134
have therefore added it here for the record.
The Sowerbys were an old family of Saxon stock that can be traced back to the time of Edward the Confessor, and possibly earlier to the first kings of Kent in the fifth century AD.
Arthur de Carle Sowerby was the great grandson of James Sowerby, who died in 1822, the botanist who wrote English Botany and was one of the founder members of the Geological Society. His son in turn continued his work and helped organise the Royal Botanic Society and Gardens in Regent's Park.
On his mother's side Arthur was descended from Pierre Séguier, the Chancellor of France in the reign of Louis XIII; he was also the great grandson of Anthony Stuart, the miniature and portrait painter of the early Victorian period. Arthur's uncle was part-founder and first Keeper of the National Gallery of Portraits in Trafalgar Square.
At the end of his schooling he began his training to be an artist but soon left it for that of a scientist, working for his BSc. at Bristol. He returned to China having dropped out of College and after his arrival back in China he was appointed in 1906 in the double capacity of lecturer and curator on the staff of the Anglo-Chinese College in Tientsin.
He served in France during World War 1 as Technical Officer in the Chinese Labour Corps, and on his return to China made his headquarters in Shanghai where he remained until the end of the Second World War.
He developed an interest in Chinese Art and was impressed by the accuracy of ancient Chinese craftsmen in modelling pottery animals for the tomb, an accuracy that enabled him as a naturalist to identify the breeds of various domestic animals in use in ancient China. He wrote a series of articles for the China Journal on Birds in Chinese Art; the Owl in Chinese Art; The Flora in Chinese Art; Rocks, Mountains and Water in Chinese Art; Animals in Chinese Art; as well as Animals in the Myths, Legends and Fairy Tales of China. His interest in craftsmanship also led him to write a series of articles on Chinese arts and crafts, including four papers on the Chinese ivory industry.
134
have therefore added it here for the record.
The Sowerbys were an old family of Saxon stock that can be traced back to the time of Edward the Confessor, and possibly earlier to the first kings of Kent in the fifth century AD.
Arthur de Carle Sowerby was the great grandson of James Sowerby, who died in 1822, the botanist who wrote English Botany and was one of the founder members of the Geological Society. His son in turn continued his work and helped organise the Royal Botanic Society and Gardens in Regent's Park.
On his mother's side Arthur was descended from Pierre Séguier, the Chancellor of France in the reign of Louis XIII; he was also the great grandson of Anthony Stuart, the miniature and portrait painter of the early Victorian period. Arthur's uncle was part-founder and first Keeper of the National Gallery of Portraits in Trafalgar Square.
At the end of his schooling he began his training to be an artist but soon left it for that of a scientist, working for his BSc. at Bristol. He returned to China having dropped out of College and after his arrival back in China he was appointed in 1906 in the double capacity of lec- turer and curator on the staff of the Anglo-Chinese College in Tientsin.
He served in France during World War 1 as Technical Officer in the Chinese Labour Corps, and on his return to China made his head- quarters in Shanghai where he remained until the end of the Second World War.
He developed an interest in Chinese Art and was impressed by the accuracy of ancient Chinese craftsmen in modelling pottery animals for the tomb, an accuracy that enabled him as a naturalist to identify the breeds of various domestic animals in use in ancient China. He wrote a series of articles for the China Journal on Birds in Chinese Art; the Owl in Chinese Art; The Flora in Chinese Art; Rocks, Moun- tains and Water in Chinese Art; Animals in Chinese Art; as well as Animals in the Myths, Legends and Fairy Tales of China. His interest in craftsmanship also led him to write a series of articles on Chinese arts and crafts, including four papers on the Chinese ivory industry.
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