RAS-1975 — Page 317

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

NOTES AND QUERIES

309

with Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the "Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.*

Schipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai.

Schipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others.

Wang Yeh

Schipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend

* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.

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NOTES AND QUERIES 309 with Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the "Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* Schipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. Schipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. Wang Yeh Schipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend * More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.
Baseline (Original)
NOTES AND QUERIES 309 with Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' ( ), The 'Three Jesters' are called by the puppeteers the "Three Brothers' (=%) or, individually, the Great, Second and Third Wang Yeh.* Schipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (£) and to have taught the actresses of the Peach Garden (Li Yuan), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. Schipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh (**£4) or Hsi Ch'in Lao Wang Yeh (1), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (A1). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman ( **). and less respectfully as The Old Boy (). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better found- ed than others. Wang Yeh Schipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend * More often than not Wang Ych (Imperial Princes) in Fukienese communities are epidemic deities.
2026-05-12 20:56:34 · Baseline
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NOTES AND QUERIES

309

with Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' ( ), The 'Three Jesters' are called by the puppeteers the "Three Brothers' (=%) or, individually, the Great, Second and Third Wang Yeh.*

Schipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (£) and to have taught the actresses of the Peach Garden (Li Yuan), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai.

Schipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh (**£4) or Hsi Ch'in Lao Wang Yeh (1), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (A1). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman ( iß **). and less respectfully as The Old Boy (). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better found- ed than others.

Wang Yeh

Schipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend

* More often than not Wang Ych (Imperial Princes) in Fukienese communities are epidemic deities.

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