[ { "id": 209604, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 261, "title": "RAS-1982", "content_text": "239\n\nThe Sailor Prince, of course, I mean; To welcome him, may he always be\n\nFound playing on the side of the Royal Navy.\n\nThe military groups were at times strengthened by the addition of actresses. Until the time when Hong Kong resident ladies appeared on the stage, the actresses were from visiting professional companies.\n\nActresses not only provided beauty but at times a necessary gentle touch. The 20th Regiment was performing the farce \"Turn Him Out\" in 1867, all was progressing well when suddenly one of the players became temperamental and refused to proceed. To soothe the anger of the audience, which was becoming boisterous, the guest actress, Miss Annie Hill, was prevailed upon to announce the suspension of the performance. While a male would have been greeted with hoots and catcalls, the gallantry of the audience gave Miss Hill hearty applause. Some felt, however, that the incident might be a serious threat to the reputation of all garrison performances.\n\nIn spite of such fears, the Band Company disregarded adverse publicity and presented themselves to the public. According to a report, there was in attendance \"a gay concourse of people, with many ladies and their friends\". At times rowdy behavior discouraged respectable patronage. At a performance at the Garrison Theatre in 1867 it was said that \"some behaved in a style savoring more of a 'penny show' than a respectable theatre, where ladies form a portion of the audience\". Performances put on and patronized by the military were more subject to the plague of rowdyism than those produced by the A.D.C. in the dignified setting of the Theatre Royal at City Hall.\n\nAnother hindrance to military performances was the ruling by the military authorities that no placards could be posted announcing productions. In retaliation, some pranksters put up posters over town announcing a forthcoming play by an officer's dramatic group, though no such production was ever intended.\n\nDespite such difficulties, Hong Kong has had a long history of performances by the Garrison.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210060, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 31, "title": "RAS-1984", "content_text": "10\n\nJULIAN PAS\n\nmust be important: at home she could go to the temple at any time of the day, any day of the month. The same oracles are available there, for Matsu's counseling is standardized with few variations. If a grandchild has an aching tooth, grandma will rush to the temple and ask Matsu whether the pain will soon pass or not. Today, however, is not an ordinary day: the occasion is solemn, the questions asked concern matters of great importance: a planned wedding engagement, difficult relationships in the family, matters of life and death. Therefore the correct stick must be ascertained. The woman's eyes look up at the large decorated image of the goddess; with confidence she throws up the blocks, and click, clack, they drop noisily on the floor. Both flat sides are up, the curved sides touching the floor tiles. The goddess is laughing. Perhaps the woman did not concentrate enough, but at least, Matsu is in a good mood. If the blocks fell both on the flat side, they would express the goddess's anger, and one would interpret it as rejection for one's insincere, impure motivation. The woman picks up the blocks, returns the bamboo stick, shakes the bundle again and repeats the whole process. Her face is more concentrated and shows more tension, even anxiety. After a short pause, she drops the blocks once more, and look: they fall in the correct, desired way: one flat side up, one down. It shows harmony, for if the blocks are held together their opposite sides match like the yin and the yang. The goddess has said that this slip expresses her true advice in this particular situation. The woman picks up the blocks, returns them to the altar table and then holding the selected bamboo stick requests the corresponding slip of paper from the temple attendants. Several of them have their desks along the side wall of the major hall: they receive donations, write out receipts, hand out oracle slips and protective talismans, and upon request, explain the meaning of the oracle, if the text is not clear enough by itself.\n\nLater, back in the touring car, I ask the woman about her oracle. She tells me she had consulted the oracle several times: some relatives had commissioned her with their own problems, but the very last one was her own. The result was not too encouraging: the slip she received was no. 16, one of rather gloomy forecast. The question addressed to Matsu was whether a proposed engagement between her son and a young girl from a neighbouring village would be advisable. From a merely human viewpoint, everything", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210556, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 163, "title": "RAS-1985", "content_text": "144\n\nLattimore (1942)\n\nOgilvie (1969)\n\nRel. & Rit.\n\nToynbee (1971)\n\nWolf (1974)\n\nWolf (1976)\n\nWolf and Huang (1980)\n\nYang (1945)\n\nJOHN KARL EVANS\n\nR. Lattimore, Themes in Greek and Latin Epitaphs (Urbana, Ill., 1942)\n\n= R.M. Ogilvie, The Romans and Their Gods in the Age of Augustus (London, 1969)\n\nA.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974)\n\n=\n\nJ.M.C. Toynbee, Death and Burial in the Roman World (London, 1971)\n\n=\n\nA.P. Wolf, “Gods, Ghosts and Ancestors”, in A.P. Wolf (ed.), Religion and Ritual in Chinese Society (Stanford, 1974), pp. 131-182\n\n=\n\nA.P. Wolf, \"Aspects of Ancestor Worship in Northern Taiwan\", in W.H. Newell (ed.), Ancestors (The Hague and Paris, 1976), pp. 339-364\n\n- A.P. Wolf and Chieh-shan Huang, Marriage and Adoption in China, 1845-1945 (Stanford, 1980)\n\n=\n\nM.C. Yang, A Chinese Village: Taitou, Shantung Province (New York, 1945)\n\nTranslations have been provided by the author for those passages quoted from the Greek and Latin.\n\n2 Cf. CIL 5.1813 (Gemona), where the formula has been shortened to N.F.N.S.N.C; Lattimore (1942), 84 n. 473 plausibly suggests that the second F has been carelessly omitted.\n\n3 The formula appears in slightly modified forms in such disparate communities as Lambaesis in Africa (CIL 8.3463 = ILS 8162), and Lactora in Aquitania (CIL 13.530 = ILS 8163).\n\n4 Epigr. Gr. 595 – IG Rom. 1.313. Cf. Epigr. Gr. 1117 (Bologna), and IG 14.2190 (Rome), where the translation of the Latin formula is still more precise. All of these despairing epitaphs are reminiscent of the teachings of Lucretius, and will remind students of Chinese philosophy of the views on life and death espoused by Wang Ch'ung (A.D. 27 - 97?). He also scoffed at the notion of consciousness after death: \"if we suppose that after death a man becomes a ghost, there would be a ghost on every road, and at every step. Should men appear as ghosts after death, then tens of thousands of ghosts ought to be seen. They would fill the halls, throng the courts, and block the streets and alleys, instead of the one or two which are occasionally met with.\" See A. Forke, Lun-Heng 1. Philosophical Essays of Wang Ch'ung, 2nd ed. rep. (New York, 1962), 193. It therefore follows that sacrifices are useless: \"ghosts and spirits are insensible of joy and anger. People may go on sacrificing to them for ever, or completely disregard and forget them, it makes no difference.\" (Forke 1.524). One Greek inscription, from Astypalaea, requests that food and drink not be brought to the grave, for \"corpses have no need for the things of the living:\" see J. Geffcken, Griechische Epigramma (Heidelberg, 1916), no. 209. Forke discusses the similarities between Wang Ch'ung and Lucretius at length (supra, 1.13-29); readers unfamiliar with Han philosophy will profit from the brief discussion of Wang Ch'ung in M. Loewe, Chinese Ideas of Life and Death: Faith, Myth and Reason in the Han Period (202 B.C. — A.D. 220) (London, 1982), 12-14, 35-36, 68-70, and 89-90.", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 211455, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 171, "title": "RAS-1988", "content_text": "147\n\naway from a Sunday evening service to watch some people playing dominos, even though I was too young to realize that they were gambling. This was the only time Father had ever whipped any of us, an indication of his extreme anger at me. He really did not approve of the corporal punishment that Mother administered on Ruth and me, and when Helen came along, he asked Mother not to spank Helen so much. He was never tempted to do anything against his sense of right and wrong. When a relative tried to involve him in opium, he would have none of it, even when his relative thought Father would succumb to the temptation once the drug was sent to him without his consent. When the 'goods' arrived at the pier and Father got the bill of lading, he refused to accept it so that it was returned to San Francisco.\n\nFather was always trying to advance himself and his family, educationally, not only with books but also with experience. I can still picture him before a kerosene lamp at the family table reading, practising calligraphy, or teaching Ruth before she was old enough to attend school. Ruth was quiet, studious and bright, and learned quickly. I was active, impulsive and spirited, somewhat of a clown at times, but not so bright as Ruth. On one occasion when I was no more than four, he tried to teach me addition in Chinese by memorizing 'one tangerine and two tangerines make three tangerines'. I consistently got it wrong, and in frustration Father rapped me on the head with his knuckle, at which I ended up in tears so that Mother had to come to the rescue.\n\nHe bought books and dictionaries for himself and children's books for us. I used to be fascinated with a book about birds where the bluejay acted as the policeman among them. I used to pour over repeatedly the illustrations in our huge Bible and in other books, letting my fantasies take over. He bought a large bookcase for these books, which included textbooks he and Ping Lim had used and the Chinese classics he had studied in China. I grew to love them and often used them as references. Mother, who had a tendency to throw away anything that reminded her of her deceased loved ones, unfortunately gave away most of these books while I was in Nebraska. It was lucky for me that she kept these Chinese books that included the classics which I had proudly used when I attended Chinese language school and which Father would explain to me if there was something I could not absorb at school. When Ruth graduated from the 8th grade, Father shed tears of joy. How much greater his joy would", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211636, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 51, "title": "RAS-1989", "content_text": "26\n\nthe destinies of mankind on behalf of the Jade Emperor.\n\nImages of four of his 36 ministers are to be seen with him on several altars. They are:\n\nHsu Chenjen (許眞人)\n\nSa Chenjen (薩眞人) both on his right hand, and\n\nChang Chenjen (張眞人)\n\nKo Chenjen (葛眞人) both on his left hand.\n\nTheir collective title is Hsu Lung Chang Ko Ssu Chenjen (許呂張葛四眞人).\n\nPopular versions of the deification of the Jade Emperor are no more than an echo of the stories related by tea house story tellers who, in turn, came by many of the stories from the Ming dynasty book containing a collection of myths describing the wars which ended in the fall of the Shang dynasty and its replacement by the victorious Chou, \"The Deification of the Gods' (Feng Shen Pang). The collection, also known as the Feng Shen Yen I, describes the appointment of the Jade Emperor by Chiang Tzu-ya, the Prime Minister of the Chou, in about 1180 BC. Chiang had appointed the majority of the heroes who had lost their lives in the wars to overthrow the Shang tyrant to fill vacancies in the bureaucracy of the spirit world with only one post left unfilled, that of the Supreme Deity, the Jade Emperor, which Chiang had been reserving for himself. When he was offered the post, with customary courtesy he paused and asked people to 'wait a second' (Teng lai) whilst he considered. However, having called out \"Teng lai', an opportunist, Chang Teng-lai, hearing his name, stepped forward, prostrated himself and thanked Chiang for creating him the Jade Emperor. Chiang Tzu-ya, stupefied, was unable to retract his words. However, in tense anger he quietly cursed Chang Teng-lai, ‘Your sons will become thieves and your daughters prostitutes!' Chang Teng-lai became the Jade Emperor but was unable to prevent the curse from working. The sons, in the Feng Shen Pang, planned to steal Buddha's lotus throne, but omniscient Buddha trapped them with his fingers and enslaved them under a pagoda. Despite this human origin, and his apparent lack of qualifications for the post of Supreme Deity in the pantheon, he is above all other spirits in the Taoist and folk religion pantheon and is a distant deity to whom all others must pay their respect.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211891, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 306, "title": "RAS-1989", "content_text": "281\n\ninhabitants of the tropics which I encountered.\n\nAs the moon rose the scene was grand beyond description, and the sailors' voices as they pulled the ropes echoed far and wide among the forest covered hills in the distance, and far away over the calm clear water, which reflected the moon's rays. The splendour of the moonlight and stars is far beyond what is ever seen in England.\n\nOn the following afternoon we began to move a little, and I made several drawings of the land as we went past. Never did I see such a fertile island as Java, even at the distance. Its lofty hills were partly hidden by clouds, yet where they could be seen they were covered with trees up to their very summits.\n\nOn the next day we were fairly in the Strait of Sunda, and could easily see Java on the right and Sumatra on the left. One peak in Sumatra called Krakatoa was in sight for a day or two. It was dreary work to sit on deck under the awning all day long, and see how slowly we moved. About noon the sea breeze blew toward the shore, and at five in the evening the land breeze blows from the island. No one who has not experienced the land breeze, after a hot day, can imagine how cool and refreshing it is, and it has such a delightful perfume which it brings with it from the land, that you seem in the midst of a blooming flower garden. In the early morning it is just about the same.\n\nAt last we sighted Anjer Hill in the evening, and in the morning I rose at four o'clock to see the village as we passed it, which however we did not do till nearly noon. The sun rose behind the hills, and was the grandest sight I ever saw,\n\nAbout eight o'clock the steward came and told me a boat was alongside, so I went on deck to see it. It came off from the observatory and lighthouse on shore, which we saw very plainly, and the headman had a paper for the ship to fill up. There were plenty of fruit and provisions which the man brought on his own account. He and his crew were Javanese, and their appearance was not more prepossessing than their language, which is a strange conglomeration of harsh sounds as they speak it. They were all but naked. Every rag that one of them had on was hardly so large as a pocket handkerchief. Only fancy a fellow to come stalking on board in such a condition. The captain's wife instead of acting with modesty in such a case, was one of the foremost to go", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211948, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 363, "title": "RAS-1989", "content_text": "338\n\ntwo less common gods.\n\nThe villagers have very little to say about the gods per se. They have more to say about who is responsible for worshipping which god. For example, when I asked who Ngau-Wong was, the response was \"Ngau-Wong is Ngau-Wong\", and I could not get any further than that. But the informants have very interesting things to say about who worshipped the god. The Ngau-Wong of Naam-Bin was worshipped by an association known as Ngau-Wong Wui. The Wui was started by a group of cowherds who spent their time on the same hilltop during their work. They gambled using coins. They decided that each time a person won he would give a portion of the money to a fund. This money accumulated and with it farm land was bought to endow the association so that descendants of the members would get their share of pork in the annual celebration. The place is an ordinary stone on the hill top, which they did not worship until the association was started.\" There is another Ngau-Wong near Shui Mei, whose responsibility it is to worship the god. Before each jiu festival the ritual representatives of Shui Mei will fetch the god from his place on the top of a hill, and walk him back afterwards. The only story about the god a knowledgeable elder could tell me is that, in a previous jiu celebration, the person responsible for walking the god home neglected his duty. Without reaching the hilltop he went home. He got sick soon afterwards, and as if in possession revealed the anger of the god. Probably the most important thing about any god is its place in the social framework.\n\n45\n\nNeither Juk-Yun Nunnery nor San-Sin Fu, the two nunneries within Kam Tin, exists any more. Still extant is Miu-Gok Yun, which was built by the [Dang] Tung Fuk Tong. The tong was a charitable association which collected unburied human bones and buried them in a charity tomb (yi chung). \"It was started to collect gam-taap bones that were not worshipped by anybody. Some of those containers would have been broken, and animals might eat them\". The Tong also cares for the Temple for Dei-Jong Wong, whose role, similar to that of Daai-Si Wong in the Offering to Ghosts ritual in the jiu ritual, is to watch over the ghosts. The date and the circumstances in which the Tung Fuk Tong started is no longer remembered. There were Dangs who had shares in the association. They contributed towards buying some landed property as endowment to the Dei-Jong temple. The nunnery with an altar for the Buddha was built in 1936, before which time there were already some monks and nuns resident at the temple. They did not rebuild the temple", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 213280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 102, "title": "RAS-1994", "content_text": "82\n\nThe site of the flat in the case study is not perfect. The hills could surround the home, at the sides, more, thus providing a better 'armchair effect'. The shapes of hills and features on hills, similar to boulders such as Sha Tin's Amah Rock, frequently form the backdrop for wayside shrines. This rock did not ask, some rustics will tell you, to be eroded into the shape of a woman with a baby on her back, and the wind and the rain did not want to sculpt them, it is something that just happened. Such features display the power of nature and the majesty of the cultural landscape. Like the Australian aboriginals, boulders or other objects in Hong Kong can take the forms of beasts, real or imaginary. This is especially so for the Hakka Chinese. There is some resemblance between aspects of Chinese folklore and its Gaelic counterparts. The latter has its mischievous leprechauns.\n\nBut whether it be a Chinese village hovel or a palace, the ideals to aim for are similar. With the basic grammar of an ideal site, with us 'armchair of slopes' and 'ring of sunny hills', the spur on the right is known as the 'Azure (green in Cantonese) Dragon'. That on the left is described as the 'White Tiger'. More of an armchair effect would give the building in our case study better protection against calamities. Like typhoons for instance, which rampage in from the south-east.\n\nIn the case of a mountain, which should be tranquil but can also signify 'authority and vigour, it may 'overpower' the natural environment. A 'killer breath' (shaar hei), as mentioned earlier, with harmful currents that travel in straight lines, may develop. There, the chi is violent. In some instances these forces can be deflected by screens, fences, water, fountains, mirrors or lucky charms. An eight-sided Baat Kwa, with Trigrams in the centre, may be used. A small, hand-held 'windmill' can be employed to disperse strong chi. With such remedial measures an unfavourable site may later be classified as favourable.\n\nNevertheless, because of inauspicious circumstances and the anger of the gods, a slope or cliff consisting of partly decomposed rock may turn to mud during a storm. Thus a hill may not provide the intended security to a building. 'Feels as if the mountain top is always watching you,' is how some villagers explain it. To overcome such 'negative influences', trees can be planted to form a 'curtain' in an effort to 'mask' the ridge (Ajmer, 1968:75). But, during the Japanese Occupation in World War II, such trees were sometimes felled because of a fuel shortage.", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 } ]