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texts of these two works. Adam, working in the imperial library in Ch'ang-an sixty years later, probably translated Reuben's Syriac originals into Chinese without realising that translations had already been produced in far-off Tun-huang. Later, as the Book of Praise implies, he sent Chinese translations of thirty-five Syriac works to Tun-huang, and his new translations of the Kai-yuan documents were among them. The Tun-huang monks were evidently unwilling to destroy their own Chinese translations and replace them with Adam's, and it is their version which has survived, but in a copy made in the 780s. Adam had probably directed that new Chinese texts on Christian subjects should consistently use the 'Syrian brilliant teaching' identity, and that old texts should be edited where possible, to be brought into line with the new style. The monks therefore recopied and lightly edited their own Chinese texts to conform to the new identity. But they continued, understandably, to acknowledge the translation work carried out more than sixty years previously by their own monastery's monks, Chang-ku and Su-yüan.
Epilogue: the Five Dynasties Period
We have seen how Adam tried to ensure that all Nestorian churches in China consistently used the term 'Syrian brilliant teaching'. During his lifetime, his position as metropolitan of China ensured that his flock complied with his wishes, but it is clear that the consistency by which he set such store broke down once he was no longer there to enforce it. This process can be seen at work in the manuscript in which the Hymn in Adoration of the Holy Trinity and the Book of Praise have been preserved. The former work seems to have been copied in the 780s, as it consistently applies the terminology found in the Sian tablet inscription. But the Book of Praise, although written on the same piece of parchment as the Hymn in Adoration of the Holy Trinity, is written in a different hand and clearly at a much later date.
The Book of Praise, much of which is a hymn of thanksgiving for the existence of the 35 Syriac works translated by Adam, seems to have been written either in the tenth or the early eleventh century. The Tun-huang cave in which it was found was sealed in 1036, providing a terminus ante quem for its composition, and the formulation ‘emperor T'ai-tsung of the T'ang', proves that it was written after the final collapse of the T'ang dynasty in 906. At any rate, it was written not long before or after Abu'l Faraj met the despondent Nestorian monk
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texts of these two works. Adam, working in the imperial library in Ch'ang-an sixty years later, probably translated Reuben's Syriac originals into Chinese without realising that translations had already been produced in far-off Tun-huang. Later, as the Book of Praise implies, he sent Chinese translations of thirty-five Syriac works to Tun-huang, and his new translations of the Kai-yuan documents were among them. The Tun-huang monks were evidently unwilling to destroy their own Chinese translations and replace them with Adam's, and it is their version which has survived, but in a copy made in the 780s. Adam had probably directed that new Chinese texts on Christian subjects should consistently use the 'Syrian brilliant teaching' identity. and that old texts should be edited where possible, to be brought into line with the new style. The monks therefore recopied and lightly. edited their own Chinese texts to conform to the new identity. But they continued, understandably, to acknowledge the translation work carried but more than sixty years previously by their own monastery's monks. Chang-ku and Su-yüan.
Epilogue: the Five Dynasties Period
We have seen how Adam tried to ensure that all Nestorian churches in China consistently used the term 'Syrian brilliant teaching'. During his lifetime, his position as metropolitan of China ensured that his flock complied with his wishes, but it is clear that the consistency by which he set such store broke down once he was no longer there to enforce it. This process can be seen at work in the manuscript in which the Hymn in Adoration of the Holy Trinity and the Book of Praise have been preserved. The former work seems to have been copied in the 780s, as it consistently applies the terminology found in the Sian tablet inscription. But the Book of Praise, although written on the same piece of parchment as the Hymn in Adoration of the Holy Trinity, is written in a different hand and clearly at a much later date.
The Book of Praise, much of which is a hymn of thanksgiving for the existence of the 35 Syriac works translated by Adam, seems to have been written either in the tenth or the early eleventh century. The Tun-huang cave in which it was found was sealed in 1036, providing a terminus ante quem for its composition, and the formulation ‘emperor T'ai-tsung of the T'ang', proves that it was written after the final collapse of the T'ang dynasty in 906. At any rate, it was written not long before or after Abu'l Faraj met the despondent Nestorian monk
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