RAS-1980 — Page 133

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

SYMBOLISM OF THE NEW LIGHT

101

Holy Saturday night was taken. In the following century, under St. Leo IV, whose pontificate lasted from 847 to 855, the custom of procuring new fire every day from a flint was extended also to Holy Saturday.2

20

In modern times, this ceremony is no longer performed except once a year on Holy Saturday on the eve of Easter. Although the significance of the ritual has been adapted to the Christian doctrine, it remains clear that the structure of the ritual itself points to a different origin. The event takes place outside the Church proper. All the lamps in the sanctuary have been extinguished and as Abbot Guéranger mentions,21 the faithful had previously put out the fires in their own homes as well; they would relight them on their return from the church service with the new light consecrated at the Easter service.

The structure of this blessing of fire closely resembles the parallel tradition observed in ancient China: it is a renewal of fire as a life-giving force and is related to the victory of the sun after the spring equinox. Fire was kept burning in the homes both for cooking and for light-giving at night, but it was believed to grow old and weak, and needed to be renewed occasionally. In China the custom was probably observed during the day-time, since fire was taken from the sun directly; in the Roman and Christian tradition, it was struck from a flint stone in the evening.

The Christian liturgy has maintained this tradition but adapted it skilfully to the new faith: whereas the old form remained unchanged, its symbolic meaning was reinterpreted: the new light represents Christ "Light of the World"; the spark of light struck from the flint represents our Lord rising from the rock-hewn sepulchre, through the stone which sealed it".22 In the present-day Roman liturgy, after the new fire has been struck from stone, charcoal is lit from it and this new fire is then blessed by the officiating priest. After the blessing, some of the consecrated coal is put into the thurible and the new fire is censed with it. After the inscription of the large Easter candle has been made by the priest, five grains of incense are inserted in five small openings, symbolizing the five wounds of Jesus inflicted at his crucifixion. Next, one of the assistants lights a small candle from the new fire and with it again lights the Easter candle. The priest consecrates the newly lit candle with this prayer:

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SYMBOLISM OF THE NEW LIGHT 101 Holy Saturday night was taken. In the following century, under St. Leo IV, whose pontificate lasted from 847 to 855, the custom of procuring new fire every day from a flint was extended also to Holy Saturday.2 20 In modern times, this ceremony is no longer performed except once a year on Holy Saturday on the eve of Easter. Although the significance of the ritual has been adapted to the Christian doctrine, it remains clear that the structure of the ritual itself points to a different origin. The event takes place outside the Church proper. All the lamps in the sanctuary have been extinguished and as Abbot Guéranger mentions,21 the faithful had previously put out the fires in their own homes as well; they would relight them on their return from the church service with the new light consecrated at the Easter service. The structure of this blessing of fire closely resembles the parallel tradition observed in ancient China: it is a renewal of fire as a life-giving force and is related to the victory of the sun after the spring equinox. Fire was kept burning in the homes both for cooking and for light-giving at night, but it was believed to grow old and weak, and needed to be renewed occasionally. In China the custom was probably observed during the day-time, since fire was taken from the sun directly; in the Roman and Christian tradition, it was struck from a flint stone in the evening. The Christian liturgy has maintained this tradition but adapted it skilfully to the new faith: whereas the old form remained unchanged, its symbolic meaning was reinterpreted: the new light represents Christ "Light of the World"; the spark of light struck from the flint represents our Lord rising from the rock-hewn sepulchre, through the stone which sealed it".22 In the present-day Roman liturgy, after the new fire has been struck from stone, charcoal is lit from it and this new fire is then blessed by the officiating priest. After the blessing, some of the consecrated coal is put into the thurible and the new fire is censed with it. After the inscription of the large Easter candle has been made by the priest, five grains of incense are inserted in five small openings, symbolizing the five wounds of Jesus inflicted at his crucifixion. Next, one of the assistants lights a small candle from the new fire and with it again lights the Easter candle. The priest consecrates the newly lit candle with this prayer:
Baseline (Original)
SYMBOLISM OF THE NEW LIGHT 101 Holy Saturday night was taken. In the following century, under St. Leo IV, whose pontificate lasted from 847 to 855, the custom of procuring new fire every day from a flint was extended also to Holy Saturday.2 20 In modern times, this ceremony is no longer performed except once a year on Holy Saturday on the eve of Easter. Although the significance of the ritual has been adapted to the Christian doctrine, it remains clear that the structure of the ritual itself points to a different origin. The event takes place outside the Church proper. All the lamps in the sanctuary have been extinguished and as Abbot Guéranger mentions,21 the faithful had previously put out the fires in their own homes as well; they would relight them on their return from the church service with the new light consecrated at the Easter service. The structure of this blessing of fire closely resembles the parallel tradition observed in ancient China: it is a renewal of fire as a life-giving force and is related to the victory of the sun after the spring equinox. Fire was kept burning in the homes both for cooking and for lightgiving at night, but it was believed to grow old and weak, and needed to be renewed occasionally. In China the custom was probably observed during the day-time, since fire was taken from the sun directly; in the Roman and Christian tradi- tion, it was struck from a flint stone in the evening. The Christian liturgy has maintained this tradition but adapted it skilfully to the new faith: whereas the old form remained un- changed., its symbolic meaning was reinterpreted: the new light represents Christ "Light of the World"; the spark of light “struck from the flint represents our Lord rising from the rock-hewn sepul- chre, through the stone which sealed it".22 In the presentday Roman liturgy, after the new fire has been struck from stone, charcoal is lit from it and this new fire is then blessed by the officiating priest. After the blessing, some of the consecrated coal is put into the thurible and the new fire is censed with it. After the inscription of the large Easter candle has been made by the priest, five grains of incense are inserted in five small openings, symboli- zing the five wounds of Jesus inflicted at his crucifixion. Next, one of the assistants lights a small candle from the new fire and with it again lights the Easter candle. The priest consecrates the newly lit candle with this prayer:
2026-05-12 23:51:50 · Baseline
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SYMBOLISM OF THE NEW LIGHT

101

Holy Saturday night was taken. In the following century, under St. Leo IV, whose pontificate lasted from 847 to 855, the custom of procuring new fire every day from a flint was extended also to Holy Saturday.2

20

In modern times, this ceremony is no longer performed except once a year on Holy Saturday on the eve of Easter. Although the significance of the ritual has been adapted to the Christian doctrine, it remains clear that the structure of the ritual itself points to a different origin. The event takes place outside the Church proper. All the lamps in the sanctuary have been extinguished and as Abbot Guéranger mentions,21 the faithful had previously put out the fires in their own homes as well; they would relight them on their return from the church service with the new light consecrated at the Easter service.

The structure of this blessing of fire closely resembles the parallel tradition observed in ancient China: it is a renewal of fire as a life-giving force and is related to the victory of the sun after the spring equinox. Fire was kept burning in the homes both for cooking and for lightgiving at night, but it was believed to grow old and weak, and needed to be renewed occasionally. In China the custom was probably observed during the day-time, since fire was taken from the sun directly; in the Roman and Christian tradi- tion, it was struck from a flint stone in the evening.

The Christian liturgy has maintained this tradition but adapted it skilfully to the new faith: whereas the old form remained un- changed., its symbolic meaning was reinterpreted: the new light represents Christ "Light of the World"; the spark of light “struck from the flint represents our Lord rising from the rock-hewn sepul- chre, through the stone which sealed it".22 In the presentday Roman liturgy, after the new fire has been struck from stone, charcoal is lit from it and this new fire is then blessed by the officiating priest. After the blessing, some of the consecrated coal is put into the thurible and the new fire is censed with it. After the inscription of the large Easter candle has been made by the priest, five grains of incense are inserted in five small openings, symboli- zing the five wounds of Jesus inflicted at his crucifixion. Next, one of the assistants lights a small candle from the new fire and with it again lights the Easter candle. The priest consecrates the newly lit candle with this prayer:

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