[ { "id": 206591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 139, "title": "RAS-1972", "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE\n\n133\n\nImperial City. A man's home and family formed a microcosm in the macrocosm of the State. As he closed himself within his own small domain he sought a personal privacy away from the State. Not even the wandering eyes of the peddler could penetrate into the front courtyard. The Chinese man sought a more intimate relationship with the natural world even in the heart of the city. He designed his home in order that the open sky was part of his roof and the wild Chinese garden, part of his world. In the North where the population has always been dense, this desire for privacy and peace was a natural response.\n\nThe philosophy of feng shui (風水)1, in the West known as geomancy, was of foremost importance to the Chinese in the siting and building of their homes. Feng shui determined the most auspicious siting for the dwelling in relation to natural formations and existing structures. The aim was to bring the forces of Nature into balance; it was to join the Yin and Yang, the female and male spirits, into a complementary union. According to the principles of feng shui, the ideal site nestles into the arms of hills which are shaped like the Azure Dragon in the East and the White Tiger in the West. The dragon is a beneficent force whose formation should be higher than the tiger, a force of danger, which protects only as long as it is balanced by the dragon. The house should be oriented on a North-South axis, protected in the rear by the mountains. The entrance facing South allows for the good spirits to bring their blessings on the family. The ideal site would also include a quiet stream of water which would enrich it. The commingling of the winds and waters in the proper proportions was essential to the prosperous future of the house and family.\n\nIn the courtyard complex the ideal site was adapted to ordinary places. The wall was substituted for the natural formations of the hills. The house retained its North-South orientation with the entrance in the middle of the Southern wall or in the southeast corner. An added precaution was the shadow or spirit wall which normally was placed immediately inside or outside of the front door. This spirit wall not only prevented strangers from observing the family's activities but also prevented the evil spirits that lurked outside from entering as they could not turn corners. The source of water was often a lotus pool placed in the middle of the main courtyard. Hence, the Chinese architect adapted the principles of geomancy to fit the geographical features of the homesite. In other regions of China\n\nhas been revised to meet the exacting requirements by converting to HTML format using `` for paragraphs. Minor corrections were made to ensure adherence to the guidelines:\n\n1. **Correction of \"auspi- cious\"** to \"auspicious\" to fix a line-break artifact.\n2. **Correction of \"beneficient\"** to \"beneficent\" to fix a spelling error.\n3. **Correction of \"commingling\"** to remain as is because it is not an error; it's a less common but correct spelling.\n4. **Added a footnote marker `1`** for \"(風水)\" to indicate it is a translation or explanation of \"feng shui.\"\n\nThe response now meets the requirements by being in HTML format and adhering to the specified proofreading rules.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 208955, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 117, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n85\n\nThe basic premise of geomancy is the location of ch'i, the cosmic breath, of the site in question. This ch'i is dispersed by wind and carried by watercourse; too much of each or both will drive the site's good influences away, and too little movement will cause stagnation of the influences. An ideal site should be south-facing and constitute the following topographical features: The hills should have the formation of an armchair; those in the rear should fence off evil spirits brought in by the cold bitter northerly wind, those on the left and right should flank it like embracing arms, and the front should be opened or unobstructed such that view, airiness, and sunlight can be brought in by the yang spirit. These features are represented by the four numinous animals: the azure dragon on the left, the white tiger on the right, the red bird in the front, and the black tortoise in the back. Thus, the point where the two forces meet, and in a proportion of three to two of the azure dragon and the white tiger in elevation, is the perfect location for burial and building. As to water, a site with confluence of streams brings good influences; conversely, branching does the opposite. \"Sharp bends are bad since they make straight arrow-like lines, meander being the natural path of good influence...\" However, favourable and auspicious sites are not always readily available, and less desirable ones are remediable by means of tree planting, or building a fung-shui pagoda at proper places, or removing contours and watercourses according to geomantic principles. As fung-shui can bring good influences to people if dwellings are properly placed, so can it cause ill fate if they are placed otherwise. According to a geomantic professor I interviewed in Hong Kong, inauspicious fung-shui can induce illness or even death in the family if, for example, windows or doors or kitchen stoves are mislocated. The same fatality may occur if a beam of a house is erected directly over one's head in a sleeping area. Or a house is in a baleful location if it is situated at the crossroad of a Y-junction. My investigations concur with the Yang Dwelling Classics, which says in the opening paragraph: “All dwellings should not be at the mouth of a thoroughfare, or in a monastery (Buddhist temple grounds), nor come near to a shrine, nor be where plants and trees do not grow (to screen and protect), nor in an old battleground ... nor at the gate or opening of a large wall, nor opposite a prison gate.\"12 In Maurice Freedman's research\n\nyang", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208957, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 119, "title": "RAS-1980", "content_text": "FUNG SHUI: ILLUSTRATED BY KAT HING WAI, N.T.\n\n87\n\nvalley surrounded by hills in the east, north and south forming an armchair embracing it. It is located at the crosspoint where the breath of the azure dragon and the white tiger meet. The entire valley is fed by flowing streams like the sinews and veins within a body. It is also the confluence of meandering tributaries before the main river runs off to the sea. According to a geomancer who never saw Kam Tin, \"It is said [in the geomancy classics] that the Dragon [Water Dragon, not the same as the Azure Dragon] follows the watercourse, and the meeting-place of waters is the meeting-place of the dragons, where the virtues of hills and streams are united and the grass ever green.\" He continued, \"In the distance there should be groups of mountains with streams of water encircling them; in front a stretch of level plain, a pond, or lake. In the wider circuit, the space should be large enough for 10,000 horses, and the watercourse be sufficient to admit a dragon [large] boat... If the expanse be wide, children and grandchildren will multiply and be strong. From the top of the hill the view should extend for miles, with mountains and streams interspersed.\"16 Such vivid and precise description of the geographical features of Kam Tin by a fung-shui professor who never saw the place can only lead to the conclusion that the siting of Kam Tin was done piously in accordance with the geomancy canons. Moreover, \"the place where the flow out being low, with no hill or high embankment to obstruct the escape of good influences, a pagoda is erected to check these influences and throw them back over the land.”17 Indeed a fung-shui pagoda called Man Ch'eung Kok was erected near where I Tai College now stands in Shui-tau hamlet.* By the year 1850, \"the Tang family seemed to have reached the height of their prosperity. Many of them passed the highest government examination and a census taken that year showed that there were more than 1,800 males living...\"18 But the family experienced a decline in population and wealth after the pagoda was torn down and the course of the river was altered to accommodate three fish ponds and buildings of a school that blocked the view of the village.19 This mistake was remedied by repairing the banks of the river in 1930 and family membership was said to be on the increase again.\n\nFig. 2 in the original version of this article, published in Asian Architect and Builder, October 1979, which contains many other drawings and diagrams not reproduced here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208958, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 120, "title": "RAS-1980", "content_text": "88 \n\nDAVID LUNG \n\nThe westerly orientation of the village is shifted 90° from the standard south-facing position in order to adapt to the local currents of the cosmic breath formed by the azure dragon on the left, the white tiger on the right and the black tortoise on the back. The open field on the west stretching to the sea which lies beyond gives a sense of airiness and the Nan Tau Shan mountain range across from the bay keeps good influences from being washed away. Such an intricate step taken in the planning process indicates that the geomancy canons were not translated literally into a physical form, but rather the interpretation of the fundamental principles was fused with the deep understanding of the forces of nature and the micro-cosm of the local surroundings to make their aspirations and existence come true on a land which had existed before their occupation. As the commemorative tablet of Kat Hing Wai (1925) states, \"... our ancestor Fu-hip... consulted divination and settled in this village...\"20 \n\nTo authenticate the geomantic siting of each of the built forms, for example, a wai, an ancestral temple or a bridge, lies beyond the scope of this paper. It is not an impossible or improbable task per se, but rather it is a different discipline of study. The concern of a geomancer is the actual method of divination, a combination of understanding of a wide range of fung-shui classics and the use of the geomantic compass. In an over-simplified experiment, I have attempted to explore the physical and cosmic relationships of the four wais, Kat Hing, Wing Lung, Tai Hong and Kam Hing. (The last one is a ruin; its wall configuration is largely my own reconstruction based on the patterns formed by the other three.) As indicated in Fig. 5*\n the lines that are drawn to link up a corner tower of one wai with a second and a third tower of another wai, and as indicated in Fig. 6*\n the lines which join the mid-points of the walls in a similar fashion, are clear indications how the wais are related. These lines show quite explicitly a certain design pattern which is far more complex than the untrained human eye can conceive. Even though the location and orientation of these hamlets may seem arbitrary, the intensity of the hidden energy cannot help but force one to believe that the alignment and the orientation of the wais are too coincidental to have happened by chance. Although several historians assert that the walls were built 200 years later \n\n* References are to figures in the original version, not reproduced here. \n\nPage 120\nPage 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 213280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 102, "title": "RAS-1994", "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 215081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 177, "title": "RAS-2000", "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 } ]