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each of which was further subdivided into several types, making in all nineteen types. He then arranged them within each group and type according to the central design at the crossing of the arms (where this was applicable), of which he differentiated eight types. This still seems to be the best mode of classification.
The Four Main Groups are: I, Cruciform with flat ends (Pl. I); II, Cruciform with circular ends (Pl. II); III, Bird-shaped (Pl. III); IV, Geometrical and Miscellaneous (Pl. IV).
The Types into which the Four Groups are subdivided are as follows: the two Cruciform Groups (I and II) are subdivided according to the increasing complexity at the centre—Type 1 is a simple cross (Pl. I, Fig. a and Pl. II, Fig. a); Type 2 has four petals radiating from the centre (Pl. I, Fig. b); Type 3 has four single bands connecting the arms of the cross diagonally (Pl. I, Fig. c and Pl. II, Fig. b); Type 4 has four petals radiating from the four diagonal bands (Pl. I, Fig. d and Pl. II, Fig. c); Types 5 and 6 repeat Types 3 and 4, but with double instead of single bands (Pl. I, Figs. e and f, and Pl. II, Figs. d and e).
The Bird-shaped Group (Group III) is divided into five Types: Type 1 consists of those in which a bird-form or forms is combined with a cross or part of a cross (Pl. III, Fig. a); Types 2 and 3 consist of a single bird, facing to the left or to the right (Pl. III, Fig. b); Type 4 consists of a bird with two heads (Pl. III, Fig. c); and Type 5 consists of two birds joined together (Pl. III, Fig. d).
The Geometrical and Miscellaneous Group includes many forms, which in general can be arranged under four types: Star-shaped types and Rosettes (Pl. IV, Fig. a); Circular Types (Pl. IV, Fig. b); Square or Oblong Types (Pl. IV, Fig. c); and Miscellaneous, as the p'i-p'a (mandoline) shape shown on Pl. IV, Fig. d. The Star-shaped types and Rosettes may have been derived from the enlargement of the petals between the arms of the cross. But there is nothing in the shape of the Circular and Square types to indicate a Christian origin; still less in the Miscellaneous types, such as the p'i-p'a, which appear to be ordinary Mongol seals, known to curio dealers as Yüan-ya I.
The differentiation according to eight types of Design at the centre, proposed by Dr. Menzies, is as follows: Types 1 and 2,
NESTORIAN CROSSES
13
each of which was further subdivided into several types, making in all nineteen types. He then arranged them within each group and type according to the central design at the crossing of the arms (where this was applicable), of which he differentiated eight types. This still seems to be the best mode of classification.
The Four Main Groups are: I, Cruciform with flat ends (PI. I); II, Cruciform with circular ends (PL. II); III, Bird-shaped (Pl. III); IV, Geometrical and Miscellaneous (Pl. IV).
The Types into which the Four Groups are subdivided are as follows: the two Cruciform Groups (I and II) are subdivided according to the increasing complexity at the centre-Type 1 is a simple cross (PI. I, Fig. a and Pl. II, Fig. a); Type 2 has four petals radiating from the centre (Pl. 1, Fig. b); Type 3 has four single bands connecting the arms of the cross diagonally (Pl. I, Fig. c and Pl. II, Fig. b); Type 4 has four petals radiating from the four diagonal bands (Pl. I, Fig. d and Pl. II, Fig. c); Types 5 and 6 repeat Types 3 and 4, but with double instead of single bands (Pl. I, Figs. e and f, and Pl. II, Figs. d and e).
The Bird-shaped Group (Group III) is divided into five Types: Type 1 consists of those in which a bird-form or forms is combined with a cross or part of a cross (Pl. III, Fig. a); Types 2 and 3 consist of a single bird, facing to the left or to the right (Pl. III, Fig. b); Type 4 consists of a bird with two heads (Pl. III, Fig. c); and Type 5 consists of two birds joined together (Pl. III, Fig. d).
The Geometrical and Miscellaneous Group includes many forms, which in general can be arranged under four types: Star- shaped types and Rosettes (Pl. IV, Fig, a); Circular Types (Pl. IV, Fig. b); Square or Oblong Types (Pl. IV, Fig. c); and Miscellaneous, as the p'i-p'a (mandoline) shape shown on Pl. IV, Fig. d. The Star-shaped types and Rosettes may have been derived from the enlargement of the petals between the arms of the cross. But there is nothing in the shape of the Circular and Square types to indicate a Christian origin; still less in the Miscellaneous types, such as the p'i-p'a, which appear to be ordinary Mongol seals, known to curio dealers as Yüan-ya I¶.
The differentiation according to eight types of Design at the centre, proposed by Dr. Menzies, is as follows: Types 1 and 2,
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