heard of the new building being erected in Kam T'in, and how magnificent it was, he scented a chance to make money. So he sent a message to the Tangs to say he would like to inspect their new acquisition.\n\nThe Tangs were much dismayed; being familiar with the character of their district officer they knew quite well the object of his visit, they did not want to pull down the house yet its very existence was an indication of their wealth and prosperity. In the village of Lung Kwat T'au (#) where the villagers are Tangs too, being descendants of the first son of the princess, there was a portrait of the princess and the Tangs of Kam T'in borrowed it and hung it up in the entrance of the hall. When the district officer saw it he was filled with awe, and hastily made obeisance to it. He was so impressed that he dared not demand money from the descendants of so distinguished a lady, and after making a show of being pleased he stayed one night, and then took his departure.\n\nEventually the picture had to be returned to its rightful owners, and the Kam T’in men fearing further trouble, pulled the hall down, but the foundation stones, overgrown with weeds and grass can still be seen.\n\nThe legends of Kam T'in are curiously mixed up with tales of buried treasure. One story tells how at the end of the Ming dynasty the Tangs wished to build an ancestral hall for the tablet of their eleventh ancestor, Tang Kwong Yue ( ). Tang Ping Yee (*) (a grandson of Tang Kwong Yue) and eight of Tang Ping Yee's cousins chose what was, according to one \"Fung shui\" man, a very lucky day to put up the central beam of the house, but a few days later they found that the beam was putting forth shoots. The people considered this to be a bad omen, so they consulted a more reliable fortune-teller, who declared that the day had been a lucky day, but for building boats, not houses! The people at once pulled down the beam, the time happened to be the season of the dragon boat festival, and the villages decided to make the discarded", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 175, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n169\n\nSouth and North of this country; later, when the number of descendants became very many, we lived apart in the two waais T'aai Hong and Kat Hing; round both of these waais were built tall walls and deep ditches were dug round them. We think that the idea of doing this by our ancestors, was to protect our houses and guard them against robbers only. When during the 25th year of Kwong Sui of Ts'ing dynasty, on Kei Hoi year, i.e. A.D. 1899, the Government of Ts'ing leased the South part of Sham Chan to the British Government, in that time, the Ts'ing Government did not inform the people of this beforehand, so when the British army arrived, the ignorant people of the country were inflamed by some persons and arose to resist them, the people of our waais being afraid to be disturbed, in order to avoid them they shut the iron gates firmly. The British army suspecting that bad characters were hiding inside, then assaulted and made the gates open. After they went into the Waai, they understood that the people inside were all good men and women, so did not give them any bad treatment, but just had the iron gates taken away. Now, the 26th descendant, Paak Kau, represented the people of these waais to petition the Hong Kong Government, asking the Government to bring the matter before London, and have the iron gates returned, and re-hung as before. All the expenses were paid by the Hong Kong Government. We also thank H.E. the Governor, Sir Edward Stubbs for his presence at the ceremony; from this can be seen the deep kindness and great virtue of the British Government, and shows that our people are pleased and sincerely submitted, therefore we specially carve the above on the tablet, in order to remember and never forget this kindness.\n\nGreat Britain, May, 26th, 1925\n\nChinese Republic 14th year, on Yuet Hoi year the \"yuen\" 4th month, 5th, the lucky day.\n\nwe carved.'\n\nAnother ancient wall in the South district is Naam T'eng (†4) where the silver came to and where Tang Naam had his house. It is to be found to the South of Kat Hing Wai, but no houses are left inside. The North district, Pak Wai, has two villages, Shui T'au (\"The head of the stream\") and Shui Mei ( ) “the end of the stream,\" Tang K'ei Fong ( ) and Tang K'ei Wah ( ) both from T'aai Hong Tsuen were the first persons who lived in", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207112, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 183, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n177\n\nwhen he had finished, he received a good appointment in a Government post.\n\nThe examinations that it was necessary to pass before a military post could be obtained, were similar to these, the name of each one being the same with the prefix of mo; thus mo sau tsoi, mo kui yan etc.\n\n[6]\n\nIf one walks through Kam T'in Market (#w†), turns to the right, and reaches Shui T'au Village (§‡) a fifteen minutes walk will bring one to an old bridge, which is mentioned in the San On Record book (*) and which is held in much respect by the New Territories people, as an example of filial duty done by a good son of Kam T'in. The bridge is called Pin Mo K'iu (1⁄2✯✯) \"bridge for the convenience of my mother,\" and it was built in the 49th year of Hong Hei (A) A.D. 1710 of Ts'ing dynasty, by Tang Tsun Yuen (2), a nineteenth generation descendant of the \"Five Yuens.\"\n\nTsun Yuen was born in the ninth year of Hong Hei, A.D. 1670 and died in the ninth year of Yung Ching (£), A.D. 1731. The original home of his family was in Shui T'au Village (¿k ši††) but his mother, who was a widow, moved to T'aai Hong Wai (✯✯ ¤) with her two sons. When Tsun Yuen married he rebuilt the old house and returned to Shui Tau but his mother stayed on with her younger son in T'aai Hong Wai as there was not room enough for them to live all together. But every day the mother wanted to go to Tsun Yuen's house to see her young grandsons, and to get there she had to cross the stream. Tsun Yuen used to go to the stream at a certain hour each day and wait there till she came, and wading into the water, he would carry her across on his back. The visit ended, he would escort her to the stream again, and take her across. When the tide rose it was sometimes too deep for him, so he would stay with his mother on the shore and wait with her till the tide fell and he was able to get across. This went on for a long time but he had made up his mind that, although he was poor, he would save up his money to pay for the building of a bridge, and at the end of six years he was able to do so, much to the admiration of the Kam T'in villagers. The elders in later years often used this story when teaching the young people, as an example of a good son.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207113, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 184, "title": "RAS-1974", "content_text": "178\n\nSUNG HOK-PANG\n\nThere is a stone tablet near the bridge with an inscription carved on it which can be roughly translated as follows: --\n\n\"My grandfather's official name is Kam(); the name for his friends to call him by is Kui Haam(&). My father's official name is Ch'ung Kwong(★★) and the name for his friends to call him by is Wai Cheuk(). My mother's surname is Wong(#). My mother bore Tsun Yuen (myself) and my younger brother Yin Yuen(£). We two brothers were unlucky, in our youth we were without a father to rely on. My mother lived alone as a widow, and had to practice economy and diligence. She gave us good instructions every day and night. Now when Tsun Yuen (myself) grew up, I married a wife named Ch'an() being ashamed to be a useless son, but fortunately I begot two sons, the eldest named Tung Ping(#) and the younger Shing Tak(). At that time there was peace at last with the bandits and in the 43rd year of Hong Hei(A) in Kap Shan() year I rebuilt my dwelling house at my original home in Shui T'au village. My younger brother and my mother did not come back to the home, but they still lived in T'aai Hong Wai, on the other side of the stream. My mother paid great attention to her baby grandsons, day and night she came to see them, and kept on coming backwards and forwards from her house, each time having to bear the difficulty of crossing the water, and obliged to hum the song of \"The difficulty of crossing the water\" as she passed. Therefore I have exerted myself to build this bridge for the convenience of my mother, and give it the name of Ping Mo(£#), (to convenience my mother). If anyone says that I build it to relieve many people, in the hope of obtaining happiness, I do not dare to have such an idea.\" (See plate 38),\n\n\"Hong Hei(a) 49th year, in Kang Yan(P†) year. Winter month, lucky day, Tang Tsun Yuen erected this stone tablet.\"\n\nThe following is a rough translation of another reference to the mother of T'sun Yuen, written by Tang Wai K'ui(✯✯).\n\n\"My Tso Pei(int) (deceased grandmother), Wong, was the wife of my ancestor, Wai Cheuk(2). When she was twenty-one years of age, her husband died. She cherished her fatherless children, and maintained her purity in poverty. When the children were young she bore great fatigue to nurture them, and when they grew older she taught them in a proper way. She always kept on friendly terms with her neighbours, so that they all admired her highly.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207620, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 8, "title": "RAS-1976", "content_text": "168\n\nDAVID FAURE\n\nand others from Sai Kung over the mountains past Mau Ping and Wong Chuk Shan to Siu Lek Yuen and the Shatin area. To the north, there were ferries from Kei Ling Ha to Tai Po Market.21 Sai Kung was therefore conveniently located in the centre of local trade routes to Tai Po, Kowloon, Shatin and via Hang Hau, also Shaukiwan. It was an ideal location for a market in the region.\n\nMrs. Kong Lei San Kiu, who married into Lung Mei Village, used to farm, raise pigs, and cut firewood. When a pig had been fattened to a hundred catties, she carried it into Sai Kung with some assistance, and sold it to the butchers. Sometimes she carried firewood into Kowloon, and sometimes into Sai Kung. If she carried it to Sai Kung, she sold it to shops which in turn sold it to the boat people. She would buy oil, salt, and sundries to take back to the village.22 Many other villagers, like Mrs. Kong, also sold pigs and firewood in the markets in order to buy daily necessities.\n\nThe fishermen also came to Sai Kung, but many did not have to come personally for there was a wide collecting network working for the shops. Mr. Chan Kei Shang of Yim Tin Tsai, who used to work in the two teams of fishing boats known as the “ku-tsai” in the village, used to salt his fish and send them by the ferries to Sai Kung. These ferries were operated by Hakka people from Sai Kung Market, and they sold the salt fish for the fishermen. For some time, Mr. Chan Shau of Pak Tam Au worked on a Mr. Kong's boat selling rice, oil, salt, and biscuits to the boat people. Fish-mongers with their own boats also came from Tai Po and Kowloon, and collected fish directly from the fishermen.23\n\nVillagers obtained their supplies on credit. Nam Shan villagers, for instance, shopped regularly at Kwong Tak Lung in Sai Kung Market, and they were given credit for such daily necessities as rice and sugar. They paid for their supplies by selling grass to the shop, which was used as fuel. Piglets were also obtained from the shops on credit, and when fattened, the pigs were re-sold back to the shops. Fishermen also relied on credit for their supplies. Mr. Cheung Ming Shing from Leung Shuen Wan purchased his fishing equipment from Saam T'aai, and his food supply from Saam Shing, both of Sai Kung Market.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207970, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 9, "title": "RAS-1977", "content_text": "178\n\nDAVID FAURE\n\nTable 3. (Translation)\n\nFront:\n\nAnnual festival 19th First Month, 15th Second Month, 23rd Third Month, 5th Fifth Month, 14th Seventh Month, 24th Twelfth Month, Tung Chi in Eleventh Month, Night of 30th Twelfth Month; she t'au (leaders of the she); ALL THOSE WHO LIVE IN PAK KONG VILLAGE HAVE THE RESPONSIBILITY TO SERVE THE AFFAIRS AND PUBLIC INTEREST OF THIS VILLAGE; work collectively for the achievements of this village, do not follow the Monroe [Doctrine].\n\nBack:\n\nGOLD Cheng Tso On, Cheng Chung, Lok Tso Po, Cheng Woh, Cheng Chan Ip, Lau T'in T'ing; WOOD Lok Shek Kam, Lok T'aai Ts'eung, Lok Shue Kam, Lok Foh Kau, Lok Yau T'aai, Lok Shai Ngau, Lok Tak Kwong; WATER Lok Ting Ngau, Lei Lam, Lei Kau, Lok Kam, Cheng Tso Ning, Lok T'aai Hei; FIRE Lok Tak Lam, Lok Shiu Ch'oh, Lok Lam Kwai, Lok Kam Uen, Lok Chi K'eung, Lok Shang, Lok Uet T'aai; EARTH Lok Fuk Shing, Lei Iu, Lei Kw'ai Cheung, Lok Kau Kei, Lok Tso On, Lei Shek,\n\nIn a slight variation, in Tai Po Tsai (near Tai Mong Tsai) and Wo Mei, instead of collecting money to buy the pig at the time it had to be slaughtered, villagers bought a piglet at the beginning of the year and participating families took turns to feed it during the year. By the end of the year, it would be slaughtered, and the meat divided. In Wo Mei, the five lineages of the village also gathered into the Ng Woh T'ong for matters that affected the entire village.42 Less formal but not less important were the \"marriage clubs\" (lo p'oh wooi) found in many villages, such as Mang Kung Uk and Hang Hau, consisting of the unmarried young men of the village. The young men of the club were obliged to help the bridegroom during wedding ceremonies, and they themselves would be helped when their turn came. In general, village ceremonies, not only weddings but also funerals, required the participation of members of the village, including those outside the immediately affected lineage. It was commonly understood that on these occasions members of the village had the right and duty to participate and to help.\n\n43", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208506, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 230, "title": "RAS-1978", "content_text": "BOOK REVIEWS\n\nANCESTRAL IMAGES; A HONG KONG ALBUM. Dr Hugh Baker. Hong Kong, South China Morning Post Limited, 1979.\n\nAt last, a book for those interested in Chinese traditions and beliefs in Hong Kong, that is about Hong Kong, and written with the ordinary layman in mind. Dr. Baker, known to members of this Society from the several talks he has delivered, is a sinologist trained in anthropological field-work, and he brings his knowledge and first-hand experience to us here in forty very readable short pieces. Some of our longer-term residents will recognise, and may have kept, many of them as they were originally serialised in the South China Morning Post between 1977-1978, but it is unlikely that they will have preserved them all. Now they are here, all together between one hard-back cover with a dramatic photograph of “daai si,” one of the gods described in the text, on the front of the dust sheet.\n\nAlthough the book is entitled Ancestral Images it covers a comprehensive range of topics: from pigs to incantations, and geomancy to New Year biscuits, all amply and expertly illustrated with the author's own black and white and coloured photographs. This book would make an excellent gift for expatriate newcomers and their parents back home; and it affords a good introduction for those wishing to pursue the study of Chinese culture further. There is a useful list of secondary source references in English at the back.\n\nHong Kong. June, 1979.\n\nMARJORIE TOPLEY\n\nHONG KONG : STABILITY AND CHANGE, A COLLECTION OF ESSAYS. Henry Lethbridge Hong Kong, Oxford University Press, 1978.\n\nThis book contains ten essays on the social history of Hong Kong, all concerned in one way or other with questions of social stability: a stability which, as the author points out, stands in marked contrast to the conditions obtaining in many other Asian countries. Nine of the essays were previously published elsewhere (five", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 5, "title": "RAS-1980", "content_text": "204\n\nDAVID FAURE\n\nhsü 12 (1886). In the Kau Sai Hung Shing Temple, the lintel is dated Kuang-hsü 15 (1889), and the altar Kuang-hsü 20 (1894); and in the Hang Hau T'in Hau Temple (besides the 1840 bell), the lintel is dated Kuang-hsü 1 (1875), a tablet Kuang-hsü 2 (1876), an altar is of the same year, a wooden board of Kuang-hsü 4 (1878), a shrine of Kuang-hsü 10 (1884), a pair of stone lions of Kuang-hsü 13 (1887), and a pair of incense burners of Kuang-hsü 20 (1894). The bell and the incense burner at the Tin Ha Wan T'in Hau Temple are both undated, but Mr. Ip Ch'un, who lived nearby, told us that the temple was already in disrepair over fifty years ago. Historical inscriptions found in Sai Kung and elsewhere in Hong Kong and the New Territories have been transcribed as a special project and may be found in David Faure, Alice Ng, and Bernard Luk, \"A collection of historical inscriptions in Hong Kong\". The report is available in the Institute of Chinese Studies, Chinese University of Hong Kong, and will, it is hoped, be published shortly.\n\n7\n\nMr. Hoh Taai of Ko Tong, aged over 60, knew of the whereabouts of a charcoal burner, but never saw it in operation (Int. 10.6.81). Lime kilns were reported in Wong Yi Chau, Wong Keng Tei, Tai Mong Tsai Tso Wo Hang, Tai Wan, Kiu Tsui, Sha Ha, Pak Sha Wan, Che Keng Tuk, Ta Ho Tun, Tai Tan, and Yau Yu Wan (Ints. Mr. Yau T'aam Shang 15.5.81, 22.5.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Tang Kei Faat 25.6.81, Mr. Lei Yau 28.6.81, Mr. Wong Ping Lin 29.6.81, Madam Liu 20.5.81, Mr. Lau Lui Faat 23.6.81, Mr. Tse Wing 9.6.81, Mr. Tse Shui Kam 24.6.81, Madam Lo Koon Mooi 21.6.81, Mrs. Hoh née Lei 28.6.81, Mr. Chung 23.7.81, and Madam Lam Yau Ch'un 19.8.81.) The Liu family at Kiu Tsui built the ancestral hall that can be seen today on the main road into Sai Kung Market. For an impression of the long history of lime making in Sai Kung, it should be noted that Madam Lo Koon Mooi was 85 and Mr. Yau T'aam Shang 87 in 1981, and it was their fathers who were engaged in the lime business. Mr. Yau continued working the kilns until his early 40's. Brick kilns were reported in Chek Keng and Pak Tam Chung (Ints. Mr. Chiu Sz 7.5.81 and Mr. Yau T'aam Shang 15.5.81, 22.5.81). The lime industry, of course, also provided income for fishermen who collected coral for the kilns. See \"Return of the approximate number of fishermen employed in taking coral and shell from the sea adjoining the New Territory\", in Hong Kong Legislative Council, Sessional Papers, 1901, p. 685.\n\n\"The best indication of the growing importance of the trade in pigs is a set of account books that belonged to Mr. Yung Sz Ch'iu of Pak Sha O, a photocopy of which is held by the Oral History Project. See also ints. Mr. Chan Tsz K'eung 28.5.81 and Mr. Hoh King 5.6.81.\n\n• There are many instances of seamen recruited by recruitment firms (haang shuen koon); see, eg. Mr. Chiu Sz (Int. 7.5.81). Remittance from abroad was sent back to the village through import-export houses (kam shan tsong), see Mr. Yau T'aai Hong (Int. 11.8.81).\n\n10 Mr. Cheung T'o's grandfather was a cook on Hong Kong Island, and his father was employed on the Kowloon-Canton Railway. Mr. Cheung, of Ho Chung, was c. 70 in 1981 (Int. 15.6.81). Mr. Tsang Yau of Tai Mong Tsai (age unknown, but who married before World War II) worked in a shop started by his father in Shaukiwan on Hong Kong Island (Int. 23.6.81).\n\n11 Ints. Mr. Cheng Chung Ting 21.5.81, Mr. Chan P'aang Hing 29.5.81, Mr. Chan T'aai 22.7.81; Bernard Williams, \"Visit to Ho Chung and Sheung Yeung villages in the Sai Kung area”, in Marjorie Topley, ed. Aspects of Social Organization in the New Territories, Hong Kong, 1965, pp. 46-47, and \"The Chan family of Tseung Kwan O\", JHKBRAS 7 (1967), pp. 158-160.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209946, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 205, "title": "RAS-1983", "content_text": "References Cited\n\n183\n\nCh'en Kuo-fu\n\n1963 Tao-tsang yüan-lin k'ao. Peking: Chung hua Press.\n\nKeupers, John\n\n1977 \"A Description of the Fa-ch'ang Ritual as Practiced by the Lü Shan Taoists of Northern Taiwan,\" in Michael Saso and David W. Chappel, eds., Buddhist and Taoist Studies (Hawaii: The University Press of Hawaii).\n\nLiu Chih-wan\n\n1974 Chung-kuo min-chien hsin-yang lun-chi. Academia Sinica Special Monograph no. 22. Taipei: Academia Sinica.\n\nSaso, R. Michael\n\n1972 Taoism and the Rite of Cosmic Renewal. Pullman: Washington State University Press.\n\nStein, Rolf A.\n\n1979 “Religious Taoism and Popular Religion from the Second to Seventh Centuries\", in Holmes Welch and Anna Seidel, eds., Facets of Taoism: Essays in Chinese Religion (New Haven: Yale University Press).\n\nAPPENDIX\n\n1983 Cheung Chan Bun Festival\n\n長洲一九八三年(癸亥年)建太平清醮\n\nDate: May 16-20, 1983.\n\nPlace: Playground in front of the Bai-di temple\n\nA.\n\nTaoist Team: five Fukienese-speaking dao-shi, with Wei Guo-xin as the head dao-shi; five musicians, also Fukienese-speaking.\n\nMay 16\n\n13:00 Greeting the Gods\n\n20:00 First operatic performance begins on temporary stage adjacent to the Taoist altar.\n\nMay 17\n\n1:00 Beginning of Jiao-shi\n\nResidents of Cheung-chau begin the three-day fast\n\nOperatic performances continue, afternoon and evening shows.\n\nMay 18\n\nOperatic performance continues, two shows per day.\n\n12:00 Offering to the Gods\n\n15:00 Dotting of eye\n\nMay 19\n\n12:00 Vegetarian diet ends.\n\nMay 20\n\n10:00 Divide the Buns\n\n14:00 First day of Procession 第一天會景巡遊\n\nOperatic performance continues, two shows per day.\n\n14:00 Second day of Procession\n\nOperatic performance continues, two shows per day.\n\nFast ends.\n\nMay 21-22 Operatic performance.\n\nBeginning on May 17 and ending on May 22, Jiao-shi were conducted in three sessions each day, generally in the morning, afternoon, and evening.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210221, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 192, "title": "RAS-1984", "content_text": "171\n\nfarmers as to whereabouts in Deep Bay is best for spat collecting although some claimed certain areas were better than others. Spat was collected at the mouths of the rivers and streams discharging into the north-east of the Bay before 1908, but since then spatfall has occurred throughout the Bay (Bromhall, 1958). Most oyster-men now assume that it is relatively random, subject to fulfillment of basic biological criteria, and consequently tend to operate a number of beds scattered throughout the Bay so that they would not be caught in any particular year without at least some spat. In all probability the variations in tidal currents have a substantial influence on the location of spat fall.\n\nIn occasional years when towards harvest time the Deep Bay oysters are found to be insufficiently fat (random samples are opened to check), they are barged to Shajing for fattening. About one third of the Hong Kong oyster beds in Deep Bay are devoted to fattening.\n\nShajing is about 27 km up the Pearl River estuary from Deep Bay. Although it is a place which keeps recurring in any discussions of the oyster industry, it is only used as a fattening area during autumn and winter when the salinity is around 20 g/kg. In summer, when salinity drops to as low as 1 g/kg on occasions, no oysters are to be found at Shajing.\n\nOysters are shipped from many locations along the South China coast outside of the Pearl River estuary to Shajing for fattening. There are no data to support the claim made by most farmers that very fertile waters exist at Shajing, but the place does serve as an oyster holding centre. Oysters are shipped from Shajing to market; Lau Fau Shan in Hong Kong being the main export market. The ultimate origin of oyster imports into Hong Kong whether by the official or unofficial route is thus not easily determined.\n\nThe oyster species\n\nChinese oystermen recognise two major types of oyster. The first is called Bai Hao (白蚝) or white oyster, which is also known by its Chinese scientific name Zhang Mu Li which means long", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210337, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 308, "title": "RAS-1984", "content_text": "287\n\n17 The name of the Governor is given as Li (†), and the name of the award is transliterated in the next as Bai-Li-hsi-tien-te (X) which may represent \nthe Légion d'honneur).\n\n1 Ah-lum had 7 wives, 4 of them being considered concubines, 3 daughters and 10 sons, including 3 who died early, 1 given away to his 1st younger brother, and 1 adopted from another line of the clan. 2 of his sons became chüren, 2 more of them were National School Students. 1 had a military title. The one adopted out was also a National School Student. At least 3 of his sons died and were buried in Vietnam. Of his 2 brothers 1 died at the age of 21; he had a military title. He had 1 son who died early, thus Ah-lum gave one of his sons to him. Ah-lum's other brother was a I-wu-sheng (county military student). This brother held a military title; he had 5 sons and 4 of them were National School Students. See the clan record, 19 See the biography of Ah-lum's father Wei-kang in Clan record Chi-ching pu (A) section, Hang-chuang sub-section, p. 5.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210746, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 97, "title": "RAS-1986", "content_text": "80\n\nCHAN WING HOI\n\nwere a fishing family who moved in from Naam Tau. The Chan family started the village.\n\nThe jung-lei (chairman)* Mr. Wong Man Gwong, a 59-year-old former seaman, provided more information on local history. It was his great-great-grandfather who first came here. The original population consisted of about 60 fishing households. The Hoklo and Chiu Chau newcomers were already there when he was small. The present site of the golf club was occupied by paddy fields. One village, known as Seung Wai, was relocated to present Shek O to make way for the golf club. Mr. Wong pointed out the place when we passed it in a procession in the festival, which was just outside the golf club enclosure. Traces of walls could still be seen, and Mr. Wong remembered going back there to worship the Daai Wong Ye Earth God when he was small. At the time the golf club was built the foreigners were powerful and met with little resistance when they took away the land from the villages.\n\nA 39-year-old Mr. Lam, an indigenous villager, told me about the occupations of the original Shek O people. At the beginning, the inhabitants made their living in vegetable gardening and fishing. In more recent times the men worked as seamen. Very few people travelled to the West to work in restaurants, and such emigration started only in the last ten years or so. Most people of his own generation worked in the city. Many of the retired seamen came back and worked as waiters at the Shek O Country Club. He was a seaman himself, a radio officer.\n\nA 56-year-old Mr. Lau, the owner of the restaurant where I had a vegetarian dinner, provided additional information about the changes that had taken place in local life. The indigenous people fished with stake-nets (jang-paang). He believed that the golf club was built in the 1930s. It was already there when he was born. But some of the facilities, at least the swimming pool, were still being built when he was small. He remembered that at the age of 7, he was scolded when he jumped on a pile of sand that was prepared for the construction of the swimming pool. Most of the Chinese newcomers at Shek O arrived after the Japanese Occupation. They were Hoklo fishermen who came in their boats. It took only one night to reach Shek O from Hoi Luk Fung when the wind was in...", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210751, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 102, "title": "RAS-1986", "content_text": "85\n\nusual style of indigenous houses. He confirmed that those were pig farms and small factories - making beancurd, vehicle body, etc. run by outsiders. A few years ago the land of the whole village was sold to a developer for construction of luxury residences, but the developer had not yet taken possession of the land. Few villagers remained; many, in all likelihood, had moved out to live in the city. He also told me the village had a Bak Dai temple, which I did not see. Formerly, they used to select the ritual representatives for their own jiu celebrations at this temple. They later joined Shek O and Tai Long Wan because there were not enough people to take up the work required by a separate celebration.\n\nIII. Participants\n\nAs in the case of the jiu celebrations in the New Territories, participants at the jiu paid a subscription and had their names included in a list put up in a major rite on the main day. They also participated by organizing the festival and by taking part in worship, while a minority took leading roles or represented the celebrating population in the rites. Unlike most jiu festivals in the New Territories, these participants included later settlers as well as indigenous residents.\n\nI noticed that there were about 550 entries in the contribution list posted on one side of the entrance to the main ritual area. Members of the same family were grouped together, as in the New Territories, in the list of participants. There were altogether about 220 families, many of them covering three generations.\n\nIn the case of Shek O, participation and subscription were not required of all residents, indigenous or otherwise. Moreover, the amount of subscription was left to each individual participant. Three men were selected as the yn-sau ritual representatives by casting bui divination blocks at the Tin Hau temple. The chosen three were called the yn-sau and his two \"deputies\". All the other participants, even if they were foreigners, were indiscriminately called seun-si (believers), which title was reserved for indigenous residents at the New Territories celebrations. After the ritual representatives were chosen, Choi Paak Lai, a well-known date-chooser, was consulted for the dates and times for the major", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210753, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 104, "title": "RAS-1986", "content_text": "87\n\nI did not record very much about the role of the Hoklo, Wai Chau, Chiu Chau newcomers. They were actually visible mainly through the flags in their honour and the Chiu Chau performers whom they hired to perform on the main day of the celebration. Their participation was more in contributing money to provide performances in their own dialect than in participation in the processions or in preparation of the offerings.\n\nThe number of persons present in the main-day procession and the procession with the Daai Si Wong was impressive. However, they were more sharing the fun and enjoying the novelty than making a collective, disciplined presence as in the case of the same processions in the New Territories jiu festivals, in which the participants wore special clothing and hats, excluded women and were in general more organized at least in appearance.\n\nI did not see many signs of nearby villagers (who did not live in the three participating villages) coming to the jiu to visit or to offer good wishes, as was the former custom. There was a flower basket on display outside the festival office at Shek O. It was presented by the chairman of the rural committee of Cheung Chau. The only fa-paai was from Ma Hang, Laan Lai Wan, Stanley and Tai Tam Tuk, which are nearby. Near noon time on the main day some guests did come. One of them was a police officer, probably the head of the Chai Wan Police Station. Another was the District Officer for South District, who came with some assistants.\n\nMarried-out daughters were expected to come back for the festival too. On the bus back to town on the main day of the celebration, I overheard a middle-aged woman telling someone that if a married-out daughter did not come back for the jiu, she could not come back until ten years later, presumably during the next celebration.\n\nOther than the villagers, participants at the jiu included the professionals, among whom the most important were the priests. The yn-sau, or his companion, explained to me that they had hired a team headed by the priest Chan Wa as they did for the last celebration. I had thought, when he explained this was because Chan was 'familiar', he had in mind familiarity with the local", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210756, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 107, "title": "RAS-1986", "content_text": "90\n\nCHAN WING HOI\n\nDaai Si Wong and Baak Mou Seung, an altar for the dead to receive blessings, an altar for Tin Hau and local earth gods, paper images of Yuk Wong and his underlings, and the festival office. Except for the dead, the spirits noted on the altars were the usual ones found in jiu festivals. Among Tin Hau and her companions were gods of Shek O itself. The Daai Si Wong, a deity related to the underworld like the Baak Mou Seung, had the important role of overseeing the ghosts which came for the offerings.\n\nOn one of the altars, there were 105 spirit tablets of ancestors to whom offerings were to be made. Mr. Lau, the restaurant owner I talked to, did not think this a new feature of the festival. But he associated the spirit tablets with the Chiu Chau and Hoklo newcomers. Those immigrants had left their ancestors at their native places. Because it was not easy to return to these places to sacrifice to them, it was necessary to entertain and make offering to the ancestors through the festival. The indigenous villagers had no need to set up the spirit tablets of their ancestors there. They worshipped their ancestors at home where they had set up their altars. Whatever the validity of the reasoning, what Mr. Lau said suggested that very few of the locals had put up spirit tablets for their deceased relatives in the ritual. More than half of these tablets bore only the characters hin-hau or hin-bei, indicating they represented only either the father or the mother. I think this indicates that the other parent was living, and this must mean that these tablets were set up for the recently deceased rather than ancestors of old. In the case of many jiu festivals in single surname settlements, the spirit tablets of the common ancestors were included on one of the festival altars. Here the ancestors were parents of people who had paid for the privilege of leaving the tablets there.\n\nIn a broader sense the ritual site should also include the other areas delimited by flag posts (faan-gon). There were four of those posts at Shek O, marking out the north, south, east and west corners, I was told. In addition, there were two each at Tai Long Wan and Hok Tsui. We learned from the New Territories that faan-gon posts were indications set up for wandering ghosts to inform them they might enjoy offerings at the jiu. However, responding to my question about the faan-gon posts, a local woman replied that the", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210757, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 108, "title": "RAS-1986", "content_text": "91\n\nlanterns affixed on the posts shone on Shek O and Tai Long Wan people.\n\nThe priests and ritual representatives visited the faan-gon posts and made offerings three times a day in a procession called haang-chiu (audience procession). When I followed one of those processions in Shek O, however, I discovered that not all four of the faan-gon posts were erected at the corners of the settlement. The first faan-gon post in Shek O visited by the haang-chiu procession was between the school playground and the quarters of the cleansing unit of the Urban Services Department. One of the local members of the procession volunteered the information that the post was set up there because three years ago a fatal accident took place at the spot. Two young boys who lived in the quarters of the cleansing unit were playing there when a stone pillar fell down suddenly and killed both of them.\n\nV. The local gods\n\nThe Tin Hau was represented by her wooden image at the centre of the altar. Behind the image was a piece of red paper on which the titles of ten local deities were written. With the exception of the Sea Goddess (shui sin) of the small temple at one edge of Shek O Beach, they were Baak-gung and Daai-wong earth gods of Tai Long Wan, Shek O, and Seung Wai. One of them, styled jang-paang daai-wong (earth god of the stakenets), was a reminder of the former fishing activities of the local residents. Many others had probably existed for the protection of villagers in fishing and farming. The change in land use is evident in the reply given by Mr. Wong, the local leader, when asked where the god's place was. He said, \"Below the number 10 alley of the Westerners' residences of Tai Long Wan,\" linking the god with the change that had taken place in the locality. He gave the same description for the location of another god, the Earth god of the Banyan Tree Place. For the Seung Wai daai-wong, he explained that it was below no. 1 alley, which had become a residential area for Westerners. It used to be the villagers' settlement which was removed to Shek O for the construction of the golf club. There were also three gods whose names were not known to Mr. Wong. He believed that those were from Hok Tsui, the village which joined in", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210764, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 115, "title": "RAS-1986", "content_text": "98\n\nCHAN WING HỘI\n\nto see it face to face. Some of the others replied that there was nothing to fear, as it had been the practice for several hundreds of years for women to take part. Later when the procession was returning to Shek O I noticed a little boy with his ball and a young couple with their children in a pram. The comment was heard: “gou-hing, tai-ye” (Have a nice time and look at interesting things). The women were chatting all the way, and there were many young girls too.\n\nWhen the procession had gone down Tai Long Wan Road, I heard three or four women talk among themselves about Seung Wai, where their homes had been. A young one recalled that they used to have banana trees there, which produced good bananas and some rice-like stuff, which, her grandmother had told her, was good as chicken feed. The place being more spacious, they had been able to raise chicken too. Her grandmother had pointed out to her where the daai-wong-ye's place was — near where the paddy fields were.\n\nAt one point the bus from Shek O approached, and the young man with the loudspeaker called out to the driver by name “Come on, it is all right if you want to switch on the headlights.\" I noticed many cars were hindered from proceeding before the bus, but this did not seem to have bothered the young man at all. The procession made way for the bus to pass, neglecting the other vehicles.\n\nWhen the procession reached the edge of Tai Long Wan village, the daai-si-wong was put down on the ground facing the village. Many individuals, mainly middle-aged and young women, came to make offerings of incense. A table had been set up for the purpose. Some older women and men looked on. Children were led to walk around the legs of the paper image for good luck. Someone said, “Walk around the legs and you will win the Mark Six lottery\".\n\nThe procession was back at the main ritual area at about 8:30. The daai-si-wong was left facing an altar used by the priests, where an extra table had been set up for the concluding rite. Many came to make offerings at all the altars, but they paid more attention now to the daai-si-wong. Many more, not only small children, but", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 117, "title": "RAS-1986", "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210769, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 120, "title": "RAS-1986", "content_text": "103\n\nlimestone-bricks fired in open country kilns. Roofs are thatched or patched with pine bark, or of fired earthenware tiles which can cost as much as ¥600 for a single roof. The floors are generally earthen, although concrete floors are also common. Timber is used for rafters, beams and house-posts, and in some areas for inner partitions or lattices which may be elaborately lacquered, as with the Bai housing of Yunnan and in some Naxi areas. Villages vary in size from 10-15 houses to 60-80, although in remote areas villages can be very small, consisting only of some 4-5 houses. Much larger minority settlements and resettlements are also quite common, with populations of 10,000 or more, in lowland regions.\n\nAround the mud paths of the village hogs and fowl, cattle and oxen wander freely or are penned to one side of the house, often in close conjunction with the privy. Primary schooling facilities exist in most areas, but secondary education is rare, and tertiary education reserved for the very few. This is despite the eleven colleges established nationwide specifically for the members of national minorities. Medical stations exist at the xiang level. Children help in the house, in the fields, and at the market, when they are not at school or during school vacations, and their labour is particularly useful in animal husbandry and transportation. The economy remains agricultural, in common with more than 80 percent of China's population, with important elements of animal husbandry, forestry, hunting, and fishing, and in some areas cash-cropping. Hunting small animals provides an important source of protein, while rabbits, deer and other animals are trapped for fur. In some areas a small household trade in pig-husbandry provides a needed source of cash, while fishing in the Dai areas has been reduced owing to the use of chemical fertilizers. Yields and acreages vary widely, depending on altitude, climate, and regional policy. Predominantly wheat and corn-cultivating Naxi households in the arid highlands of Northwest Yunnan cultivated as much as 25 mu of land, while wet-rice and corn-cultivating Yi households in the Kunming plain cultivated only 3 mu per household, and the mixed forestry and wet-rice economy of the Yao in Northwest Guangdong cultivated 0.8 mu of padi per 'mouth.' Sideline occupations are common, particularly chipping granite from quarries by the roadside for resale, or the horse stock-breeding of the Naxi, where a stallion may fetch up to ¥1,000.\n\nPage 120\n\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210774, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 125, "title": "RAS-1986", "content_text": "108\n\nNICHOLAS TAPP\n\nthemselves as members of a single group; dispersed sections of single minority groups who were either subsumed under the same term but exhibited great cultural differences, or had been endowed with different appellations under which they registered; assimilated sections of national minorities who continued to be recognised by their original names; and originally Han groups who had become recognised, or recognised themselves, as distinctive ethnic groups (Fei 1980).\n\nOut of some 400 names of these groups submitted for recognition by 1953 (nearly three quarters of which came from Yunnan), so far only 55 have been officially designated as ‘national minorities'. This leaves some curious anomalies. Under the Yi, for example, are linguistically classed the distinct nationalities of the Hani, Samei, Sani, Lahu, Lisu and others, resulting in the formation of an overarching ‘Yi' identity over and above individual ethnic affiliations. The officially designated ‘Miao' of Hainan Island (and who also identify themselves as 'Miao') speak a language which is clearly Yao in affiliation (although the Miao and Yao languages are distantly related). A number of Hmong speakers have identified themselves to me as 'Bai Miao' (White Miao), although clearly speaking a dialect of Hmong Njua (Green Miao), which ought therefore to be classified as ‘Qing Miao' (Green Miao). Officially designated ‘Qing Miao' have moreover identified themselves to me as ‘Hmong She', a group which is becoming assimilated to the larger category of Qing Miao, and has no official recognition. Meanwhile the group whom the Chinese know as (ta or xiao) ‘Hua Miao' (Flowery Miao), are classed as Miao along with the Bai and Qing Miao, although they identify themselves as 'A Hmo' rather than \"Hmong' which is the term of self-identification for both Bai and Qing Miao.3\n\nHere, although the Miao languages are certainly related, the official designation of ‘Miao' is in contradiction to local ethnic identifications, with many Bai and Qing Miao denying that the 'Hua Miao' are 'Miao' at all. This is doubly paradoxical, since 'Miao' is a Chinese term originally and still resented by both Hmong and A Hmo, although such resentment may be mitigated in individual circumstances by occasional perceived political advantages: there are cases of Han fathers claiming minority status", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 129, "title": "RAS-1986", "content_text": "112\n\nNICHOLAS TAPP\n\nto become prosperous before others), and the replacement of much grain-cultivation by new cash-crops associated with the introduction of the household responsibility system, have by no means affected the minority areas to the same extent as other, more fertile, areas of the countryside, and indeed were not introduced into most minority areas until 1982 (after the Third Session*), there is no doubt that the limited family farming permitted, and in particular the increased power to control land, has led to marked improvements in the economic circumstances of most minority nationality people. Indeed, in some areas it has been only this which has averted the threat of ‘not having enough to eat'. As elsewhere in China, house-construction has dramatically increased, boosting the allied trades of carpentry (as has the revival of coffin-making), forestry and quarrying, while in minority areas located near major town settlements or market centres, for example in the Dai and the Bai areas, some minority entrepreneurs have emerged as middlemen, money-lenders, and even rice-hoarders, often former leaders of rural production brigades who have the necessary foresight, experience, and connections to forge new links and contacts. In certain areas the introduction, over the past twenty years, of hydro-electric dams, mining, food-processing plants, textile and other light industries has of course resulted in a measure of occupational specialization for minorities which antedates the recent changes. On a lesser scale, the growing policy of opening some of China's less developed areas to foreign-based industries such as tourism and even hunting, has led to the involvement of minorities in sales of quasi-traditional handicrafts and artefacts, performances of quasi-traditional cultural items of songs and dance, and some work in the hotels and allied industries. This can be seen, for example, in the much-visited ‘Sani’ area of Shilin in Yunnan, as also to an extent in the Yao countries of Northwest Guangdong, and although it is too early as yet to predict whether this will become a general phenomenon, certainly the carefully choreographed performances of provincial minority troupes and the locally superintended production of handicraft items, may have an impact in the future in which minority entrepreneurs will seriously challenge state control of these enterprises. Coupled with the emergence of minority entrepreneurs in rapidly developing areas, and the fact that some cash-cropping is already occurring in the autonomous regions, this adds up I think", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211398, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 114, "title": "RAS-1988", "content_text": "90\n\nKwangtung province formerly, I found the people could earn their living. Latterly since the people have been moved inside the boundary, they have gradually died off. Out of every ten of them about eight or nine have been killed by the removal. The best thing that can be done at present, as we cannot allow them to return to their homes, is to allow the boundary limit to be made larger so that the farmers may find a place to farm and the fishermen room for fishing.\" Nothing came of the position, but the Viceroy's interest in their plight was remembered by the people and they were grateful to him.\n\nIn the 5th year of Hong Hei there was a bad drought in Kwangtung and the Emperor gave order that the rice kept in the Government granaries should be given to the people. It was during that year the San On district was abolished, all government appointments there were cancelled, and what was originally San On was added to Tung Kwun (東莞).\n\nDuring this time the Governor Wong Loi Yam (黃律琰) wrote a report to the throne suggesting that six principal causes of growing discontent should be removed. At first no notice was taken of this effort but in the 6th year of Hong Hei, when things were getting worse, the Emperor allowed Governor Wong's suggestions to be carved on stone tablets, and each city gate had one of the tablets displayed there. Beyond that, the Emperor did nothing, but the fact that someone was interesting himself on their behalf helped to soothe the increasing resentment of the people. The Governor Wong was a very good man and he made great improvements in a lot of government affairs. It is said that he dressed as a common man during his leisure and spent much time talking to the simple farming people. In this way he learnt much about his subordinates, which were good and which were bad, and he really benefited his people. But he was unable to get on with the ministers in Peking and in the following year he was dismissed by the Emperor and ordered to return to Peking. When Wong received the message of his dismissal he wrote his valedictory address and in it he mentioned five important steps which should be taken to ease the burden on his people. Two of these were that the numbers of troops should be reduced in Kwangtung, and the boundary be removed, the people being allowed to return to their homes. He then started off for Peking, but a Lei P’aai (里排) (chief of the village elders) named Poon Shai Ts'eung (潘世璋) heard about this, and went to beg the Emperor to allow Wong to retain his post. Wong died, whether...", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211406, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 122, "title": "RAS-1988", "content_text": "98\n\nMy Paternal Grandparents* \n\nGreat Grandfather Chan Tak Yong \n\nwas born around 1816. He was married twice, and bore one son by his first wife and four sons by his second. He traded in pottery and earthenware, a business which took him to the cities of Macau and Canton where he had the opportunity to deal in silver and gold exchange. As he prospered, he built a home for each of his sons and provided for their common use a library, a store-house for grain and one for wood. He operated a grocery business and a pawn shop, where villagers could borrow money or bank their savings. Apparently such a life of ease provided no incentive for his sons to become independent, and several of them became addicted to opium and died in their early 20s, leaving young widows without male issue and without financial means. The Chinese saying that wealth cannot last more than three generations came true. \n\nThe oldest of Great Grandfather's sons was Jok Jun F, several of whose grandsons emigrated to the United States: George Goon Sun who settled in Los Angeles; Harry Wah Kwok who settled in Santa Anna; and Henry Wah Heen, also known as Bak Wing Ĥ who settled in San Francisco. \n\nMy grandfather was the second son of Tak Yong, but the first son of his second wife. Grandfather was born on 29 June 1845. His 'milk name' was Ngee Lok; his marriage name was Jok Chiu f'FBB; and his name in the business world was Chock Gee #2, the name by which he was generally known. Because Great Grandfather's younger brother, Tak Loo, died at the age of 22 without male issue, Grandfather was 'adopted out' to him. \n\nJok Sau F, the third son, bore three sons by his first wife and three more by his second. I met one of them, Dai Mee, a not very bright-looking fellow, who was given a job at the Bank of East Asia in Canton by First Uncle. \n\nThe fourth son, Jok Sui F, died young without male issue. Therefore Jok Sau 'gave' one of his sons, Ngit Chiu FJE, to this brother. \n\n* See Table 1.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211408, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 124, "title": "RAS-1988", "content_text": "100\n\nUnfortunately Ngit Chiu, who went to Honolulu and worked as a carpenter, became addicted to opium. A burial permit dated 15 November 1924 states clearly that he had died of an overdose. Whenever he visited us, and that was not often, he would borrow from Father, who would give him only a few dollars since he disapproved of Ngit Chiu's drug habit. In 1919 when I visited his foster mother in the village, she inquired about him because she had not heard from him for many years, but I was forewarned not to tell her about his circumstances.\n\nJok King, the fifth son, also died in his 20s and left a daughter, Iu Dai, but no male issue. Likewise, Jok Sau ‘gave' another of his sons, Dai Geng, to this brother. Dai Geng did not live long and left a widow with several sons in Canton where he had been working in a bank. Jok King's widow and daughter remained in the village. They were both quite agitated the day Aunt Auyoung and I visited them, as they related how someone had tried to get into their home by ladder via a rear window. Aunt Auyoung did not seem to feel the incident really happened, tried to be very reassuring and told them no one would dare to harm them because First Uncle would not allow it. Iu Dai is said to be the first and only old maid in our village. Because her mother was so selective of a husband for her, when she reached 18, she was considered too old to be sought after. Even though she was a victim of an old culture, the village youths would tease her about it. During World War II when no one could send support to her, I heard that she had to go out to beg for food.\n\nAfter Great Grandfather's death, his business continued under Jok Jun, after whose death Grandfather took over. The business failed under his management, reportedly due to a bad loan to Grandmother's family for the operation of an oyster farm. This is the reason given why no photographs of grandmothers in our family were preserved – certainly misplaced hostility. Grandfather therefore decided to emigrate to Hawaii to seek a livelihood and hopefully to be able to return the depositors their money. According to Second Uncle's wife, when she was left in the village, she often had to hide from the creditors. Many years later, First Uncle paid these debts on a percentage basis.\n\nMy grandmother, surnamed Au, was born on 23 January 1846. She was a native of Joo Poo Tau Village, and was related to...", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211456, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 172, "title": "RAS-1988", "content_text": "148\n\nhave been had he been alive when Ruth graduated from McKinley High School first in her class, with honours and a gold medal, or when she received a degree in medicine.\n\nAlthough our dresses were home-made, our shoes and hats were from fancy shops on Fort Street, then the main shopping centre of Honolulu. Whenever Father took us out, he would tell us to 'dress up like a duchess'. Sometimes he would take us to a cinema, or to a stage show, or to a musical at the Y.M.C.A. A visit to the Bishop Museum was always followed by a pause at the site of the mental hospital then located on School Street, where we would peep through the knot holes of the fence to observe the bizarre behaviour of the inmates. When Queen Liliuokalani died and her body was on view in Kawaiahao Church, he took Ruth, Helen and me to this sad and historical event. I remember him carrying me out onto our porch in Iwilei to point out a comet with a wide spray of bright light. I believe it was Halley's Comet. These may not be unusual experiences for children of today, but in the early 1900s, they were not common for Chinese children.\n\nFather's interests extended beyond our home. There were always illiterate women friends asking him to write letters. He did volunteer work at the Berentania Street Mission under the direction of Mrs. Elijah J. Mackenzie, a missionary who spoke fluent Chinese. There he taught English to young men newly arrived from China, gathered with them in worship, and interpreted for the Sunday and evening services when a sermon was given in English. When the Rev. Schenck came to Hawaii to administer the missions for the Hawaiian Board, he dispensed with Father's help so abruptly that it hurt Father deeply. Father had other community interests. He was one of the early members of the Chinese Y.M.C.A. which was located behind the Fort Street Chinese Church. Among its members were En Sue Kong, Luke Chan, Yim Quan and Tom Joon Yai. Father also served as English secretary for the See Dai Doo Society for many years, until his death. He would often drop by Wing On Tai for a chat or to do business; he would visit with friends from his village or nearby areas at the Pui Gun Horse Stable, located off Pauahi Street near River Street. There he enjoyed their fellowship and the news from 'home'. He would always buy a bag of roasted peanuts from a well-known shop on Pauahi Street to enjoy on his way home.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 362, "title": "RAS-1989", "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 363, "title": "RAS-1989", "content_text": "338\n\ntwo less common gods.\n\nThe villagers have very little to say about the gods per se. They have more to say about who is responsible for worshipping which god. For example, when I asked who Ngau-Wong was, the response was \"Ngau-Wong is Ngau-Wong\", and I could not get any further than that. But the informants have very interesting things to say about who worshipped the god. The Ngau-Wong of Naam-Bin was worshipped by an association known as Ngau-Wong Wui. The Wui was started by a group of cowherds who spent their time on the same hilltop during their work. They gambled using coins. They decided that each time a person won he would give a portion of the money to a fund. This money accumulated and with it farm land was bought to endow the association so that descendants of the members would get their share of pork in the annual celebration. The place is an ordinary stone on the hill top, which they did not worship until the association was started.\" There is another Ngau-Wong near Shui Mei, whose responsibility it is to worship the god. Before each jiu festival the ritual representatives of Shui Mei will fetch the god from his place on the top of a hill, and walk him back afterwards. The only story about the god a knowledgeable elder could tell me is that, in a previous jiu celebration, the person responsible for walking the god home neglected his duty. Without reaching the hilltop he went home. He got sick soon afterwards, and as if in possession revealed the anger of the god. Probably the most important thing about any god is its place in the social framework.\n\n45\n\nNeither Juk-Yun Nunnery nor San-Sin Fu, the two nunneries within Kam Tin, exists any more. Still extant is Miu-Gok Yun, which was built by the [Dang] Tung Fuk Tong. The tong was a charitable association which collected unburied human bones and buried them in a charity tomb (yi chung). \"It was started to collect gam-taap bones that were not worshipped by anybody. Some of those containers would have been broken, and animals might eat them\". The Tong also cares for the Temple for Dei-Jong Wong, whose role, similar to that of Daai-Si Wong in the Offering to Ghosts ritual in the jiu ritual, is to watch over the ghosts. The date and the circumstances in which the Tung Fuk Tong started is no longer remembered. There were Dangs who had shares in the association. They contributed towards buying some landed property as endowment to the Dei-Jong temple. The nunnery with an altar for the Buddha was built in 1936, before which time there were already some monks and nuns resident at the temple. They did not rebuild the temple", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211954, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 369, "title": "RAS-1989", "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211970, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 385, "title": "RAS-1989", "content_text": "360 \n\nof the Lineage, or his representatives, went to Ching-Lok Ancestral Hall for Hung-Yi. \n\nEach party took with them sets of paper clothing, fruit, tea, wine, yun-bou and a gong. \n\nI was told that the two officials Jau and Wong would be invited from the temple before the first five ritual representatives went to the Ling Wan Monastery. They departed for Ling-Wan Ji on a goods vehicle. A nun was there to meet them. The nun said that in the celebrations in the past they always heard the sound of the party's gong before the ritual representative's party arrived, this time the party was so quiet that she had no warning of their approach. (She had known that the jiu was to take place, though). \n\nA brief worship was conducted by the nun at the main altar. After that the paper clothing was burnt, and the ritual representatives made offerings of incense, tea, wine and a plate of vegetarian food. Then temporary spirit tablets of paper prepared in advance by the villagers for this occasion were each inserted into a piece of Chinese carrot and put on the altar table. There were a total of seven gods, including Gwaan-Dai, Fui-Sing, Choi-Baak-Sing-Gwan and Man-Cheung. Upon the suggestion of the nun, they added a temporary tablet for Gaam-jaai, a god to oversee observation of vegetarian diet. A concluding baai-san was accompanied by the villagers' gong and the nun's “chime”. Among the gods from Ling-Wan Ji, only Gwun-Yam was invited in the form of an image. \n\nNext the party went to the Pat Heung Temple. A woman of about 70 met them and the Kam Tin men explained that they were inviting the gods to see the opera and they would be brought back afterwards. The gods were Tin-Hau, Yeung-Hau, Gwun-Yam and Wa-Gwong. The woman instructed them to make an offering and burn yun-bou before they fetched the gods, which they did. Here they took no statue of the gods. \n\nThen they went to the Yuen Kong Temple. The ritual representatives had expected the presence of a temple keeper, probably for guidance. But none was to be found. Only Yeung-Hau and Bak-Dai were fetched, although the Kam Tin men made offerings of incense to the other gods of the temple too. After this the party went back to Kam Tin.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211972, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 387, "title": "RAS-1989", "content_text": "362\n\nassociated with lion dance groups. The ritual representatives held incense burners, but the joss sticks in them were not lighted from the beginning to the end of the procession.\n\nMr. Dang Jik-Wai, an elder of Tai Hong Wai, with an outsider who had lived in Kam Tin since shortly after the war and was employed by the rural committee, led the procession. Mr. Dang had a list on a piece of paper of the gods to worship. The procession left the main ritual area where the participants had been waiting since the end of the rite of posting the Memorial.\n\nThey first stopped at the Wa-Bou altar for the God of Earth and Grain at Shui Tau. From there they proceeded to the Tin-Hau Temple at Shui Mei and worshipped at the Temple, and two nearby altars for the God of Earth and Grain. The procession then turned south to Ching-Lok Ancestral Hall at Shui Tau, and worshipped at the Ancestral Hall, and at the Hung-Sing Temple. Next they worshipped at another altar for the God of Earth and Grain of Shui Tau, the Yi-Dai School (i.e. Man-Cheung Temple), and the altar for the God of Earth and Grain for the Mui Jai Yun section of the village.\n\nThey entered Kam Hing Wai and worshipped at the san-teng, the earth god's place at the former village gate, as well as the altar for the God of Earth and Grain.\n\nThe party proceeded to Kam Tin Shi, where they worshipped at an altar for the God of Earth and Grain. They intended to enter Yau-Leun Tong to worship too. But it was locked and no one in the procession had the key. So they made the offerings at the door. They then entered Sa Bui Leng and worshipped at the ruin of a former san-teng and the god of the well.\n\nThey continued the procession to Ko Po, where they worshipped the God of the well, the God of the village gate, and an altar for the God of Earth and Grain.\n\nThe procession turned back and continued towards Kat Hing Wai, where they worshipped at its altar for the God of Earth and Grain outside the village wall, and then entered the village and worshipped at the san-teng. The procession then took Kam Sheung Road to the san-teng (?) of Naam-Teng.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211974, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 389, "title": "RAS-1989", "content_text": "364\n\nThey left the festival site, passing Tai Hong Wai and Ko Po, where those who took part were offered drinks. They next reached Ying Lung Wai, where they were met by the lion dance of the village, and treated to soft drinks. They first worshipped at the altar of the God of Earth and Grain of Ying Lung Wai, then the san-teng and the village gate.\n\nThey proceeded to Tung Tau Tsuen, where they worshipped at the Tin-Hau Temple and then the Gwun-Yam Temple. No one came to meet them. But nearby two elderly ladies exchanged these remarks among themselves, \"The two temples belong to Kam Tin fellows, they wanted to repair them, but Tung Tau Tsuen would not let them\".\n\nThey proceeded to the Old Market. First they worshipped at the market gate then at the Bak-Dai Temple, and then at the Daai-Wong Temple.\n\nThen they moved on to Nam Pin Wai, where they worshipped at the altar of the God of Earth and Grain, the san-teng and the village gate. A man in his fifties sitting under a tree cursed the Dangs when he saw the Ambulance which was in attendance in case anyone was overcome by the heat. He said, \"Right. Let this Ambulance carry these Kam Tin fellows\".\n\nAt the nearby Sai Pin Wai they worshipped at an altar for the God of Earth and Grain. There was a reception. They proceeded to a Lam Yi-Hing Tong” inside Sai Pin Wai, and then the village gate and an altar of the God of Earth and Grain.\n\nThe procession finished with the Old Market and the surrounding villages, and went on to Yuen Long New Market. When they reached Sau Fu Street, they were offered soft drinks by people who had come from Kam Tin for that purpose. From there they walked back to the festival site at Kam Tin.\n\nF. The Procession with the King of Ghosts\n\nThe procession with the King of Ghosts took place during the evening before the Great Offering to Ghosts. In the first stage the Bak-Bin villagers carried the huge image of the Daai-Si Wong through their villages. Their Naam-Bin counterparts waited near Kam Hing Wai to take over the paper image for the second part of the procession. These were 22 young men, many carrying long bamboo poles with metal ends", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211975, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 390, "title": "RAS-1989", "content_text": "365 \n\nfor supporting the back frame of the King of Ghosts. From their conversations I learned that the procession was to exorcise \"dirty\" things. Such evil spirits resided at places such as waterfronts where people had been drowned and the sides of the road where traffic accidents had taken place. Such spots were \"cleansed” by letting the King of Ghosts face them for a short moment. The procedure was referred to as \"shining on [the dangerous place]\" (jiu) by the villagers. \n\nAs in the other rites where ghosts were involved, speaking peoples' names out loud in the procession was taboo. One of the young men told his companions to phone the Ko Po people, \"Tell them not to speak peoples' names\", as it was unauspicious to do so. Although those young men gave the impression of a taboo against women seeing the King of Ghosts in the procession, this was denied by an elder and a middle-aged lady whom I talked to. According to the elder it was unlucky only for pregnant women to see it. The lady told me that some women, including herself, were afraid of the ghosts, and therefore would avoid seeing the Daai-Si Wong. \n\nThe procession was accompanied by simple gong patterns played by one of the villagers. The exact pattern to use was made clear near Tai Hong Wai when the gong beater was told to correct the rhythm. The pattern he was beating was that for funerals (which was a quick succession of beats). The appropriate rhythm was two medium quick beats followed by a short pause, which sounded, to me, the same as the one used in processions with the statues of the gods. \n\nAt about eight o'clock in the evening the Bak-Bin team arrived with the King of Ghosts, which was about 25 feet tall. The first thing their Naam-Bin counterpart had to do was to take over the gong and continue the beating. The paper image was lowered from the supporting poles of the Bak-Bin villagers and was carried flat before it was raised on the poles of the Naam-Bin team, who performed the second part of the procession. \n\nThe Naam-Bin procession went towards the Mung Yeung School, avoiding trees and lamp-posts on either side of the narrow road. From near the school they proceeded towards Ko Po on the main road. On the way they turned the paper image occasionally towards either side of the road. Once they were in Ko Po the team shouted to a few young girls who watched, “Close your doors, and do not come out to look”. \n\nPage 390\n\nPage 391", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211978, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 393, "title": "RAS-1989", "content_text": "368\n\nSung, Hok-p'ang et. al. (1984), pp. 1-9.\n\n1973 \"Legends and stories of the New Territories: Kam T'in', JHKBRAS xiii, 1973, pp. 28-40.\n\n1974 \"Legends and stories of the New Territories: Kam T'in\", JHKBRAS xiv, 1974, pp. 160-185.\n\nTaga, Akigoro Tanaka, Issei\n\n1982 Chugoku Sofu no Kenkyu, vol. 2, Tokyo.\n\n1985 \n\nTsui, Bartholomew\n\nWatson, Rubie S.\n\nWolf, Arthur P. (ed.)\n\nA Chiu 亞潮(?) baai 拜 baai-san\n\nBaak Mou-Seung Ú Baak-Ging\n\nBaishe Zhuan\n\nLineage and Theatre in China. Interdependence of Festival Organization, ritual, and theatre in the lineage society of South China, Tokyo.\n\n1989 Village Festivals in China: Backgrounds of Local Theatres. Tokyo\n\nforthcoming\n\n\"Daojiao Yili ya Jishen Kiju zhijian de Guanxi”,\n\nforthcoming\n\n\"Taoist Ritual Books of the New Territories\".\n\n1985 Inequality Among Brothers: Class and Kinship in South China, Cambridge University Press.\n\n1974 Religion and Ritual in Chinese Society, Stanford.\n\nGLOSSARY\n\nchiu-gaan chiu-dou * Chiu-Yip #\n\nchu 柱\n\nChuk Yuen 竹園\n\nChung E\n\nChung Yeung 重陽\n\nChung-Saan\n\nU\n\nBak Bin 北便\n\nBak Dai 北帝\n\nbei 陂\n\nbong 榜\n\nBou-Dak Chi #AM\n\nbui\n\ncha-gwo 茶果\n\nChan Gau 陳九\n\nChan 陳\n\nchau-san\n\n+\n\nChenghua 成化\n\ncheun-ding\n\nT\n\ncheun-fu 巡撫 Cheung-Cheun Yun cheung-saam Chi-Naam Ching Ming U Ching-Lok\n\nChung-Yut Я\n\nchyun 村\n\nDaai-Si Wong ✰±\n\nDaai-Wong E\n\ndaai-yan ★A daai-yau daam\n\ndaam-jung da-jai 打仔 da-jiu 打醮 dan 躉 Dang 鄧\n\nDang Chung 鄧璁 Dao 道 da-saat\n\nDei-Jong Wong E", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211979, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 394, "title": "RAS-1989", "content_text": "deui-lyun dim-dang Wif ding-hau T`LI\n\nDongguan 東莞 dong-ji\n\nDung Ping Guk 東本局 faan\n\nFa-Gung Fa-Mou (EAEN\n\nfa-paai TEMP\n\nFau-Ng ởH\n\nFong 兒\n\nfong\n\nfong-jeung\n\nFu Qing (47\n\nfu 伏\n\nFu-Hip\n\ngwan-ma 郡馬\n\nGwok-Yin\n\nGwong-Yu\n\nK\n\nGwong-Yu Tong Gwun-Yam #E\n\nGyun 銷\n\nHa Tsuen 厦村\n\nHa Che 下崟\n\nhaang 坑\n\nha-fu F\n\nHak-Sa\n\nha-yan FA\n\nHei-Ye 起野\n\nheui-lok\n\nHeung\n\nheung\n\nFui-Sing !!\n\nFung Yuk-Daan MƒU!!\n\nGaai-Yut\n\ngaam-sang\n\nGai-Jau #\n\nheung-on\n\nHo fil\n\nhoi-dang EH hou 號\n\nHung-Fan Taam\n\ngam-taap\n\nGam-Tin\n\nGaozong h\n\nGau Ga Chyun **†\n\nhung-jeuk FL\n\nHung-Ji 孔子\n\nHung-Ji 洪贄\n\nHung-Sing #\n\nHung-Yi 洪儀\n\ngeui-yan\n\ngit-jing #7\n\nGit-Sau\n\ngu l\n\nGuangdong MAC\n\nGuangzong 光宗\n\nguk 榖\n\ngung-chou Y\n\ngung-sang\n\nGwaan-Dai BNR\n\nGwai-Ting\n\ngwai-waan\n\n(?)\n\nGwai-Wong\n\nE\n\ngwan 棍\n\nGwan-Haak 7K\n\nGwan-Leung R\n\njaap-fo 雜貨\n\nJai Baak-Fu Jan 鈞 Jan-Ting Jau M Jau-Man B jau-tung 州同 Jeung Hoi Jeung 張\n\nJeung-Luk A\n\njeun-si 進士\n\nJiangxi 江西\n\nJi-Ga Tong #18 2 Jik-Gin\n\njiu BE\n\nPage 369", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 399, "title": "RAS-1989", "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 198, "title": "RAS-1990", "content_text": "175\n\n3.\n\n4.\n\n(to make a posture and show one's face), the actor goes through a series of stylised stage movements known as tiu dai ga (literally \"to dance the grand posture\") which is often used in Cantonese opera at battle scenes when a general appears onstage.\n\n5.\n\nWith another series of gestures and stage movements in a style similar to mime, the Deity of Fortune goes indoors, falls asleep, wakes up and discovers that his tiger has gone. The Deity goes out and searches for the tiger but cannot find it. He then climbs up and stands on the top of the wooden table, symbolizing that the Deity is now on the top of a mountain and waits for the tiger to appear. One of the backstage workers often hides under the table to keep the structure steady and firm.\n\n6.\n\nThe White Tiger actor enters the stage from stage right. Sometimes an actor might choose to enter with his back turned towards the audience (if there are any) so that the White Tiger's magical power would not hurt them.\n\nThe White Tiger crawls towards the piece of pork, grabs it and puts it through the mouth of the tiger mask. To symbolize the consumption of the pork, the actor throws it beneath the edge of the stage.\n\nThe Deity of Fortune jumps down from the table and fights with the White Tiger. After some struggle, the Deity surmounts the tiger and sits on its back. A backstage worker then goes onstage and hands a chain to the Deity who then fits it to the tiger's mouth.\n\n7. After the capture of the White Tiger, the Deity of Fortune holds the ends of the chain in his left hand and raises the wooden staff upright with his right hand. In order not to harm the troupe members backstage, the two actors keep facing the audience. With a backstage worker pulling its tail, the White Tiger and Deity of Fortune step backward towards the Tiger Gate at stage left. Upon their arrival at the gate, one of the workers helps the two actors to remove the mask, hat and beard; another worker assists in the cleaning of the painted face with a thin pile of joss papers. Sometimes a towel is used instead. Interviews with some experienced actors reveal that the tradition prescribes that the", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212340, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 282, "title": "RAS-1990", "content_text": "In the matter of the forcible stoppage of work, and the repeated closure of a worksite, a joint presentation of further evidence.\n\nWe cordially request Your Benevolence to send an official to investigate and clarify the position to avoid the situation of a public bridge being destroyed.\n\nThere is a river at Kim Hau (1) which lies between Sham Chun, and Sha Tau Kok and Tai Pang () and so on, and which is on a most important road for anyone travelling from east or west. Everyday thousands of people pass there. The Cheung () clan, living over three li away at Wong Pui Ling (Bai) came in violence and took it for their own, establishing a ferry across the river there for their profit. All this happened years ago.\n\nEveryone coming there, at any time of day, must use the ferry. Bridal parties and funerals have to pay particularly heavy sums. Every Winter the river dries up, and the flow of water reduces, and then people have to wade across with obvious difficulty. Sometimes wooden hand-rails are put up beside the crossing, but these are frequently destroyed, and people are reviled and struck there. Every kind of perverse and unprincipled behaviour can be seen, too frequently to record.\n\nThese many years we the gentry and others have donated cash, and rice to sell at low rates. This is because, when they cannot run the ferry profitably they force the coolies to go into the water to cross; several dozen sacks of rice have been lost here as a result, and we the gentry and others cannot bear to see their suffering. We have been thinking of building a bridge for many years.\n\nLast year Cheung Tsan-tai and Lei Chung-chong (*44) both wealthy men, and others, twice gathered material for construction, but it was deliberately entirely destroyed on both occasions. The people really feared we would have to go back to the original position.\n\n---\n\nPage 259", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212381, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 323, "title": "RAS-1990", "content_text": "300\n\nin Singapore but not elsewhere, and the temple keeper was unwilling to offer any further information. A year or so later under a little pressure he revealed that he, personally, called them White Crane Mothers (Bai He Mu).\n\nRecently his son, who has now set up his own establishment, was more forthcoming. He began by saying that he did not agree with his father's description; the images were neither spirits (shen) nor demons (kuei) but were rather a substitute for the individual human (Ti-shen). Such images were carved by him for people who brought the description of the image required written, usually on red paper, by a spirit medium. He claimed that the practice was not unique to Hokkiens (people from the southern coastal province of Fukien) and that he had heard of it ‘all over China' including Taiwan (which is predominantly Hokkien speaking). He himself is a Hokkien though his clients in Singapore included local Ch'ao-chou, Cantonese, Hakka and Hainanese people.\n\nThe son explained that a living human may suffer from an unidentifiable ailment and having been to a western trained doctor and consulted a Chinese physician or herbalist, neither of whom has been able to diagnose the cause, in desperation he consults a temple spirit medium who, in a trance, discovers the cause, usually an 'unpaid debt from a previous life. Immediately after death souls are judged on the misdeeds done during their lifetime on earth and after purging their sins they are reborn. Occasionally misdeeds are missed and only discovered after the individual has been reborn, hence the ailment as punishment. The spirit medium is tasked to discover the identity in his or her previous life of the human now suffering from the unknown ailment and to record his or her likeness in that previous existence which will then be carved into an image. The surname of the individual in his or her previous life is also recorded on the reverse of the image. This image is unique to the family of the individual now alive, almost always with an entirely different surname to the one of the previous incarnation, and is kept on the family altar. It is never placed on a public altar for public reverence. After a ritual performed by the spirit medium the image is considered to house the spirit of the living individual with the ailment but with the identity of the previous incarnation, and it is expected that the spirit now residing within the image will absorb the 'unpaid debt' lifting the punishment from the living individual.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212518, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 72, "title": "RAS-1991", "content_text": "52\n\nZang Yungtang (1767-1811) had studied in Suzhou in 1793, the centre of Han Learning at that time, and was invited by Ruan Yuan to edit the classical dictionary, Jing ji zhuan gu. In 1800 he was asked again by Ruan Yuan to collate the Thirteen Classics. He stayed on Ruan Yuan's personal staff until 1802. After failing the Metropolitan Examination, he went into business; then joined the personal staff of Yi Bingshou (1754-1815), who was then the Prefect of Yangzhou, in 1804, to write about the topography of Yangzhou. From 1807 onwards, he went back on Ruan Yuan's payroll, compiling Wu Dai shi [History of the Five Dynasties] at the behest of Liu Fengao (1761-1830).\n\nQian Taxin (1728-1804) came from a scholarly tradition, a grandson and son of noted men of learning. After obtaining his first degree at the age of 17 sui, he became residential tutor in a family with an excellent library which he used extensively. After attaining the jinshi degree in 1754, he remained in Beijing where he became friends with Dai Zhen and Ji Yun (1724-1805) who later became chief editor of the Si ku chuan shu. He directed the Chong shan Academy in Nanjing, and joined Ruan Yuan on the dictionary project in Hangzhou. He was the author of the critical notes on Er shi er shi kao yi [Twenty-two dynastic histories], 100 juan, 1782. Ruan Yuan's subordinate wife, Liu Wenru (1777-1849) was to compile the same for Er shi si shi [Twenty-four dynastic histories].\n\nChen Shouchi (1777-1834) of Minxian, Fujian had started his career with Zhu Gui. Afterwards he joined the faculty of Gu jing jing she and the Fu Wen Academy. He was recruited to work on Jing fu and Hai tang zhi by Ruan Yuan. At a later date, he served as editor-in-chief of Fujian tong zhi [Provincial gazetteer of Fujian] and Li xian fang zhi [Local gazetteer of the Li District of Jiangsu]. His own essays on the Classics, with several letters from Ruan Yuan, were printed in Zuo hai wen ji [Essays by Chen Shouchi].\n\nChen Wenxu (1775-1845) of Hangzhou was a “student” of Zhu Gui, who introduced him to Ruan Yuan. Ruan considered Chen one of the foremost poets of the province, and appointed him to his personal staff. He gained expertise in sea transport, salt administration, grain transport and flood control. He helped Ruan Yuan establish a humanitarian social welfare policy, including famine relief. He collected a large number of women students. Both his subordinate wives were acknowledged poets.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212528, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 82, "title": "RAS-1991", "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212545, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 99, "title": "RAS-1991", "content_text": "79\n\nIf I Were Real involved two areas, literature and art and it broke into two previously \"forbidden zones\", criticizing the present leadership for tolerating corruption, and experimenting boldly with a new technique. As has been mentioned, writers who experimented with new techniques, even by borrowing Western ones, were given great leeway while the fate for the \"new content\" in literary and artistic reflections was quite different.\n\nBeginning in the autumn of 1980, the situation developed along the lines of tighter control following some speeches by some outspoken members of the Association of Writers and Artists at its Fourth Congress in October-November 19792 and the numerous stories, poems and investigative reports in the subsequent period. Fitfully in 1980, and repeatedly in 1981, literary works were charged with exaggerating the gloom, weariness, and cynicism within the population and spreading a feeling of utter hopelessness. Specifically, If I Were Real was criticized for inducing disillusionment with the system.\n\nIn the spring of 1981, the filmscript by Bai Hua, Bitter Love, was openly criticized by the Liberation Army Daily, signalling a new round of re-assessment of political development and this time culture was the target. Bitter Love was published in one of the most innovative literary journals, Shiyue (October), in September 1979. By 1981, it had been made into a movie which was shown to selected audiences but was not released to the general public. The filmscript was a sad story of an overseas Chinese painter who returned to China out of patriotism, only to be persecuted as a counter-revolutionary during the Cultural Revolution. At one point, his daughter raised the question “You have loved this country so much but does this motherland love you?'' Obviously, this question encouraged disloyalty to the party. After August 1981, the party newspapers fully joined in the attack. \"It became evident that the party leadership was increasingly concerned with the continuing disrespect for authority and growing Western influence.\"22\n\nAlthough this concern of disrespect for authority and growing Western influence subsided somewhat in 1982 and early 1983, it surfaced again in a campaign launched in the autumn of 1983 against “spiritual pollution\", which was attributed to increased contact with the West. Political leaders were particularly concerned with Western ideas that evoked questioning of the party and its policies. Unlike the Bitter Love episode, this campaign was ideological in character. When in the later", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212567, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 121, "title": "RAS-1991", "content_text": "101\n\nBIBLIOGRAPHY\n\nBai Hua. \"Kulian.\" (\"Bitter Love.'') Shiyue (October), September 1979.\n\nBarnet, A. Doak and Ralph N. Clough, eds. Modernizing China. Boulder, Colorado: Westview Press, 1986.\n\nDietrich, Craig. People's China, a Brief History. Oxford, N.Y.: Oxford University Press, 1986.\n\nDong, Mei, ed. Zhongmei guanxi ziliao xuanbian: 1971, 7-1981, 7 (Selected Documents Regarding Sino-American Relations: 1971, 7-1981, 7). Beijing: Shishi Press, 1982.\n\nFairbank, John K. Chinabound. New York: Harper and Row, 1982.\n\nGoldstein, Martin E. American Foreign Policy: Drift or Decision. Wilmington, Delaware: Scholarly Resources Inc., 1984.\n\nGuangming ribao (Guangming Daily).\n\nGuan, L. “Zai menghuan gongchang li\" (\"In the Mill of Nightmares\"), Renmin ribao (Renmin Daily). 13 January 1980, p. 8.\n\nHinton, Harold C., ed. The People's Republic of China, 1979-1984: A Documentary Survey. Wilmington, Delaware: Scholarly Resources Inc., 1986.\n\nHsiung, James C., ed. Beyond China's Independent Foreign Policy. New York: Praeger Publishers, 1985.\n\nHunt, Michael H. The Making of a Special Relationship: The United States and China to 1914. New York: Columbia University Press, 1983.\n\nImplementing Accord for Cultural Exchange in 1980 and 1981 under the Cultural Agreement between the Government of the People's Republic of China and the Government of the United States of America and the three subsequent accords.\n\nIndex to Newspapers and Periodicals - Philosophy and Social Sciences.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 136, "title": "RAS-1991", "content_text": "116\n\nThe stylised format remains similar to the 5th century edition. Traditionally, preparing this almanac was the responsibility of the Board of Astronomy.\n\nThe funeral service in this study involved five Taoist (sometimes Buddhists are engaged) monks who, as is customary, chanted mantras. They were accompanied by an orchestra. 'Wooden fish' (*), namely sound boxes, bells and small brass singing bowls were struck. A high-pitched flageolet, a musical instrument with six or eight finger holes, played what some would describe as discordant music. As the coffin was wheeled into the hall, head first on a bier, relatives crouched and mourners born in the Year of the Monkey were instructed over a microphone not to look at the casket. If they did it could bring bad luck. With the head of the corpse towards the altar (in a Christian church feet usually face east towards the altar) the 'body was shown to the gods'.\n\n26\n\nWith patrilineal kinship ties, if there are sons or grandsons in the family a ceremony of 'buying water' (A) takes place. With a traditional funeral in Hong Kong's New Territories this still consists of the eldest son, the chief mourner, being escorted to the nearest stream or well, dropping three cash (old copper coins) in and bringing back a bowl of water. The ritual can vary from bathing the corpse to a symbolic dab on the dead parent's forehead. This, in Confucian tradition, signifies filial piety. It also helps to ensure the lineage continues. 'I have no sons to buy water!' is a not uncommon lament by some husbands, which, in the old days, meant taking a concubine because the first spouse did not give birth to an heir. As there were no sons in this study the three daughters kowtowed three times and walked around the open coffin three times. Other mourners then bowed.\n\nThe public 'lying in state' continued until the 'last glance', towards the end of the ceremony. With the upper portion of the body visible through a clear, plastic 'window' family mourners, followed by the congregation, filed around the coffin. There was weeping. Some children were held up to look at the corpse. (By contrast, I have heard it said a mourner should not get too close for fear of being 'possessed'.) The lid was then secured.\n\nAfter the service the dead person's spirit was 'led' to Chung Yam Fat Ser (Pine Shade Buddhist Association). This hall is situated in multi-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213562, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 158, "title": "RAS-1995", "content_text": "127\n\nspeakers that the difference was unimportant. As you can hear from the Chinese names for the Chartered Bank and Chater Road, (ja-da, je-da), English aspirated sounds normally came out as unaspirated in Chinese transcriptions.\n\nTurning to the vocabulary of Pidgin, it is clear that a very small base of common words filled a wealth of meanings. Where technical words were in everyday use, Pidgin used them. In other cases, an approximation of the meaning was assembled from a limited stock. For example, \"You have no occasion to fear, I have been a tea broker for ten years. I have never given any dissatisfaction to anyone,\" is rendered as \"You no gar-san mat-gi fer-ya. My hap dou di bou-luk-ga tan ya, mai nu gat wan dim mat-gi na ba-lap-ba bi-jin”\n\nThe vocabulary of book-keeping is resolved like this-\n\n“You mix up your accounts. Put all the receipts on one side; put all the payments on another side; deduct the payments from the receipts and you will know the balance in hand '\n\n“You mai-ki mik-si you gon-da, A-la mun-ni gam yin you but wan sai; mun-nı bai na-da man but na-da sai; mun-ni hap, git-ji so mar-ji tik-gi aap hap bat so mat-ji; you gen sa-bi hot ba-loen-sı.”\n\n門\n\n時沙\n\n巴倫時\n\n妖吽沙比喝\n\n巴味 治鴨梳捫\n\n文擱\n\n烟柽\n\n合ㄝ尼体尼\n\n天鐺\n\n拿跛\n\n梳結\n\n打韋\n\n品\n\n乜其治\n\n西打\n\n西甘\n\n妖米其竟士\n\n肤\n\n千米\n\n妖干打\n\n烟妖砵温西\n\n鑄捫尼甘\n\nFig. 2. The accounting example Pidgin in Chinese characters\n\ni", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213564, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 160, "title": "RAS-1995", "content_text": "說\n\n番人亦有\n\n如此之分\n\n番如稔失\n\n印則\n\n但更俱\n\n有三等之介\n\nBitt m\n\nFE\n\nE***S\n\n129\n\nFig. 5. Tong explains the pidgin form of comparison of adjectives\n\nThat is as far as we want to go in discussing the structure of Pidgin.\n\nAs a last topic, however, we want to say something about the etymology of Pidgin. Over the years, a lot of effort has gone into tracing the history of certain Pidgin words, especially where the words have entered standard English. The mass of fresh material in Tong's book lets us throw a little new light, although we have to admit that, as with most attempts at etymology, a lot of guesswork is involved.\n\nTong cites very many words derived from English, in which all syllables are represented quite fully, given the limitations of the language. To say, then, that the word \"pidgin\" itself originated just because that was the nearest that Chinese could get to pronouncing \"business\" is hard to accept. The same people who could say “di-fa-loen-si\" could presumably have said “bi-si-nei-st\", had they been so inclined.\n\nOur examination of the vocabulary in Tong brings us to believe that at the earliest stage there was a core of words derived not directly from English but from a variety of Portuguese, Malay, and English. These were then added to with a gradually more extensive vocabulary.\n\nWe consider that the following should be included in the early layer:\n\nbi-jin, kam-sha, de-lam, se-lam, but-lam, si-bui-lum, gi-lam, go-lam, ma-si-gi, gou-dang, ka-gou, tik-gı, get-ji, dim, gat-ji, dim, waan-sam, jaau-jaau, chin-chin, jo-si, hu-man, mai, ma-sa, ma-jin, mat-sa, jap-jap, gu-lei, mun-ni, bai, sa-bi", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213614, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 210, "title": "RAS-1995", "content_text": "183\n\nones, having sprung up through private enterprise. Others, like a large newly completed temple in Tampenis New Town, were a complete surprise.\n\nBack in the early sixties I came across a deity who intrigued me because he did not appear to be worshipped elsewhere, and had an unusual multi-coloured striped face. He was known as the Great Emperor of the Seven Stars [the Northern Dipper], Qixing Dadi.\n\nThe temple was a basha hut with an attap roof in a humble and impoverished village on the road across the north east of the island towards Changi. The villagers were unable to tell me anything about the deity apart from it being a powerful stellar god, feared and carefully propitiated. I returned to the village a number of times and always came away disappointed. Nothing seemed to be known about his background and legend. Then, in the early seventies I again tried to find the temple but this time neither the village nor the temple remained and no one seemed to know where the temple had gone to.\n\nIn 1993 I was once more fortunate to revisit the Republic for a short visit and driving my hire car from the airport lost my way in the welter of new roads and found myself in Tampenis New Town. There ahead of me in the midst of the blocks of flats was a new and comparatively large popular religion temple. I parked and entered wondering just what I might find and was amazed to see a row of some nine separate altars facing me, all with two or three images on them with a large Pestilence Wangye shrine in the centre. I began to make notes and sketch in the detail when, at the first altar at stage right, was my old friend, Qixing Dadi.\n\nIt transpired that each altar was occupied by deities from nine separate temples from the area around the New Town, all of which had been demolished over the years to make way for modern development. The ending, however, for me anyway, is sad. Having re-found the Great Emperor and sought out the temple staff, no one again was able to help with his legend. A visiting devotee offered to help and over the next few months wrote several times explaining the progress or lack of it ending with the report that the old man who might have known more had died a matter of months earlier.\n\nSo here we have a minor cult, almost certainly brought to Singapore\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213775, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 127, "title": "RAS-1996", "content_text": "98\n\nreceived.\" There were unsuccessful attempts by a county magistrate to eliminate these and other customs relating to belief in sorcerers and shamans. The practice is also mentioned, as prechang dushui, in the Third Gazetteer of Yongan County, compiled about 1822, which gives very slightly more but very useful information. It mentions that \"those ordained\", again, \"were given white [ordination] certificates and yellow [celestial] mandate”, and, in addition, “slaughtered animal for sacrifice for the rite of Fengchao\". Similarly the Changle County Gazetteer of about 1845 mentioned very briefly the practice, as, again, jrechang dushui,22\n\nWe cannot preclude the possibility that the Hakka ordination actually amount to initiation to the practice of magic as in the Yao case, as the Xueshan Gazetteer mentioned that men in Kaijian “like to study to be a sorcerer.21\n\nThe Tradition of Lü Shan and Mao Shan\n\nThe Hakka and the Yao were ordained under a religious tradition distinct from Daoism and Buddhism which may be called the Lu Shan tradition. Popular traditions of “Daoist\" ritual experts of Fujian, Guangdong Cantonese and Hakka, and the Yao had in common the Lu Shan Jiu Lang, his disciples and a Wang Tai Mu which is often confused with the Daoist goddess Wang Mu. The canonical Daoist gods appear to have been incorporated at a time later than Southern Song dynasty, while the characteristic group of gods still occupies a central position.\n\nProbably the earliest mention of the Lu Shan Jiu Lang's tradition is a passage about the wuze's (\"sorcerers\") magic / method of exorcism from the Southern Song dynasty which gave the names of Lu Shan Jiu Lang, his successors and predecessors. The passage is in the Sayings of Bai Yuchan,25 the famous Daoist who was active in Guangdong, Jiangxi, Jiejiang and Fujian around 1220. Bai is obviously talking about something that had begun before his time, as he mentioned several names of these \"sorcerer's magic” that existed \"in the past\". The account began, curiously, with The King of Sha Tan, which can be interpreted by a sinicization of Satan. The magic originated with the King of Satan, who passed it to the King of Pan Gu, who in turn passed it to the King of Asura, who in turn passed it to a Wei Tou Shi Wang,26 King of Changsha, Tou To Wang, Lu Shan Jiu Lang, Meng Shan Ji", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213776, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 128, "title": "RAS-1996", "content_text": "99\n\nLang, Heng Shan Shi Lang, Zhao Hou San Lang, Zhang Zhao Er Lang, and \"countless others\"\n\n17\n\nOnly the Lü Shan Jiu Lang, Zhao Hou San Lang and Zhang Zhao Er Lang are found in the Cantonese and Hakka ritual specialists' manuals, and Yao ritual manual from Qujiang County, Guangdong and Guangxi Province. But their predecessors, however unlikely, were not invented by Bai Yuchan or his disciples. We do see mention of the King of Asura, Tou To Wang, and Changsha Wang in a Yao manual from Liannan. The King of Asura as a major god is not one would expect in a Chinese context as the Buddhist (as well as the Hindu) consider Asura \"powerful demons\", although the same gods represents good in Persian mythology. Interestingly, there were some gods whose native place was what could be sinicization of Persia in the Liannan document.\n\nThe gods Zhao Hou San (3) Lang and Zhang Zhao Er (2) Lang appeared in the Yao ritual manuals from Qujiang county and in a slightly altered form in excerpts from Guangxi Province. They were featured together with Lu Shan Jiu Lang in the local Cantonese priestly tradition. The latter has a manual entitled Daojiao Yuanliu (“The Origin of Daoism”) (NJYL) which is a handbook on both the style of rituals with the Lü Shan Jiu Lang and the Wang Tai Mu in a central position, and another style more closely related to the Canonical tradition. In the Taiwan and Fujian case, the connection with Lu Shan Jiu Lang was mentioned in the hagiography of Chen Jinggu, a goddess central to one school of the Taiwanese ritual experts as well as the local Cantonese and Hakka ritual specialists. Although there are many versions of her story, they agree that she lived during the Five Dynasties period, in Fujian. According to the Ming work San Jiao Yuanliu Shou Shen Da Chuan, believed to be the work of popular authors of Fujian, She was a disciple of Lu Shan Jiu Lang. The book illustrates the entry with a man in Daoist garment holding a cow's horn, the latter being one of the objects common to the local Hakka and Cantonese and the Taiwanese \"popular\" magicians. More recent versions of Chen's story named the famous Xu Xun who was accepted as the patriarch of a respectable school of Daoism, identifying Xu with Lu Shan Fa Zu, the patriarch of Lu Shan. Although this may seem a change in the genealogy reflecting change of alliance between different schools of magic, some Yao material suggests that the two\n\n14", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213777, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 129, "title": "RAS-1996", "content_text": "100\n\npersonalities were the same. In an enumeration of patriarchs of their magic the Yao manuals from Liannan do name Xu Jiangyang (i.e. Xu Xun) just before a Zhang Zhao Lang (probably referring to Zhang Zhao Er Lang) and a Zhao San Lang (probably Zhao Hou San Lang). Comparing the position of Xu Xun in this account with the Cantonese DJYL which alleged the Zhang Zhao Er Lang and Zhao Hou San Lang were disciples of Lü Shan Jiu Lang, one may surmise that Lü Shan Jiu Lang is none other than Xu Xun. 36\n\nWe notice three different styles of names in this genealogy of the magic of sorcerers related by Bai. The first group had titles ending with wang \"King\", the second titles beginning with what looks like the name of a mountain followed by a number and the word lang, and the third beginning with a surname and ending in a pattern similar to the second. The first two characters in the titles of the third group seem at first reading two surnames which leads one to guess they refer to more than one person (3 in the case of Zhao Hou San (3) Lang and 2 in the case of Zhang Zhao Er (2) Lang). Of the gods of the second group the format of their title bears close resemblance to the names of some gods found since at least the Southern Dynasties. It was this third format that we have seen above appearing as ritual names of some class of persons initiated by traditions of magic found among the Yao, the She and the Hakka.\n\nThe Southern Song passage has a note under Lu Shan saying that it was a mountain in Luzhou or what is Liaoning province in Northeastern China. A work of anecdotal literature of the Jin period, by Yuan Haowen (1190-1257), did mention a Lu Shan Gong temple or Lu Shan temple in Guangning, near Lu Shan in the present Liaoning province, which was certainly in honor of the god of the Lü Shan. The temple was said to be very daunting. It housed ugly and fearful images, so much so that people who entered during day time were frightened. The name of the other two mountains can be found in many different parts of China, making it difficult to determine their locations. In the case of Heng Shan, the one referred to in the name of the god may be related to the one in the story of Sishan Zhang Daidi\". But a popular novel from Fujian in late Qing dynasty, featuring as its central figure Chen Jinggu, allegedly the disciple of Lu Shan Fazu, quoting what it claims to be a saying known in Fujian at its time, suggested that the place is in Fujian province itself. I believe that Lu Shan could have been somewhere in", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 147, "title": "RAS-1996", "content_text": "118\n\n*In Jiang Yinghang, Xinan Bianjiang Minzu Lancong, prefaced 1948, reprinted Taiwan Xinwenfeng Chuban Gongsi 1978. pp 224-228\n\n*Jacques Lemoine, Yao Ceremonial Paintings. Bangkok White Lotus Co Ltd, 1982, pp 24-27\n\n7 See for example Lemoine, op cit, for references to the god as a patriarch of the Yao religion in their documents\n\n*There is evidence suggesting that in the Hakka case the attainment of the fang title does not rely on his sons subsequently being initiated to a high level, as in some Yao cases mentioned in Zhongguo Xinan Yu Dongnanya de Kunjia Minzu. In at least one Hakka case, that of a Xu which we should mention later, the man had a fang styled ordination name but no descendants\n\nリ\n\n*Shi Lian-zhu, She Zu, Beijing Minzu Chubanshe, 1988, pp 113-115\n\n*Meng Hui-ying, Hetai Shenhua (*Living Myths - A Study in the Myths of Chinese Ethnic Minorities*), Tianjin Nankai Daxue Chubanshe, 1990, pp 116-2. See Also ibid p. 222 for a description of the ceremony, which included the learning of 'magic'\n\n\"See, for example, Shezu hanshi, Fujian Fujian Renmin Chubanshe, 1980, p 104. The same characters are found in some Hakka genealogies as a character put before a numeric character to form a name of the fang format. Studies on the She, for example articles in Shi Lianzhu ed. Shezu Yanjiu Lunwenji, Minzu Chubanshe 1987, has shown that the She was in close contact with the Hakka in earlier times. Most of them speak a version of Hakka, apparently as their only language. The She called themselves shan ha, 'guests of the mountain', reminiscent of the name the Hakka used for themselves (Hakka or \"guest\" families'). There are some interesting features of the Hakka language that have not yet attracted the attention of students of language. Although the Hakka of the New Territories of Hong Kong called their Cantonese neighbors va (Hakka pronunciation of she) derogatorily, they do use va for person in certain contexts, e.g. gido sa (\"how many people\"). Sometimes hat, is used instead (gido ha), as is in another expression long ha ('two people'). I suspect that this ha is the same as the ba in shan ha by which the She called themselves. In fact, the Hakka pronunciation of She as Sa could have been a shortened form of san ha. Some books written in the Hakka dialect, however, write sa in such context as chat (\"fellows')\n\n\"See Zhonghua Minzu Fengsu Cudian, Jiangxi Jiaoyu Chubanshe, 1988, p 288-9 under their Luo, op cit, p 230\n\nont\n\nFor example the one in the Savings of Bai Yuchan in the Daoist Canon, vol. 1016\n\nIs Included in Luo, op cit, pp 97-98\n\nIn In Luo op cit p 161\n\n17 In his arguments he does bring our attention to an interesting point fang as a title of some", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 147, "title": "RAS-1997", "content_text": "LAI CHI KOK\n\nCHEUNG SHA WAN\n\nSHAM SHUI PO\n\nTAI KOK TSUI\n\nTÖNE CUTTEaS (likely OCR error for \"Tsing Yi\" or another location, but preserved as is)\n\nISLAND\n\nKENNEDY TOWN\n\nYAU MA TEI\n\nKOWLOON\n\nKOWLOON BAY\n\nTO KWA WAN\n\nKWUN TONG\n\nHUNG HOM BAY\n\nCAI YING PUN (likely \"CAI\" is an OCR error for \"BAI\")\n\nTSIM SHA TSUI\n\nVICTORIA HARBOUR\n\nCAUSEWAY BAY\n\nVICTORIA\n\nWAN CHAI\n\nNORTH POINT\n\nMA YAU TONG\n\nQUARRY BAY\n\nSHAU KEI WAN\n\nHONG KONG ISLAND\n\nHarbour Reclamations-1841 to 1941, HK Annual Report 1963 (adapted)\n\nLEI YUE MUN\n\n115\n\nHowever, upon closer inspection and following the instructions:\n\nLAI CHI KOK\n\nCHEUNG SHA WAN\n\nSHAM SHUI PO\n\nTAI KOK TSUI\n\nTONE CUTTEAS (still unsure, but \"TÖNECUTTEas\" is likely an OCR error; however, we preserve it as closely as possible)\n\nISLAND\n\nKENNEDY TOWN\n\nYAU MA TEI\n\nKOWLOON\n\nKOWLOON BAY\n\nTO KWA WAN\n\nKWUN TONG\n\nHUNG HOM BAY\n\nBAI YING PUN\n\nTSIM SHA TSUI\n\nVICTORIA HARBOUR\n\nCAUSEWAY BAY\n\nVICTORIA\n\nWAN CHAI\n\nNORTH POINT\n\nMA YAU TONG\n\nQUARRY BAY\n\nSHAU KEI WAN\n\nHONG KONG ISLAND\n\nHarbour Reclamations-1841 to 1941, HK Annual Report 1963 (adapted)\n\nLEI YUE MUN\n\n115\n\nCorrected version in HTML as per the instructions:\nLAI CHI KOK\n\nCHEUNG SHA WAN\n\nSHAM SHUI PO\n\nTAI KOK TSUI\n\nTONE CUTTEAS\n\nISLAND\n\nKENNEDY TOWN\n\nYAU MA TEI\n\nKOWLOON\n\nKOWLOON BAY\n\nTO KWA WAN\n\nKWUN TONG\n\nHUNG HOM BAY\n\nBAI YING PUN\n\nTSIM SHA TSUI\n\nVICTORIA HARBOUR\n\nCAUSEWAY BAY\n\nVICTORIA\n\nWAN CHAI\n\nNORTH POINT\n\nMA YAU TONG\n\nQUARRY BAY\n\nSHAU KEI WAN\n\nHONG KONG ISLAND\n\nHarbour Reclamations-1841 to 1941, HK Annual Report 1963 (adapted)\n\nLEI YUE MUN\n\n115\n\nLet's correct and simplify it according to the rules:\nLAI CHI KOK\n\nCHEUNG SHA WAN\n\nSHAM SHUI PO\n\nTAI KOK TSUI\n\nTONE CUTTEAS\n\nISLAND\n\nKENNEDY TOWN\n\nYAU MA TEI\n\nKOWLOON\n\nKOWLOON BAY\n\nTO KWA WAN\n\nKWUN TONG\n\nHUNG HOM BAY\n\nBAI YING PUN\n\nTSIM SHA TSUI\n\nVICTORIA HARBOUR\n\nCAUSEWAY BAY\n\nVICTORIA\n\nWAN CHAI\n\nNORTH POINT\n\nMA YAU TONG\n\nQUARRY BAY\n\nSHAU KEI WAN\n\nHONG KONG ISLAND\n\nHarbour Reclamations-1841 to 1941, HK Annual Report 1963 (adapted)\n\nLEI YUE MUN\n\n115\n\nThe final version should be in HTML format as requested:\nLAI CHI KOK\n\nCHEUNG SHA WAN\n\nSHAM SHUI PO\n\nTAI KOK TSUI\n\nTONE CUTTEAS\n\nISLAND\n\nKENNEDY TOWN\n\nYAU MA TEI\n\nKOWLOON\n\nKOWLOON BAY\n\nTO KWA WAN\n\nKWUN TONG\n\nHUNG HOM BAY\n\nBAI YING PUN\n\nTSIM SHA TSUI\n\nVICTORIA HARBOUR\n\nCAUSEWAY BAY\n\nVICTORIA\n\nWAN CHAI\n\nNORTH POINT\n\nMA YAU TONG\n\nQUARRY BAY\n\nSHAU KEI WAN\n\nHONG KONG ISLAND\n\nHarbour Reclamations-1841 to 1941, HK Annual Report 1963 (adapted)\n\nLEI YUE MUN\n\n115", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 176, "title": "RAS-1998", "content_text": "140\n\nborne to Earth by the Celestial Immortal Tian Fei, to his apotheosis when he was about to be borne off to Heaven; he is portrayed in one scene preparing medicinal drinks and in another overcoming the flood dragon.\n\nA popular legend related in Jiangxi about Xu describes how he destroyed a monstrous snake which had been terrorising the areas of western Jiangxi. Another describes how in Changsha in neighbouring Hunan province he killed a dragon which had transformed itself into a woman and had married a local mandarin.\n\nXu Sun, according to Fitkin, had been a good and sympathetic magistrate and as such was regarded as a protective deity throughout Jiangxi province as well as among Jiangxi people wherever they went. According to folk memory he never took 'squeeze' nor would he tolerate corruption. He also threw the flood dragon down a well telling him as he did so that he might come forth when the iron tree blossomed. This well was in the huge Wan Shou Gong, a temple in the centre of Nanchang and though the temple was burned down in about 1916, it was [in 1922] being rebuilt at a huge cost and, as far as can be ascertained, no longer exists. Folklore claims that plague and flood, as well as brigandage would come to Jiangxi if there were no Wan Shou Gong in which to offer up worship and reverence.\n\nAccording to Bai Youchan [the Daoist Thunder Ritual master of the Mao Shan cult - ca. 1200 AD] Xu was venerated initially because, using water-charms, he had cured multitudes who were suffering from a virulent epidemic. Imperial patronage of the cult ensued in the 12th century AD. All his temples used to be called Wan Shou Gong as indeed his cult centre temple at Xi Shan still is.\n\nAnother legend, possibly a variant on the water-charms story, and related in neighbouring Anhui, claimed that Xu had been an important tea merchant. Tea brewed from his leaves not only quenched the thirst but also cured sickness and even prevented people from becoming sick. He was widely renowned for his generosity giving away his tea to the poor in the Spring for people to infuse and drink to ward off sickness. He was deified for such benevolence by order of the emperor.\n\nIn 1920 Nanchang was claimed to be unique in that it had never", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214354, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 212, "title": "RAS-1998", "content_text": "177\n\nself and appeared back home, having lost his lucrative post, where he bore the full fury of his wife as she had been enjoying the perks of the wife of a high official. He explained that he had no intention of returning to the palace as the fortunes of the evil Zhou Xin had a further twenty years to run, and went off spending his days fishing.\n\nMany years later the father of the future victorious King Wu heard a fisherman singing and learning that the song foretold the future fall of the Shang and the victory of the Zhou he went in search of the man who had taught the fisherman the song. This turned out to be Jiang who was then encouraged to return to the court of Duke Fa, where after Duke Fa's victory he was made the Prime Minister.\n\nIn the Fengshen Yanyi he was then despatched to the mystic mountains of the West, the Kunlun Shan, where he was to seek from the great deity, Yuanshi Tianjun, the Primordial Heavenly Lord, honours for the loyal ministers, brave warriors, and all the good and bad immortals, male and female, who had died during the struggle. Jiang arrived at the Palace on the Kunlun mountains and was admitted by the White Crane Youth, Bai Hao who escorted him to meet Yuanshi Tianjun. After Jiang knelt and made his plea the Primordial Heavenly Lord promised to send a decree, which would authorise the canonisation of all the warriors, and name each in turn. Jiang returned to report to King Wu, followed a few days later by the White Crane Youth who descended amidst soft music and fragrance to deliver the decree. Jiang then ordered the Terrace to be prepared and soldiers to guard it whilst he purified himself. He entered the Terrace and after unrolling the decree read aloud the order which promised that those to be deified should be free from transmigration, and would be promoted or demoted according to their merits. He ordered that they should be worshipped by the people as protectors of the nation and its people, and they were to regulate the wind, rain and natural forces for the benefit of the people. They were authorised to reward good deeds and punish the wicked. The list of names of those deified was then hung up and the ministers and warriors ordered to approach in a lengthy queue with no one being permitted to leave it. The first to be called was Bai Jian, who was created the God of Pure Blessedness. He was followed one by one until all 365 warriors and worthies had been rewarded. Not all were straightforward. Some had followed the evil King during the struggle and had perpetrated wicked acts but had eventually recanted and had tried to make", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214815, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 230, "title": "RAS-1999", "content_text": "196\n\nand teachings of an extraordinary man. Accounts of the origins, development and principal characteristics of the Three Religions are superfluous here, as they can be found in both current and older standard works on the subject.\n\nIn regard to any comparisons with religion as understood in the West, the celebrated American missionary scholar Dr. Arthur Smith had this to say of Chinese religion:\n\n\"There is no word in Chinese embodying this concept, its place having been taken by a character denoting Instruction, which embodies quite a different idea; or by the phrase bai shen, signifying \"to worship\" (or to pay one's respects to) gods and spirits.\"\n\n\"Bai,\" he added, \"can also denote 'to pay one's respects to' in ordinary human intercourse.\" \"These terms show what is the substitute in the Chinese mind for that which we mean by religion.\"\n\nDr. Smith's dictum was endorsed by one of the best-known Chinese scholars of the Republican era, Dr. Hu Shih, writing a generation later on \"Religion in Chinese Life\" in his book The Chinese Renaissance (1934):\n\n\"The Chinese word for 'religion' is chiao which means teaching or a system of teaching. To teach people to believe in a particular deity is a chiao; but to teach them how to behave toward other men is also a chiao. The term chiao is applied to Buddhism, Taoism, Mohammedanism, Christianity, as well as Confucianism.\"\n\nTeaching, as \"Instruction,\" was common to all of China's Three Religions, and as Dr. Hu went on to explain, the intention was to inculcate moral virtue:\n\n\"Teaching a moral life is the essential thing: and 'the ways of the gods' are merely one of the possible means of sanctioning that teaching. That is in substance the Chinese conception of religion.\"\n\nWith these few words, the two scholars have brought out the two", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 177, "title": "RAS-2000", "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 49, "title": "RAS-2001", "content_text": "Carl Crow, 1883-1945\n\nMy friends, the Chinese. London: Hamish Hamilton. 1938.\n\nFitzgerald, C. P., 1902-\n\nCommunism takes China: how the revolution went Red. London: BPC, c1971.\n\nFranck, Harry Alverson\n\nRoving through Southern China. New York: Century, c1925.\n\nGeil, William Edgar\n\nA Yankee on the Yangtze: being a narrative of a journey from Shanghai through the Central Kingdom to Burma. New York: Eaton & Mains, 1904.\n\nGottschang, Thomas R.\n\nSwallows and settlers: the great migration from north China to Manchuria. Ann Arbor: Center for Chinese Studies, The University of Michigan, c2000.\n\nGray, John Henry\n\nChina: a history of the laws, manners, and customs of the people. London: Macmillan, c1878. 2 vols.\n\nHobart, Alice Tisdale, 1882-1967\n\nOil for the lamps of China. New York: Grosset & Dunlap, c1934.\n\nHo, Pui-yin.\n\nDian di hua dang nian: Xiang-gang gong shui yi bai wu shi nian. Xiang-gang: Shang wu yin shu guan (Xiang-gang) you xian gong si, 2001.\n\nHo, Pui-yin\n\nWater for a barren rock: 150 years of water supply in Hong Kong; [English translator, Lui Yuen Chung]. Hong Kong: Commercial Press, c2001.\n\nHoney, W.B. (William Bowyer)\n\nThe ceramic art of China and other countries of the Far East. London: Faber, c1945.\n\nxlvi", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 85, "title": "RAS-2001", "content_text": "33\n\ncould also be a day for worshipping at the graves—a spring practice spread over several possible days. There is likely to have been a link of association between the She and the dead—in a way similar to what can still be discerned in some southern parts of China today. The offerings on this day were sometimes made in a grand style with cavalcades and officiants engaging the spirits. It was an occasion for feasting, drinking and games.\n\n31\n\nThere was another festivity in the second lunar month of the year which was called Hua Zhao or 'Flower Dawn,' which occurred on the full moon day, the fifteenth of the moon. The festival is mentioned in chronicles from Tongshan, Baling,32 Yingshan,33 Zhongxiang,34 and Gong'an.35 If the sky was clear on this day in Baling, then the cotton plants would have a good harvest.36 In Gong'an there were similarly good prospects for cotton if there was a clear full moon on this night.37\n\nThe Flower Dawn as a social event is not extensively described, but we learn that in Zhongxiang there were outdoor activities in the open country outside the town, and so there were presumably also picnics. It is said that gentry and commoners ta qing—‘trod on the greenness’—and they dou bai cao ‘gathered one hundred grasses.’\n\nTa qing is a name for a spring outing, and the designation for this festive picnic is in the wider Chinese world associated with various dates, like the eighth day of the first moon, the second day of the second moon and the third day of the third moon. It is also generally held to be among the customs of Qing Ming in early April, even signifying grave visits. In this present corpus of ethnography we find mention of ‘treading on the greenness’ at the Flower Dawn. Dou bai cao was a game in which people armed themselves with stalks of grass. From each of a pair of stalks was pressed a drop of liquid and the two drops were\n\n31 古今圖書集成,1888.VI,1223:風俗考2a.\n\n32 古今圖書集成,1888.VI,1166:風俗考4a.\n\n33 古今圖書集成,1888.VI,1142:風俗考2a.\n\n34 古今圖書集成,1888.VI,1193:風俗考3b.\n\n35 古今圖書集成,1888.VI,1223:風俗考2a.\n\n36 古今圖書集成,1888.VI,1193:風俗考3b.\n\n37 古今圖書集成,1888.VI,1120:風俗考6ab.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215644, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 421, "title": "RAS-2001", "content_text": "373\n\nCOINCIDENCE?\n\nJENNIFER WELCH\n\nKeith Stevens sent me the following anecdote from amongst his collection of notes on Chinese religion:\n\nTao Bing Taizi - The Earth Soldier Prince\n\nThe story is that of a young man in his early twenties, with the surname Cai, who was killed by local people near Kaohsiung during a trip he made away from his home village of Hu Tung in Yun Lin county in central Taiwan. He was buried where he fell, but later his family, who regarded him as a heroic youth, came and took some soil from his grave, and built a shrine in his honour back in Hu Tung. As time passed people who prayed at his shrine found that their prayers were answered, and as a result of this success he became a popular local god.\n\nIn the late 1890s, after the occupation of Taiwan by the Japanese, a troop of Japanese cavalry passed through the village of Hu Tung destroying crops as they went. The villagers were angry but too afraid to protest. The cavalry tethered their horses to the shrine, whereupon one of the horses neighed and dropped dead. This was seen as Cai punishing the Japanese both for destroying the crops and for desecrating his shrine by using it as a tethering post. The villagers considered that Cai had meted out retribution to the Japanese in this way so that they could not blame the villagers for the mishap.\n\nA few days after receiving this tale I took some visitors to see Beverley Minster, our local cathedral, founded before 1066, but a wonderful example of medieval architecture. On entering, an official offered to give us a guided tour, which included the 14th century stone canopied tomb of Lady Eleanor Percy, a truly beautiful work of exquisitely carved fruit, leaves, angel figures and symbolic beasts, where the central position is filled with a representation of the Deity raising the soul of a woman from her winding sheet. Our guide informed us that this was a rare surviving example of such medieval art in England, as in other churches similar depictions of Christ had been destroyed, not during the Reformation, but a century later by the Puritan Roundheads. We inquired how this carving had survived, and this is", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216043, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 342, "title": "RAS-2002", "content_text": "276\n\nThe fight between Lady White Snake and the monk Fa Hai leading to the flooding of Jin Shan\n\nA popular and well-known opera, Bai She Chuan, tells of Lady White Snake's fall from grace and of her eternal imprisonment under a pagoda. It begins with a small white snake which, having been both virtuous and devout for many thousands of years, became immortal and could change at will into the form of a beautiful young maiden. As a snake she had been saved from death by a compassionate man and would have to repay the debt at a future date. She discovered that the man, in his latest incarnation, was a young scholar, Xu Xian, living in Hangzhou and after recruiting as her maid a small blue snake who too could change into a young woman, she returned to Earth having been warned by the Xi Wangmu, the Goddess of the Western Heaven, not to abuse her magical powers.\n\nShe met the young scholar and they promptly fell in love. She explained that she was the daughter of a deceased army officer and lived in some style in a large house, produced by her magic, on the lakeside at Hangzhou. They were soon married and set up a herbalist store in which all three helped prepare and sell the medicines. White Snake enabled her husband's recipes gain widespread fame by the addition of a small addition of a magical powder and their fortunes were made. However, Xu began to be suspicious of the personality and origins of his wife and went to consult his old teacher, the Abbot Fa Hai at his monastery, Jin Shan Si, on the island in the Yangzi and sought his advice. The Abbot too was suspicious and gave Xu a potion to add to his wife's drink which would change any non-human back into its true self. To his horror his wife was revealed in her herpetological form and he, petrified, dropped dead with fright.\n\nThe power of the potion soon wore off and when White Snake found that her beloved husband was dead she went off to the Western Heaven to obtain herbs of resuscitation. Her husband, now recovered, was unable to get over his experience and lived a life of nervous apprehension. He returned to his teacher and explained what had happened. The Abbot explained that he too feared for Xu as both his wife and her maid must be transformed snakes who could do him great harm. Xu remained in the monastery in hiding. His anxious wife set out to find him and was met by the Abbot who ordered her away.\n\nShe", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216310, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 69, "title": "RAS-2003", "content_text": "18\n\nRestoring the damage done by the three years of Taiping destruction required a massive reconstruction project which lasted for nearly 30 years from 1871 to 1899. In addition to rebuilding the previous structures, several new halls which had not existed before were added during this time, including the Guest House (Ke Tang) and the Dining Hall (Zhai Tang) in 1887; the Goddess of Mercy Hall (Guan Yin Dian), Ancestors Hall (Zu Shi Dian), and the Kshitigarbha Hall (Di Zang Dian) in 1890; and finally the 500 Arhats Hall (Wu Bai Luohan Tang) in 1896.\n\nThe Republican era, 1911-1949\n\nAt the beginning of the Min Guo Republic (1912), all the monks were forced to move out by armed soldiers who moved in and used the temple as a barracks. The soldiers looted the golden statues from the temple, and wooden parts of the temple such as window frames were used by the soldiers to make cooking fires. However, in 1920 the temple and the pagoda were both repaired, and after being closed for a whole decade the temple finally officially reopened in 1922 when all the monks came back. Holmes Welch's otherwise authoritative 1967 study of Buddhism in China mistakenly stated that Longhua Temple was occupied by the Chinese military for the entire Min Guo period. Photos from D. C. Burn's brief 1926 study of the temple show that the Qing Dynasty 500 Arhat Hall (Wu Bai Luohan Tang) was still intact then, although it no longer exists now.\n\nLonghua Temple enjoyed 15 years of peace and tranquility until September 11, 1937 when the temple was badly damaged during the Japanese attack on Shanghai. Nine Japanese airplanes dropped 30 bombs on the Longhua area. Most likely they were targeting the nearby Longhua Airport and the Guomindang's Longhua Garrison military camp next door, but they accidentally caused severe damage to the temple. Before the attack there had been 80 monks living in the temple, but afterward there were only 7 monks remaining.\n\nDuring the first five years of the Sino-Japanese War, 1937-1942, the internal affairs of the temple were confused and disorganized, with rival masters claiming the post of Abbot, and unqualified persons claiming to be Buddhist monks for the sake of seeking safe haven in the temple. On September 9, 1942 a reorganization committee was", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 79, "title": "RAS-2003", "content_text": "28\n\nREFERENCES\n\nBurn, D.C., A Guide to Lunghwa Temple: with Brief Notes on Chinese Buddhism, Shanghai: Kelly and Walsh, Ltd., 1926.\n\nLonghua Zhen Zhi (The History of Longhua Town), Shanghai: December 1996.\n\nPan Ming Quan, Shanghai Fo Si Dao Guan (Shanghai Buddhist and Taoist Temples), Shanghai: Shanghai Ci Shu Chubanshe, December 2003.\n\nPan Ming Quan, Shanghai Si Miao Ying Lian Dui Lian Ji (Poems About Shanghai Buddhist and Taoist Temples), Shanghai: Shanghai Ci Shu Chubanshe, December 2003.\n\nShanghai Tan magazine, Shanghai: October 2002, pp.38-42 on the history of Longhua Temple.\n\nZhang Qing Hua and Zhu Bai Kui, Longhua, Guanglin Shu She, Yangzhou: December 2003.\n\nFojiao Da Cidian (Dictionary of Buddhism), December 2002.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]