68
HERBERT FRANKE
administration of the local rulers of the Tun-huang region who were descended from the Chagatay branch of Chingis Khan's clan was still modelled after the Chinese prototypes. The names of offices mentioned in this Mongol letter written in the Mongol script are transcriptions from Chinese. The same applies to the feudal titles of these local rulers: they are Chinese and can be identified through Chinese sources. The document must have been written about 1355 or 1360, that is, rather late and at a time when the Tun-huang and Turfan regions were certainly not under direct control from Peking. Another document found in Turfan and dating from the same period has furnished evidence for another set of Chinese titles, in a context which is, linguistically, a strongly Turkicized Mongolian. The names of offices mentioned show that the administration of these Chagatay kings was a replica of the Chinese central and provincial government organization. Even the disposition of the Mongol documents found in Central Asia shows Chinese influence: wherever the name of a Khan occurs, a new line is begun.23 This same feature occurs also in the Mongolian letters written by the Ilkhans of Persia to the King of France and to the Pope. The presence of Chinese chancellery practices in Persia under the Ilkhans is further shown by the Chinese seals or rather stamps on these letters.24 We could even go one step further and ask how much of the government and taxation practices of the Golden Horde rulers in Southern Russia is of Chinese origin. It is generally recognized that medieval Russia, that is, the Muscovite kingdom of the Ruriks, was deeply influenced by the "Tatar" domination and took over some of the Tatar or Mongol patterns of government. The tendencies toward centralization in sixteenth century Russia can be explained by these Tatar influences which might eventually go back to Chinese administrative patterns.
Chinese art forms too have spread West under the Mongols. A good example is Persian miniature painting. It is not necessary to be a trained art historian or a specialist in Islamic art; even a layman would notice that thirteenth and fourteenth century Persian miniatures were deeply influenced by Chinese painting. On some early miniatures we find trees, rocks and clouds painted in the same way as Chinese painters did. Chinese painting must therefore have been known to the Persians under Mongol rule. Recently unassailable proof for the presence of Chinese art in Persia has
68
HERBERT FRANKE
administration of the local rulers of the Tun-huang region who were descended from the Chagatay branch of Chingis Khan's clan was still modelled after the Chinese prototypes. The names of offices mentioned in this Mongol letter written in the Mongol script are transcriptions from Chinese. The same applies to the feudal titles of these local rulers: they are Chinese and can be identified through Chinese sources. The document must have been written about 1355 or 1360, that is, rather late and at a time when the Tun-huang and Turfan regions were certainly not under direct control from Peking. Another document found in Turfan and dating from the same period has furnished evidence for another set of Chinese titles, in a context which is, linguistically, a strongly Turkicized Mongolian. The names of offices mentioned show that the administration of these Chagatay kings was a replica of the Chinese central and provincial government organization, Even the disposition of the Mongol documents found in Central Asia shows Chinese influence: wherever the name of a Khan occurs, a new line is begun.23 This same feature occurs also in the Mongolian letters written by the Ilkhans of Persia to the King of France and to the Pope. The presence of Chinese chancellery practices in Persia under the Ilkhans is further shown by the Chinese seals or rather stamps on these letters,24 We could even go one step further and ask how much of the government and taxation practices of the Golden Horde rulers in Southern Russia is of Chinese origin. It is generally recognized that medieval Russia, that is, the Muscovite kingdom of the Ruriks, was deeply influenced by the "Tatar" domination and took over some of the Tatar or Mongol patterns of government. The tendencies toward centralization in sixteenth century Russia can be explained by these Tatar influences which might eventually go back to Chinese administrative patterns.
Chinese art forms too have spread West under the Mongols. A good example is Persian miniature painting. It is not necessary to be a trained art historian or a specialist in Islamic art; even a layman would notice that thirteenth and fourteenth century Persian miniatures were deeply influenced by Chinese painting. On some early miniatures we find trees, rocks and clouds painted in the same way as Chinese painters did. Chinese painting must there- fore have been known to the Persians under Mongol rule. Recently unassailable proof for the presence of Chinese art in Persia has
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