46
appeared to the Sixth Son who was resting, weary and sick with over-work and revealed to him that Meng Liang had recovered the bones of another and gave the Sixth Son details of where his, the father's, body really lay. Meng Liang set out once more, disguised as a Tatar soldier and after a series of episodes the bones were recovered, but not before several of the Sixth Son's comrades had been killed or committed suicide. These deaths led the Sixth Son's condition to deteriorate and for his spirit to wander whilst he lay in a coma. The emperor's nephew on his way to visit him saw a tiger barring his path and shot and grazed it with the arrow. On reaching the bedside of the Sixth Son, who rallied at that point, the Prince was told that the tiger was the spirit of the Sixth Son roaming the hills and was duly appalled at the idea that he had nearly killed the Sixth Son. Despite all efforts, the Sixth Son's condition grew worse and soon he died, vomiting blood.
In another episode of the tea-house tales the ruler of the Liao Khitan planned to assassinate the Sung Emperor at a meeting to which the Sung Emperor had been invited at Chin-sha Nan. As the plan had been detected by the Eldest Son of the Yang family he disguised himself as the Sung emperor whilst the Second Son went as the Crown Prince, with the other brothers in attendance. In the event they in turn were recognised and in the ensuing fight the Second and Third Sons were killed and, apart from the Sixth and Seventh Sons, the others were captured.
One of several cult centres dedicated to the Yangs in northern China developed in a temple on the Buddhist holy mountain of Wu T'ai Shan, in northern Shansi province. There are at least three temples in Taiwan in which Yang Yeh is the main deity. And only in Taiwan are the Fourth, Fifth and Sixth sons collectively portrayed together on several altars with the collective title of the San Wang-tsu. In an old temple near Taichung the seven main images on the main altar represent the Seven Sons although, according to the temple keeper, the group did not include the father. However, the smaller portable images of the Seven on the front of the same altar had alongside them several other images which did include the Father, Yang Yeh, and the Mother, Yü Lao T'ai-chün, and a complete outsider, the mythological deity, Yang Chien [Erh Lang] who bears the same surname. The temple keeper explained that in about 1986 all nine main images, carved on the mainland many years ago and brought over to Taiwan, which at that
46
appeared to the Sixth Son who was resting, weary and sick with over- work and revealed to him that Meng Liang had recovered the bones of another and gave the Sixth Son details of where his, the father's, body really lay. Meng Liang set out once more, disguised as a Tatar soldier and after a series of episodes the bones were recovered, but not before several of the Sixth Son's comrades had been killed or committed suicide. These deaths led the Sixth Son's condition to deteriorate and for his spirit to wander whilst he lay in a coma. The emperor's nephew on his way to visit him saw a tiger barring his path and shot and grazed it with the arrow. On reaching the bedside of the Sixth Son, who rallied at that point, the Prince was told that the tiger was the spirit of the Sixth Son roaming the hills and was duly appalled at the idea that he had nearly killed the Sixth Son. Despite all efforts, the Sixth Son's condition grew worse and soon he died, vomiting blood.
In another episode of the tea-house tales the ruler of the Liao Khitan planned to assassinate the Sung Emperor at a meeting to which the Sung Emperor had been invited at Chin-sha Nan. As the plan had been detected by the Eldest Son of the Yang family he disguised himself as the Sung emperor whilst the Second Son went as the Crown Prince, with the other brothers in attendance. In the event they in turn were recognised and in the ensuing fight the Second and Third Sons were killed and, apart from the Sixth and Seventh Sons, the others were captured.
One of several cult centres dedicated to the Yangs in northern China developed in a temple on the Buddhist holy mountain of Wu T'ai Shan, in northern Shansi province. There are at least three temples in Taiwan in which Yang Yeh is the main deity. And only in Taiwan are the Fourth, Fifth and Sixth sons collectively portrayed together on several altars with the collective title of the San Wang-tsu. In an old temple near Taichung the seven main images on the main altar represent the Seven Sons although, according to the temple keeper, the group did not include the father. However, the smaller portable images of the Seven on the front of the same altar had alongside them several other images which did include the Father, Yang Yeh, and the Mother, Yü Lao T'ai-chün, and a complete outsider, the mythological deity, Yang Chien [Erh Lang] who bears the same surname. The temple keeper explained that in about 1986 all nine main images, carved on the mainland many years ago and brought over to Taiwan, which at that
No comments yet.
Private notes are available after approval.