integration of the child into a Chinese social world: a preliminary exploration of some non-literate village concepts, Psyche: Hong Kong Psychological Society Bulletin, 4: 7-17 (1980).
• Cash or credit crops? an examination of some implications of peasant commercial production with special reference to the multiplicity of traders and middlemen, Economic Development and Cultural Change, 8 (2): 148-63 (1960). Reprinted in J. Potter, M. Diaz and G. Foster (eds.) Peasant Society: A Reader (Boston, 1967).
7
* Men, women and change: an essay in understanding social roles in south and south-east Asia, in B. E. Ward (ed). Women in New Asia, (Paris, 1963).
LF
Varieties of the conscious model: The fishermen of south China, in M. Banton (ed.) The Relevance of Models for Social Anthropology, (London, 1965); Sociological self-awareness: some uses of the conscious model, Man (N.S.) 1 (2): 201-15 (1966). Note also her forthcoming essay, Folk models, decision and change, in B. E. Ward, Through Other Eyes: essays in understanding conscious models mostly in Hong Kong, (Hong Kong 1985).
"Barbara's writings on opera include: Readers and audiences: an exploration of the spread of traditional Chinese culture, in R. Jain Text and Context: The Social Anthropology of Tradition (Philadelphia, 1977); Not merely players: art and ritual in traditional China, Man (N.S.) 14 (1): 18-39 (1979); The red boats of the Canton delta: a historical chapter in the sociology of Chinese regional drama, (paper read at a conference held in Taipei, 1980); Regional operas and their audiences: evidence from Hong Kong, in (editor unknown) Popular Culture in Late Imperial China, (Berkeley and Los Angeles, forthcoming, probably 1984); see also John Law and Barbara E. Ward, Chinese Festivals (Hong Kong, 1982).
xxi
integration of the child into a Chinese social world: a preliminary explora- tion of some non-literate village concepts, Psyche: Hong Kong Psychological Society Bulletin, 4: 7-17 (1980).
• Cash or credit crops? an examination of some implications of peasant commercial production with special reference to the multiplicity of traders and middlemen, Economic Development and Cultural Change, 8 (2): 148-63 (1960). Reprinted in J. Potter, M. Diaz and G. Foster (eds.) Peasant Society: A Reader (Boston, 1967).
7
* Men, women and change: an essay in understanding social roles in south and south-east Asia, in B. E. Ward (ed). Women in New Asia, (Paris, 1963).
LF
Varieties of the conscious model: The fishermen of south China, in M. Banton (ed.) The Relevance of Models for Social Anthropology, (London, 1965); Sociological self-awareness: some uses of the conscious model, Man (N.S.) 1 (2): 201-15 (1966). Note also her forthcoming essay, Folk models, decision and change, in B. E. Ward, Through Other Eyes: essays in understanding conscious models mostly in Hong Kong, (Hong Kong 1985).
"Barbara's writings on opera include: Readers and audiences: an exploration of the spread of traditional Chinese culture, in R. Jain Text and Context: The Social Anthropology of Tradition (Philadelphia, 1977); Not merely players: art and ritual in traditional China, Mañ (NS.) 14 (1): 18-39 (1979); The red boats of the Canton delta: a historical chapter in the sociology of Chinese regional drama, (paper read at a conference held in Taipei, 1980); Regional operas and their audiences: evidence from Hong Kong, in (editor unknown) Popular Culture in Late Imperial China, (Berkeley and Los Angeles, forthcoming, probably 1984); see also John Law and Barbara E. Ward, Chinese Festivals (Hong Kong, 1982).
xxi
No comments yet.
Private notes are available after approval.