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One would expect in Japan, a country that has adopted so much of its culture from China, that people believe in fung shui. It was introduced there during the Tang Dynasty, and, in the 'Land of the Rising Sun', it is called in Japanese (using the Cantonese pronunciation) fong wai hok (the 'School of Direction'). But the art is not nearly so common as in Chinese communities, and, while it is sometimes used for designing commercial buildings, harmonious gardens and landscapes in Japan, it is not used for graves. The cities of Nara and Kyoto are said to have good fung shui and this was also supposed to have been a consideration when the Imperial Palace was planned.
Fung shui, as practised in Vietnam, is closer to the Chinese doctrine than the Japanese version, and in Vietnam some cities, as in China, are said to have been planned according to geomantic principles and the power of nature.
In China, both Peking and the Forbidden City were laid out on fung shui principles. The latter was planned as a cross superimposed on a square. The chessboard or grid pattern, and the north-south axis and gates at four quarters were considered important, as were the three encircling walls allowing for circulation. All these provide balance, harmony and protection against both the enemy and evil spirits. In the eyes of the Chinese, when the Forbidden City was planned the world was square, and, consequently, most walled villages are also square. The whole idea of considering balance and form, including a variety of shapes, sizes, together with 'open lungs', is not inconsistent with the ideas of modern planning.
It has even been postulated that, in the 17th century, once the Jesuit missionaries had gained the confidence of the Emperor in China, they tried to have fung shui stamped out. Yet some Jesuits took fung shui ideas back to Europe, some claim, where the priests used the principles for laying out parks (Pennick; 1979).
Korea has the 'symbol of creation' (yin and yang) on its national flag, and its version of fung shui is similar to the Chinese version (Yau, 1976-passim).
To mention, briefly, additional examples. In Malaysia, a site that faces a river or a valley is considered good for building a house. In Africa,
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One would expect in Japan, a country that has adopted so much of its culture from Chma, that people believe in fung shut. It was introduced there during the Tang Dynasty, and, in the 'Land of the Rising Sun', it is called in Japanese (using the Cantonese pronunciation) fong wai hok (the 'School of Direction', ). But the art is not nearly so common as in Chinese communities, and, while it is sometimes used for designing commercial buildings, harmonious gardens and landscapes in Japan, it is not used for graves. The cities of Nara and Kyoto are said to have good fung shu and this was also suppose to have been a consideration when the Imperial Palace was planned
Fung shut, as practised in Vietnam, is closer to the Chinese doctrine than the Japanese version, and in Vietnam some cities, as in China, are said to have been planned according to geomantic principles and the power of nature.
In China, both Peking and the Forbidden City were laid out on fung shur principles. The latter was planned as a cross superimposed on a square The chessboard or grid pattern, and the north-south axis and gates at four quarters were considered important, as were the three encucting walls allowing for enculation All these provide balance, harmony and protection against both the enemy and evil spirits. In the eyes of the Chinese, when the Forbidden City was planned the world was squate, and, consequently, most walled villages are also square. The whole idea of considering balance and form, including a variety of shapes, sizes, together with 'open lungs', is not inconsistent with the ideas of modern planning.
It has even been postulated that, in the 17th century, once the Jesuit missionaries had gained the confidence of the Emperor in China, they tried to have fung shin stamped out Yet some Jesuits took fung shu ideas back to Europe, some claim, where the priests used the principles for laying out paiks (Pennick;1979)
Korea has the 'symbol of creation' (vin and yang) on its national flag, and its version of jung shut is similar to the Chinese version (Yau, 1976-passim)
To mention, buefly, additional examples. In Malaysia, a site that faces a tiver or a valley is considered good for building a house. In Africa,
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