RAS-1975 — Page 90

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

82

HELGA WERLE

ing without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.

Act IV

As soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.

Now the questioning begins. A girl servant fetches "the law of the house" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.

T'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].

But then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.

Act V

Mr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants

, used for punishment.

Page 90

Page 91

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82 HELGA WERLE ing without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey. Act IV As soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su. Now the questioning begins. A girl servant fetches "the law of the house" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry. T'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.]. But then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract. Act V Mr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants , used for punishment. Page 90 Page 91
Baseline (Original)
82 HELGA WERLE ing without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey. Act IV As soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su. Now the questioning begins. A girl servant fetches "the law of the house" [two approx, 60 cm long bamboo-halves fastened to- gether on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin. the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry. T'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreo- graphed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been sugested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not con- trolled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.]. But then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract. Act V Mr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants , used for punishment. Page 90Page 91
2026-05-12 20:29:04 · Baseline
View content

82

HELGA WERLE

ing without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.

Act IV

As soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.

Now the questioning begins. A girl servant fetches "the law of the house" [two approx, 60 cm long bamboo-halves fastened to- gether on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin. the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.

T'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreo- graphed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step)

very characteristic of Chiuchow opera. It has been sugested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not con- trolled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].

But then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.

Act V

Mr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants

, used for punishment.

Page 90Page 91

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