RAS-1982 — Page 333

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

BOOK REVIEWS

311

from 5 million

Shanghai, despite its recent prolific growth to 1 million in recent years straddling along the banks of the Huangpu river is, for the visitor, the oldest Treaty Port of China. The tourist does not see and probably is not particularly interested in seeing the ring of satellite suburbs around the commercial city of the 1930's.

Shanghai is, for the traveller, the mile long Bund with the famous landmark of the Hong Kong & Shanghai Bank Building, the former Cathay Hotel (now the Peace Hotel), the British consular gardens and the famous Shanghai Club (now the Dong Feng Hotel whose notorious long bar room is now used for wedding receptions).

And, even though the Nanking Road does not exactly convey the excitement of the heady decadent atmosphere of the night club haunts of the champagne-swilling, déraciné White Russian dance hostesses of the Bubbling Well Road of the 1930s; nevertheless, even today, one can still buy the cream cakes and coffee in the cafés and cake shops of the area houses of consumerism among the deserts of the Nos. 1, 2, 3, 4 & 5 departmental stores of the socialist regime.

The outstanding merit of this book is that it is much more than a guide to the tourist wishing to find the whereabouts of the old landmarks of Shanghai. In fact, it is a very attractive presentation of the well-known (e.g. the life of luxury) and of the lesser-known (e.g. the intellectual and political life) aspects of Shanghai's social history in the modern period. The style is simple and clear and the balance of the treatment of subjects is perfect. (Consider for instance, the account of Shanghai's contributors to the Chinese film industry. This gives an extra dimension to Laida's history of the Chinese cinema and its thesis of the silver screen as the projection of Chinese politics.)

Finally, reading this nostalgic and informative re-creation of Old Shanghai makes me, at least, wish that the same kind of thing could be done for Hong Kong. But, probably, we shall have to wait till after 1997 for that suitable opportunity to recapture the essence of a city, when progress and change comes

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2026-05-13 01:07:59 · NVIDIA / meta/llama-4-maverick-17b-128e-instruct
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BOOK REVIEWS 311 from 5 million Shanghai, despite its recent prolific growth to 1 million in recent years straddling along the banks of the Huangpu river is, for the visitor, the oldest Treaty Port of China. The tourist does not see and probably is not particularly interested in seeing the ring of satellite suburbs around the commercial city of the 1930's. Shanghai is, for the traveller, the mile long Bund with the famous landmark of the Hong Kong & Shanghai Bank Building, the former Cathay Hotel (now the Peace Hotel), the British consular gardens and the famous Shanghai Club (now the Dong Feng Hotel whose notorious long bar room is now used for wedding receptions). And, even though the Nanking Road does not exactly convey the excitement of the heady decadent atmosphere of the night club haunts of the champagne-swilling, déraciné White Russian dance hostesses of the Bubbling Well Road of the 1930s; nevertheless, even today, one can still buy the cream cakes and coffee in the cafés and cake shops of the area houses of consumerism among the deserts of the Nos. 1, 2, 3, 4 & 5 departmental stores of the socialist regime. The outstanding merit of this book is that it is much more than a guide to the tourist wishing to find the whereabouts of the old landmarks of Shanghai. In fact, it is a very attractive presentation of the well-known (e.g. the life of luxury) and of the lesser-known (e.g. the intellectual and political life) aspects of Shanghai's social history in the modern period. The style is simple and clear and the balance of the treatment of subjects is perfect. (Consider for instance, the account of Shanghai's contributors to the Chinese film industry. This gives an extra dimension to Laida's history of the Chinese cinema and its thesis of the silver screen as the projection of Chinese politics.) Finally, reading this nostalgic and informative re-creation of Old Shanghai makes me, at least, wish that the same kind of thing could be done for Hong Kong. But, probably, we shall have to wait till after 1997 for that suitable opportunity to recapture the essence of a city, when progress and change comes
Baseline (Original)
BOOK REVIEWS 311 from 5 million Shanghai, despite its recent prolific growth to 1 million in recent years straddling along the banks of the Huangpu river is, for the visitor, the oldest Treaty Port of China. The tourist does not see and probably is not particularly interested in seeing the ring of satellite suburbs around the commercial city of the 1930's. Shanghai is, for the traveller, the mile long Bund with the famous landmark of the Hong Kong & Shanghai Bank Building, the former Cathay Hotel (now the Peace Hotel), the British consular gardens and the famous Shanghai Club (now the Dong Feng Hotel whose notorious long bar room is now used for wedding receptions). And, even though the Nanking Road does not exactly convey the excitment of the heady decadent atmosphere of the night club haunts of the champagne-swilling, déraciné White Russian dance hostesses of the Bubbling Well Road of the 1930s; nevertheless, even today, one can still buy the cream cakes and coffee in the cafés and cake shops of the area →→ ouses of consumerism among the deserts of the Nos. 1, 2, 3, 4 & 5 departmental stores of the socialist regime. The outstanding merit of this book is that it is much more than a guide to the tourist wishing to find the whereabouts of the old landmarks of Shanghai. In fact, it is a very attractive presentation of the well-known (e.g. the life of luxury) and of the lesser-known (c.g. the intellectual and political life) aspects of Shanghai's social history in the modern period. The style is simple and clear and the balance of the treatment of subjects is perfect. (Consider for instance, the account of Shanghai's con- tributors to the Chinese film industry. This gives an extra dimension to Laida's history of the Chinese cinema and its thesis. of the silver screen as the projection of Chinese politics.) Finally, reading this nostalgic and informative re-creation of Old Shanghai makes me, at least, wish that the same kind of thing could be done for Hong Kong. But, probably, we shall have to wait till after 1997 for that suitable opportunity to recapture the essence of a city, when progress and change comes
2026-05-13 01:07:59 · Baseline
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BOOK REVIEWS

311

from 5 million

Shanghai, despite its recent prolific growth to 1 million in recent years straddling along the banks of the Huangpu river is, for the visitor, the oldest Treaty Port of China. The tourist does not see and probably is not particularly interested in seeing the ring of satellite suburbs around the commercial city of the 1930's.

Shanghai is, for the traveller, the mile long Bund with the famous landmark of the Hong Kong & Shanghai Bank Building, the former Cathay Hotel (now the Peace Hotel), the British consular gardens and the famous Shanghai Club (now the Dong Feng Hotel whose notorious long bar room is now used for wedding receptions).

And, even though the Nanking Road does not exactly convey the excitment of the heady decadent atmosphere of the night club haunts of the champagne-swilling, déraciné White Russian dance hostesses of the Bubbling Well Road of the 1930s; nevertheless, even today, one can still buy the cream cakes and coffee in the cafés and cake shops of the area →→ ouses of consumerism among the deserts of the Nos. 1, 2, 3, 4 & 5 departmental stores of the socialist regime.

The outstanding merit of this book is that it is much more than a guide to the tourist wishing to find the whereabouts of the old landmarks of Shanghai. In fact, it is a very attractive presentation of the well-known (e.g. the life of luxury) and of the lesser-known (c.g. the intellectual and political life) aspects of Shanghai's social history in the modern period. The style is simple and clear and the balance of the treatment of subjects is perfect. (Consider for instance, the account of Shanghai's con- tributors to the Chinese film industry. This gives an extra dimension to Laida's history of the Chinese cinema and its thesis. of the silver screen as the projection of Chinese politics.)

Finally, reading this nostalgic and informative re-creation of Old Shanghai makes me, at least, wish that the same kind of thing could be done for Hong Kong. But, probably, we shall have to wait till after 1997 for that suitable opportunity to recapture the essence of a city, when progress and change comes

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