[
    {
        "id": 213280,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 102,
        "title": "RAS-1994",
        "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    },
    {
        "id": 213289,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 111,
        "title": "RAS-1994",
        "content_text": "91\n\nThere are, for example, the Nine Stars and the 24 Mountains. The 24 Celestial Mansions, the 24 Fortnightly Climatic Periods, the 24 Characters, and the Five Elements are also represented. The compass, made from timber and coated with lacquer, not only tells direction, namely east, south, west, north and centre (the 'five' cardinal points), but it also shows the position of the sun at different periods of the year. To use the compass the base is placed parallel with the door, wall or other object to be oriented. The rings are then rotated so that things are lined up.\n\nAs a model of the universe, then, the loh poon helps its fung shui master interpret and predict, from the mystic Chinese characters, the client's future. This is done with the 'Eight Trigrams' forming the paat kwa (the eight-sided divining diagram as detailed in the I Ching) which is displayed on the inner section of the compass (Sung, 1934; and Sung, 1935). With the 'Eight Trigrams' two parallel continuous lines represent the 'Great Male Principle', and two parallel broken lines represent the 'Great Female Principle', and so on.\n\nThe ancient book, the I Ching, is regarded as almost sacred in some quarters and dates back to about 2800 BC, although the oldest extant commentaries were probably written closer to 1300 BC (Markert, 1986). The I Ching deals with prognostication, fortune telling and philosophy, with sets of symbols and different ways of combining these symbols so that they form titular statements. Much is written in poetic language which is difficult for the lay Chinese to understand.\n\nThese Trigrams mentioned above, made up of broken and unbroken lines in various relationships, are loathed by evil spirits in the same way that Holy Water, blessed by a Christian Priest, will fight evil.\n\nIn fact in China's Fujian Province, to the North-east of Hong Kong, large circular, communal dwellings have one ring of houses encircling another ring (Huang, 1994, 11). A whole complex, as large as an Olympic stadium, houses hundreds of families. Such structures are said to be earthquake proof and designed to provide natural temperature control. Each complex is shaped similar to the baat kwa, as outlined above.\n\nAs previously stated Chinese culture is woven around the 'Five Elements' in various ways (Needham, 1956, 243). The Five are employed, in fung shui, after consulting both the lunar and solar calendars (which",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    }
]