RAS-1968 — Page 76

RASHKB Journal 皇家亞洲學會香港分會學刊 All AI Reviewed

FURTHER NOTES ON THE SUNG WONG T'OI

71

ment outside, possibly T'ang; two fragments of stoneware bowls with pale blue glaze, much weathered and probably old; and two thick stoneware bowl bases roughly hollowed out below, with their yellow glaze decayed, probably of Sung date; one of them was apparently not glazed so far down as the base. Lastly there is one fragment of the neck of a large stoneware jar, wheel-turned, the external diameter of which was 37 cm. at the mouth, and internal 35 cm.; it shows no sign of slip or glaze, and seems to be of Six Dynasties date.

2. Pottery from the beach. A group of 21 bowl bases and sherds were collected from the boulder-strewn beach at the south-east foot of the hill. All but two were submitted to the British Museum for determination of the probable dates of manufacture, with the following results:

T'ang dynasty; broken bowl glazed olive-green, with 17-tooth comb mark.

Probably T'ang: two bowl bases, one with 10-tooth comb marks.

Probably Sung: three bowl bases and two sherds, without incised ornament.

Probably Southern Sung: two bowl bases and one sherd with shallow incised grooves on the outside.

All the above bowl bases are unglazed below a line part way down their outsides, and are hollowed out with a tool that left a helical mark within the footrim.

Southern Sung or Yuan: three bowl bases of 13th century date, two with white porcellanous bodies and white glaze, and one with pale buff body and creamy glaze: their unglazed bases are flat with very low footrims. Each of the first two has incised ornament, one an underglaze wave pattern within the bowl, the other a lotus petal pattern on the outside with raised outlines. The third shows signs of wear on a beach, which are seen on no other specimen. This specimen was overlooked and not submitted to the Museum, but has a strong resemblance to the two others in its style and appearance. These three pieces are broken across their bases in such a way that outline tracings of the base in section could be made. Figures 1, 2 and 3 below

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FURTHER NOTES ON THE SUNG WONG T'OI 71 ment outside, possibly T'ang; two fragments of stoneware bowls with pale blue glaze, much weathered and probably old; and two thick stoneware bowl bases roughly hollowed out below, with their yellow glaze decayed, probably of Sung date; one of them was apparently not glazed so far down as the base. Lastly there is one fragment of the neck of a large stoneware jar, wheel-turned, the external diameter of which was 37 cm. at the mouth, and internal 35 cm.; it shows no sign of slip or glaze, and seems to be of Six Dynasties date. 2. Pottery from the beach. A group of 21 bowl bases and sherds were collected from the boulder-strewn beach at the south-east foot of the hill. All but two were submitted to the British Museum for determination of the probable dates of manufacture, with the following results: T'ang dynasty; broken bowl glazed olive-green, with 17-tooth comb mark. Probably T'ang: two bowl bases, one with 10-tooth comb marks. Probably Sung: three bowl bases and two sherds, without incised ornament. Probably Southern Sung: two bowl bases and one sherd with shallow incised grooves on the outside. All the above bowl bases are unglazed below a line part way down their outsides, and are hollowed out with a tool that left a helical mark within the footrim. Southern Sung or Yuan: three bowl bases of 13th century date, two with white porcellanous bodies and white glaze, and one with pale buff body and creamy glaze: their unglazed bases are flat with very low footrims. Each of the first two has incised ornament, one an underglaze wave pattern within the bowl, the other a lotus petal pattern on the outside with raised outlines. The third shows signs of wear on a beach, which are seen on no other specimen. This specimen was overlooked and not submitted to the Museum, but has a strong resemblance to the two others in its style and appearance. These three pieces are broken across their bases in such a way that outline tracings of the base in section could be made. Figures 1, 2 and 3 below
Baseline (Original)
FURTHER NOTES ON THE SUNG WONG T'OI 71 ment outside, possibly T'ang; two fragments of stoneware bowls with pale blue glaze, much weathered and probably old; and two thick stoneware bowl bases roughly hollowed out below, with their yellow glaze decayed, probably of Sung date; one of them was apparently not glazed so far down as the base. Lastly there is one fragment of the neck of a large stoneware jar, wheel-turned, the external diameter of which was 37 cm. at the mouth, and internal 35 cm.; it shows no sign of slip or glaze, and seems to be of Six Dynasties date. 2. Pottery from the beach. A group of 21 bowl bases and sherds were collected from the boulder-strewn beach at the south-east foot of the hill. All but two were submitted to the British Museum for determination of the probable dates of manufacture, with the following results: T'ang dynasty; broken bowl glazed olive-green, with 17- tooth comb mark. Probably T'ang: two bowl bases, one with 10-tooth comb marks. Probably Sung: three bowl bases and two sherds, without incised ornament. Probably Southern Sung: two bowl bases and one sherd with shallow incised grooves on the outside. All the above bowl bases are unglazed below a line part way down their outsides, and are hollowed out with a tool that left a helical mark within the footrim. Southern Sung or Yuan: three bowl bases of 13th century date, two with white porcellanous bodies and white glaze, and one with pale buff body and creamy glaze: their un- glazed bases are flat with very low footrims. Each of the first two has incised ornament, one an underglaze wave pattern within the bowl, the other a lotus petal pattern on the outside with raised outlines. The third shows signs of wear on a beach, which are seen on no other specimen. This specimen was overlooked and not submitted to the Museum, but has a strong resemblance to the two others in its style and appearance. These three pieces are broken across their bases in such a way that outline tracings of the base in section could be made. Figures 1, 2 and 3 below
2026-05-12 17:21:53 · Baseline
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FURTHER NOTES ON THE SUNG WONG T'OI

71

ment outside, possibly T'ang; two fragments of stoneware bowls with pale blue glaze, much weathered and probably old; and two thick stoneware bowl bases roughly hollowed out below, with their yellow glaze decayed, probably of Sung date; one of them was apparently not glazed so far down as the base. Lastly there is one fragment of the neck of a large stoneware jar, wheel-turned, the external diameter of which was 37 cm. at the mouth, and internal 35 cm.; it shows no sign of slip or glaze, and seems to be of Six Dynasties date.

2. Pottery from the beach. A group of 21 bowl bases and sherds were collected from the boulder-strewn beach at the south-east foot of the hill. All but two were submitted to the British Museum for determination of the probable dates of manufacture, with the following results:

T'ang dynasty; broken bowl glazed olive-green, with 17- tooth comb mark.

Probably T'ang: two bowl bases, one with 10-tooth comb marks.

Probably Sung: three bowl bases and two sherds, without incised ornament.

Probably Southern Sung: two bowl bases and one sherd with shallow incised grooves on the outside.

All the above bowl bases are unglazed below a line part way down their outsides, and are hollowed out with a tool that left a helical mark within the footrim.

Southern Sung or Yuan: three bowl bases of 13th century date, two with white porcellanous bodies and white glaze, and one with pale buff body and creamy glaze: their un- glazed bases are flat with very low footrims. Each of the first two has incised ornament, one an underglaze wave pattern within the bowl, the other a lotus petal pattern on the outside with raised outlines. The third shows signs of wear on a beach, which are seen on no other specimen. This specimen was overlooked and not submitted to the Museum, but has a strong resemblance to the two others in its style and appearance. These three pieces are broken across their bases in such a way that outline tracings of the base in section could be made. Figures 1, 2 and 3 below

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