CHAN LAI-SUN AND HIS FAMILY:
A 19TH CENTURY CHINA COAST FAMILY
CARL T. SMITH
Professor John K. Fairbank of the Harvard-Yenching Institute in an address to the Society during his visit to Hong Kong in 1976, referred to the importance of the study of what he termed "China Coast Culture", meaning thereby the type of social groups, values, institutions, etc., that emerged from the commingling of diverse traditions in the port cities of China. He suggested that an understanding of the forces that created this social milieu and an analysis of its structure and operation might provide models for life as it is developing in an age of rapid cultural interchange.*
This study of one family which was a part of the China Coast culture illustrates some strands in its creation and emergence as a distinct way of life, with its own values and manners. This new life style is seen in such features in the family of Chan Lai-sun as the intermingling of Chinese and foreign home decoration; changed attitudes toward certain Chinese practices, such as the social mingling of sexes, foot binding, dress and the wearing of the queue; the employment in a Chinese setting of language, educational and scientific skills acquired by a Western-style training; and marriage across racial boundaries.
Mr. Tin-yuk Char has provided interesting information on the career of Chan Lai-sun. In the light of his suggestion that more information might be forthcoming, I can add a few more facts from material I have collected on the family.
The careers of Chan Lai-sun and his children are examples of the role marginal Chinese played in the Westernization of China. Chan's mother was probably Malay. His wife Ruth A-tik was born in Indonesia and was not of pure Chinese ancestry. In a list of members of the Presbyterian Mission Church at Ningpo for 1850, she is described as "Indo-Chinese". Both as children came under the patronage of foreigners and both received an English language education. Miss Aldersey, the patron of Ruth A-tik, first in Batavia
* This is my interpretation of his remarks and may not be an altogether accurate assessment.
CHAN LAI-SUN AND HIS FAMILY:
A 19TH CENTURY CHINA COAST FAMILY
CARL T. SMITH
Professor John K. Fairbank of the Harvard-Yenching Institute in an address to the Society during his visit to Hong Kong in 1976, referred to the importance of the study of what he termed "China Coast Culture", meaning thereby the type of social groups, values, institutions, etc., that emerged from the commingling of diverse traditions in the port cities of China. He suggested that an under- standing of the forces that created this social milieu and an analysis of its structure and operation might provide models for life as it is developing in an age of rapid cultural interchange.*
This study of one family which was a part of the China Coast culture illustrates some strands in its creation and emergence as a distinct way of life, with its own values and manners. This new life style is seen in such features in the family of Chan Lai-sun as the intermingling of Chinese and foreign home decoration; changed attitudes toward certain Chinese practices, such as the social ming- ling of sexes, foot binding, dress and the wearing of the queue; the employment in a Chinese setting of language, educational and scientific skills acquired by a Western-style training; and marriage across racial boundaries.
Mr. Tin-yuk Char has provided interesting information on the career of Chan Lai-sun. In the light of his suggestion that more information might be forthcoming, I can add a few more facts from material I have collected on the family.
The careers of Chan Lai-sun and his children are examples of the role marginal Chinese played in the Westernization of China. Chan's mother was probably Malay. His wife Ruth A-tik was born in Indonesia and was not of pure Chinese ancestry. In a list of members of the Presbyterian Mission Church at Ningpo for 1850, she is described as "Indo-Chinese". Both as children came under the patronage of foreigners and both received an English language education. Miss Aldersey, the patron of Ruth A-tik, first in Batavia
* This is my interpretation of his remarks and may not be an altogether accurate assessment.
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