RAS-1972 — Page 138

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

132

LINDA F. SULLIVAN

main crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it.

The townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world,

In Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the

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132 LINDA F. SULLIVAN main crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it. The townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world, In Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the
Baseline (Original)
132 LINDA F. SULLIVAN main crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it. The townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world, In Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the
2026-05-12 19:11:42 · Baseline
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132

LINDA F. SULLIVAN

main crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it.

The townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world,

In Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the

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