RAS-1975 — Page 83

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

NOTES ON CHIUCHOW OPERA

75

from the cock's comb is sprinkled over stage, backstage and musical instruments. These two actors are in military costume and sometimes have painted faces. One is fiercely brandishing his trident against the invisible evil spirits. They are followed by another person holding a red bucket, who throws handfuls of rice mixed with salt and black beans in all the directions in which the cock's blood is dripped.

After they visit the percussions they go to the front of the stage, where in the middle a staircase leads down to the auditorium. There they bow three times to the deity sitting in the temple facing the stage. This is the end of the ceremony (see drawing on p. 73).

While the 'p'o-t'ai' ceremony is in progress the old man in charge of the patron-deity shrine directs the actors to light joss-sticks and bow and kotow in front of the shrine.

The cock used in the p'o-t'ai ceremony is either set free or bought at a high price by those who raise chickens, as such a cock guarantees success.

Before the ceremony starts a warning is given that children should leave the area and avoid seeing the ceremony, as they may be frightened or even terrified. They may be shocked for life or instantly drop dead.

After the performance there is also a short ceremony performed by two actors who portray the young man's and young girl's role. There is no music at all, they walk very fast over the stage and utter a text the words of which are known only to the initiated and are taboo to the rest of the actors. The same is true for the words uttered at the p'o-t'ai ceremony.

This troupe does not eat beef, and should its actors eat beef on a day on which they perform, they may suddenly feel very ill on stage. If this is the case they drink a bowl of water mixed with black vinegar, which will make them vomit the beef. They then bow before the shrine backstage, ask forgiveness for their mistake and promise never to do it again. Whereupon they feel better and can go on performing. The troupe's cook never serves beef, only fish and pork, salted vegetables, peanuts and rice-gruel, typical of the Chiuchow cuisine.

Most Chiuchow opera troupes venerate Tien Yüan Shuai Bi General T'ien, but although the Sang Ngai opera troupe's shrine,

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NOTES ON CHIUCHOW OPERA 75 from the cock's comb is sprinkled over stage, backstage and musical instruments. These two actors are in military costume and sometimes have painted faces. One is fiercely brandishing his trident against the invisible evil spirits. They are followed by another person holding a red bucket, who throws handfuls of rice mixed with salt and black beans in all the directions in which the cock's blood is dripped. After they visit the percussions they go to the front of the stage, where in the middle a staircase leads down to the auditorium. There they bow three times to the deity sitting in the temple facing the stage. This is the end of the ceremony (see drawing on p. 73). While the 'p'o-t'ai' ceremony is in progress the old man in charge of the patron-deity shrine directs the actors to light joss-sticks and bow and kotow in front of the shrine. The cock used in the p'o-t'ai ceremony is either set free or bought at a high price by those who raise chickens, as such a cock guarantees success. Before the ceremony starts a warning is given that children should leave the area and avoid seeing the ceremony, as they may be frightened or even terrified. They may be shocked for life or instantly drop dead. After the performance there is also a short ceremony performed by two actors who portray the young man's and young girl's role. There is no music at all, they walk very fast over the stage and utter a text the words of which are known only to the initiated and are taboo to the rest of the actors. The same is true for the words uttered at the p'o-t'ai ceremony. This troupe does not eat beef, and should its actors eat beef on a day on which they perform, they may suddenly feel very ill on stage. If this is the case they drink a bowl of water mixed with black vinegar, which will make them vomit the beef. They then bow before the shrine backstage, ask forgiveness for their mistake and promise never to do it again. Whereupon they feel better and can go on performing. The troupe's cook never serves beef, only fish and pork, salted vegetables, peanuts and rice-gruel, typical of the Chiuchow cuisine. Most Chiuchow opera troupes venerate Tien Yüan Shuai Bi General T'ien, but although the Sang Ngai opera troupe's shrine,
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NOTES ON CHIUCHOW OPERA 75 from the cock's comb is sprinkled over stage, backstage and musical instruments. These two actors are in military costume and some- times have painted faces. One is fiercely brandishing his trident against the invisible evil spirits. They are followed by another person holding a red bucket, who throws handfuls of rice mixed with salt and black beans in all the directions in which the cock's blood is dripped. After they visit the percussions they go to the front of the stage, where in the middle a staircase leads down to the auditorium. There they bow three times to the deity sitting in the temple facing the stage. This is the end of the ceremony (see drawing on p. 73). While the 'p'o-t'ai' ceremony is in progress the old man in charge of the patron-deity shrine directs the actors to light joss-sticks and bow and kotow in front of the shrine. The cock used in the p'o-t'ai ceremony is either set free or bought at a high price by those who raise chickens, as such a cock guaran- tees success. Before the ceremony starts a warning is given that children should leave the area and avoid to see the ceremony, as they may be frigh- tened ro even terrified. They may be shocked for life or instantly drop dead. After the performance there is also a short ceremony performed by two actors who portray the young man's and young girl's role. There is no music at all, they walk very fast over the stage and utter a text the words of which are known only to the initiated and are taboo to the rest of the actors. The same is true for the words uttered at the p'o-t'ai ceremony. This troupe does not eat beef, and should its actors eat beef on a day on which they perform, they may suddenly feel very ill on stage. If this is the case they drink a bowl of water mixed with black vinegar, which will make them vomit the beef. They then bow before the shrine backstage, ask forgiveness for their mistake and promise never to do it again. Whereupon they feel better and can go on performing. The troupe's cook never serves beef, only fish and pork, salted vegetables, peanuts and rice-gruel, typical of the Chiuchow cuisine. Most Chiuchow opera troupes venerate Tien Yüan Shuai Bi General T'ien, but although the Sang Ngai opera troupe's shrine,
2026-05-12 20:28:13 · Baseline
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NOTES ON CHIUCHOW OPERA

75

from the cock's comb is sprinkled over stage, backstage and musical instruments. These two actors are in military costume and some- times have painted faces. One is fiercely brandishing his trident against the invisible evil spirits. They are followed by another person holding a red bucket, who throws handfuls of rice mixed with salt and black beans in all the directions in which the cock's blood is dripped.

After they visit the percussions they go to the front of the stage, where in the middle a staircase leads down to the auditorium. There they bow three times to the deity sitting in the temple facing the stage. This is the end of the ceremony (see drawing on p. 73).

While the 'p'o-t'ai' ceremony is in progress the old man in charge of the patron-deity shrine directs the actors to light joss-sticks and bow and kotow in front of the shrine.

The cock used in the p'o-t'ai ceremony is either set free or bought at a high price by those who raise chickens, as such a cock guaran-

tees success.

Before the ceremony starts a warning is given that children should leave the area and avoid to see the ceremony, as they may be frigh- tened ro even terrified. They may be shocked for life or instantly drop dead.

After the performance there is also a short ceremony performed by two actors who portray the young man's and young girl's role. There is no music at all, they walk very fast over the stage and utter a text the words of which are known only to the initiated and are taboo to the rest of the actors. The same is true for the words uttered at the p'o-t'ai ceremony.

This troupe does not eat beef, and should its actors eat beef on a day on which they perform, they may suddenly feel very ill on stage. If this is the case they drink a bowl of water mixed with black vinegar, which will make them vomit the beef. They then bow before the shrine backstage, ask forgiveness for their mistake and promise never to do it again. Whereupon they feel better and can go on performing. The troupe's cook never serves beef, only fish and pork, salted vegetables, peanuts and rice-gruel, typical of the Chiuchow cuisine.

Most Chiuchow opera troupes venerate Tien Yüan Shuai Bi General T'ien, but although the Sang Ngai opera troupe's shrine,

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