RAS-1976 — Page 103

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

88

ELIZABETH L. JOHNSON

Tai Po. Bands, mounted on hat, predominantly of white cotton, with thick white tassels. One half the length of the band commonly has zigzag pattern. Bands commonly worn on headcloth, also of white cotton. Patterned bands not often worn on apron, which is fastened with a strip of cloth. Apron relatively short and narrow, with coloured trim at the top. Headcloth is long, hanging down the wearer's back.

Yuen Long. Band is used to fasten hat under wearer's chin, being drawn under the chin through rings mounted on either side of the hat, and then back to be tied under the chin. Such a band is very long and narrow, with thin tassels. These bands are silk and cotton with small patterns appearing less clear than those from other areas because of the use of a double weft thread, of white cotton and coloured silk. Similar bands, although shorter, are used on aprons, which are narrow like those in Tai Po, but longer. They are trimmed at the top and sometimes have ornamental frogs.

Shatin. Shatin bands are mounted on the hat and have long thick tassels like those of Tsuen Wan. The aprons are like those in Tsuen Wan.

Sai Kung. Pink and purple predominate in the bands. They appear to be rarely worn on hats, but are worn as apron bands and to hold head cloths. The tassels are less long and thick than those of Tsuen Wan.

The bands, and other aspects of dress and adornment, thus served as indicators of regional identity at a time when these differences were socially and politically significant. Topographic conditions in Hong Kong, with its mountains, islands and water, meant that enclaves with distinct identities developed. These were sometimes demonstrated in the form of alliances, as well as in the system of measuring land area. Tsuen Wan, for example, formed a self-conscious enclave of people with a shared identity and an ideal, at least, of cooperative relations.

Despite the importance of regional identity, some Tsuen Wan men married women from outside the Tsuen Wan District. The reasons for this may have been to broaden their network of contacts, or perhaps to avoid the problems which sometimes resulted from living in too close proximity to relatives by marriage: or because the go-between arranging the marriage knew of a suitable match in another place. Interestingly, women upon marriage con-

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88 ELIZABETH L. JOHNSON Tai Po. Bands, mounted on hat, predominantly of white cotton, with thick white tassels. One half the length of the band commonly has zigzag pattern. Bands commonly worn on headcloth, also of white cotton. Patterned bands not often worn on apron, which is fastened with a strip of cloth. Apron relatively short and narrow, with coloured trim at the top. Headcloth is long, hanging down the wearer's back. Yuen Long. Band is used to fasten hat under wearer's chin, being drawn under the chin through rings mounted on either side of the hat, and then back to be tied under the chin. Such a band is very long and narrow, with thin tassels. These bands are silk and cotton with small patterns appearing less clear than those from other areas because of the use of a double weft thread, of white cotton and coloured silk. Similar bands, although shorter, are used on aprons, which are narrow like those in Tai Po, but longer. They are trimmed at the top and sometimes have ornamental frogs. Shatin. Shatin bands are mounted on the hat and have long thick tassels like those of Tsuen Wan. The aprons are like those in Tsuen Wan. Sai Kung. Pink and purple predominate in the bands. They appear to be rarely worn on hats, but are worn as apron bands and to hold head cloths. The tassels are less long and thick than those of Tsuen Wan. The bands, and other aspects of dress and adornment, thus served as indicators of regional identity at a time when these differences were socially and politically significant. Topographic conditions in Hong Kong, with its mountains, islands and water, meant that enclaves with distinct identities developed. These were sometimes demonstrated in the form of alliances, as well as in the system of measuring land area. Tsuen Wan, for example, formed a self-conscious enclave of people with a shared identity and an ideal, at least, of cooperative relations. Despite the importance of regional identity, some Tsuen Wan men married women from outside the Tsuen Wan District. The reasons for this may have been to broaden their network of contacts, or perhaps to avoid the problems which sometimes resulted from living in too close proximity to relatives by marriage: or because the go-between arranging the marriage knew of a suitable match in another place. Interestingly, women upon marriage con-
Baseline (Original)
88 ELIZABETH L. JOHNSON Tai Po. Bands, mounted on hat, predominantly of white cotton, with thick white tassels. One half the length of the band commonly has zigzag pattern. Bands commonly worn on headcloth, also of white cotton. Patterned bands not often worn on apron, which is fastened with a strip of cloth. Apron relatively short and narrow, with coloured trim at the top. Headcloth is long, hanging down the wearer's back. Yuen Long. Band is used to fasten hat under wearer's chin, being drawn under the chin through rings mounted on either side of the hat, and then back to be tied under the chin. Such a band is very long and narrow, with thin tassels. These bands are silk and cotton with small patterns appearing less clear than those from other areas because of the use of a double weft thread, of white cotton and coloured silk. Similar bands, although shorter, are used on aprons, which are narrow like those in Tai Po, but longer. They are trim- med at the top and sometimes have ornamental frogs. Shatin. Shatin bands are mounted on the hat and have long thick tassels like those of Tsuen Wan. The aprons are like those in Tsuen Wan. Sai Kung. Pink and purple predominate in the bands. They appear to be rarely worn on hats, but are worn as apron bands and to hold head cloths. The tassels are less long and thick than those of Tsuen Wan. The bands, and other aspects of dress and adornment, thus served as indicators of regional identity at a time when these diffe- rences were socially and politically significant. Topographic con- ditions in Hong Kong, with its mountains, islands and water, meant that enclaves with distinct identities developed. These were some- times demonstrated in the form of alliances, as well as in the system of measuring land area. Tsuen Wan, for example, formed a self-conscious enclave of people with a shared identity and an ideal, at least, of cooperative relations. Despite the importance of regional identity, some Tsuen Wan men married women from outside the Tsuen Wan District." The reasons for this may have been to broaden their network of con- tacts, or perhaps to avoid the problems which sometimes resulted from living in too close proximity to relatives by marriage: or because the go-between arranging the marriage knew of a suitable match in another place. Interestingly, women upon marriage con-
2026-05-12 21:13:09 · Baseline
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88

ELIZABETH L. JOHNSON

Tai Po. Bands, mounted on hat, predominantly of white cotton, with thick white tassels. One half the length of the band commonly has zigzag pattern. Bands commonly worn on headcloth, also of white cotton. Patterned bands not often worn on apron, which is fastened with a strip of cloth. Apron relatively short and narrow, with coloured trim at the top. Headcloth is long, hanging down the wearer's back.

Yuen Long. Band is used to fasten hat under wearer's chin, being drawn under the chin through rings mounted on either side of the hat, and then back to be tied under the chin. Such a band is very long and narrow, with thin tassels. These bands are silk and cotton with small patterns appearing less clear than those from other areas because of the use of a double weft thread, of white cotton and coloured silk. Similar bands, although shorter, are used on aprons, which are narrow like those in Tai Po, but longer. They are trim- med at the top and sometimes have ornamental frogs.

Shatin. Shatin bands are mounted on the hat and have long thick tassels like those of Tsuen Wan. The aprons are like those in Tsuen Wan.

Sai Kung. Pink and purple predominate in the bands. They appear to be rarely worn on hats, but are worn as apron bands and to hold head cloths. The tassels are less long and thick than those of Tsuen Wan.

The bands, and other aspects of dress and adornment, thus served as indicators of regional identity at a time when these diffe- rences were socially and politically significant. Topographic con- ditions in Hong Kong, with its mountains, islands and water, meant that enclaves with distinct identities developed. These were some- times demonstrated in the form of alliances, as well as in the system of measuring land area. Tsuen Wan, for example, formed a self-conscious enclave of people with a shared identity and an ideal, at least, of cooperative relations.

Despite the importance of regional identity, some Tsuen Wan men married women from outside the Tsuen Wan District." The reasons for this may have been to broaden their network of con- tacts, or perhaps to avoid the problems which sometimes resulted from living in too close proximity to relatives by marriage: or because the go-between arranging the marriage knew of a suitable match in another place. Interestingly, women upon marriage con-

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