328
BOOK REVIEWS
of George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.
Professor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.
Volume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:
Chapter II:
Chapter III:
Chapter IV:
Chapter V:
"Introduction", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. "Figure painting: Persistences and Transformation of the past", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. "Landscape painting of Ming and Ch'ing: A point of view", serves as a general introduction to this branch of Chinese painting over some 500 years. "The Wu School: Re-establishment of the Yuan Tradition", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.
"The Wu School in the Seventeenth century: A Host of Little Masters", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung
328
BOOK REVIEWS
of George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good ex- ample is the first volume of the catalogue about the Charles Selig- man Collection," on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.
Professor Li's latest publication, although independently asso- ciated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art. since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.
Volume I consists of 15 chapters. I propose to give a brief sum- mary for each chapter before presenting other remarks about this book in this review. Chapter I:
Chapter II:
Chapter III:
Chapter IV:
Chapter V:
"Introduction", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. "Figure painting: Persistences and Transformation of the past", Here the central discussion is focussed on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487- after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. "Landscape painting of Ming and Ch'ing: A point of view", serves as a general introduction to this branch of Chinese painting over some 500 years. "The Wu School: Re-establishment of the Yuan Tradition", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.
"The Wu School in the Seventeenth century: A Host of Little Masters", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung
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