RAS-1972 — Page 176

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

170

KEITH STEVENS

combination of an historical hero, with considerable legend surrounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well-documented historical being, deified by popular appeal, with little myth or legend added to his story.

Two of the three are popular Taoist spirits or gods (†‡) and believed to be beneficent whereas the third, T'ai Sui, is a feared Taoist god.

The detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thousand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols.

One final prefatory note is necessary at this point, a short description of a novel which is one of the main sources of myth and legend about the gods.

The novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the supernatural, describes the historical struggle between the last king of the Shang Dynasty, King Chou (*†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was destroyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (‡) on the banks of the Yellow River. Hsi P'o founded the Chou Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously

* See (in translation) Lu Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.

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170 KEITH STEVENS combination of an historical hero, with considerable legend surrounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well-documented historical being, deified by popular appeal, with little myth or legend added to his story. Two of the three are popular Taoist spirits or gods (†‡) and believed to be beneficent whereas the third, T'ai Sui, is a feared Taoist god. The detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thousand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols. One final prefatory note is necessary at this point, a short description of a novel which is one of the main sources of myth and legend about the gods. The novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the supernatural, describes the historical struggle between the last king of the Shang Dynasty, King Chou (*†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was destroyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (‡) on the banks of the Yellow River. Hsi P'o founded the Chou Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously * See (in translation) Lu Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.
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170 KEITH STEVENS combination of an historical hero, with considerable legend sur- rounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well- documented historical being, deified by popular appeal, with little myth or legend added to his story. Two of the three are popular Taoist spirits or gods (††) and believed to be beneficient whereas the third, T'ai Sui, is a feared Taoist god. The detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thou- sand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols. One final prefatory note is necessary at this point, a short des- cription of a novel which is one of the main sources of myth and legend about the gods. The novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the super- natural, describes the historical struggle between the last king of the Shang Dynasty, King Chou ( *†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was des- troyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (5(b) on the banks of the Yellow River. Hsi P'o founded the Chou () Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously * See (în translation) Lu_Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.
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170

KEITH STEVENS

combination of an historical hero, with considerable legend sur- rounding him, and a mythical being who is very popular in Chinese folklore; thus creating a complicated and fabulous story. The second, Fa Chu Kung, was in all probability a historical being, the actuality of his origins lost in time, who now appears as a legendary being. The third, Cheng Ho, is a comparatively recent and well- documented historical being, deified by popular appeal, with little myth or legend added to his story.

Two of the three are popular Taoist spirits or gods (††) and believed to be beneficient whereas the third, T'ai Sui, is a feared Taoist god.

The detail of the development of each cult, the recognition features of each deity, the frequency of sightings and the identities of other deities co-located with the main deity described below are based on sightings and conversations in some two and a half thou- sand temples, and six god-carvers' shops located in Hong Kong and Macau, Taiwan, the Philippines and in most parts of South East Asia; and also from notes culled from many books, mostly written by Christian missionaries who so often vented their spleen on the subject of heathen idols.

One final prefatory note is necessary at this point, a short des- cription of a novel which is one of the main sources of myth and legend about the gods.

The novel, the Feng Shen Yen I (#Ħ✯A), The Deification of the Gods*, written in about the fifteenth century about the super- natural, describes the historical struggle between the last king of the Shang Dynasty, King Chou ( *†£) and the victor, the first king of the subsequent Chou Dynasty, King Wu (1). The capital of the Shang Dynasty was the ancient city of Anyang, where King Chou, infamous for his tyranny, cruelty and excesses is said to have reigned for thirty-three years, 1154-1121 B.C. King Chou was des- troyed with the Shang Dynasty in the flames of his palace at the Deer Terrace after a crushing defeat by a rebellious army under Hsi P'o (5(b) on the banks of the Yellow River. Hsi P'o founded the Chou () Dynasty and is remembered as King Wu (1). This defeat of the Shang and the inception of the Chou is variously

* See (în translation) Lu_Hsun, A Brief History of Chinese Fiction, Peking, Foreign Languages Press, 1959, pp. 220-224, where the title is rendered Canonization of the Gods.

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