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is performed by the men. Each member (or each group of them) take turns to organize the annual celebration. The organizer would collect the rent, buy the offerings, and keep the balance. He might, through a bidding system, let some other member take care of the business. The profit was incentive for a member to take up the responsibility. Each of the interested members would quote a price for the offerings and the one who offered the lowest price got the job. He made a profit from the difference between the bidding price and the cost.
Among the ritual associations, I have more information about the Hung-Sing associations, the two Cheun-Fu associations, the two Yi-Chung associations, and the Ngau-Wong associations. The Hung-Sing association membership corresponds to a certain extent to the village of Shui Tau in which the Hung-Sing temple is located. Each of the others named above had members in different villages. But there seems to be an important difference between the two Cheun-Fu Wui and the others: the former were rich men's clubs and the latter poor men's, which in one case has members from among the non-Dang villagers of Sha Pui Leng.
THE JIU FESTIVAL
VI. ELEMENTS OF THE FESTIVAL
A. Overview
The main part of the festival in 1985 was a seven-day period in which Taoist rites were conducted and puppet theatre performances given, followed by a separate period in which opera performances were given. But if the preparations are to be counted as well, the events spread over a period of almost a year. The preparation started in the first month of the lunar calendar, when 60 men were selected by divination as ritual representatives (yun-sau) to represent the community in the rites. The villagers responsible then consulted an expert to choose auspicious dates, times and directions for the various events, which included two preliminary Taoist rites near the middle of the year. They also had to contract for and supervise the construction of temporary structures for the celebration, and to hire opera and puppet theatre troupes and Taoist ritual specialists, among others, for services. In addition, they had to make arrangements with various government agencies, such as the police, and the fire services.
341
is performed by the men. Each member (or each group of them) take turns to organize the annual celebration. The organizer would collect the rent, buy the offerings, and keep the balance. He might, through a bidding system, let some other member take care of the business. The profit was incentive for a member to take up the responsibility. Each of the interested members would quote a price for the offerings and the one who offered the lowest price got the job. He made a profit from the difference between the bidding price and the cost.
Among the ritual associations, I have more information about the Hung-Sing associations, the two Cheun-Fu associations, the two Yi- Chung associations, and the Ngau-Wong associations. The Hung-Sing association membership corresponds to a certain extent to the village of Shui Tau in which the Hung-Sing temple is located. Each of the others named above had members in different villages. But there seems to be an important difference between the two Cheun-Fu Wui and the others: the former were rich men's clubs and the latter poor men's, which in one case has members from among the non-Dang villagers of Sha Pui Leng.
THE JIU FESTIVAL
VI. ELEMENTS OF THE FESTIVAL
A. Overview
The main part of the festival in 1985 was a seven-day period in which Taoist rites were conducted and puppet theatre performances given, followed by a separate period in which opera performances were given. But if the preparations are to be counted as well, the events spread over a period of almost a year. The preparation started in the first month of the lunar calendar, when 60 men were selected by divination as ritual representatives (yun-sau) to represent the community in the rites. The villagers responsible then consulted an expert to choose auspicious dates, times and directions for the various events, which included two preliminary Taoist rites near the middle of the year. They also had to contract for and supervise the construction of temporary structures for the celebration, and to hire opera and puppet theatre troupes and Taoist ritual specialists, among others, for services. In addition, they had to make arrangements with various government agencies, such as the police, and the fire services.
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