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Kong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Fiao festivals celebrated between 1964 and 1972 in Ma Tau Wai. Nga Tsin Wai, Tung Chung and Tai 0.

N Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).

#I Kani, Hiroaki, "Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite" Shigaku 40, no. 2 & 3 (1967).

22

Obuchi, Ninji, “Hon Kon no tokyo girei" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.

27 Yoshihara, Katsuo. "Shukyo" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.

11

See note 37.

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I have been told that Dr. Faure had a manuscript on the Jiao festival sem 10 a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.

36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai- mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor on, now Ph.D candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the "Research Circle of the Regional Society of Southern China" focusing on musical, ritual and social aspects of the festival.

27 Locally published works besides those by Faure and my own are:

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(a) Chamberlain, Jonathan, "Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted. (b) Chan Wing-hoi, “Observations at the Jiu [Jian] festival of Shek O and Tai Long Wan, 1986" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the "ritual site", the "local gods" and the "events". (c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiendai Shehui |Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent

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