[ { "id": 207244, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 12, "title": "RAS-1975", "content_text": "and 1860s. Like Hung Shing, its image is taken out in procession on the major festivals and placed in the seat of honour at opera performances given on the island and in neighbouring Aberdeen. Members also visited a soy sauce factory, a shipyard specialising in fishing boats and a fishing store. In November, Miss Werle arranged another visit, to a ceramics factory at Yuen Long, and to the single lineage village of Sam Tung Uk in Tsuen Wan, a joint excursion with the Hong Kong Ceramics Society. In January this year, I arranged a visit to the Sikh temple, with the kind cooperation of Mr. Pritham Singh, who is an active member of the temple. Sikh religion is a revisionist movement from within Hinduism, founded formally at the close of the seventeenth century as a reaction to what the Sikhs saw as the ritual and social excesses of orthodox Hinduism. There are some 2,000 Sikhs in Hong Kong. The occasion this time, we had a previous visit last year, was the birth anniversary of Guru Gobind Singh (1666-1708), the last Guru of the Sikhs. Members of the Society attended part of the religious service at which members of the congregation came up to the altar to sing sutras, give comments or make observations relating to their religion, or play musical instruments and sing. We were then invited to the vegetarian curry luncheon prepared and served by members of the congregation for the congregation. Finally, in March, we were invited by our Council member M. Geoffroy-Dechaume, the French Consul-General, to his house in Old Peak Road. This is one of the few surviving old houses on the Island. Built in 1895 by Messrs. Leigh and Orange, still one of the large architectural firms in the Colony, on a piece of land acquired by Sir Paul Chater, it was named Victoria Lodge and has been the home of successive French Consuls since the earliest part of this century. Tea was kindly provided by Madame Dechaume.\n\nFILMS\n\nMost of our film shows were arranged by Miss Werle and shared with members of the Hong Kong Arts Centre, with which Miss Werle is professionally associated. In May, we had an evening of Japanese films, one on Noh drama, one on Kabuki and one on Japanese print-making, all in English and supplied by courtesy of the Information and Cultural office of the Consulate-General of Japan. A highlight of our film programme was a film made by Mr. Hugh Gibb, an old friend and member of the Society, whose", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208400, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 124, "title": "RAS-1978", "content_text": "108\n\nFREDRIKKE S. SCOLLARD\n\nnative Ming dynasty while under barbarian Qing rule, close scrutiny reveals the presence of two men in European dress—a strange phenomena in a Song dynasty setting. According to the curator, this scene refers to an incident involving French aggression in the Fushan area. (Plate 19).\n\nA similar incident involving skirmishes between troops led by British Consul Harry Parkes and residents of Fushan led the Shiwan potters to create pottery urinals and pillows out of the likeness of Harry Parkes. Most of these were destroyed by British order, but in 1942 one was discovered and put on exhibition, attracting much attention.13 (Plate 20).\n\nWhile I was contemplating these earlier evidences of cross-cultural interaction in Shiwan, it seemed of great significance to the town members that I was the first foreigner to be driven around the entire town. This heightened my own sense of exploration. The town itself evidences stark contrast between modern construction and underdevelopment, panoramically revealed from the observation deck on top of the new five-story \"Pottery Capital Restaurant.\" To the northwest are seen a heavy concentration of pre-1949 red brick residential houses, some prominently displaying roofs with \"ears\" which used to indicate the residences of wealthier families. The background is dominated by shorter chimneys of the traditional \"dragon kilns\" (sloping tunnel kilns). To the southeast the contrast is striking, with new concrete residential buildings and factories under scaffolding, and the tall slender chimneys of modern continuous kilns crowding the sky. The people can clearly remember the layer of soot which previously covered the town and made houses difficult to clean, and appreciate the cleanliness of the new kilns. The town has had paved roads since 1958; to the northwest of the town a public park with an artificial lake is being built, and a new \"Pottery Capital Restaurant\" was opened in March of 1978 largely to meet the demands of increased numbers of tourists.\n\nInside the factories the differences in the rate of modernization are just as striking. While the daily utensil factories as a whole operate eight continuous kilns, Daily Utensil Factory No. III operates only four dragon kilns (one dating back to the Ming Dynasty became a protected monument in 1964). The Arts Factory, which hosts all the tourists visiting the town, includes two new and large modern buildings with a partially yellow-tiled roof. The Daily", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208401, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 125, "title": "RAS-1978", "content_text": "SHIIWAN POTTERY EXPLORED\n\n109\n\nUtensil Factory No. I makes use of many low buildings built just post-1949, as well as a few larger, more modern buildings, while in the grounds of Daily Utensil Factory No. III, the workers' residences consist of pre-1949 buildings in narrow alleyways. The new look of the town inspires optimism, while its old structures invite comparison with the past and are a constant reminder of its developing state.14\n\nJust as the town combines old and new, so the potters in the Fushan Shiwan Arts Pottery Factory combine a new work force with a preserved family tradition.\n\nIn 1952, two members from PLA \"propaganda units\" (i.e. publicity units), Zhuang Jia(4) and Zeng Liang(R), joined the newly established State-owned arts factory, under the tutelage of the two best-known artists in Shiwan at the time, Liu Quan(F*) for figure sculpture, and Ou Qian(§#) for animal sculpture. After 1958 there was a concerted policy of bringing in outsiders to build up the industry. Of the 21 designers in the design studio, seven came to Shiwan between 1961 and 1963 directly from specialized pottery training in technical or art schools. Four out of these seven have married spouses in the pottery business.\n\nAn examination of the designers' family trees, however, revealed the continuation of old family traditions and the beginning of new family traditions. Three old Shiwan families are represented in the design studio; two in the fourth generation (families of Liu Quan(#1), and Liao Hongbiao(A)), and one in the fifth generation (family of Liu Zemien(###), Plate 21). In addition, the sons of both former PLA members Zhuang Jia and Zeng Liang have joined the pottery industry, indicating that these new families are now thoroughly integrated into the industry and beginning new family traditions.\n\nFamily involvement appears to be characteristic of the industry as a whole. Of the 21 artists in the design studio there are three married couples, two brothers and three father and son teams. Seventeen of the 21 designers have family members in other aspects of the pottery industry at Shiwan.\n\nThese artists vigorously carry on the tradition of Shiwan ceramic art, continuing to sculpt historical and folklore figures in addition to personalities of contemporary society, both well-known ones", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208522, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 246, "title": "RAS-1978", "content_text": "The family of Liu Shengji (242) was originally from Xun De Xian (191).\n\nThree brothers established three shops in Shelvan:\n\n刘輝記 Liu Huijì\n\n刘注荣 Liu Zhurong (above: Liu Senji)\n\n刘螽記 Liu Zhongjì\n\nLiu Rylshang (above: Liu Shengji)\n\n1978: retired, still in Shelvan\n\nLiu Kuanji\n\nLis Shaqui\n\nLiu Zuocheo\n\nHad daughters only.\n\nHow they seldom con...\n\nLiu Yuan\n\n1949 came to Hong Kong. Had a younger sister only, to the studio.\n\n刘錦 Liu Jia\n\n刘伟 Liu Wei : Design (Chemical)\n\nLiz Bing Design Studio\n\nbla Lia Liu Sheng Hui Stu\n\nLlu Qing Hin Zhi feng 证\n\n刘伟堂 Liu Weitang\n\nCase to Hong Kong in 1949 with Liu Yuan works in arts factory\n\n划基权 Liu Jiquan\n\n刘国祥 Lie Guoxiang taschen in ceramic factory\n\n刘国龙 Liu Guolong, middle school. Makes miniatures in art factory.\n\nPlate 21. Liu family tree.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209686, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 343, "title": "RAS-1982", "content_text": "BOOK REVIEWS \n\n321\n\n\"25 years of revolution and we've nothing to show for it, neither merits nor faults, we've only muddled through our years.\n\nOur forty years' learning has been a complete waste; no good in either polite letters or martial arts, we've squandered away our time.\"\n\nAs far as I recollect, what was most regrettable in my life was having to spend the prime of my life toiling for nothing. Since my childhood I've had no other liking but studying. But in the prime of my life I was sent down to do manual labour or have my ideology remoulded not just once, but many times. It would indeed be hard to figure out how much time was wasted in these and other activities such as doing manual work in a factory or in a people's commune, carrying out the \"four clean-ups\" movement etc. For me the experience was not altogether unrewarding. For one thing, it widened my horizon; for another, I built up a good physique. We may make up some of the material resources lost; nevertheless, it is not likely that we can ever make up for the loss of time, the waste of effort and talent.\n\nThe main reason why my country is so backward today in national economy, technology and other aspects is the shabby treatment given to the intellectuals who were made the targets of \"transformation\" during the Cultural Revolution. They were made to go through a complete change, do manual labour and remould their ideology. Those who were experts in a special field of study were branded as \"reactionaries\". The present Chinese leadership has now wakened up to reality and has made it known that the country will not run cadre schools any more as they are an unnecessary drain on the country's manpower and financial resources. Some Chinese leaders have referred to the 'payment of tuition fees' and used it to defend the foolish things that they did. Their reasoning is that one must pay to learn and so one ought to pay 'tuition fees' for having learned a bitter lesson from one's wrongdoings.\n\nWhat have we got for the huge fees we've paid?\n\nThe Central Committee's \"resolutions on certain historical questions of the Party since the founding of China” has summed", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 211360, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 76, "title": "RAS-1988", "content_text": "Introducing a motion for the adoption of the recommendations of the sub-committee, Mr. Bowley stated that in the Peace Treaty then under discussion provisions were made for an International Labour Convention and for a League of Nations. In the proposals for both organizations the welfare of women and children were dealt with. Appended to the section of the Peace Treaty dealing with the Labour Convention was the affirmation of the principle of an eight hour working day and a forty-eight hour week.\n\nMr. Bowley reminded the Board that the matters being proposed were on the agenda of the Labour Convention which was to be held in Washington, D. C. in the United States in October 1919. These developments had a particular meaning for Hong Kong as a British outpost in the East, for if Hong Kong took action as a part of the British Empire it might influence “our neighbouring allies' China and Japan, both of whom were parties to the Treaty and who had accepted both the League of Nations and the Labour Convention.” He continued. “If Hong Kong, China and Japan are to be included in the comity of nations on equal terms, it behoves us and our neighbours to consider these questions very carefully”.\n\nHe contrasted the absence of factory legislation in Hong Kong with Britain where such legislation had been gradually developed and enforced over the past eighty years. One reason for the difference between the two places was that Hong Kong until only recently had not been much of a manufacturing centre, but now there were many new factories. \"The time has come\", he said, \"when some, at least, of most of the elementary principles of the Factory Acts should be introduced into the Colony”. The experience of England had been that factory legislation had to be related to provisions for education and it would be difficult to apply the same laws to Hong Kong if there was no movement at the same time toward compulsory education, but since the Sanitary Board had no jurisdiction over education, the committee had concluded that it was impossible to prohibit employment of children even of the tenderest age, for it was better for children to be occupied with light tasks with their parents than playing in the gutter. Moreover, the criminal law contained provisions for the punishment of parents or masters and mistresses who ill-treated or neglected their children or child servants. So until something was done about universal education, the present measures were as much", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211365, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 81, "title": "RAS-1988", "content_text": "57\n\nto the building sites, often staggering up the hillsides of the island under the weight of burdens which are far too heavy for their physical strength\". The editor tried to prick the consciences of his fellow countrymen. \"We are all apt, when pointing out the development and growth of Hong Kong to strangers, to indulge in petty platitudes concerning the evidence of British perseverance and skill to be found in the magnificent roads and the imposing houses on the higher levels. But do we ever stop to think that our Peak residences and the roads leading to them have been largely built by the sweated labour of women and children? It is a fact, none the less.\n\nWhat was needed, the editor wrote, was legislation that would deal with the whole problem. He was convinced that even worse conditions existed in some of the factories where children were employed, and he warned that eventually the colony was going to have to face the problem of compulsory, free education for all.\n\nThe editorial put the problem within the context of the \"white man's burden” and Imperial ideas. It reminded readers that only when the problem of child labour and universal education were seriously faced would expatriate residents \"be able to talk with more pride and justification both of Hong Kong's place in the Empire and of the object lesson which it provides China in the civilising influence of British ideals\".\n\nQuestion by Dr. Ozorio in Sanitary Board\n\n——\n\nMay 1920\n\nAt a meeting of the Sanitary Board in May 1920, Dr. F. Ozorio asked if the Government contemplated the creation of the post of Factory Inspector, and, if so, would the post be open to women.\n\nIn reply the Chairman stated that if by Factory Inspector he meant an inspector whose duties were to ensure the sanitary maintenance of factories, all inspectors of the Sanitary Department were already doing so. There was no plan to change them for women, but if vacancies occurred the matter would be kept in mind. If, however, Dr. Ozorio had meant Factory Inspector with duties as set forth in the British Factory Acts, the Chairman had been authorised to state that the question of the industrial employment of children was under the consideration of", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211926, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 341, "title": "RAS-1989", "content_text": "316\n\nG. Gwok-Yin jou\n\nA segment of the Ching Lok Tong worth mentioning is the Gwok-Yin jou, which has a small ancestral hall in Wing Lung Wai. It has ancestral tablets for Lam-Mau (one of the great grandsons of Fong in the 20th generation), two of his sons, neither of whom had had any descendants, and Gwok-Yin his third son (with a title of mou-leuk-ke-wai), and Lam-Mau's grandsons Chiu-Yip, Chiu-Yung, Gwan-Leung (also with a title of mou-leuk-ke-wai) and Gwan-Haak. Dang Ying-Yun, a grandson of Gwan-Leung, is represented by a horizontal inscribed board to congratulate his mou-geui-yan degree award in 1789. In all likelihood, the titles of Gwok-Yin and Gwan-Leung were conferred in consideration of the imperial degree of this descendant of theirs.\n\n13\n\nSung (1974:173-174) provides some information about Dang Ying-Yun. He wrote the calligraphy for many inscriptions, including those for the repair of the Jau and Wong Temple in 1824 and the rebuilding of the Ling-Wan Monastery in 1821. His involvement in public affairs was not limited to calligraphy. Sung recorded the oral tradition that he was instrumental in the construction of a fortress in the present Kowloon City and a county school in its capital town.\n\nH. Ji-Ga Tong\n\n14\n\nAccording to his descendants and other informants, Ji-Ga Tong prospered after the marriage of Dang Kyun-Hin (1755-1822), its founder. He was a member of the Fourth Branch, the descendants of Gyun, and was originally poor. He had worked when he was young for a Gwok-Yin jou person known as Haan sau-choi who had a peanut oil factory. His wife was a servant girl of the sau-choi's. The family prospered afterwards. The good fortune was partly attributed to the wife. The family was very large and wealthy. According to oral tradition recorded by Sung (1974:175-176), Dang Kyun-Hin \"had four sons and twenty-four grandsons and the number of his family and servants together are said to have totalled two hundred.” He built a hall called Sou-Lau Yun, better known to local villages as Ji-Ga Tong, which term is also used for the lineage segment consisting of his descendants. Chung-Shaan, one of his sons, built a hall called Cheung-Cheun Yun which had two side rooms, one for a school and one for martial arts. When he died, a banquet was held in Ji-Ga Tong for seven days. The guests included some people from Yuen Long and Pat Heung. The youngest of Kyun-Hin's sons, Yu-", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 214552, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 410, "title": "RAS-1998", "content_text": "379\n\nmeeting place where candidates from the two provinces could stay while attending imperial examinations. An opera hall was added in 1830 and it became a centre for Beijing opera masters including Mei Lanfang. The hall was restored in 1992 and the site also houses a small opera museum. We watched a very lively performance of excerpts from famous Beijing Operas, the highlight of which was the Monkey King in Journey to the West defeating a rapid succession of opponents through brilliant acrobatics and martial arts.\n\nOn Monday, our final day, we visited the former Legation Quarter, now called Dong Jiao Min Xiang. This quarter had long been the place where tributary visitors, such as Mongols, Tibetans and Vietnamese stayed, and during late Qing times became a virtual \"state within a state\".\n\nDr Ting guided us on a walk which began at St Michael's Church, in Taijichang Street (formerly known as Rue Marco Polo) and built by French Vincentians in 1901. Inside the church is simple and modest with some of its services still conducted in Latin. We went on past the sites of the Russian Embassy and the former British Embassy, as well as the present Beijing Municipal Government offices, the Supreme People's Court and the Beijing Public Security Bureau. There still exists one interesting road sign, Rue Hart, named after the famous founder of the Imperial Maritime Customs, Sir Robert Hart.\n\nOur visit to Beijing ended with a brief look at the antique market Liulichang (Glazed Tile Factory) an area named after a pottery which, in Ming times, produced tiles for the roofs of the Forbidden City. It had been famous for centuries for its old book shops, pictures, rubbings, jewellery, bronzes and porcelain and for some years now it has been revived as an antique market, (but one has to bargain very hard to get a good price).\n\nWe returned to Hong Kong on Easter Monday afternoon having visited a capital undergoing both revival and development, with room for both Matteo Ricci and Nina Ricci, for both the study of history and plans for a future based on past experience; and for both the tranquillity of the Fa Hai Temple and the boisterous artistry of the Monkey King. We look forward to further insights in Qingdao during Easter 1999.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]