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whenever there is an outbreak of plague or other serious epidemic; but within the fifty years' collective memory of the mid 1960s managers this had only happened once, about 1915. The committee of managers does not run money loan or funeral benefit schemes, nor does it undertake general welfare or community work. It is, and was, it seems, concerned only with ensuring the continued protection of the area through the faithful and regular performance of religious rites and their accompanying entertainment. The god's image was always brought to the place where the puppets were being shown, and to the restaurant where the annual dinner was held at which the leaders were selected.
It will be seen from this account of their duties that these managers did not have the wider general functions performed by the leaders of the three Fong on Ap Lei Chau. They were kaifongs, but they were not the Kaifong, a role played by the predecessors of the postwar Western Kaifong Association, Ltd., whose premises are located at Possession Point.
The method of selecting the managers has differed little over the period 1910-1965, although it was apparently more protracted and complicated in pre-war years. This was because there were more interested parties than there have been since the war, when redevelopment of old properties has gradually taken large numbers of former residents away from the area, and so beyond the immediate area of the god's protection.
In pre-war times there might be up to 100 interested parties who wished to become chik lei, but as stated, only 40-50 were required. The selection was left to the god. It was the practice for all persons wishing to serve on the committee to go to the shrine at an appointed time on the god's birthday. Lots were drawn in front of the altar. The number of tickets matched the number of aspirants. Only, say, 40 of the papers were marked chik lei, the rest being marked with the characters tai kat (1/2) or 'great fortune'. Only those securing the first went forward to the second stage in the selection of managers. This was the filling of the three senior posts of chung (#4), fu (§]) and hip chik lei (£), or principal, deputy and assistant (senior) manager, This event was conducted in a restaurant at the annual dinner held in the first moon. Again, the selection was made in
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whenever there is an outbreak of plague or other serious epidemic; but within the fifty years' collective memory of the mid 1960s managers this had only happened once, about 1915. The committee of managers does not run money loan or funeral benefit schemes, nor does it undertake general welfare or community work. It is, and was, it seems, concerned only with ensuring the continued protection of the area through the faithful and regular performance of religious rites and their accompanying entertainment. The god's image was always brought to the place where the puppets were being shown, and to the restaurant where the annual dinner was held at which the leaders were selected.
It will be seen from this account of their duties that these managers did not have the wider general functions performed by the leaders of the three Fong on Ap Lei Chau. They were kaifongs, but they were not the Kaifong, a role played by the predecessors of the postwar Western Kaifong Association, Ltd., whose premises are located at Possession Point.
The method of selecting the managers has differed little over the period 1910-1965, although it was apparently more protracted and complicated in pre-war years. This was because there were more interested parties than there have been since the war, when redevelopment of old properties has gradually taken large numbers of former residents away from the area, and so beyond the immediate area of the god's protection.
In pre-war times there might be up to 100 interested parties who wished to become chik lei, but as stated, only 40-50 were required. The selection was left to the god. It was the practice for all persons wishing to serve on the committee to go to the shrine at an appointed time on the god's birthday. Lots were drawn in front of the altar. The number of tickets matched the number of aspirants. Only, say, 40 of the papers were marked chik lei, the rest being marked with the characters tai kat (★1⁄2) or 'great fortune'. Only those securing the first went forward to the second stage in the selection of managers. This was the filling of the three senior posts of chung (#4), fu (§]) and hip chik lei (£), or principal, deputy and assistant (senior) manager, This event was conducted in a restaurant at the annual dinner held in the first moon. Again, the selection was made in
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