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always been so. [For the method of selecting managers at this shrine, see the account given in the article cited above].
I asked about the drums used by the teams. It seems that horse hide is used for drums used for watch and ward, and for military use; but that cow hide is more usual for lion and other dance troupes, on account of its higher and sharper pitch.
Peel Street
This shrine, unlike the one at Sheung Fung Lane which dates back to the nineteenth century, is of post-war origin. It comprises an altar under a canopy on one side of the steps which form this part of Peel Street, with a small management office in a temporary structure opposite. The shrine has only been at this location since the mid-1960s. It was first kept inside and then at the doorway of a house at 31 Elgin Street, before being put in the street outside that address in a small temple-like structure. It was moved here upon the demolition of the old house in Elgin Street.
The shrine serves a group of Hoklo persons originating from the Hoi Fung (海豐) area of north-east Kwangtung. Of the ten interested parties with whom I spoke in 1974, two came to Hong Kong in 1934, five arrived here in 1945-46, two in the 1950s and the last in 1962. The oldest was 65, and the youngest 37.
The altar is in the form of a black granite tablet inscribed with the characters #2£âZī. It is said to be old: the estimates ranged from "several generations" to "100 years" to "200 years". All agreed that it had been brought from a large temple known as the Pak Kung Miu (北帝廟) located in the small market town of To Tong Hui (陶塘墟) in Hoi Fung, just after the War. The town served as the market for between 30 to 40 surrounding villages, and in Ch'ing times the area was known as To Tong Yuek (陶塘約).
The shrine was established without authority, like many of its kind in the post-war period. The managers had to be persistent, and brave the disapproval of the Squatter Control Division of the Resettlement Department, whose duty it was to control the spread
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always been so. [For the method of selecting managers at this shrine, see the account given in the article cited above].
I asked about the drums used by the teams. it seems that horse hide is used for drums used for watch and ward, and for military use; but that cow hide is more usual for lion and other dance troupes, on account of its higher and sharper pitch.
Peel Street
This shrine, unlike the one at Sheung Fung Lane which dates back to the nineteenth century, is of post-war origin. It comprises an altar under a canopy on one side of the steps which form this part of Peel Street, with a small management office in a temporary structure opposite. The shrine has only been at this location since the mid 1960s. It was first kept inside and then at the doorway of a house at 31 Elgin Street, before being put in the street outside that address in a small temple-like structure. It was moved here upon the demolition of the old house in Elgin Street.
The shrine serves a group of Hoklo persons originating from the Hoi Fung () area of north-east Kwangtung. Of the ten interested parties with whom I spoke in 1974, two came to Hong Kong in 1934, five arrived here in 1945-46, two in the 1950s and the last in 1962. The oldest was 65, and the youngest 37.
The altar is in the form of a black granite tablet inscribed with the characters #2£âZī. It is said to be old: the estimates ranged from "several generations” to “100 years” to “200 years”. All agreed that it had been brought from a large temple known as the Pak Kung Miu ((^) located in the small market town of To Tong Hui () in Hoi Fung, just after the War. The town served as the market for between 30 to 40 surrounding villages, and in Ch'ing times the area was known as To Tong Yuek (陶塘約).
The shrine was established without authority, like many of its kind in the post war period. The managers had to be persistent, and brave the disapproval of the Squatter Control Division of the Resettlement Department, whose duty it was to control the spread
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