[ { "id": 204485, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 117, "title": "RAS-1962", "content_text": "106\n\nBRONZE\n\nELSPETH MANEELY\n\nThe bronze, though small in amount, was an interesting and exciting discovery. Fr. Finn at his Lamma sites, and Schofield and Andersson at Shek Pik also found bronze associated with pottery and stone of similar workmanship to the Man Kok Tsui material. The Man Kok Tsui bronze: two pieces of a lanceolate knife, and a fine patinated fishhook, were found in the vegetable fields of the central valley. In considering the age of the site the presence of these three pieces of bronze is important despite the fact that they must be regarded as surface finds.\n\nSTONE:\n\nThe stone artifacts found at Man Kok Tsui consisted of grinding, hammering and polishing tools of local granite and sandstone; polished adzes, knife edges, roughly chipped discs, polished discs and rings. The most interesting of these were perhaps the adzes and the rings, showing as they did the advanced nature of the stone industry achieved by these Neolithic people. The adzes were of most of the types found in South East Asia, including some rectangular in cross-section, a type Fr. Maglioni has linked with his Late Stone Age PAT culture. The rings varied in size and shape, and mostly were of quartz or black dolorite. Some were very finely finished, one particularly fine slotted quartz ring varied in section thickness by only 0.004 of an inch.\n\nPOTTERY:\n\nTwo varieties or qualities of Neolithic pottery were encountered at Man Kok Tsui; a hard resilient stoneware, grey or buff in colour often with a purple tinge and frequently speckled through and through with blackish spots; and a soft, coarse, friable sand-mixed ware. No complete soft pots were found but, judging from pieces of lip and concentrations of sherds found, some of these pots must have been large. Man Kok Tsui yielded eleven whole, nearly whole, or reconstructable hard pots. Some of these looked as if they had been finished on a turn-table and some seemed entirely hand-made. The two largest hard pots, one eighteen and the other sixteen inches high, appeared to have traces of glaze. The shapes of the pots corresponded to those described by Finn, Shellshear, Schofield and Heanley from other sites in Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204910, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 18, "title": "RAS-1965", "content_text": "ARCHAEOLOGICAL DISCOVERY\n\n13\n\nof conventionalized T'ao T'ieh is also highly prized. There are also fine specimens of both glazed and unglazed pottery decorated with the \"Double-F\" pattern, a design thought to be unique in the Hong Kong area and not so far found elsewhere, even around Canton. The design was quite new to such an eminent authority as Professor Paul Pelliot. Much study and conjecture was given to this design by Father Finn (7).\n\nApart from exhibits of Lamma archaeology at the British Museum and locally at the City Hall and the Fung Ping Shan Museum there are other smaller ones held in Ricci Hall (a University Hostel) and the University Team Working Centre. Further away there are collections in Honolulu at the Bishop Museum and at Harvard University. There are without doubt also many other good private collections that have not been recorded,\n\nFollowing the historical sequence of discovery in and around Hong Kong come the Hoifong sites located about eighty miles away in northeast Kwangtung. All these sites are fairly close to the indented coastline and near well-established ports such as Swabue.\n\nIt was a student in the Jesuit Seminary at Aberdeen (Hong Kong Island) who first reported the presence of remains in Hoifong that were similar to those in the Seminary collection. He brought several pieces to Father Finn who was soon convinced that he should visit the area for an on-the-spot examination. This he did in 1934 and very quickly established the fact that there were many rich sites with remains probably the same in age and culture as those in Hong Kong, especially Lamma.\n\nFather Maglioni, an Italian priest in the Pontifical Institute of the Milan Foreign Mission accompanied Father Finn on much of his fieldwork, especially around Swabue where he was stationed in a Catholic Mission. During this time he learned much from Father Finn and when Father Finn died it was natural that he should continue collecting and studying the remains.\n\nFather Maglioni modestly proclaimed himself as being strictly an amateur archaeologist without any scientific training. However, while this amateur status was correct, when he took over", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 204914, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 22, "title": "RAS-1965", "content_text": "ARCHAEOLOGICAL DISCOVERY\n\n17\n\nLocal legend and history had it that there was another rock carving in the valley. A search on the west side of the valley was unrewarding and it was assumed that if it originally was there it had been obliterated by weathering and erosion. During Christmas 1962 the spur in the middle of the valley, at about 400 feet, was explored. On a prominent rock the second carving was found.\n\nIn 1961 the Team's attention was called to rings of large stone boulders on hill spurs at Tai Po (above the Chinese University) and at Lo Ah Tsai, Lamma Island (1).\n\nThese new discoveries offer a new field of archaeological research. With the aid of air photography other such remains will almost certainly be found. While the largest stones in the rings cannot compare in size with those at Stonehenge on Salisbury Plain, England, they might very well be established as prehistoric stone circles comparable in age.\n\nMuch has been written on our archaeology over the last fifty years, and for the convenience of those interested in the subject, a fairly complete bibliography is added to this note. It will also help to refute that loosely used phrase that \"Hong Kong is a cultural wilderness”.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205051, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 7, "title": "RAS-1966", "content_text": "# PRESIDENT'S REPORT\n\n1965\n\nLast year, 1965, the sixth since the regeneration of the Society, was markedly successful. The membership, which was 160 at the close of the first year, passed the 400 mark. It reached a total of 439 — 388 ordinary and 51 life members. In a community like Hongkong where so many come and go so frequently it is natural that we should lose a number of members each year. Our gains, however, have each year exceeded our losses, and the Society continues to grow. Last year we lost 61 members. Of these some resigned on leaving the Colony, but 37 failed to pay their subscriptions after the extended period of grace and ceased to be members. On the other hand we gained 89 new members of whom 3 were life members. One of the three new life members, I am very sad to relate, died last week — Colonel Dowbiggin who had become a life member, and a very keen one, at the age of 81. I regret also to record the death of another life member Dr. T. Y. Li — who in 1962 gave an address on Chinese Seals which was printed in the Journal for that year. He died in September last year shortly after he had been announced to deliver an address on \"Bamboo and its Relation to Chinese Culture\". We deeply feel the loss of these good friends and loyal supporters.\n\nThe lectures continued to be well attended and of a high standard. All except two were given by local members. The list comprises:\n\nJanuary 11\n\nMajor J. R. L. Caunter\n\n“Birds of Hong Kong”\n\nFebruary 15\n\nDr. S. G. Davis\n\n“Archaeological Discovery In and Around Hong Kong”\n\nMarch 1\n\nApril 12\n\nMr. H. D. R. Baker\n\n“The Five Great Clans of the New Territories”\n\n++\n\nDr. Patricia Marshall\n\n“Mammals of Hong Kong”", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 206655, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 203, "title": "RAS-1972", "content_text": "NOTES AND QUERIES\n\n197\n\nand his three small survey ships have given their names respectively to Sulphur Channel, Starling Inlet and Plover Cove.\n\nJ. R. JONES.\n\nCHINA'S EARLIEST PRINTING A NOTE\n\nLLL\n\nIn Volume 7 (1967) of this Journal I published a brief note entitled \"Printing, a new discovery.\" This told of a find in a stone stupa, standing in the courtyard of a temple called Pulguk-sa, in Korea, erected in 751, of a printed Buddhist sutra. The find was hailed by the Korean archaeologists as perhaps the oldest example of printing known, although the exact date of the printing still remains a mystery.\n\nRecently I have learned that the Chinese discovered another piece of printing as far back as 1944. (Somehow, perhaps because of the war, news of this had escaped my attention.) Known in Chinese as T'o-lo-ni ching chou (dharani sutra charm), it was unearthed in a T'ang dynasty grave site in Chengtu, Szechwan, inside the silver bracelet of a young woman. As Professor Max Loehr has written, it \"is a charm printed on a single sheet showing a six-armed Bodhisattva figure in the center of concentrically laid out Sanscrit words written in Lantsa letters.\" This is surprising, but not unreasonable. In the last half of the Tang, Chengtu happens to have developed into perhaps the chief center of printing, and, as everyone knows, by the middle of the eighth century Chinese civilization had reached one of its heights. It was the age of Li Po and Tu Fu, Wu Tao-hsüan and Wang Wei, and Buddhism was at the summit of its influence. With the demand for reduplication in every circle - Confucian, Buddhist, and Taoist - and with all the tools and techniques at hand, the printing of a highly popular charm seems natural. So it came about that there have come to light charms, printed within a few years of each other, in Korea (751?), China (757), and Japan (764-770).\n\nBibliography:\n\nChung-kuo pan-k'o lü-lu, compiled by the Peking Library (Peking 1961), pl. 1, text Vol. I, p. 7;", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 207914, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 302, "title": "RAS-1976", "content_text": "NOTES AND QUERIES\n\n287\n\nof incorruptness. The last name of Ho Chung's studio was T’ing-yü-hsien, that is, a pavilion for listening to the rain. The melancholy atmosphere of a rainy day, from the point-of-view of Chinese literary life, has been a special but poetic mood favoured by poets of Sung China in the 13th century. Transferring this sad feeling of listening to the rain as one of Ho Chung's studio names showed that this late 19th century Kwangtung artist certainly shared the Sung poets' feeling of melancholy.\n\nWith regard to Ho Chung's biography, due to the lack of information his life as an artist is not completely clear, although according to an art history written in 1927 and devoted to Chinese artists in Kwangtung, Ho Chung was over seventy years old when he died. Based on this clue, the chronology of this artist can be ascertained in general. There are 34 pictures all by Ho Chung in the Luis de Camoes Museum in Macau. Among them, a circular fan painting has been inscribed by the artist with the date Keng-tze ✯; a year corresponding to the 26th year in the Kwang-shü * era during the Ch'ing Dynasty, which in turn corresponds to the year 1900. This is a very helpful discovery, since if Ho Chung died around 1900 at the age of seventy-five, he might have been born around 1825. At any rate, Ho Chung must have been an artist chiefly active in the second half of the 19th century and presumably his late years touched at least the first one or two years of the 20th century.\n\nFrom the 17th to the 19th centuries, Chinese painting in Kwangtung certainly developed into a more fruitful stage than in the preceding centuries. Nevertheless, the artistic quality of these Kwangtung paintings was not only less significant than those of the Chiang-nan area, the centre of Chinese painting of that time\n\n- but also can hardly be compared with the standard of her neighbouring province, Fukien. For this reason, within these three centuries, artists who were not natives of Kwangtung and were also not first class artists of the Chiang-nan area, but whenever and wherever settled in Kwangtung, were always regarded by Kwangtung art historians as Kwangtung artists. For instance, Wang Hou-lai, a native of An-hui province settled at Pan-yü during the 18th century, was treated as a representative artist for Kwangtung landscape painting. Similarly, Sung Kwang-pao and Meng Chin-i, two artists of the Kiangsu province, lived in Kwang-", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208340, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 64, "title": "RAS-1978", "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208493, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 217, "title": "RAS-1978", "content_text": "NOTES AND QUERIES \n\n201 \n\nCHANG'S descendants did not know his name, and so he was simply called by them Millionaire CHANG (...). When the writer first saw the images of CHANG and his family they were covered with dust and cobwebs. There was also a wooden carving of an award from the Emperor of that time. CHANG'S images in the bedroom, and parts of the other images, reflect the mood prevailing at that time. CHANG'S image in particular depicts him as a contemplative but determined old man.\n\nHis image depicts him seated, his forehead is high and long, his face too is longish; he has a slightly protruding jaw and thick lips which appear to be smiling. His head is inclined slightly to the left; his shoulders are level and his arms lowered with his left hand on the arm rest of the chair while his right hand rests on his lap. He wears the everyday robes of the man in the street, and despite the age of the image the carving is still well defined.\n\nThere was also an image of a female, probably his daughter-in-law, and another of a younger man dressed in official robes, perhaps CHANG'S son. Both these latter two have been carved by the same craftsman and probably at the same time. However, the image of CHANG is older. All in all, the three are rare works of art.\n\nThere are no descendants left of the CHANG family in the old house, and the images are worshipped by people in the neighbourhood. The writer found a woman of about 30 who claimed that she was one of CHANG'S descendants but she knew nothing about the legendary figure. Whether she was or not, the images are of great significance in Taiwanese folk art.\n\nA large number of people on the Pescadores 300 years ago were of Fukienese origin and whilst we do not know the ethnic origins of CHANG Pai-wan, it is probable that he was either of Fukienese or Ch'ao-chow origins.\n\nIn addition to the discovery of these 300 year old ancestral images, I have also seen a couple, husband and wife, carved in wood, seated on the front of the ancestral shelves in the Hall of Remembrance at the side of the Cheng Hoon Teng Temple in Malacca (See Plate 23). There is no identifying detail and the temple keeper was unable to say who they were.\n\nThe man, sitting together with and on the right of the woman on a high-backed bench with sides, is dressed in blue robes bearing", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 210387, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 358, "title": "RAS-1984", "content_text": "337\n\nperiod — which lasted from the bronze age Dongson period of the third century B.C. to the end of the T'ang dominance in the early tenth century A.D. He has divided this long period into six distinct phases, constructing the main characteristics of each one as the centre-piece of a chapter.\n\nThe first (Chapter 1, \"Lac Lords\") covers the emergence of organized society in the plains of the Hong and Ma rivers (near present Hanoi) under feudal lords. Sources for this bronze age period are largely archeological and linguistic, with a heavy reliance upon the interpretation of myths and legends.\n\nThe second chapter or phase (\"The Han-Viet era”) charts the invasion of Chinese forces and particularly the southern expedition of Ma Yuan, the great Han general, and the emergence of a mixed Sino-Viet ruling class.\n\nThe third phase (Chapter 3, \"Regionalism and the six dynasties\") covers the consolidation of Chinese political and cultural domination.\n\nChapter 4, \"Local rule in the sixth century\" is the fourth phase, which Taylor calls a \"time of self-discovery” for the Vietnamese. It was a time when Chinese control weakened slightly before the consolidation of Sui-T'ang control of the south. And in this weakening the Vietnamese, according to Taylor, began looking to their pre-Chinese roots.\n\nThe Sui-T'ang period of rule is covered in Chapter 5, \"The protectorate of An-nam\". In this phase he chronicles the \"intensity\" of pressure upon Vietnam to conform to the Chinese model of civilized society, as well as the growing resistance to Chinese domination. That resistance bore success of sorts when in the tenth century the T'ang dynasty collapsed and Vietnamese rebellions succeeded in throwing off direct Chinese rule. This is Taylor's Chapter 6, \"The T'ang-Viet confrontation\", and Chapter 7, \"Independence\".\n\nWhile critical of Chinese and French historians as treating the Vietnamese past as a “branch of Chinese history\" Taylor uses", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210565, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1985", "page_number": 172, "title": "RAS-1985", "content_text": "153\n\n1983, the others are alive and well in Philadelphia. Helen is the mother of Harry V. Ryder Jr., whose foray into the attic had led to the discovery of these letters from Edith Rowe.\n\nNothing is known about the Rowe family. Since they were able to send their daughter to a private school that involved payment of fees, the parents must have been at least comfortable. In her letters to Louese, Edith had not mentioned any brother or sister, but it was clear that she had carried on a regular correspondence with her mother. Edith's mother had enjoyed seeing the drawings that were scattered throughout her daughter's letters, much like travellers today sending home photographs they took.\n\nExplaining the reason for sending Louese the drawings, Edith wrote,\n\nIn lieu of a camera I tried to make these (drawings) pretty often in Mother's letters. They are very roughly done but they amuse Mother and so I venture to inflict them on my friends once in a while.*\n\n5\n\nVery little is known about Edith herself, except what can be gleaned from her letters. She had a teacher referred to in these letters as Miss Amy, and friends one of whom was named Florence. The fact that Edith had arrived in China in 1902 has been established by scanning missionary records. Louese was thirty-seven in 1909, therefore must have been born in or around 1872. As her classmate and contemporary, Edith must have been about the same age. This means that in 1902 Edith would be thirty. Being thirty and unmarried at that time probably had influenced her decision to become a missionary in China.\n\nAmerican women of Edith's educational and social background in 1900 were following the same kind of spirit of service that had led Jane Addams a decade or so earlier to found Hull House, a settlement house in the slums of Chicago. Whereas women at home were also championing such radical causes as the right to vote and abolition of alcoholic drinking, the more conservative ones, like Edith Rowe, were going abroad as", "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x", "rank": 0 }, { "id": 212131, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 73, "title": "RAS-1990", "content_text": "50\n\nus to re-date two Nestorian manuscripts discovered in Tun-huang in 1980, and suggests contexts for their composition. Best of all, it throws valuable light on one of the most appealing Nestorian missionaries of the T'ang period, Adam, archbishop of China and composer of the celebrated Sian tablet inscription. As will become clear, Adam possessed an extraordinary talent for the art of public relations.\n\nThe 'Syrian Brilliant Teaching'\n\nThe main source for the Nestorians in Tang China is the Sian tablet.* The tablet, discovered in 1625, was originally set up in 781 by the elders of the Nestorian church on the premises of a Nestorian monastery in the city, then China's capital. It was probably buried by Sian's Christian community during a period of persecution or unrest to save it from destruction, but we do not know when: possibly as early as 845, possibly as late as the 980s. Christians in Yüan China knew nothing of it, and appear to have believed that they were the first to bring the Gospel to China, so we can safely conclude that when Marco Polo arrived in China in 1279 the Sian tablet had been long underground. Its discovery in 1625 caused a sensation, both in China and Europe. In China, Christianity enjoyed a short wave of popularity, and the Jesuit missionaries found that for a few years they were making converts in far larger numbers than previously. In Europe, the discovery stimulated scholarly interest in the history of the separated eastern churches. Forays were made into the Middle East in the early eighteenth century by antiquarians in search of old texts. These expeditions came none too soon, and it is in large measure due to the efforts of the scholars of the Age of Enlightenment that the history of the Nestorian church has been preserved in more than its mere outlines.\n\nThe Sian tablet carries a long inscription in Chinese, supplemented by a few sentences in Syriac, and we learn from it that the monastery in which it stood had been founded in 638, on the orders of T'ai-tsung, the second emperor of the T'ang dynasty, in response to a petition from a Nestorian monk named Reuben.2 It is implied, though nowhere explicitly stated, that this monastery was the first Christian foundation in China. The inscription, apparently aimed at satisfying the curiosity of visitors to the monastery, includes a brief sketch of\n\n* See Plate 1", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213153, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1993", "page_number": 221, "title": "RAS-1993", "content_text": "203\n\nREFLEXIVITY IN RESEARCH\n\nAND A QUESTION OF CULTURE\n\nMARY PANG\n\n[This paper is a personal account of an exploration into cultural identity and self-awareness resulting from the process of doing research. For her doctoral degree Dr. Pang examined the occupational choices of young Chinese adults in Britain. What was distinctive about this was the fact that while most studies of the Chinese community in Britain have been conducted by non-Chinese researchers, Dr. Pang shared many common characteristics with the subjects of her investigation, including ethnicity, background and age. This presentation focuses on the issues of how the researcher's \"insider knowledge\" influenced the research; and conversely, how the research in turn impacted on the researcher's self-perception and views about her environment.]\n\nThis paper examines my experiences of doing research for a PhD. My doctoral thesis entitled 'Catering to employment needs: the occupations of young Chinese adults in Britain' (Pang, 1993) was an investigation into the occupational choices of young Chinese adults in Britain. The purpose of the research was to locate the position of 16 to 30 year old Chinese in the British labour market, and to determine why these Chinese youth took up the jobs that they did.\n\nFrederick Steier suggested that 'we understand and become aware of our own research activities as telling a story about ourselves' (1991:3) This statement seemed particularly apt in my case, for a complex two-way exchange process occurred in this research whereby I used my \"insider\" knowledge to form decisions regarding the research design; while the research in turn impacted upon my own self-perception and views about my environment.\n\nThere are two main themes which will be discussed in this paper:\n\nOne is the methodological considerations which looks at how my close identification with the subject influenced the nature of the project, and\n\nThe second deals with the process of self-discovery and exploration of my own identity during this period of study,", "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302", "rank": 0 }, { "id": 213875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 227, "title": "RAS-1996", "content_text": "201\n\n\"official-supervision merchant-management\" (A). The formula went like this: the reform-minded officials provided the political patronage - they bargained with Beijing for charter, franchise, monopoly or tax concessions for the enterprises, and the merchants provided the capital and management. Concerning merchants' ability to raise capital, their credibility came not from the enterprises they set up, but from their own reputations, as well as from the political patronage which they managed to establish. Some of the most famous of these merchants in the western affairs movement were such Hong Kong compradors as the Tang Jingxing (Tang King-sing) brothers.\n\nThis kind of business environment made China unique when compared to Europe. Historically, the political fragmentation of Europe, and the frequent wars it led to, had forced the kings and the princes to be bound by their commercial commitments - one refusal to repay their debts meant that the princes would find tremendous difficulty in raising funds for the next war. In China, on the contrary, the Emperor needed not to (and actually had not) surrendered his right to interfere into the market; the government was not bound by legislation it made. Several incidents which occurred in the fifteenth century help to illustrate these divergences. Firstly, while the Ming Emperor abolished the national debt (in the form of salt certificates) overnight in 1667, the King of England was forced to grant his debtors a charter for the formation of a national bank (the Bank of England). Secondly, while the four Atlantic states (Spain, Portugal, France, England) were competing for overseas expansion and experiencing the “Age of Discovery”, the Chinese Emperor issued an edict to stop all his subjects from going overseas in 1667, just three years after the famous Zhenghe fleets (Tr Admiral) arrived at Malaya. Business endeavours in Europe were first protected by privileges granted by the Kings (in the forms of charter or monopoly) as in the case of the East India Company. This practice was later developed into a kind of rights guaranteed by legislation (company laws). In China, with the prohibition of sea-going, overseas trades were restricted in the forms of tribute, smuggling and piracy. No legislations were developed in China to guarantee and to protect commercial endeavors. An easy alternative for the Chinese merchants, therefore, was to rely on personal networks. On this, China and Europe went their separate ways. While the feudal society in Medieval Europe based on the ties of allegiance to a local land-owning aristocracy for protection, in China, authority was nominally resided in the central", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213898, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 250, "title": "RAS-1996", "content_text": "224\n\nMy doubts about the purely utilitarian nature of hou fu stones were reinforced at the Diamond Hill cemetery. Space at this burial ground is at a premium and plots are often so tiny that stones, where they exist, are jammed together at the back of graves, which relegates them to the role of token boundary markers. Given the overcrowding at Diamond Hill, the discovery of a tomb which by virtue of its size and age had little in common with its neighbours was unexpected. The tomb belonged to the Liang family and was probably built at a time when graves were not yet piled up on top of each other. Not only was the Liang plot a good deal larger than that of the surrounding graves, but the family had clearly tried to ensure that it would always remain so. Set into the ground was a plaque which announced \"Domain of the Liang [family's] funeral abode\". (Liangzhai shanjie). More unusual still was a stone in front of the tomb which bore the words \"quantu\" or \"front of the grave\". What is relevant in this connection is that one expects to see such a stone in front of other graves, since it is both the logical counterpart of hou tu and a confirmation of its marker function, but that is not the case. For reasons that will become apparent below, the stone is unique.\n\nBut the tomb's most remarkable feature was located at the back of the grave. Here a small-scale replica of the main tomb, adorned with the usual inscription (Liangshan Houtu), had been erected. In view of the special nature of the Liang tomb, it was reasonable to assume that the structure represented a shrine to Houtu.\n\nBy installing a plaque, a quantu stone and a shrine, the Liang had attempted to reproduce, above ground, a funerary document called diquan. This was a land contract, written on a durable surface (clay, stone or jade) which included a plot's exact measurements. As of the first century BC, diquan were interred with the deceased to attest his or her ownership of the land in which s/he was buried. According to A. Seidel:\n\n\"From the third century on, the religious character [of the contracts] becomes more pronounced; supernatural beings start to appear as sellers of the land or as witnesses.\n\n(A. Seidel, \"Traces of Han Religion in Funeral Texts found in Tombs\" in Dokyo to shukyo bunka, ed. by Akizuki Kan`ei Hirakawa)", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214193, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 51, "title": "RAS-1998", "content_text": "cially as it involved the only 'foreign devil' present, thoroughly enjoyed it even though the joke has been repeated countless times throughout the ages. Many jokes, both in the East and the West, are of course repeated over and over again over a period of years. Although possibly rather feeble by today's standards, the author remembers a riddle being repeated to him when he was a child in England. The question was: 'When is a door not a door?' The answer was, 'When it's a jar (ajar)!' This was told countless times and seemed to have been passed down from generation to generation as many jokes in many countries are.\n\nIn the case of a Chinese example of an oft repeated joke there is the saying, Ah Yee Leng Tong (-). This really means \"gone to the Second Wife's to drink lovely soup.' Up to October 1971, Chinese men in Hong Kong could legally take concubines. The principal wife, generally, knew her position and was pretty secure, but the concubine, so it was said, needed to prepare tasty soup (and other things) to please her husband to make sure her position also was secure. There is a restaurant named Ah Yee Leng Tong in Causeway Bay, on Hong Kong Island, and whenever the name is mentioned it always raises a smile.\n\nHaving said that, however, Chinese tend not to laugh out loud so much as Westerners, but, in Hong Kong, said Reuben M, an American part-time comedian who has lived in the Territory for a number of years, even Westerners are inclined to be more subdued than people living in the West. Nevertheless, it was pointed out by the same comedian that, if Chinese don't like a show and they are bored, they can be a noisy, distracting audience.\n\nLaughter can certainly help break down barriers, including pricking bubbles of solemnity at meetings, and there are few occasions when some degree of hilarity does not serve a useful purpose. Certainly humour is an important key to the happiness and well-being of us all, irrespective of race, just as anger and depression have the opposite effect. Norman Cousins was stricken with a seemingly incurable disease. He decided to keep himself occupied with a diet of humour and, as he lay on his sick-bed, he watched old silent movies of Laurel and Hardy and read anything that would make him laugh (Cousins, 1979; 39). He recounts he made the joyous discovery that 10 minutes of genuine belly laughter had an anaesthetic effect that gave him at least two hours of pain-free sleep. Gradually he began to recover. A good bout of laugh-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215407, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 184, "title": "RAS-2001", "content_text": "133\n\nit, following social precedents with roots in the great cathedrals of the Middle Ages in Europe.\n\nThe testimony of the English merchant, Peter Mundy, today well known to historians of Macao, is a good example of the effect that this novel façade produced. He had actually arrived as one of the English factors in the fleet of Captain John Weddel, which first entered Macao waters on the fifth of July 1637. In fact, Peter Mundy formed part of a party that was allowed by the Portuguese to disembark in Macao on the twenty-eighth of the month, with a missive from Charles I of England to the Captain-General of the city.\n\nOn the very day of landing he and the others went to visit the College of St. Paul's and its church at the invitation of the Jesuit fathers. Mundy waxes lyrical about the splendours of the façade and the church claiming that, 'there is a New Faire Frontispiece to the said Church with a spacious ascent to it by many steppes; the 2 last things mentioned of hewen stone.'5\n\nOne cannot help wondering if Peter Mundy's admiration of the frontispiece was not equally due to the fact that he had before his eyes an impressive retable-façade, something that in all likelihood he has never seen before.\n\nRetable-Façades\n\nBefore continuing, it may be necessary to briefly make clear some basic facts about retable-façades. What are they? When did they acquire this rather peculiar name? As already briefly mentioned a retable is a kind of Iberian wooden altarpiece, one that was often elaborately carved. One could argue that altarpiece-façade is just as accurate a term as the invented phrase retable-façade; but for a number of sensible reasons on which it is not necessary to comment here contemporary art historians have opted for the latter. In certain formal and functional aspects they are not unlike medieval English reredos, although there are important differences.\n\nThe history of what one could call their discovery as types is quite recent. It was mainly during the last century that specialists began noticing groups of unusual church façades in Spain and Latin America", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216173, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 472, "title": "RAS-2002", "content_text": "406\n\nNo. 34699 Ma Hongrui. This identified him with a photograph and two thumbprints and tells us that he was aged 32 on enlistment by the Weihai Wei Labour Bureau. He had a wart on his neck, was certified fit and his previous trade was a coolie. His home village was 25 li east of the fortified town of Lu, in Ling Hsien County some 100 kilometres north of the Shandong Provincial Capital, Jinan. The recent discovery, tucked away at the back of the blue cloth covered booklet, was Ma's copy of his Service Contract dated 10 July 1917, and illustrated in this Note.\n\nIt seems a fair contract, ensuring that Ma's mother (his next-of-kin) and father could collect 10 dollars a month from their local post office, even if his one franc a day pay was gambled away. All his other wants were provided.\n\nSadly, Ma's was one of those medals that were undelivered and thus destroyed.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]