RAS-1982 — Page 177

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed
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155

SC final

KHW final Conditioning factor

Smooth Tones

Examples

Clipped Tones

-aam/p -aam/p

Unconditioned

三膾牖淡 甲搭夾納雜

-am/p

-am/p

Unconditioned

心含銜林 濕急十入合

.im/p

im/p

Unconditioned

嚴檢染馓 接劫協

-aam/t

Unconditioned

--aeng/k

閒關難晚 刀刮猿

waang/k

Unconditioned

生橫硬筆 百窄H

-an/t

-un/t

-ang/k

-ang/k

Unconditioned

Unconditioned

Unconditioned

根聞粉陣 春樽 七筆實 出律術 聲等正嫲 得黑

-ing/k

Unconditioned

經蒸蟹榮 識色食歷

-in/t

---ing/k

-on/t

-oon/t

-ung/k

Unconditioned

Unconditioned

Unconditioned

天田展面 精切否別 安寒漢汗 測渴 官門款碗

-ung/k

Unconditioned

公紅孔用 竹督再次

-pen/t

-ung/k

Unconditioned

酸選軟 缺說

-eng/k

--cng/k Unconditioned

省頸痛 只踢石菜

-eung/k

-ông k

Unconditioned

傷娘唱讓 脚樂

—ong k

-ong/k

Unconditioned

國落

5. Tones.

There are four tones, numbered 1 to 4 in this paper. Tones 3 and 4 form the higher register; tones 1 and 2, the lower. Each register has a rising tone (tones 3 and 1) and a lower tone which is level or slightly falling (tones 4 and 2). In Y. R. Chao's numerical notation (in which the numbers represent the approximate musical contour of a tone on a relative scale from 1 low to 5 high, the first and last digits standing for the starting and ending points of a tone), their contours, observed on isolated syllables, are:

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2026-05-13 00:55:08 · NVIDIA / meta/llama-4-maverick-17b-128e-instruct
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155 SC final KHW final Conditioning factor Smooth Tones Examples Clipped Tones -aam/p -aam/p Unconditioned 三膾牖淡 甲搭夾納雜 -am/p -am/p Unconditioned 心含銜林 濕急十入合 .im/p im/p Unconditioned 嚴檢染馓 接劫協 -aam/t Unconditioned --aeng/k 閒關難晚 刀刮猿 waang/k Unconditioned 生橫硬筆 百窄H -an/t -un/t -ang/k -ang/k Unconditioned Unconditioned Unconditioned 根聞粉陣 春樽 七筆實 出律術 聲等正嫲 得黑 -ing/k Unconditioned 經蒸蟹榮 識色食歷 -in/t ---ing/k -on/t -oon/t -ung/k Unconditioned Unconditioned Unconditioned 天田展面 精切否別 安寒漢汗 測渴 官門款碗 -ung/k Unconditioned 公紅孔用 竹督再次 -pen/t -ung/k Unconditioned 酸選軟 缺說 -eng/k --cng/k Unconditioned 省頸痛 只踢石菜 -eung/k -ông k Unconditioned 傷娘唱讓 脚樂 —ong k -ong/k Unconditioned 國落 5. Tones. There are four tones, numbered 1 to 4 in this paper. Tones 3 and 4 form the higher register; tones 1 and 2, the lower. Each register has a rising tone (tones 3 and 1) and a lower tone which is level or slightly falling (tones 4 and 2). In Y. R. Chao's numerical notation (in which the numbers represent the approximate musical contour of a tone on a relative scale from 1 low to 5 high, the first and last digits standing for the starting and ending points of a tone), their contours, observed on isolated syllables, are:
Baseline (Original)
155 SC final KHW final Conditioning factor Smooth Tones Examples Clipped Tones -aam/p -aam/p Unconditioned 三膾牖淡 甲搭夾納雜 -am/p -am/p Unconditioned 心含銜林 濕急十入合 .im/p im/p Unconditioned 嚴檢染馓 接劫協 -aam/t Unconditioned --aeng/k 閒關難晚 刀刮猿 waang/k Unconditioned 生橫硬筆 百窄H -an/t -un/t -ang/k -ang/k Unconditioned Unconditioned Unconditioned 根聞粉陣 春樽 七筆實 出律術 聲等正嫲 得黑 -ing/k Unconditioned 經蒸蟹榮 識色食歷 -in/t ---ing/k -on/t -oon/t -ung/k Unconditioned Unconditioned Unconditioned 天田展面 精切否別 安寒漢汗 測渴 官門款碗 -ung/k Unconditioned 公紅孔用 竹督再次 -pen/t -ung/k Unconditioned 酸選軟 缺說 -eng/k --cng/k Unconditioned 省頸痛 只踢石菜 -eung/k -ông k Unconditioned 傷娘唱讓 脚樂 —ong k -ong/k Unconditioned 國落 5. Tones. There are four tones, numbered 1 to 4 in this paper. Tones 3 and 4 form the higher register; tones 1 and 2, the lower. Each register has a rising tone (tones 3 and 1) and a lower tone which is level or slightly falling (tones 4 and 2). In Y. R. Chao's numerical notation (in which the numbers represent the appro- ximate musical contour of a tone on a relative scale from 1 low to 5 high, the first and last digits standing for the starting and ending points of a tone), their contours, observed on isolated syllables, are:
2026-05-13 00:55:08 · Baseline
View content

155

SC final

KHW final Conditioning factor

Smooth Tones

Examples

Clipped Tones

-aam/p -aam/p

Unconditioned

三膾牖淡

甲搭夾納雜

-am/p

-am/p

Unconditioned

心含銜林

濕急十入合

.im/p

im/p

Unconditioned

嚴檢染馓

接劫協

-aam/t

Unconditioned

--aeng/k

閒關難晚

刀刮猿

waang/k

Unconditioned

生橫硬筆

百窄H

-an/t

-un/t

-ang/k

-ang/k

Unconditioned

Unconditioned

Unconditioned

根聞粉陣

春樽

七筆實

出律術

聲等正嫲

得黑

-ing/k

Unconditioned

經蒸蟹榮

識色食歷

-in/t

---ing/k

-on/t

-oon/t

-ung/k

Unconditioned

Unconditioned

Unconditioned

天田展面

精切否別

安寒漢汗

測渴

官門款碗

-ung/k

Unconditioned

公紅孔用

竹督再次

-pen/t

-ung/k

Unconditioned

酸選軟

缺說

-eng/k

--cng/k Unconditioned

省頸痛

只踢石菜

-eung/k

-ông k

Unconditioned

傷娘唱讓

脚樂

—ong k

-ong/k

Unconditioned

國落

5. Tones.

There are four tones, numbered 1 to 4 in this paper. Tones 3 and 4 form the higher register; tones 1 and 2, the lower. Each register has a rising tone (tones 3 and 1) and a lower tone which is level or slightly falling (tones 4 and 2). In Y. R. Chao's numerical notation (in which the numbers represent the appro- ximate musical contour of a tone on a relative scale from 1 low to 5 high, the first and last digits standing for the starting and ending points of a tone), their contours, observed on isolated syllables, are:

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