[ { "id": 212562, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 116, "title": "RAS-1991", "content_text": "96\n\nThe interest of the Chinese in American culture was surprising. For example, between 1979 and 1986, 13 American plays were produced by Chinese theatres, including Arthur Miller's Death of a Salesman. The production of Death of a Salesman was not, in fact, an American event because all the people involved directly in the staging were Chinese, except for Arthur Miller who directed the play, and it was a production of the Beijing People's Art Theatre. Nonetheless, it was seen as a symbol of Sino-American affinity and cooperation. The opening night performance in Beijing was attended by the American ambassador to China, and David Rockefeller, Jr. In the Chinese press, the production of the play was hailed as \"the most significant cultural event in China since the Cultural Revolution\".38 This interest in American cultural events in China actually upgraded the intensity of American cultural presence.\n\nOn the other hand, the American involvement in China's arts education was massive and intensive. In 1985, for instance, the number of Americans teaching in Chinese arts institutions roughly equaled the total of artists from all other countries serving in similar capacities. In sum, the eight years between 1979 and 1986 saw an influx of American culture nurtured by as well as resulting from the disproportionate interest of the Chinese in the United States and its culture.\n\nAt the beginning of the process of diplomatic normalization and in the two years following it, China's external relations were almost monopolized by developing the American linkage. The much-publicized visit of Deng Xiaoping to the United States, the signing of dozens of agreements between the two governments, the massive arrival of Chinese students on American campuses, the exchanges of delegations, and the encouragement of non-governmental contacts by the governments and so on, all helped make the impression on the Chinese that the United States was the best in everything and the American linkage was the only relationship to be valued. In the first two years following normalization, an average of 100 Chinese delegations visited the United States monthly.\" Furthermore, the use of arts exchanges to consolidate the general relationship and to win U.S. economic and technological cooperation made arts exchanges a handmaiden of politics.\n\nIn specific terms, when a major American cultural event took place in China, it was praised all around for political reasons, while the necessary objective evaluations of the quality and the artists involved were rarely or sometimes never provided. The flaws in the BSO's", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212566, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 120, "title": "RAS-1991", "content_text": "100\n\n22 Shaw, p. 297\n\n23\n\nHu Qiaomu\n\n24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts\" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against \"spiritual pollution\n\n25 Rui Xingwen, \"Gaige shiqi de wenhua fazhan zhanlue wenti,\" (\"Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13.\n\n26 Kim. p. 122.\n\n27\n\nChou Wen-chung, \"The Center for US China Arts Exchange. Purpose,\" U.S.-China Arts Exchange Newsletter Spring 1980, p. 1\n\n28\n\nProgram Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1\n\n29\n\nIbid\n\n10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312\n\n30 Mo Fei, \"*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60.\n\n要 By \"non-governmental sector\" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the \"private sector\" as used in the United States. However, these organizations were different from government organizations\n\n33 Hu Qiaomu, p. 159.\n\n14\n\nGuan Li, Renmin ribao, 13 January 1980, p &\n\n8\n\nLi Rong, \"*Hanlıu dang bu zhu chuntian de jiaobu\" (\"Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10.\n\n36 Tang Manchen, \"A Talk on Ballet,\" Beijing Foreign Studies University, Beijing, 14 April 1987\n\n37\n\nRobert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980.\n\nP. I.\n\n38\n\nAs quoted in **Arthut Miller's 'Salesman Travels to Beijing,\" U.S.-China Arts exchange Newsletter, Summer 1984, p 1\n\n39 Shaw. p 115\n\nPage 1\n\n20Page 121", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 214519, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 377, "title": "RAS-1998", "content_text": "346\n\nBy the time dinnertime came, we had finished dinner. Let me explain. Dusk fell at about five o'clock, and the guide said that we were now going for dinner. Of course, there were howls of protest, but we were assured that this was perfectly normal. At least, we demanded, can we have a change from Chinese food. We all enjoy Chinese food and the quality had been consistently on the good side, but we craved a bit of variety. So we were treated to a Korean BBQ buffet, and it was absolutely excellent - masses of fresh meat, seafood, and vegetables and gas-fired hotpots to do your own cooking in. A real eye-opener and tummy-filler, but all was finished by about seven o'clock, leaving some of us in desperate need of a cream cake or two back in the hotel.\n\nPort Arthur\n\nOn the 40-odd mile journey to Port Arthur, we were treated by Philip Bruce to an introduction to fortress-building and sacking, just so that we could be prepared. However, I have to say that the visit to Port Arthur, or Lushun as it is now known, was the closest we came to a disappointment. We were all experts on the place from the time Captain Arthur first dropped his anchor there until the early part of this century, but none of us was prepared for the present day Lushun.\n\nTo be fair, the guide had told us that the whole place is still dominated by a naval base - but this time, of course, one operated by the People's Liberation Army. We tried to explain that we were not interested in any of the naval installations or hardware, but the old buildings that remained to be seen, and in particular the railway station. However, we were told that as we were foreigners, we could not even go into the town at all. Only half-jokingly, those of us that could produced our Permanent Hong Kong Identity Cards, demonstrating that we too were citizens of the People's Republic. But this did not impress the guides. It was suggested that it might be a case of us not looking all that Chinese that was the problem. The guide assured us that this was not the case - it was simply a matter of not wanting foreign nationals wandering over highly sensitive military facilities. However, when it was pointed out that four of our number did indeed look very Chinese (despite their Canadian, Malaysian, and other passports), the guides agreed that these four could indeed visit the town.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 } ]