RAS-1978 — Page 127

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

SHIWAN POTTERY EXPLORED

111

such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.

I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.

NOTES

1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).

2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.

3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.

4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.

5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.

6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.

7 Op. cit. Ref. 2.

8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.

9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).

10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.

This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press).

11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,

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SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,
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SHIWAN POTTERY EXPLORED 111 such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬ * ) and many types of workers and peasants. In 1962 the art theory of well known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process. I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression. NOTES 1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977). 2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO ✨), Kuo Gu (**), (1978) No. 3, pp. 195–199. 3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guang- dong Wen Wu {}£x#), (1941) Vol. 10: 39-47. 4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160. 5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu ( ARXMAL **), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165. 6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162. 7 Op. cit. Ref. 2. 8 "Gong Yi Ming Cheng Fushan" (ILM −84), Xin Fu (**), (February 1959), No. 39, pp. 34-37. 9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké ), Xianggang Zhong Hua Shu Ju (✯ #+4#5 ), (March, 1961). 10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡 4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f. This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press). 11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,
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SHIWAN POTTERY EXPLORED

111

such as Lu Xun (§i§) and Yang Kaihui, (#5 B♬ * ) and many types of workers and peasants. In 1962 the art theory of well known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.

I regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.

NOTES

1 Nigel Cameron, "Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).

2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha" (ARGZSEALJO ✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.

3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guang- dong Wen Wu {}£x#), (1941) Vol. 10: 39-47.

4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.

5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu ( ARXMAL **), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.

6 "Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.

7 Op. cit. Ref. 2.

8 "Gong Yi Ming Cheng Fushan" (ILM −84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.

9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké ), Xianggang Zhong Hua Shu Ju (✯ #+4#5 ), (March, 1961).

10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡 4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.

This theory is discussed more fully in: Fredrikke Skinsnes Scollard, "Destruction and Creation: The Impact of Revolution on Shekwan Pottery", Leverhulme Conference, University of Hong Kong, 1977, (In press).

11 Manuel da Silva Mendes, "Barros de Kuang Tung", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,

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