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An image of Hariti is present in both the Pi-yun Ssu and the Ta Pei Ssu. She is portrayed in both temples as a middle-aged Chinese woman with a full face, dressed in colourful robes and crown, resting her left hand on the head of a small pig-like winged demon with a child on his shoulders.
7] Bodhidruma who is also known in Chinese as P'u-t'i Shu Shen 提樹神
This is an Indian Vedic goddess, the guardian of the Bo-tree; the 'wisdom tree' [peepul tree] under which Sakyamuni obtained enlightenment and became the Buddha. She is one of the group of Twenty or Twenty-four Devas and is also known in Sanskrit as Pippala, a peepul tree, after the tree in question.
Images of Bodhidruma are present in both the Ta Pei Ssu and the Pi-yun Ssu. The image in the former has a human body and demonic face. It is difficult to make out the sex of this deity with him/her having black skin, colourful decorated robes and black pill-box cap with red band, and small sunburst on the front. He/she holds a tablet before his/her chest clasped in both hands. His/her face has the large flat nose, the slightly jutting wide jaw and round eyes. In the Pi-yun Ssu his/her image depicts him/her with white skin, a calm and benign face, standing, dressed in colourful decorated robes and crown and with his/her hands pressed together before his/her chest in prayer.
8] Sarasvati known in Chinese as Pien-ts'ai Tien
She is the Vedic goddess of speech and learning, the goddess of rhetoric, and female energy. It is widely accepted in India that she was the inventor of Sanskrit. Originally a mother-goddess she has developed over the centuries into her present role as the goddess of wisdom and learning, and the patron deity of music. An image of Sarasvati is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both she is depicted as an eight-armed goddess, standing dressed in colourful, decorated robes and crown, with six of her hands each holding a symbolic object. The main pair of hands are pressed together before her chest in prayer. She is barefoot in both temples.
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An image of Hariti is present in both the Pi-yun Ssu and the Ta Pei Ssu. She is portrayed in both temples as a middle-aged Chinese woman with a full face, dressed in colourful robes and crown, resting her left hand on the head of a small pig-like winged demon with a child on his shoulders.
7] Bodhidruma who is also known in Chinese as P'u-t'i Shu Shen 提樹神
This is an Indian Vedic goddess, the guardian of the Bo-tree; the 'wisdom tree' [peepul tree] under which Sakyamuni obtained enlight- enment and became the Buddha. She is one of the group of Twenty or Twenty-four Devas and is also known in Sanskrit as Pippala, a peepul tree, after the tree in question,.
Images of Bodhidruma are present in both the Ta Pei Ssu and the Pi-yun Ssu. The image in the former has a human body and demonic face. It is difficult to make out the sex of this deity with him/her having black skin, colourful decorated robes and black pill-box cap with red band, and small sunburst on the front. He/she holds a tablet before his/ her chest clasped in both hands. His/her face has the large flat nose, the slightly jutting wide jaw and round eyes. In the Pi-yun Ssu his/her image depicts him/her with white skin, a calm and benign face, standing, dressed in colourful decorated robes and crown and with his/her hands pressed together before his/her chest in prayer.
8] Sarasvati known in Chinese as Pien-ts'ai Tien
She is the Vedic goddess of speech and learning, the goddess of rhetoric, and female energy. It is widely accepted in India that she was the inventor of Sanskrit. Originally a mother-goddess she has devel- oped over the centuries into her present role as the goddess of wisdom and learning, and the patron deity of music. An image of Sarasvati is present in both the Pi-yun Ssu and the Ta Pei Ssu. In both she is de- picted as an eight-armed goddess, standing dressed in colourful, deco- rated robes and crown, with six of her hands each holding a symbolic object. The main pair of hands are pressed together before her chest in prayer. She is barefoot in both temples.
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