161
en España 1450-1600, Madrid, 1988, p. 58. Some of the more important writings on Latin American retable-façades, dealing also with those of the Jesuits, Dominicans and other religious orders, include, D. Angulo Iñiguez, E. Marco Dorta, M. J. Buschiazzo, Historia del Arte Hispano-Americano. II, pp. 427-38, 559-66, passim. J. A. Baird Jr., The Churches of Mexico, 1530-1810, University of California, 1962, pp. 22-3, 37-9, passim. A. Benavides, La Arquitectura en el Virreinato del Peru y en la Capitania General de Chile, Santiago, 1941, p. 54, passim. M. Collier, The Sagrario of Lorenzo Rodriguez, Yale University, 1973 (unpublished thesis). E. Harth-Terré, "El Imafronte de la catedral de Lima”. Arquitecto Peruano, 1941.
"La obra de la Compañía de Jesus en la arquitectura virreinal peruana", Mercurio Peruano, 1942. P. Kelemen, Baroque and Rococo in Latin America, New York, 1961, p. 123 passim. A. B. Louchheim, "The church façades of Lorenzo Rodriguez: A focal point for the study of Mexican Churrigeresque architecture", Inst. of Fine Arts, New York University, 1941 (unpublished M.A. thesis). G. Navarro, La iglesia de la Compañía de Quito, Madrid, 1930, R. C. Smith, A First History of Latin American Art, The 2nd volume, Washington, 1952, pp. 157-61. M. Toussaint, "La catedra de Zacatecas y el arte del Virreinato", Anales instituto de Investigaciones Esteticas, Mexico, 1947.
“La Catedral de Mexico y el Sagrario Metropolitano, Mexico, 1948, H. E. Wethey, Colonial Architecture and Sculpture in Peru, Harvard University Press, 1949, pp. 53-6, 58-60, passim. B. Vargas-Lugo, La iglesia de Sta. Prisca de Taxco, Mexico, 1974.
7
$
Late in the eighteenth century the fronts of Jesuit churches in Guanajuato, Tepotzotlan and elsewhere in Mexico display several of the most important retable-façades. M. Diaz, La Arquitectura de los jesuitas en Nueva España, Mexico, 1982, pp. 78-80. A. von Wuthenau, Tepotzotlan, Mexico, 1941.
Gran Enciclopedia Gallega, XXV, Santiago, 1974, pp. 138-9. Carmen Aznar, Summa Artis, XVII, pp. 106-8.
Summa Artis, XVIII, pp. 96-7. F. Checa Goitia, Arquitectura Española del Siglo XVI, XI, Madrid, 1953, pp. 47-8.
Important carved retables were also produced in northern Europe during the fifteenth century, e.g., that of the Marienkirche, Lübeck, or that by an anonymous master of the School of Cologne, of c. 1434, in Frankfurt Cathedral. In Flemish altarpieces the theme is quite common. W. Kinkel, Der Dom zu Frankfurt am Main, München-Berlin, 1988, p. 18.
Pearson, M. N., The New Cambridge History of India: The Portuguese in India, Cambridge, 1987. New Encyclopaedia Britannica, 21, University of Chicago,
161
en España 1450-1600, Madrid, 1988, p. 58. Some of the more important writings on Latin American retable-façades, dealing also with those of the Jesuits, Dominicans and other religious orders, include, D. Angulo Iñiguez, E.Marco Dorta. M.J. Buschiazzo, Historia del Arte Hispano-Americano. II, pp. 427-38, 559-66, passim. J.A. Baird Jr., The Churches of Mexico, 1530-1810, University of California, 1962, pp. 22-3, 37-9, passim. A. Benavides. La Arquitectura en el Virreinato del Peru y en la Capitania General de Chile, Santiago, 1941, p. 54. passim. M. Collier. The Sagrario of Lorenzo Rodriguez. Yale University. 1973 (unpublished thesis). E. Harth-Terré. "El Imafronte de la catedral de Lima”. Arquitecto Peruano, 1941.
"La obra de la Compañía de Jesus en la arquitectura virreinal peruana", Mercurio Peruano, 1942. P. Kelemen, Baroque and Rococo in Latin America, New York, 1961, p. 123 passim. A.B. Louchheim, "The church façades of Lorenzo Rodriguez: A focal point for the study of Mexican Churrigeresque architecture", Inst. of Fine Arts, New York University, 1941 (unpublished M.A. thesis). G. Navarro, La iglesia de la Compañía de Quito, Madrid, 1930, R.C. Smith, A First History of Latin American Art, The 2nd. volume, Washington, 1952. pp. 157-61. M. Toussaint. "La catedra de Zacatecas y el arte del Virreinato", Anales instituto de Invesitgaciones Esteticas, Mexico,
1947.
„La Catedral de Mexico y el Sagrario Metropolitano, Mexico, 1948, H.E. Wethey, Colonial Architecture and Sculpture in Peru, Harvard University Press, 1949, pp. 53-6, 58-60, passim. B. Vargas-Lugo, La iglesia de Sta. Prisca de Taxco, Mexico, 1974.
7
$
Late in the eighteenth century the fronts of Jesuit churches in Guanajuato, Tepotzotlan and elsewhere in Mexico display several of the most important retable-façades. M. Diaz, La Arquitectura de los jesuitas en Nueva España, Mexico, 1982. pp. 78-80. A. von Wuthenau, Tepotzotlan, Mexico, 1941.
Gran Enciclopedia Gallega. XXV, Santiago, 1974, pp. 138-9. Camen Aznar, Summa Artis, XVII, pp. 106-8.
Summa Artis, XVIII, pp. 96-7. F.
Checa Goitia, Arquitectura Espaĝola del Siglo XVI, XI, Madrid, 1953, pp. 47-8.
Important carved retables were also produced in northern Europe during the fifteenth century, e.g., that of the Marienkirche, LÄbeck, or that by an anonymous master of the School of Cologne, of c. 1434, in Frankfurt Cathedral. In Flemish altarpieces the theme is quite common. W. Kinkel, Der Dom zu Frankfurt am Main, München-Berlin, 1988, p. 18.
Pearson, M.N., The New Cambridge History of India: The Portuguese in India, Cambridge, 1987. New Encyclopaedia Britannica, 21, University of Chicago,
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