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Before its first removal to permit further development of the area, the shrine is said to have been very popular with local villagers, shopkeepers and quarrymen. The whole village of Tsin Shui Ma Tau, to which my informants belonged, went down to the shrine on the god's birthday, and the customary dinner was held in the open near the pier. After its removal to another site, it was less popular with local people who apparently did not like the new location. This site was cleared in its turn in the mid 1960s, and the incense burner and other property were moved for safe-keeping to one of the Shau Kei Wan temples. Eventually, the committee gathered funds for a proper temple and for the first time in its history the god was housed in a permanent building and not, as previously, in the open or in a wooden hut. A brief account with excellent photographs appeared in The Star newspaper for 27 January, 1970.*
In the post-war period this shrine has been linked with the Nam On Fong Yue Lan (M) Festival Committee but before the war, and up to the time of its first removal, there was no such Yue Lan committee. Moreover, the annual celebration was not, as now, held during the Yue Lan festival in the 7th lunar month but took place on the earth god's birthday on the 2nd day of the 2nd month. The religious service was, at that date, always accompanied by a puppet show. The arrangements were in the hands of a group of village elders, later joined by local shopkeepers as the population grew. The local people visited it on the first and fifteenth days of each month, and offered a pig's head on the birth of a son and a chicken on the birth of a daughter. The change in the date of the main celebration came after the war, and the reason for it is said to have been the large number of deaths in the district during the Japanese Occupation, and the advisability of worshipping the unquiet spirits of the deceased lest they harm the living.
In the pre-war period the managers of this shrine, styled chik lei, came together through a combination of mutual acquaintance, accepted reliability, ability, willingness to donate a minimum level of funds towards the expenses of the festival costs,
* These photographs are reproduced at plates 6-8.
129
Before its first removal to permit further development of the area, the shrine is said to have been very popular with local villagers, shopkeepers and quarrymen. The whole village of Tsin Shui Ma Tau, to which my informants belonged, went down to the shrine on the god's birthday, and the customary dinner was held in the open near the pier. After its removal to another site, it was less popular with local people who apparently did not like the new location. This site was cleared in its turn in the mid 1960s, and the incense burner and other property were moved for safe-keeping to one of the Shau Kei Wan temples. Eventually, the committee gathered funds for a proper temple and for the first time in its history the god was housed in a permanent building and not, as previously, in the open or in a wooden hut. A brief account with excellent photographs appeared in The Star newspaper for 27 January, 1970.*
In the post-war period this shrine has been linked with the Nam On Fong Yuc Lan (M) Festival Committee but before the war, and up to the time of its first removal, there was no such Yue Lan committee. Moreover, the annual celebration was not, as now, held during the Yue Lan festival in the 7th lunar month but took place on the earth god's birthday on the 2nd day of the 2nd month. The religious service was, at that date, always accompanied by a puppet show. The arrangements were in the hands of a group of village elders, later joined by local shopkeepers as the population grew. The local people visited it on the first and fifteenth days of each month, and offered a pig's head on the birth of a son and a chicken on the birth of a daughter. The change in the date of the main celebration came after the war, and the reason for it is said to have been the large number of deaths in the district during the Japanese Occupation, and the advisability of worshipping the unquiet spirits of the deceased lest they harm. the living.
In the pre-war period the managers of this shrine, styled chik lei, came together through a combination of mutual acquaintance, accepted reliability, ability, willingness to donate a minimum level of funds towards the expenses of the festival costs,
* These photographs are reproduced at plates 6-8.
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