RAS-1991 — Page 120

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

100

22 Shaw, p. 297

23

Hu Qiaomu

24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against "spiritual pollution

25 Rui Xingwen, "Gaige shiqi de wenhua fazhan zhanlue wenti," ("Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13.

26 Kim. p. 122.

27

Chou Wen-chung, "The Center for US China Arts Exchange. Purpose," U.S.-China Arts Exchange Newsletter Spring 1980, p. 1

28

Program Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1

29

Ibid

10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312

30 Mo Fei, "*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60.

要 By "non-governmental sector" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the "private sector" as used in the United States. However, these organizations were different from government organizations

33 Hu Qiaomu, p. 159.

14

Guan Li, Renmin ribao, 13 January 1980, p &

8

Li Rong, "*Hanlıu dang bu zhu chuntian de jiaobu" ("Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10.

36 Tang Manchen, "A Talk on Ballet," Beijing Foreign Studies University, Beijing, 14 April 1987

37

Robert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980.

P. I.

38

As quoted in **Arthut Miller's 'Salesman Travels to Beijing," U.S.-China Arts exchange Newsletter, Summer 1984, p 1

39 Shaw. p 115

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20Page 121

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100 22 Shaw, p. 297 23 Hu Qiaomu 24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against "spiritual pollution 25 Rui Xingwen, "Gaige shiqi de wenhua fazhan zhanlue wenti," ("Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13. 26 Kim. p. 122. 27 Chou Wen-chung, "The Center for US China Arts Exchange. Purpose," U.S.-China Arts Exchange Newsletter Spring 1980, p. 1 28 Program Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1 29 Ibid 10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312 30 Mo Fei, "*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60. By "non-governmental sector" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the "private sector" as used in the United States. However, these organizations were different from government organizations 33 Hu Qiaomu, p. 159. 14 Guan Li, Renmin ribao, 13 January 1980, p & 8 Li Rong, "*Hanlıu dang bu zhu chuntian de jiaobu" ("Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10. 36 Tang Manchen, "A Talk on Ballet," Beijing Foreign Studies University, Beijing, 14 April 1987 37 Robert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980. P. I. 38 As quoted in **Arthut Miller's 'Salesman Travels to Beijing," U.S.-China Arts exchange Newsletter, Summer 1984, p 1 39 Shaw. p 115 Page 1 20Page 121
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100 22 Shaw, p. 297 23 Hu Qiaomu 24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against "spiritual pollution 25 Rui Xingwen, "Gaige shiqi de wenhua fazhan zhanlue wenti," ("Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13. 26 Kim. p. 122. 27 Chou Wen-chung, "The Center for US China Arts Exchange. Purpose," U.S.-China Arts Exchange Newsletter Spring 1980, p. 1 28 Program Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1 29 Ibid 10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312 30 Mo Fei, "*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60. By "non-governmental sector" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the "private sector" as used in the United States. However, these organizations were different from government organizations 33 Hu Qiaomu, p. 159. 14 Guan Li, Renmin ribao, 13 January 1980, p & 8 Li Rong, "*Hanlıu dang bu zhu chuntian de jiaobu" ("Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10. 36 Tang Manchen, "A Talk on Ballet," Beijing Foreign Studies University, Beijing, 14 April 1987 37 Robert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980. P. I. 38 As quoted in **Arthut Miller's 'Salesman Travels to Beijing," U.S.-China Arts exchange Newsletter, Summer 1984, p 1 39 Shaw. p 115 Page 1 20Page 121
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100

22 Shaw, p. 297

23

Hu Qiaomu

24 Unlike the campaign to criticize Bitter Love, this campaign was carried out in all the media and in factories. Some books in university libraries stopped circulation. In the latter stage, some rural areas began to join the campaign. In such circumstances, Zhao Ziyang, a major advocator of reforms, condemned “some misconducts" of the campaign in a largely publicized speech in May 1984 and formally terminated the campaign against "spiritual pollution

25 Rui Xingwen, "Gaige shiqi de wenhua fazhan zhanlue wenti," ("Issues on the Strategy for Cultural Development in the Time of Reform”) Hongqi (Red Flag), No 14, 1986, Pp 11-13.

26 Kim. p. 122.

27

Chou Wen-chung, "The Center for US China Arts Exchange. Purpose," U.S.-China Arts Exchange Newsletter Spring 1980, p. 1

28

Program Report 1980-1981, the Center for United States-China Arts Exchange. November 1980, p 1

29

Ibid

10 Michael H. Hunt, The Making of a Special Relationship, the United States and China to 1914 (New York Columbia University Press, 1983), p. 312

30 Mo Fei, "*'BSO' fang hua zhi xing” (“BSO's China Trip,'') Bianyicankao (Translated Reference), No. 4, 1979. pp. 57-60.

要 By "non-governmental sector" I mean societies, institutions, agencies, troupes and companies which are not directly subordinated to the government As these organizations were not privately owned, they cannot be fitted into the concept of the "private sector" as used in the United States. However, these organizations were different from government organizations

33 Hu Qiaomu, p. 159.

14

Guan Li, Renmin ribao, 13 January 1980, p &

8

Li Rong, "*Hanlıu dang bu zhu chuntian de jiaobu" ("Cold Current Cannot Stop the Steps of Spring''), Dazhong dianying (Popular Film), November 1979, p 10.

36 Tang Manchen, "A Talk on Ballet," Beijing Foreign Studies University, Beijing, 14 April 1987

37

Robert Sherman, “A Musical Interlude in Peking.“ New York Times, 12 October 1980.

P. I.

38

As quoted in **Arthut Miller's 'Salesman Travels to Beijing," U.S.-China Arts exchange Newsletter, Summer 1984, p 1

39 Shaw. p 115

Page 1 20Page 121

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