RAS-1978 — Page 198

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

182

DAVID H. S. CHAU

in print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow. Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also supplied from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines.

In the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existence are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai in Peking, another in Shanghai is styled To Wan Huen. There is also one left in Hangchow of Chekiang Province.

The usages of woodblock printing

Woodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter, woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High-ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beautiful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards

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182 DAVID H. S. CHAU in print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow. Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also supplied from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines. In the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existence are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai in Peking, another in Shanghai is styled To Wan Huen. There is also one left in Hangchow of Chekiang Province. The usages of woodblock printing Woodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter, woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High-ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beautiful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards
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182 DAVID H. S. CHAU in print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow (). Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also suppli- ed from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines. In the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existance are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai (**) in Peking, another in Shanghai is styled To Wan Huen (*). There is also one left in Hangchow (M) of Chekiang Province. The usages of woodblock printing Woodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beauti- ful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card (*) games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards
2026-05-12 22:48:13 · Baseline
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182

DAVID H. S. CHAU

in print making for generations since Late Ming. To Hua Wu is a district in the city of Soochow (). Fatshan is a town near Canton, also noted for its many temples, beautiful scenery and many other crafts. Prints made from these centers varied in style and printing technique, but only the prints made from Fatshan retain the ancient traditional forms, as Fatshan has been the supply center of folk prints for the Chinese overseas who have emigrated and settled down in South Asian countries for many generations. The folk prints used by Chinese people in Hong Kong were also suppli- ed from Fatshan. There had been several woodblock printers in Hong Kong producing religious folk prints by using blocks supplied from Fatshan until fifteen years ago. Then, for economic reasons, some local printers closed down their business and the remaining ones turned to modern printing techniques by using machines.

In the nineteenth century modern printing techniques were introduced to China from Western countries, and eventually the use of woodblock for printing started to decline and began to vanish. The remaining woodblock printers only engaged in the printing of religious matter. When the Communists took over the government of China in 1949, almost all these printers closed down their trade. Those still in existance are mainly engaged in reproducing paintings of old masters. One is Wing Po Chai (**) in Peking, another in Shanghai is styled To Wan Huen (*). There is also one left in Hangchow (M) of Chekiang Province.

The usages of woodblock printing

Woodblock printing had a wide range of usage in Chinese daily life. Besides printed books, calendars, folk prints and religious matter woodblocks were used for printing stationery, account sheets, letter heads, calligraphic copy books, trade labels, posters, circular notices, playing cards, etc. The government's official documents, orders, legal contracts, etc. were also printed by using woodblocks. Decorated letter sheets had been in fashion in high society in the old days. High ranking officials, noted families, wealthy merchants and literary scholars and artists had, for their own exclusive use, beauti- ful specially illustrated and coloured woodblock printed personal letter sheets for writing letters or poems. Card (*) games were also popular in the feast gatherings of scholars, poets or artists. Monochrome, illustrated, woodblock-printed, paper playing cards

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