148
NOTES AND QUERIES
Fung Yuen is a coastal valley cutting deeply back from the coast of Tolo Harbor, about a mile and a half deep and perhaps a half mile wide, flanked by hills falling sharply down to the sea on both sides. The eastern hill, the abode, geomantically speaking, of the Green Dragon, has been shaved off in Government engineering works as a "borrow area" for bay fill several years, and tun fu ceremonies have been held in Fung Yuen in the past. In 1981, "borrowing" was to begin on the western hill, the home of the White Tiger, so new ceremonies were necessary.
The details of the 1958 and 1960 rituals described by Hayes (JHKBRAS 5:122-124 and JHKBRAS 11:204-209) are roughly similar to those I observed in Fung Yuen in 1981. However, the specialist hired, according to the village head, was not a fung seui sin saang, but a tun fu sin saang (could this perhaps indicate the growth of a new occupational specialization?). He was aided by one elderly assistant. Offerings included both meat and vegetarian dishes; the specialist commented that since many spirits are invited to such a ceremony and one does not know their preferences, a variety of things should be made available to please them all. The basic ceremony consisted of the presentation of offerings and prayers, the burning of candles, paper money, and incense, and the renewing of ritual objects that had been positioned in a similar ceremony a few years earlier, and were now reconsecrated and left in place once more. Large incense pots were filled with fresh sand, into which new bamboo sticks affixed with charms were stuck. Fresh, tall stalks of bamboo, very leafy at the top, with a paper charm attached to each, were erected beside the pots at various locations in the valley. As the village head explained it to me, the ceremony serves to invite a benevolent deity, a po sat, who is a sin sih, or a kind of an official in the heavenly bureaucracy, to protect the village from malevolent spirits who may be disturbed by the earth removal. He is, I believe, represented by the paper charm attached to each tall leafy bamboo stalk.
It is not only the fine details of ritual acts, nor the numbers and types of ritual objects used, that had significance on this occasion. The spatial patterning of the sites chosen for the series of one major and seven minor ceremonies conducted over the course of
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148
NOTES AND QUERIES
Fung Yuen is a coastal valley cutting deeply back from the coast of Tolo Harbor, about a mile and a half deep and perhaps a half mile wide, flanked by hills falling sharply down to the sea on both sides. The eastern hill, the abode, geomantically speaking, of the Green Dragon, has been shaved off in Government engineering works as a "borrow area" for bay fill several years, and tun fu cere- monies have been held in Fung Yuen in the past. In 1981, "borrow- ing" was to begin on the western hill, the home of the White Tiger, so new ceremonies were necessary.
The details of the 1958 and 1960 rituals described by Hayes (JHKBRAS 5:122-124 and JHKBRAS 11:204-209) are roughly similar to those I observed in Fung Yuen in 1981. However, the specialist hired, according to the village head, was not a fung seui sin saang, but a tun fu sin saang (could this perhaps indicate the growth of a new occupational specialization?). He was aided by one elderly assistant. Offerings included both meat and vegetarian dishes; the specialist commented that since many spirits are invited to such a ceremony and one does not know their preferences, a variety of things should be made available to please them all. The basic ceremony consisted of the presentation of offerings and prayers, the burning of candles, paper money, and incense, and the renewing of ritual objects that had been positioned in a similar ceremony a few years earlier, and were now reconsecrated and left in place once more. Large incense pots were filled with fresh sand, into which new bamboo sticks affixed with charms were stuck. Fresh, tall stalks of bamboo, very leafy at the top, with a paper charm attached to each, were erected beside the pots at various locations in the valley. As the village head explained it to me, the ceremony serves to invite a benevolent deity, a po sat, who is a sin sih, or a kind of an official in the heavenly bureaucracy, to protect the village from malevolent spirits who may be disturbed by the earth removal. He is, I believe, represented by the paper charm attached to each tall leafy bamboo stalk.
It is not only the fine details of ritual acts, nor the numbers and types of ritual objects used, that had significance on this occasion. The spatial patterning of the sites chosen for the series of one major and seven minor ceremonies conducted over the course of
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